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A Robin said: The Spring will never come,
  And I shall never care to build again.
A Rosebush said: These frosts are wearisome,
  My sap will never stir for sun or rain.
The half Moon said: These nights are fogged and slow,
I neither care to wax nor care to wane.
The Ocean said: I thirst from long ago,
  Because earth's rivers cannot fill the main.--
When Springtime came, red Robin built a nest,
  And trilled a lover's song in sheer delight.
  Grey hoarfrost vanished, and the Rose with might
  Clothed her in leaves and buds of crimson core.
The dim Moon brightened. Ocean sunned his crest,
  Dimpled his blue, yet thirsted evermore.
Mateuš Conrad Oct 2016
or that worth of gimp, the hotted sauced out
cradle of predatory amusement              banked on,
                        i have the notes,
mind you, you're clearly laden
with khaki material,
to mind the blackshirts of the SS,
a Vandal epiphany -
                 less khaki juice
and more blackcurrants -
                  or so the motto stands,
asserting brief and all that thought
of tomorrow.
                   all i'll add with this
vague blunt alcohol ridden self?
the vampirism of the abandoned trill
of the R...
                   that's the Vlad-blatant
abandonment of the trilling of the R -
and the competent disregard for
linguistic laws...
                 until tomorrow,
until i find my sobering-up manicure
and in rewrite the notes i've made
when inspired...
                      and i have made them...
it's all about me being nicknamed
a Viking for my tolerance to drink
you under the table, and dabble with nods,
or the blatant hiding of the tetragrammaton
with ghee (said gee) and otherwise,
                  (Indian butter) -
or dhal - or quiet simply daal / dāl:
against the aesthetics, ouch.
     again in French: je t'aime: ř - adding zero
hour to the said: sharpening the shrapnel -
                       jaded temp. / jay temp. /
                  j-j ****** or the rue flu.
oh it's there, in the notes,
as i benign the thought: unfit today,
payday tomorrow.
wait... i might have a sober moment tonight...
         encapsulate that with a question
about Iran, and a quasi-stop in conversation...
        or counting the strokes in a handwritten
variation:
              Yen ( ¥‎) = 4
                      pound (£) = 2
    matchsticks...
                             elsewhere also matchsticks:
º (red)
                = R E D (3, 4, 2) matchsticks,
                 º (
writing is termed another variant of arithmetic,
the total is 7, for one ideogram) -
             the sigma for red
   is 9, but divided by three means
        the European model falls 4 short
of optical indigestion.
     ř (caron) - caron of the missing z -
         not the variant of caron s and c with z:
czekam (i'm waiting), or szukam (i'm looking),
English has this pronoun priority
                   to be included in every phrase,
or what provides the British Empire fabric:
            how a-  (indefinite)
     and the-    (definite) articulation secures
pronouns with excess modifications
  as already apparent conjunction modifications
worthy of exegesis into the exotic / excess.
there are 7 pages worth of notes,
   but i have three quarters worth of whiskey to
drink... give me an Andy Warhol moment
suggesting: in the future, people
will have only 15 minutes worth of rechargeable
         infrastructure; hence the pending /
ongoing / will return to in a minute.
reintroducing the trilled R vogue:
    is a bit like incubating a vampiric
in English,
                    rzekomo (apparently so)
       řekomo -
                         variant of: as already stratified.
               still, the trilling of the R
is so out of fashion in English it's necessarily
a vampirism qualm -
                   never nearer the French hark
when the R summarises a rolling effect -
      by imperial standards charred.
howe then to resemble a trill?
           r̭ ?
                   or wave akin to wavering
                       (ñ) that's necessary above an r?
i need the trill represented!
    for thrill a better word -
                  or 0 and the minded gambit.
as said caron the missing H...
       twins in
                 Y or three-dimensional space,
and W
              of trigonometric absorption...
waves hunny, waves...
                          and three dimensional space
and rabbis... honey cluedo pooh bear...
i still need to find the trilled r!
**** me, the trilled r! virgulilla:
or thus said, a patent otherwise.
        yet again a ******* Yeti,
    counting matchsticks in Japan
   rather than in Iowa...
             cos it really ******* mattered
given the knots -
       and other reminders...
         yen, or Jenny,
      v. p o u n d
            (2 1 2 2 2);
          ś (acute) half-missing caron
      inc. grave v. š (caron)
             or the Sean Connery effect -
e.g. środa (wednesday) or škodaª
             (insert a H or a Z)
           for pronunciation
                        of the Czech car manufacturer,
already the Tetragrammaton descends:
   ªwhat a shame, it's such a shame.
       Mishter Bondè:
                                tequila sunrise?
ney - ney shaken nor shackled to a shtir (
šush it, and wise up, mš. moneypenny).
    just say Sharon and write Šaron:
dimples!
                         or how to paint a Kabbalistic
anatomy of the mouth to slow variation
between ś (acute) / no consonants will ever
acquire a gràve - necessary: the e isn't said
accenting / syllable scalpelling cutting up...
but still the coran s (š - to mention
ch in cheap, and šiš kebabs too).
variation of cutting up the caron into
acute and grave?
      ś: the tongue is primarily squeezed by the psyche /
breath and the mouth rekindles eating a lemon
tightening it's juiced up and juices the tongue
to sting with missing saliva -
š? primarily a serpent's hush -
  the mouth hollows out -
         the breath enters a so does a pufferfish:
antics of hollowed out mouth follow suite,
the diamond or double L

       bone                                    soul
               L muscle                            L teeth
  tendon                               tongue

