Sometimes when I rise out of the nebulosity of my ego, I can see  dead leaves on the ground.
Above I feel formless, Uncrippled by any  precursing contingencies.
Disturbances are nullified by the rising and falling of my breath.
I am no longer a keeper of anything.
I feel as I've been left to float inside a vacuum that requires the complete disassociation from anything that I have ever known.
Everything here is gentle, && welcomed.
vibrant and healing.
perplexing to those that aren't ready to let go, salvation for the many who are.

Rising again from the broken knees
I shall still judge the sane
Before becoming a new villain between them
Turning into this devil
And ****** them as they laughed at me
I can now stand on my own feet again
Once you knew it, I shall bring you pain
With vengeance in heart

If ever I grow small
Consider me still useful
Uncrippled color

What does being broken mean?
What does being lost mean?

She woke up to moments of unsubdued
She woke up clueless as to what she ought to do.

She walked outside but regrets became obvious.
She walked outside unsure of one's purpose.

She kept listening to bottomless music.
She kept dancing to relentless music.

No amount of books can protect her from what she feels.
No amount of films can conceal the pain for her heal.

She is broken.
She is lost.

She kept it all.

Kept it, and found nothing but cold under the sun.
Kept it, and found pain during rain.
Kept it, and found loneliness under the moon rays.
Kept it, and found no constellation to the twinkling of the stars.

She was broken.
She was lost.

She kept it.

She prayed for peace and had it.

She wakes up to moments of deep breaths.
She wakes up to pursue purpose.

She walks thorougly for she was indeed uncrippled.
She walks unswervingly for she was blind no more.

She listens as profoundess is found in the songs that her soul sings.
She dances to the beat of her finally, unwavering heart.

Such amount books gave new chapters of life filled with twists and things she didn't thought she'd look forward to,
Such amount of films opened hope in the way her eyes was filled with spark and curiosity,

At last, her strings gave in to ease
She knew she always had Him.
Hence, the warmth of the sun filled her back with support.
Hence, the unending pour of rain to her hands and arms as she extends it remind her that Someone's got her and she'll not be the fallen, not anymore.
Hence, moonlight reminded her of her faith and optimism to life.
The stars, o the night's brightest of the most brightest one's appear a memoir of her infinite thoughts gave her beauty and enchanting passion to all things that she does.

Slowly, looking up at the sky.
She squints her eyes as wrinkles at the sides of her face show up.
She feels all at once.

And there she was finally free.

The pinatera in Austin
colorless skyrockets in bright blues
A promise made to fold the sheets

The fire sits behind the phone booth
An old lady in a grey sweater
"why would you take me here?"
(My apartment)

Are we ignorant or is Argentina *****?
The dirt on the ground, flag-blue and white
the walls that border the sheet lights
white wedding gowns, candles lit to my
blessed Mars, every scene is an image
of death I tell you in Allen's voice! I
could write essays about each scene! Poor
woman standing outside red building with a
slightly open window in Argentina. A medium
to Neil Postman - the message is you!

Be silent yellowlegs hippie sandals on beach yellow book
of pianos. I thought we were modern? Wrapped in blankets, blondes,
unshaven with my wrist watch on John Cage says he's frightened by old ideas so we push the envelope forward. You an artist damp sheet synapse connecting me to millionaires. Old bird houses and streets canary to birthday parties. We walked alone in the desert, sandy rocks and tumbleweed - a home theater - from Mexico to America. We were loveless so we decided to take a plane to Fiji. The plastic on the trees, snakes under rocks, loud sound of Darfur! We were models with beers cans on the walls, shelves, broken light fixtures, paintings for two, empty baskets, bar stools, doorways to the room. An interlude! My sister eating cake, I swear! It's a cubist painting! A cubist painting! Look at the geometry on the walls - so complex/ Our tools were our background, the sky was empty, it needed more color I said walking through the university, "I need a big gallon of water and a lot of money." "Can you protect me?" I certainly can't - I laughed.

