I saw thee once- once only- years ago:
I must not say how many- but not
many.
It was a July midnight; and from out
A full-orbed moon, that like thine own
soul soaring,
Sought a precipitate pathway up through
heaven,
There fell a silvery silken veil of light,
With quietude, and sultriness and
slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on
tiptoe-
Fell on the upturn'd faces of these
roses
That gave out, in return for the love-
light,
Their odorous souls in an ecstatic
death-
Fell on the upturned faces of these
roses
That smiled and died in this parterre,
enchanted
by thee, and by the poetry of thy
presence.
Clad all in white, upon a violet bank
I saw thee half-reclining; while the
moon
Fell on the upturn'd faces of the roses,
And on thine own, upturn'd- alas, in
sorrow!
Was it not Fate, that, on this July mid-
night-
Was it not Fate (whose name is also
Sorrow),
That bade me pause before that garden-
gate,
To breathe the incense of those slum-
bering roses?
No footstep stirred: the hated world
all slept,
Save only thee and me. I paused- I
looked-
And in an instant all things disap-
peared.
(Ah, bear in mind this garden was
enchanted!)
The pearly lustre of the moon went
out:
The mossy banks and the meandering
paths,
The happy flowers and the repining
trees,
Were seen no more: the very roses'
odours
Died in the arms of the adoring airs.
All- all expired save thee- save less
than thou:
Save only the devine light in thine
eyes.
I saw but them- they were the world
to me.
I saw but them- saw only them for
hours-
Saw only them till the moon went
down.
What wild heart-histories seemed to lie
enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a
hope!
How silently serene a sea of pride!
How adoring an ambition! yet how
deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank
from sight,
Into the western couch of a thunder-cloud;
And thou, a ghost, amid entombing
trees
Didst glide away. only thine eyes
Remained.
They would not go- they never yet
have gone.
Lighting my lonely pathway home that
night,
They have not left me (as my hopes have) since.
They follow me- they lead me through
the years.
They are my ministers- yet I their
slave.
Their office is to illuminate and enkindle-
My duty, to be saved by their bright
light
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which
is Hope.)
And are far up in Heaven- the stars
I kneel to
In the sad, slient watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!

You destroyed me,
And I let you.
You lit a fire within me
I mistook for the passion
Of poets
And I let it eat me up
And consume the light from my eyes
Until nothing was left.
I mistook you for a hero
When all you were was a person;
no better, no worse than anyone.
And I loved you.
I love you still,
And always will.
And that flame consumes me
Even today,
Because a misanthrope like me
Cannot help but romanticise such things.
That fire burns like the blood that runs between us,
And I mistook it for the fire
That warms the soul and the hearth;
That flickers between friends;
When in truth,
You were merely a lighter
To a pathetic piece of paper.

I saw thee once—once only—years ago:
I must not say how many—but not many.
It was a July midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness and slumber,
Upon the upturn’d faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe—
Fell on the upturn’d faces of these roses
That gave out, in return for the love-light,
Their odorous souls in an ecstatic death—
Fell on the upturn’d faces of these roses
That smiled and died in this parterre, enchanted
By thee, and by the poetry of thy presence.

Clad all in white, upon a violet bank
I saw thee half-reclining; while the moon
Fell on the upturn’d faces of the roses,
And on thine own, upturn’d—alas, in sorrow!

Was it not Fate, that, on this July midnight—
Was it not Fate (whose name is also Sorrow),
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred: the hated world all slept,
Save only thee and me—(O Heaven!—O God!
How my heart beats in coupling those two words!)—
Save only thee and me. I paused—I looked—
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)
The pearly lustre of the moon went out:
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses’ odors
Died in the arms of the adoring airs.
All—all expired save thee—save less than thou:
Save only the divine light in thine eyes—
Save but the soul in thine uplifted eyes.
I saw but them—they were the world to me.
I saw but them—saw only them for hours—
Saw only them until the moon went down.
What wild heart-histories seemed to lie unwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition! yet how deep—
How fathomless a capacity for love!

But now, at length, dear Dian sank from sight,
Into a western couch of thunder-cloud;
And thou, a ghost, amid the entombing trees
Didst glide away. Only thine eyes remained.
They would not go—they never yet have gone.
Lighting my lonely pathway home that night,
They have not left me (as my hopes have) since.
They follow me—they lead me through the years.

They are my ministers—yet I their slave.
Their office is to illumine and enkindle—
My duty, to be saved by their bright light,
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which is Hope),
And are far up in Heaven—the stars I kneel to
In the sad, silent watches of my night;
While even in the meridian glare of day
I see them still—two sweetly scintillant
Venuses, unextinguished by the sun!