synonyms and Γ apart -
                                 of the LL, or ΓL
                    or LΓ or ΓΓ.
                      the diamond diadem -
assertion of bone: whether caprais or
   cousin in the mandible family...
    is a tongue a muscle?
            still the Kabbalistic anatomy dynamic...
  the kinned appearance of H or the
variant of bone...
     or?
              a-
                     (+)
                              -theism,
it doesn't mean that God doesn't exist,
it just means that God has no logical attachment
to man's sprechen,
            the omni- can be rightfully disregarded
in that rubric consolidated within
categorisation of: lazy...
      a- (i.e. without)  
                            theology,
              ­       or our abhorrent freedoms of will,
nurtured by a universal lack:
       atheism contemplates talk of god
without a contradictory circumstance of the
human endeavour to find itself a *******
     lacklustre of comparative Raphaelite
                 illustration...
                           always the favourite,
aren't they, the crucified ones, rather than
those enthroned? aren't they? so why are the
Japanese asking about their ****** culture?
over-sexualised west?
let's ask Yokote,
   let's ask Takeshi,
let's ask Masahiro,
             sure... you can ask me:
  i prefered prostitutes because i actually
knew i was using my phallus rather than representing
a ******* identity of some egocentrism
regarding the skyscraper -
                     and the last girlfriend i had?
i wouldn't wish her to be a companion of
any kind of a Mongolian invader as part
of a horde... i had an argument with her
and was so unhappy i actually wished i was dead...
          jerking off never seemed so holy
as when encountering this woman who
stood by the motto: life is ****...
           but i guess money does that to you.
**** me! i never expected to be so Japanese in
my outlook;
tragic, i know, but what can you do,
    you unlock the floodgates of feminism
and you think that lions will start to provide for
the household? then you aren't lionesses; obviously;
or reluctantly so:
           i find the 21st century is withstanding
  any kind of revision, given the 20th century's
revisions aren't working
        for any worthy necessitation of reciprocated
stipend.
Mateuš Conrad Aug 2016
i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
AND SHE, AN AVALANCHE OF WOE!"
Mateuš Conrad Jul 2016
.i'm in luck, they're selling it at under 11 quid right now,
stock dry - gone in an instant - laphroaig like -
but not as smoky - but smoked scotch it it
at £10.34 - oh the little joys of having little money to spend -
you end up less picky and less hoarder and
the junk yard.


na głowe sypano mi, tak popiół:
     popiół! a obiecano mi *****!
           popiół! a obiecano mi *****!
                 popiół! a obiecano mi *****!

                  (not my words... lao che's dym)...

me, beer, cigarette, outer-suburbia -
police whizz past, silent with flare
or screaming toddler and Odysseus' 20 sirens
with wax in the ears of oaring company
akin to Ajax'ς vitality -
along the way, my neighbour (who's mother
killed my cat.. listen, i know he had
heart problems, he was on aspirin -
but kidneys, even if complicated are not
real problem, felines take longer to ****
than do the no. 2, pigeons don't have kidneys -
they're always of an **** diet of diarrhoea;
write like Aristotle sometimes,
forget the facts, be wrong, get it wrong,
never put a glass cup into the waterfall of
poetic cascades - get it wrong, be wrong -
get to know yourself - it's not that dumb
to be predictable in yourself -
if you allow self-predictability you will
see certain social events as being pointless -
you'll see friends and "friends" -
self-predictability is a verb, compounded -
i already know i'll make references to grammar
and it being missing in philosophy -
no, not coherence and appropriate arrangement -
i mean undoing the box of thing-in-itself
and the subsequent tennis with a brick wall,
to surprise yourself when something is unearthed,
a little piece of the puzzle - simulating awe,
the genesis of all that's to come, even awe from a yawn
and boredom... it's here somewhere... i'll karate
catch it with chop sticks.... (looking around)...
i don't know, might be a moth or a fly...

Antichrist: or a summary of Antisemitism - a variant of,
or at least a concentration - mainly confiscated
by Christianity - prime complaint:
a democracy of Anointed One (Messiahs) -
obviously a manifested justifiable practice of Antisemitism -
the throng of Golgotha intelligence quotient -
Jew v. Jew, and one convert from the delusional
4 x 4 (in the name of the father, and of the son, and of the holy
                                         spirit... hold on!
                                    i make four gestures... and make a fifth
                 with Romeo and Juliet talking -
St. Matthew-Luke-Mark-and-John... penta penta pent-up
pentagon - evidently there's a pentagrammaton somewhere:
ah! i b l i s.                       Surat no. via Rumi - 7:143 - veils and
the one - reward in heaven - more veils, gardens veils,
grapes in heaven veils - stomach a veil - hunger a veil -
rewards in heaven also veils - the poem?
praise be Jesus - and Jason and the Argonauts - and whoever
wanted a strawberry flavoured pastiche to lick tears off -
love's apocalypse, love's glory -
         well bloodhound eyes say it all - droop drool -
droop & drool... Jack & Jill... went up the hill, and passed
the Grimm Bro. baton to Hanzel und Gretyl in the 100m x4
relay of Disney Limps - then rabbinical literature to sober up -
Albotini's Sulam HaAliyah (Ladder of Ascent, formerly Jacob's
ladder - to be: Ladder of Skip-rope; Oxford, hello! yes,
can you please consider un-hyphenating what is desirably
a compound worthy word in the practice of German?          )?
is a bracket necessary anywhere and i missed it?
Antichrist - or a very strange form of antisemitism -
be like a Jew, congregate applauding in the right corner: Jesus -
in the blue corner: Crux Golgothia.
export from Portugal - the said book -
key principle (kefitzah) jumping or skipping (dilug) -
and this being applied to the one practice of mystic Judaism -
the ****** gematria; hishtavut (stoicism) -