Downtown in San Antonio
sat three blind mice
dressed
in ponchos and Spanish dresses
Black rights you say? We
took a small RV to another
city, it was hot, less though than
it was in Argentina. Fiji was
nice and had waterfalls, there were
tables near the beach. With valor we
uncrippled the image of time and arrived
at a trashcan painted with a yellow stripe.
Whole families - really only a single boy on
the ground in a red sweater surrounded by
filth - saying do better - I do! Little boy
I do care for your heath. He was gorgeous.
She sat down looking at a piece of plastic
- a horse - and we smiled. We wake and focused
on the microwave. The stove was nice. I was loud.
The switch on the wall hurt. The Queen Bee in the
store lost my money. He was tall. She was handsome.
I don't like Burroughs. At 44 I never grew up.

We looked back in the mirror - saw ourselves
And passed a muslim woman - the mountains were large
In another movie he died so in this poem he'll be pink
and will hold his arms out to men - ironic before me
asking myself how the white clouds which reflect the
green grass could juxtapose my middle-class house.
Your shoes were Asiscs - the expensive malls were mysterious.
We were young and left the better for a three story
building in Miami - but I enjoyed it. The people in
San Francisco weren't nice, but I remember playing guitar
in a corner by myself. The hostel and the flowers, I took a
picture on the third floor when I arrived. And David
why did he lick his lips? I was enamored by the magazines
offered by the U.S. mailbox - HEB produce - my sad face -
mother why can't you see? "In the backseat" is a
mountain less window with pictures on the wall and chairs I
sit on, books to my right, camera in front, reefs above
the chimney, and tons of tokens, from all the places we've
visited. Outside the wind blows. Months passed windowless parks.
Little homes made of puzzles and angels.

Downtown in San Antonio
sat three blind mice
dressed
in ponchos and Spanish dresses
Black rights periods. We
take an RV to another
city, it is hot, it is terribly hot and not NOT small, I am being mean, rude, and sarcastic I want more and less is what you gave me. It costs 250 dollars more. I should be at actually Harvard University I am happy those ends of sentences. Less though than
in Argentina.

Fiji was nice and had waterfalls, there were
tables near the beach. I once knew him too. What do you want? You decide? They’re on Facebook, there. Okay so now the rest of this sentence isn’t needed.

Here, let me continue:

- With valor we
uncrippled the image of time and arrived
at a trashcan painted with a yellow stripe.
Whole families - really only a single boy on
the ground in a red sweater surrounded by
filth - saying do better - I do! Little boy
I do care for your heath. He was gorgeous.
She sat down looking at a piece of plastic
- a horse - and we smiled. We woke and focused
on the microwave. The stove was nice. I was loud.
The switch on the wall hurt. The Queen Bee in the
store lost my money. He was tall. She was handsome.
I don't like Burroughs. At 44 I never grew up.

We looked back in the mirror - saw ourselves
And passed a muslim woman - the mountains were large
In another movie he died so in this poem he'll be pink
and will hold his arms out to men - ironic before me
asking myself how the white clouds which reflect the
green grass could juxtapose my middle-class house.
Your shoes were Asiscs - the expensive malls were mysterious.
We were young and left the better for a three story
building in Miami - but I enjoyed it. The people in
San Francisco weren't nice, but I remember playing guitar
in a corner by myself. The hostel and the flowers, I took a
picture on the third floor when I arrived. And David
why did he lick his lips? I was enamored by the magazines
offered by the U.S. mailbox - HEB produce - my sad face -
mother why can't you see? "In the backseat" is a
mountain less window with pictures on the wall and chairs I
sit on, books to my right, camera in front, reefs above
the chimney, and tons of tokens, from all the places we've
visited. Outside the wind blows. Months passed windowless parks.
Little homes made of puzzles and angels.

Be silent yellow-legged hippie, sandals on beach, yellow book
of pianos. I thought we were modern? Wrapped in blankets, blondes,
unshaven with my wrist watch on John Cage says he's frightened by old ideas so we push the envelope forward. You an artist damp sheet synapse connecting me to millionaires. Old bird houses and streets canary to birthday parties. We walked alone in the desert, sandy rocks and tumbleweed - a home theater - from Mexico to America. We were loveless so we decided to take a plane to Fiji. The plastic on the trees, snakes under rocks, loud sound of Darfur! We were models with beers cans on the walls, shelves, broken light fixtures, paintings of two, empty baskets, bar stools, doorways to our room. An interlude! My sister eating cake, I swear! It's a cubist painting! A cubist painting! Look at the geometry on the walls - so complex. Our tools were our background, the sky was empty, it needed more color I said walking through the university, "I need a big gallon of water and a lot of money." "Can you protect me?" I certainly can't - I laughed.