Plane Poetry: I go to Barber*

aisle seat C 14,
an emergency exit row,
forced to solemnly swear
that for the extra legroom,
I will solemnly assist to open
the exit door, me first as my reward,
and keep my terrified screaming
below an elephant's trumpeting mating call

what hast this to do with a trip to Barber?

you Brits and Aussies, ever economical,
say went 'to hospital,'
leaving we Ameddicans
to dignify that august institution
as going to
The Hospital

Thus advised, be apprised, a
Nota Bene Benidictus:

I go to Barber,
Not
I go to the barber.

Samuel Barber,
Adagio for String Quartet, Barber

If unfamiliar with this piece,
you will recall it well
if "Apocalypse Now" registers at all

If not stop immediately,
return to Go,
start here,

www.youtube.com/watch?v=RRMz8fKkG2g


be prepared to surrender your mortality,
listen and if effected,
if you find yourself on your knees
weeping, recalling the days of loss,
the early empires of hope,
the first kiss
of your firstborn
and unknowingly,
the last you gave
a loved one

if you have the courage to
be touched and impacted,
as I,
then welcome back to
right here where why...

I go to Barber
where violins soar me heavenwards,
where violins rip open sores long since scarred over,
I go to Barber
and float, eyes sky'd, as water
fills and departs my body simultaneously,
I go to Barber
to know that art can rise beyond,
that my weakened, wrecked human flesh, surpassable  
I go to Barber
to harmonize my disconcordia,
romantic lyricisize my waning days,
I go to Barber
to voluntary confess, admit my impoverishment,
to acknowledge that they, my days, yet are capable,
I go to Barber
to remember and to forget,
to mark and unmark time
I go to Barber
to be created and recreated,
to be destructed and despaired
I go to Barber
to acknowledge, as human, better is forever possible,
for of the god spark, yet unextinguished
I go to Barber
because there is no plane as fast as his slow adagio,
to transport me to the who I am and should yet be

Oblivion.
The writing's on the wall.
A map to no where fast.
Non existent places, empty spaces,
Unreflective,
devoid,
absent,
soundless,
a  quintessential nothingness.
Wrapped in endless streams of non integrated meaning.
Non thought,
yet unextinguished.
waiting,
for that.....
kiss.

Raisins on the radar
Blips up in the sky
Momentary fragments
Dissecting the nebula
Into quadrants of infinity

Paradoxical parodies
Of timeless interventions
Parading down the highway
Toward the Main Street
Of all life

Opening credenzas
Containing empty virtues
Of Delft and Meissen statues
With layers of brocade adornment
Pretensions held up to the light

Fascinating sorrows
Measuring despair
With candles unextinguished
A world in disrepair

A bastion of hollows
Carved in granite heights
A tempest once devoured
Retains the kernel within
To reignite with a teardrop
A Phoenix full in flight

3/26/19


www.brucelevine.com

Oh, unsteady shapes haunting out the night

cold darken sea is a silent grave to me,

Dark Angels eyes showed clouded sight to mine

lost in his own darkness that holds fast in his ways

his temptation rise deep in a haze for me,

In a late autumn breeze, I could feel magic out on the sea

that old darken power follows me

like eyes on me at all times

cold touch had laid upon my face

tears had been shed like rain

voices cry out in so many pains

the sounds of kicking and screaming,

But I could never see a thing,

In the ship, we all do sail on an autumn night of Hell

I could hear ringing bells from far

but could never see where it came from

the fog is thick holding tricks of the night

making so much fright

then a voice cried out saying

Drive my sadden thoughts over the sea

and then let it come back to me

with an unextinguished heart

words will turn into ashes in the dark,

Then A stronger voice came over to me

saying ''Moonlight'' do not worry I am with you

that is when a Raven came near for me to see

he has red-yellow eyes shining in the night

looking at me as if the Raven was the one talking to me

But as soon as I started walking towards the raven

it flew away in the fog of the night

but the voice kept saying; I know you can hear me

the Dark Angel out of nowhere appeared,

He walked over to me handing me a glass of wine

saying drink to our love Moonlight

Please don't say a word, Just drink my love

so you will understand all my commands

then he kissed and tasted my tears

then said if you ever get the strength to leave

I will find you and that will not be a good thing for you

So drink and sleep Moonlight don't say a word

let me walk you to your room.

- Judy Emery © 1983
The Queen Of Darken Dreams Poetic Lilly Emery