me - is it still 20 quid for an eighth?
Sim (my neighbour) - yeah, but these days
                                       they sort of cheat,
                                       you'd get an eighth nibbled on,
                                       twenty for a tenth?!
me - ******, well, we can't expect it to not happen,
         we had coin debasement - clippings of silver
         keratin with Siliqua, third stage and
         all encoded authority is gone: Thomas and Anne
         till death and nail clippings be fraud unison in
         the depart (or when narration extinguishes
         a character, the character is worth nothing -
         the narrator wakes up - all the characters run
         like phantom-hares into nonexistence -
         phantom! thin air!
politeness said: only one **** at the wacky wee ö wee
(umlaut O / double oh, 007 - 00'7 - double u... oh!
                                 i get it!                             Jamie Oliver!)
DEI.GRA.REG.FID.DEF.
   "   (-tia) (-ina)(-ei)(-ensor) -
all that would have been clipped - authority of visage -
the courtesan only knew the mint in silver
and the mint in the flesh - hence clipping of coin
to erase the authority from the holy authority of words -
in the beginning - but once dei.gra.reg.fid.def.jpeg /
                                   dei.gra.red.fid.def.gif.

that ****** moth is here somewhere! there it is! catch it!
                                                             ­   catch it!
SLAM!          and the job is done )                                      ).
i really waiting a bus stop pretending to wait for a bus
toking on a joint - joint is mix tobacco and wee wee
and spliff is pure? i forgot the slang - haven't been
addicted to it in years.
Sim - yeah, that's how it is. work in central london -
         have to get up early in the morning.
         corporate finance - no that's a commercial firm,
         corporate finance - McDonald's, etc.
me - oh cool waiting for  ghost bus - never get paranoid
         then?
(police cars whizz by)
Sim - n'ah, a perfectly decent area, got stopped once,
          three years ago.
and the price goes to the laziest narrator in history - absolutely
no engagement with characters - it's too real, everyone's
lying - this is the second time i spoke to my neighbour properly
in the past.. ooh 2002... 14 YEARS - it's not even funny -
no amount of marijuana will make you feel comfortable -
you can mate and make Kingston handshakes and what not -
this is purity of absurdity and western isolation,
we went against the maxim: no man is an island on purpose,
not by chance like Robinson Crusoe -
at least Crusoe had a talking Friday - we have a ghost
of Michael Faraday on Friday - ******* disco blink blink -
poet... or alt.: the narrator complex - inhibitions toward
character craft and pseudo-schizoid symptom -
believing in ghosts is easy, fiction writers and their ghosts
and abortions, hardly a way to escape from that -
poetry: rebellious narration - just anything with narration,
modern fiction is read like a chess match between deep blue
and Kasparov - or Pavlov v. Jezebel playing gynaecologist.

blank.... blank... wait for the atoms trilled R to make
their toady presence felt -
the more pricier the whiskey the more pristine water,
i.e. you get drunk more easily -
anyone that smokes marijuana and thinks
they're clever are stupid; how many people are out there that are
stupid!
- resounding hearsay-hooray!
drugs, ******, crack, blow, marijuana, ****, ***,
  cannabis, dope, ******, mary-jane, 13, M - herb shake -
Humphrey saying to Bogart - that joint.
as said in Saudi
Arabic - a Ferrari G.T.I. and MeKubalim HaMitbodedim
                  )
                                  -chism - schism - sky - ski -
                                  cha cha, cha cha - kilo or 100th -
                                  1000 thd. - hundredth a thousandth -
                                  - where then the acute,
                                  timber from Czechs -
                                  kebab from Mesopotamia -
                                  and the Trojan horse to boot -
                                 chatter - chopper whopper -
                                 astoikism - not chew off
                                 curve into cherish but
                                 cravat chew in -
                                 Slavic mining zed - czarna
                                 ciasność - blackened claustrophobia.
a Buddhist clap
                   immersion -
left handed the right hand claps against air
                  )             )              )               )            ) ) )            )
a night at the Opera, right handed the left hand claps against air
(                       (        (            (               (          ( ( (            (
scimitar Luna - so they said, would like an audience with the
further unmentioned mention -
you're mates with neighbours who over 14 years you only
spoke to the count of thumb and index on occasion -
and thus necessarily high -
i was going to write something really important before
i finalised this draft... but i forgot what it was...
got almighty this whiskey is good...
i'm smoking salmon and pickling reindeer hooves and antennas;
a bit like practising Chinese miracle medicine with
whale blubber and Mongolian nostril hairs.

it's not about loving your enemies -
this love sinister must be invoked as: making your
enemies bearable.