Are we ignorant or is Argentina *****?
The dirt on the ground, flag-blue and white,
the walls that border the sheet lights
white wedding gowns, candles lit to my
blessed Mars, every scene is an image
of death I tell you in Allen's voice! I
could write essays about each scene! Poor
woman standing outside red building with a
slightly open window in Argentina. A medium
to Neil Postman - the message is you!

The fire sits behind the phone booth.
An old lady in a grey sweater
"why would you take me here?"
(My apartment)

The pinatera in Austin,
colorless skyrockets in bright blues
A promise made to fold the sheets. . . . .

Downtown in San Antonio
sat three blind mice
dressed
in ponchos and Spanish dresses
Black rights you say? We
took a small RV to another
city, it was hot, less though than
it was in Argentina. Fiji was
nice and had waterfalls, there were
tables near the beach. With valor we
uncrippled the image of time and arrived
at a trashcan painted with a yellow stripe.
Whole families - really only a single boy on
the ground in a red sweater surrounded by
filth - saying do better - I do! Little boy
I do care for your heath. He was gorgeous.
She sat down looking at a piece of plastic
- a horse - and we smiled. We wake and focused
on the microwave. The stove was nice. I was loud.
The switch on the wall hurt. The Queen Bee in the
store lost my money. He was tall. She was handsome.
I don't like Burroughs. At 44 I never grew up.

We looked back in the mirror - saw ourselves
And passed a muslim woman - the mountains were large
In another movie he died so in this poem he'll be pink
and will hold his arms out to men - ironic before me
asking myself how the white clouds which reflect the
green grass could juxtapose my middle-class house.
Your shoes were Asiscs - the expensive malls were mysterious.
We were young and left the better for a three story
building in Miami - but I enjoyed it. The people in
San Francisco weren't nice, but I remember playing guitar
in a corner by myself. The hostel and the flowers, I took a
picture on the third floor when I arrived. And David
why did he lick his lips? I was enamored by the magazines
offered by the U.S. mailbox - HEB produce - my sad face -
mother why can't you see? "In the backseat" is a
mountain less window with pictures on the wall and chairs I
sit on, books to my right, camera in front, reefs above
the chimney, and tons of tokens, from all the places we've
visited. Outside the wind blows. Months passed windowless parks.
Little homes made of puzzles and angels.

Be silent yellow-legged hippie, sandals on beach, yellow book
of pianos. I thought we were modern? Wrapped in blankets, blondes,
unshaven with my wrist watch on John Cage says he's frightened by old ideas so we push the envelope forward. You an artist damp sheet synapse connecting me to millionaires. Old bird houses and streets canary to birthday parties. We walked alone in the desert, sandy rocks and tumbleweed - a home theater - from Mexico to America. We were loveless so we decided to take a plane to Fiji. The plastic on the trees, snakes under rocks, loud sound of Darfur! We were models with beers cans on the walls, shelves, broken light fixtures, paintings for two, empty baskets, bar stools, doorways to the room. An interlude! My sister eating cake, I swear! It's a cubist painting! A cubist painting! Look at the geometry on the walls - so complex. Our tools were our background, the sky was empty, it needed more color I said walking through the university, "I need a big gallon of water and a lot of money." "Can you protect me?" I certainly can't - I laughed.

Are we ignorant or is Argentina *****?
The dirt on the ground, flag-blue and white,
the walls that border the sheet lights
white wedding gowns, candles lit to my
blessed Mars, every scene is an image
of death I tell you in Allen's voice! I
could write essays about each scene! Poor
woman standing outside red building with a
slightly open window in Argentina. A medium
to Neil Postman - the message is you!

The fire sits behind the phone booth.
An old lady in a grey sweater
"why would you take me here?"
(My apartment)

The pinatera in Austin,
colorless skyrockets in bright blues
A promise made to fold the sheets.