i'm sure i had something concerning poetry and narration -
ah! it was... poetic compensation -
a.d.h.d. narration - attention deficit hyperactive disorder -
true - all psychiatric terms are metaphors -
at least outside the psychiatric realm -
poetry as a.d.h.d. meaning: shrapnel narration -
a custard pie of missing characters -
poetry: i.e.: the inability to believe in ghosts
or write characters - claustrophobic or agoraphobic narration?
a mix of both - poetry - the inability to conjure
Ouija fancies - poetry, the over-specialised gift for
narration, but an inability to invent characters -
poetry, the truth of the narrative, and the truth of un-invented
characters, poetry: the ability to narrate, coupled
with the inability to create characters -
fiction and the dumb narrator - poetry and the exquisite
narrator - fiction and the exciting characters -
poetry and the God - our focus is based on that vector,
or bias to that vector - fiction and the Oscars -
narrator and director - when to change from first person
to third person - again Burroughs was right -
images 50 years ahead of writing - a bit obvious,
nothing spectacular with that phrase -
lightning and the sons of thunder: 12 of them -
made the tetragrammaton less spoken and swear words
fucken-uppen censored so the crucifix and **** could
collide - a fine fine excuse - the Boeing 747 first
and later the quasi-sonic broom shoo' 'mm -
poetry as fiction disguised when fiction was given
a seance with pure narratives - splinter group:
philosophy's juggling with pronouns esp. the plural deviation
from first person as if to proper punctuation -
psychiatry and the theory of pronoun usage -
poetry and the pronoun rōnin (macron = umlaut -
count to two, or prolong - reasonable man / **** sapiens, pre-noun pro-adjective / adjective attache-noun, noun counter-noun es duo-adjective, Kellogg's sunrise cockle-doodle-dip-in-tartan-chess) -
only poetry mediates the parallel vectors of prose-fiction and philosophy - it consolidates the use of pronouns, art of poetry alone -
pure narration we're talking about,
the narrator and characters of its fancy,
philosopher and dialectical placebos (character equivalence)
with self-conscious moments, mono-pro-noun - alone i name -
the sacred squash wall of lecturing an invisible audience -
rummaging epitaphs in a graveyard along with birth dates
and live by dates - yes, that sacred we philosophers use -
an entire theatre was summoned to continue in appearing
sensible when writing without fictive apparitions -
enabling a fluidity in pronoun use, without sensible letter
writing, as in dear sir,
                                       me in reverse, thank you.
w
Chenoa Jul 2010
The morning came without promise,
A heaviness weighing on my heart
As the minutes lengthened upon the bed.
Motivation lost, frustration returned
At full strength from the day before.
The sigh of seasons escaping my lips
As I resigned myself to the pillows.
But then a soft sound tickled my ear,
A gentle bedside mewing sort of trill…
And looking over saw the green globes
Of the patient and insistent feline
That shares the shelter of my home.
For a second, my woes forgot to linger
And the beginnings of a smile unwound
The stubborn knots inside my chest.
Then looking away, annoyed by the
Sweetness of the interruption,
I willingly returned to my brooding.
But the feline trilled again, stretching
His white-gloved paw to my face,
Tugging the pillowy bedcovers with
Such benign insistence as a parent.
Refusing the request I hid beneath the layers,
Shutting out Aurora and her chirping fellows.
But the feline trilled again and,
Abandoning my sheets, leapt upon the desk.
I listened as he shuffled about,
Sliding keys and cards and books around.
My voice called out in warning
And he paused in his task, waiting.
But when I continued to hide in bed
He started again, working fervently now.
Again I called a warning.
His response silence… and then…
A pile of books hit the carpeted floor.
My hand reached the pillow
And launched it at the good feline
Who watched as it sailed right past him.
He mewed again, and I returned
To the covers… pillow-less.
One more time he tugged at the sheets,
Before choosing another possession of mine.
A set of keys this time, then a cup of coins.
The annoyance increased until finally,
He chose the harshest persuasion of all.
Carefully, he crept along the tabletop
placing a delicate white paw on
Matching shutters, pushing lightly.
The sun! Oh the wonderful, wretched sun!
Light! Not even the covers can save me now.
At last I rise, flying at the troublesome cat
Whose swift, practiced feet escape me.
He speeds through to the far end of home,
And crouches near the hearth,
His eyes bright with amusement and victory.
I'm laughing now as he takes off again,
Me following his progress until I have him.
His sweet voice trills playfully as he rolls,
Exposing the wide, gray-speckled belly,
And I attack!
My hand descends, fingers like claws,
And a noise escapes my throat.
Fur and fingers mesh as I madly rub his belly,
As some would with a beloved canine,
Playfully chastising him for drawing me from bed.
He purrs as I laugh and take him in my arms,
Burying my face in the warm, soft fur.
We sit like that for a while before he squirms away
And leads me to his empty food bowl,
Eyes joyful and expectant now.
As the pellets hit ceramic, I find myself at ease.
Whatever lingering self-pity is now gone,
And as I leave for daily duties,
He's there by the door, awaiting the
Routine stroke of the fur on his head.
Then when I return to home, tired
and deflated from the day, he is there to greet me,
weaving about my legs and mewing sweetly.
And in the evening, when phone calls are done
And dinner has been had, he settles upon
My small lap… his mass solid, warm and reassuring
Easing me to sleep with his deep purring…
Until morning comes once more
And it starts all over again.
so this is about my cat, Boots, and this stuff actually happens. He's too smart for his own good and knows all the right buttons to push and get out of trouble. But most of all, he's one of the greatest companions ever, so this is for him.
Mateuš Conrad Jan 2016
god isn't inclusive of some father christmas role managed by a being that designates rewards and punishments, at best it's, in literary terms, defined by a complexity of the ego, after all, the original revelatory principle was staged with a pronoun complex: without any definite rational causality likened to the cartesian imperative: thought therefore being (think therefore be); that cartesian imperative is categorised as a pronoun per se which is enable other categorisations of words to be akin (per se): magnetically misunderstood; which leaves many demented, early on or later on, but in modern times would building a gigantic skyscraper with only one room in it to hide a torso's weight of gold and a mummified body keep sanity on tiptoe? god is a complexity of the ego, as far as words can be expressed, we loose the ambiguity expressed by existentialists, who favoured "ego" over god, to feel less responsible than anyone could allow for the surd-language, the language written down and rarely heard from orpheus' lapping tongue showcasing a sudden thirst for song.*

rapture and rhapsody! rapture, and rhapsody!
overcast heavens  with the moon shy,
and shy indeed i, by the time i reached
ezra's canto lxvii (what beauty was built with
these numerals, greater and more eloquent
pillared, so what greater truths did the latin poets speak;
if latin is dead then akin be usage of a, b, c, d, e...
when the usage of these symbols dies then i will fall dead
at the final blow of their dis-usage as if  belshazzar seeing
fluorescent hebrew written on the wall just when the ****
ended)... and god did not dispute the endurance
of the argument  to keep a and z...
because under the romans no odd architecture
was summoned, and the hebrew nation flourished
by many religious sects of pharisee and the
sadducees, for a religious dispute be born
from the bethlehem star, and no slavery, but,
some might say, idle talk, for christ created
the 7-day-working week of constant commerce
by contesting a meagre collection of wheat shafts
as the adequate rebellion, basically capitalism,
and in a hangar of sold goods, live lobsters looking
at ghosts, walking in aisles of ample goods
wasted, bearably sold, with cheap constant music
heard to hush the "ambiance" of refrigerator lungs
wheezing a pseudo-beehive drone...
where once the land held a unity,
now the one of owning land earning a shelter
of factories over-produce and leave us
staring into an oblivion of recycling
and such feasts that will never take place...
hence i given sway away from silence
and invoking ezra's vampiric trill, with the sole
proof of vampires, r, being allowed
the statement: trill r roll a wheel stamp with heel,
and i too will cast a shadow over my shadow
to reveal my soul...
hence come the vampiric trill from only one
consonant, and let the frenzied atom river of
lost mumble in the other hum, the lost om
of the m tremble the mountains to shave and slide
mud and weight of rocks from its sideburns of
eager explorers anticipating a gratifying view:
let then the trilled r, the wheel, keep momentum,
for the activity of sisyphus rolling the boulder up
the hill, let the trilled r keep his faith intact
with the futility of the prescribed endeavour;
and so i will die making avowals,
and you, you will die making vows, in the shade
of the tree yearning for distinct processes
should it be involved, so minutely animate encrusted
is wholly animate things, in order that by its
minute movements, it would clarify wholly inanimate
things beneath its categorisation of animation via tropism;
where then the inanimate if not wholly god
should the orbits of celestial orbs fail,
and geologists fail to investigate mineral gold,
and should water never govern oesophagus lubrication,
or loose animation of boiling, dry residue at 180°C,
and the bone breaking ice of antarctica?
the only inanimate thing in existence is god,
as based on a theory posed by kierkegaard about
the changelessness of god: indeed contradictory
by categorical filtering to say a stone is inanimate,
and we animate (microscopic perspectives),
but the stone is also part of a stone mechanised to orbit
a shuddering sphere of fire that emits light.
Maggie Williams Jan 2012
When I was young, I caught a moonbeam
in a jar.
And I caught the summer breeze, too,
and the smell of wildflowers,
and just the way the mourning dove sang
outside my window.

And the moonbeam glanced through the glass
in a thousand rays,
and the breeze swirled around
for a hundred days
and the dove’s notes trilled and echoed back
into themselves.

And I put them in a little drawer
and turned the key –
to keep them safe, you see.
But I kept them there for overlong,
the lids were tight, ******* on too strong,
and dust had settled over the tops.

And when again I pulled them out,
the moonbeam flickered, small and sick,
and not so quick, the summer breeze.
The flowers were a vague perfume of
summer, and the birdsong was a whisper,
nothing more.

Most carefully I unscrewed all the jars,
and shook the remnants out the window like
dead things.
But the new wind caught them and
carried them away on its wings,
ferried off to the grave of the uncatchable things.
did you come before us nightjar
were you before us water hen
did you precede us kingfisher
was the world happier before men?

were you here before us peafowl
caught you fish here sarus crane
chased rat you dreamy owl
was the world happier before men?

were you still there cute quail
chirped sweetly little wren
trilled melodies shy doel
was the world happier before men?

did you sing at evening drongo
danced you peacock in the rain
how was the world long ago
was it much happier before men?
Mateuš Conrad Aug 2016
some would say that Ashley Montagu was mad..
actually everyone would, eating Chomsky,
then again the English forgot to trill ρ -
for a row row - it's pronounced hollow -
an evolutionary step in the wrong direction -
my learning of English as a language was
incubated by learning history, when i returned
from incubating it, i had no novel,
three years in Edinburgh (said Eden borough)
and i never went to the fringe festival...
nights when i prefer drinking than writing,
my mother is a housewife, i'm guessing
your mother is an aspiring sociologist,
for you the world is a treadmill on max speed,
for me every day means i am kept counting snails...
it's slow... they never bothered the man
where feminism never encouraged perpetuation...
i said i needed cushions, you said i needed stones...
here's a stone with Magdalene, throw it...
throw it at your will... i never had ******* dysfunctions
with ******... THINK ABOUT IT!
why didn't i have ******* dysfunction with ******
but i had them with you? actually, don't think about it...
you might hurt yourself... you probably will.
i swear on the zenith of mount Sinai...
this woman is an Everest... let her freeze to death,
i will not clamour a house to such heights
establishing her as a worthwhile continuum -
the English made the R glutton, forgot to trill it,
the French harked it, rhapsody became hark
po see - we call it the phlegm lettering -
so why did the English on purpose drop the trill
of the tongue rattling? the French kept the harking,
but the English forgot to trill the trrrrrrrrr illion words
unsaid, why? one of those days when drinking is
more pleasurable than writing,.. i kept the narrator
in the laboratory under tight inspection...
he said no characters deviated...
well, there were characters, but nothing
compared to Ivan, Achilles, generic types ready
to start families... the fortunate without none types...
that trilled r is not imagery of bouncing,
it's a case for a drum-roll pendulum...
now i know why i feel so alien in London,
London is an alien entity in England, compared
to Newcastle, or Hull... it's a hallucination...
it's not there... three years and i never went to the Fringe...
theatre land *******... my mother is a housewife,
time's slow slow for me, i don't have the
attachment of keeping up, halfway between
homeless and a monk... i really don't think about
a life like Rousseau's... i prefer the drink...
i just minded the fact that the English once
trilled their rho, then lost it...
that that French still hark their rhos like
rhapsodic fugitives fighting asthma...
it really doesn't matter...
atheism is not that crucial, it's not even that
severing in severance of follow-up engagements...
atheism isn't scary... it's pretty pointless
when you take up a fight against both God
and solipsism.. popularising atheism is a fight
more in the care to erase solipsism than it is to
erase god... atheism meaning an: en-grouping
is more a case of involving an individual
in its affairs, that it is to take affairs with god...
obviously militant atheism failed,
there's no consensus agreed upon to involve
anything but the crowd, the crowd is unnecessary...
politics knows this, the crowd is subterfuge...
the eloquent measure of saying things as they are:
sabotage... this night in particular?
not a lively night, not an inspirational night...
just a night for heavy drinking.
they're looking as much for the solipsist as they are
seeking god... the Gemini of artefacts,
twins introspective that constantly mingle
and never leave a still-life concern for a canvas and a
brush stroke... a second later another baby is born,
we get to keep the shapes, and we get to keep
reminding ourselves that: there are fewer and fewer
stories to tell... replaced by paparazzi epilepsy
of the flash... text when it was once narrative-form...
we forgot the bonfire narrative...
we replaced it with images, flashing images...
for a minute there i was sure we could maintain
encoding sounds, however cryptic and difficult
in the arrangements of letters...
but as i am assured there days, this wasn't to be:
we favoured images, ideograms without skeletons,
and slowly, but surely, we started to speak less
and less, or if speaking we started to experience
the attack of dementia on rhetoric...
there was a meteorite in us... we dampened
intelligence to a chop of the guillotine...
we really did undermine encoding sounds,
we really did undermine encoding sounds...
we really did undermine encoding sounds,
our undermining of encoding sounds created
the parallel of phonetic encoding that gave way
to digital acronyms and :)... this is the desecration
of the temple that would have been built...
this                                     "
is but a butterfly... but a butterfly in a tornado...
when we speak of a lack of painting on canvas,
when we speak of copyrights of handwriting
digital with us universally trapped in
Times New Roman, we speak of what's being defiled...
you can draw a moustache on a Mona Lisa...
it doesn't matter, the Mona Lisa will smile
through it more empowered... but when you desecrate
encoding sounds, not having applied diacritical
acuteness / sharpening the chisel... you have
simply allowed for a wholly immune form of former
escapades into the Caribbean scythe of harvesting trade...
soon the post-office will oblige its status of former
use as neccessary redundency,
soon the serpent eating its own tail will come into view
like a tumble-**** of where competition leaves us:
the last rat begins to gnaw at its own flesh,
the N.H.S. is gone via the Japanese oops,
old age is a problem of advancing sciences,
humanism got ***** for being too human
and not centimetre wide-enough for journalistic
sensibility that kinda wished for dictators even
though it criticised them...
sooner or later our world will become more
two-dimensional that what our immediate
ancestors experienced: a three-dimensional world...
that three-dimensional world will be no more...
reading futurism of the 20th century is like
soft-core ****... 21st realism is so far removed from
these prophets it's like watching communism reinvented,
only worse... the dogma of fierce competition and
enforced individualisation has not prepared us for
nations the size of China, or India...
at least in India street children can meet their Gulliver Oliver
for adventure among the Delhi slums:
put the rich under the microscope, and the poor
under the telescope... you'll hardly find a savanna's worth
of antelopes grazing on the workings of Patchwork Armstrong.
as any working man said: feminism is boring,
well, it's not exactly boring, i come home and my wife
is arguing with me, she says she earns more than me
and that i can't transition into being a house-husband
because the professional historians are restoring knowledge
of the Ice Age that doesn't fit into our Monday to Friday
work pattern paying the rent... no landlords in the stone
ages... evolutionary conscripts we were, by the mammalian
glands were actually insect glands...
in this metropolis few would claim a mammal to be hot blooded...
scurvy lizard tongues worshipping the Idol Babel;
it was never necessarily an architectural feat...
it culminated in what we talked about,
how we sang... you could out-build the pyramids
with the Eiffel... any time you wanted...
but given the wrist-mirror of Chinese ideograms
in matchstick translation... what came was not only
the height of the Dubai sky-scrappers...
but also the tongue that spoke... wheelchair bound
with two tonsils worth of wheels...
it sorta forgot rhyming, and rhymed to
yeah, mm, yeah... gotta ***** my *****
to get a score...
   yeah, mm, yeah... i'd love to endear that masochism
of white girls getting even with their fathers as
to why the black man tilled the cotton fields...
but i'm sorta like... got mouth-***** by the Prussians...
got **** treatment by the Russians...
cut off my genitals cut off by the Austro-Hungarians...
mm, ye'ha! cowboy in the sand gotta make a
camel cry.
Corpus Mortalis in the Greek, Hellenic, and Egyptian pantheons, in the vaults they were filled with marble by all the gangs that tried to find them, because it would soon be the longest night in the Aegean world, where it was propitious to indicate places where to spend the night because the Corpus mingled with the Souls of Trouvere in the Apennines, Ghosts of Shiraz from Jaffa, Almas Christi from Leros with the Gerakis, and finally the souls of the Necropolis of Helenikká to support all believing proselytes of the Hexagonal Birthright. They were attracted to the theorization of fragmented intelligence in every being that fears their own, without the opinion of those who leave them alone and hostages in their isolation, and of a corpus characterized by persuasion in the first objects of twilight, which only left distinguish the moons of the nails and not that of the firmament, the intelligence became lethargic and closed itself in its own object of ideology, of the individual and of the gods who administered everything without a Corpus Mortalis, rather they challenged three-quarters of the day, and three-quarters of their spiritual acuity, to resist the siege of space that disrupts the pause in the hour that excludes all gadgets, to counteract the detonated and not rescued exception of the challenge. The voices of the Moiras were tuned in with Circe, under Zefian's ordering principle, who was already delivering the ergonomic ****** of the fourth arrow, to leave it in the carelessness of Vernarth and Saint John already revived, encompassing and assuming three-quarters of the day they glossed to attract them the threshold that behaved in immovable demiurgic, where men stopped being men with intelligence, rather they dialogued about initiations of the cosmos, but without human centrism that acquires it for a dialogue of Timaeus, wherever they may be. the non-existent things, where he splatters her with nuances of science would bring serious stenches of his erudition. The saga was made of the Ekev of causality that explores from an understood cause already issued, but of the Samaritan philanthropist who shone more at this time, than anyone who closes his eyes so as not to open it after the eternal Aegean night. The philanthropic sense was sensitized with reason in the hands of Zefian, after delivering the Saetas knowing that his personality trilled from the Timaeus, not to disagree with it from a human conscience, but from bilocation of the Beit Hamikdash, attributing his conception with low resources of whoever restrains him by rationalizing, but is under the clinical resource of the one who is recovered from his stuttering and dyslalia.

The Argive constructor Tecton already came with his builders, while the Corpus Mortalis hit who or who would hammer from the plexus, or who or what would be the first network of his linear for the Vóreios de Zefian, adjusting to the beginning of a Corpus Mortalis when it began the constructive principle of the Argivo tecton. The arches were deconfigured in irrational measures, which with their sixth sense they could foresee from the trace of the Platonic Philebus, as he nodded with a refined tiresome bustle, but he appropriated it in presupposition, going to settle where everyone goes together to pick the berries of the field frank, next to the Mataki who was already putting an end and closing the Phaedo that was encircling, with the feverish organization of the trembling desire of the philosophical den, not determining to die like Corpus Mortalis in the breviaries of the ellipsis, where everything remains in nothingness or in the outcast of the one who treasures it with more contingents of memory, and of the same one who is reborn from the slags, having had an insight that remains empty in the cliffs, under the figure of a marked man who revives in the lightning bolts that enabled royal wisdom, while his Corpus Mortalis was leaving with his soul that was embracing vast fields of his thesis. Where what he removes when he pulses from the heart, he adds what the dying person adds, although it is not known where he is going, it will summarize his ontology more than a prison inhabitant who poses free on his profane neighbor from the rhetoric that manifests position in his trajectory who will remember him and will not locate him in the next scene of the challenge of a new life. The Phaedo is on the ex-Voto of him with two institutionalized powers, he will have to know who will dare to cure him of his sieges and his demons that resurrect him but not make him his captive. The spell already inaugurated that knowing or deciding in the nomenclatures of a Platonic Demiurge, who from all past life made it ulterior, but not processed from the Seventh Heaven, between both coincidences from an astral magistracy that will take him through the lawsuit of self-exorcism, wild for the greatest mountains that protect him when he wants to warn, that beyond them he will come umpteenth more monumental than themselves, but with his, Phaedo contained in his soul written and rewritten by him and by his Corpus Mortalis.
Corpus Mortalis
st64 Nov 2013
nothing like unsmoothed-potential
handed out
by
the dense-influence
of
libraries


1.
symbiosis personified within
the heart of libraries
where tomes could be spilt
in split-seconds


2.
staked into the other
like a dove-tail joint
yeah, I'll smoke you yet
on a day beneath a sun-trilled tree



peanut-butter sandwish on a windy-day
hm.. ain't nada like libraries
as fine-shelter
for fretted-shoulders*




S T - 14 novice 13
oo-wee.... put your head on my shoulder.. the things one can learn in libraries..
w-wot-a-day!



sub-trench: oo-wee!

oo-wee, indeed..
all eyes fall upon a greenish-figure
whose eyes sit on scales of half-shed mediocrity
balance, balance to the left, now to the right
tip-tipping the weight in favour of the duality
on an unending highway
to
the unexpected

and yes.. that highway..
ah well, never mind!

best grab-a-book and stuff me mug into it :)
Each hour until we meet is as a bird
That wings from far his gradual way along
The rustling covert of my soul,—his song
Still loudlier trilled through leaves more deeply stirr’d:
But at the hour of meeting, a clear word
Is every note he sings, in Love’s own tongue;
Yet, Love, thou know’st the sweet strain wrong,
Through our contending kisses oft unheard.

What of that hour at last, when for her sake
No wing may fly to me nor song may flow;
When, wandering round my life unleaved, I
The bloodied feathers scattered in the brake,
And think how she, far from me, with like eyes
Sees through the untuneful bough the wingless skies?
Smita Nov 2013
The silence grows deafening,
and the stillness screams;
the darkness over powers me.
i look all around and i see mirrored walls.
and in them the eyes!
eyes that bore into mine seemed to accuse,
they seemed to resent being trapped in here;
along with the very ghost.
i whirl around and see another pair,
appraising the view and seemingly smug.
so terrible yet so beautiful,
and wondering when the show ended.
i close my eyes, my heart speeds up,
i turn slowly and find another image.
hungry and dangerous the eyes came nearer,
with every step going backwards,
the ravishing the ravenous eyes came closer.
till i could smell her breath on mine,
intoxicating, alluring and beckoning me,
till i could fight it no more.
i tried to turn my face and again,
she smiled and waved at me,
she trilled a little laugh;
at my terror stricken face.
the sound reverberated off the walls,
that were also mirrors.
"why are you scared" she looked at me,
"we are all a part of you,
we sleep with you and wake with you,
and eat with you and we watch you ****.
we are your nightmares revisited,
we are the unspoken dreams,
the tales untold, the songs unsung.
all your deeds good and bad,
come undone with us.
for we are your friends and family,
we are only, you."
she bared open her heart
and i saw that it was mine!
and i heard the songs of the requiem,
or was it only my scream?
trapped within my own mind,
with the inner spirit.
she tortured me and tormented me,
till i was no more.
but when i start to think of it,
was it all just a dream?
but then she comes at night to me
and then i see it was me.
--To A. J.


A black and glassy float, opaque and still,
The loch, at furthest ebb supine in sleep,
Reversing, mirrored in its luminous deep
The calm grey skies; the solemn spurs of hill;
Heather, and corn, and wisps of loitering haze;
The wee white cots, black-hatted, plumed with smoke;
The braes beyond--and when the ripple awoke,
They wavered with the jarred and wavering glaze.
The air was hushed and dreamy.  Evermore
A noise of running water whispered near.
A straggling crow called high and thin.  A bird
Trilled from the birch-leaves.  Round the shingled shore,
Yellow with ****, there wandered, vague and clear,
Strange vowels, mysterious gutturals, idly heard.
Unpolished weathered wood plays on my palms,
I pull and reach and pull an even beat
Attending algae'd oars aqueous psalm
Altered by the tangled grass I meet,
in counterpoint  small waves percuss the prow
Accentuating the pause before I cull,
Mellifluous zephyrs bowing across my brow
Enhance the exposition of the gulls,
Above the hem of heaven's dress the bright
Cerulean bodice trilled with Cirrus lace
Beguiles regard, but maddeningly polite
She smooths her skirt across the score of space

Eclipsing a poet's want to read the ruse,
This lady only lingers to amuse.
I like the challenge of writing sonnets.

Copyright 1998 JB Marshall

It was midnight
the moon sailed through the clouds

Winds howled
so did the wolf

The insects trilled
while in the distance machines drilled

Roadways to resurrect in the dead of the night

Snow covered land, white
no sign of the Sun

Do not follow the shadows
they can mislead

Puzzled and incomplete

Mystery of the truth

In pictures framed
1761

A train went through a burial gate,
A bird broke forth and sang,
And trilled, and quivered, and shook his throat
Till all the churchyard rang;

And then adjusted his little notes,
And bowed and sang again.
Doubtless, he thought it meet of him
To say good-by to men.
Rebecca Carter Apr 2013
Exhaustion overtakes her soul
She used to fight it and her demons
Yet lately she sees no reason, for life has taken toll
Sun shines so lovely and weather warmed so right
She found that smiles came and laughter trilled
Her heart fell and leapt slightly again
Yet his words still burned where they fell
Lonely and broken, she stands once again to face the world
The cruel world that stripped away her innocence and ***** her of pure joy
The world that held her up and dropped her, dropped her flat
Just as flat as her deflated lost heart
But yet, she fought on
And through this fight, she developed an unimagiable strength
Her smile still shone warm, her eyes always light
A new detemination urged her on
A new phase of her life
Yes life would be complete in his arms
Yet away from that protection is where she learned:
Life is cruel and painful but through the pain, beauty overtakes time and time again
martin Mar 2013
The kettle boiled, switched itself off.
He made tea, topped it with milk.
He had never felt calmer.
Today was the day.

He counted the strides to the station,
One less than usual.
The train was two minutes overdue.
A robin just above him piped and trilled its cascading song.

The train came into view, now it was level with the end of the platform.
This was the time.
Before he could see the driver's eyes.
He hesitated.  
The moment passed.

**** robin, **** ****** robin.
J Feb 2011
Do dogs dream in black and white?
A shame, an utter shame.
I flounder for a hold on this man, his broad shoulders that used to carry me so effortlessly lifted upon the throne of his smile, so much worthwhile.
When now all that I see are the heavy hanged heads of the love that was once so deep, once so deep.
Pained silence pushes me to tears barely contained when before I laughed.
This is it; Don’t… Be. Scared.
Do I dream in color?
The hold on this; like the grip of my prints on wisps of smoke that flee and disperse from my desperate fingers, forever chasing an image that once ran to me with open arms.
I was a queen once, you know.
I danced with grace across maple panels glossed with the sheen of a million diamonds, painting the path of the white stag that pranced with me upon my forest floors, parting particles of light as they float like precious snowflakes to meet the dead pine needles.
The violins and ivory keys trilled out in their glorious voices with the angels that watched me dance.
Elegant and beautiful and free; commanding all who would listen to smile.
Then one day the earth shook and took my forest floors away, my white stag dead where he lay, the crimson painted corpse of all I held dear.
They brought their guns on fearsome horseback, their steeds’ bright eyes ringed white with horror, coats aquiver, for their king lay silent, glass eyed, still.
The throne of his broad shoulders askew with the pain of something only he knows, limbs tied back, no gentleness to hold his head, no soft cradle for his head.
The king is dead.
The king is dead.
written 02/24/2011
Sorcier d'argent Mar 2016
Colours in my eyes; like rain
as it drizzles, verses in vain;
Thoughts upon layering vines
of prosetry; a delightful hymn.

More than a picture; a metaphor:

A dismay of one's own fancy,
Prismatic one would say; vibrant-
ly laced strings trilled, on a fancy;
Whimsical: clinquantly fervent,

Or so one would say; gracing,
Painting cliques; of colours
of places upon themselves;
As a canvass wild wandering,

Upon the world in its charming flatter.

Unlike I, one bound deeply; enfettered
gladly in between dimly shades of two.

"A mixture of velvety crimson and deep royal violet."
Ann M Johnson Mar 2014
She met him at a dance, when he glanced her way on a Friday night.
She was trilled that he approached her instead of the other gals.
He told her later it was her eyes that drew him in, he said," they sparkled liked
Diamonds."
He took her to meet his mom once, she pulled him aside and told him, She said that," she is from the wrong side of the tracks."
They continued to see each other at the dance and did not look back, Their love was a unique romance.
One day he took a chance and told her the news, He said " Sweetheart I hope this don't give you the blues; I have to go away to war, I don't know what is in store for us."
She said to him "trust me, my love is true, I will wait for you."
She also let him know; we could write letters and before you know it the war will end, He agreed.
The time arrived to say goodbye, He held her tight and gave her a farewell kiss. He told her he would never forget her Diamond eyes, and that the time spent with her was pure bliss. He also said, " Your my Angel in disguise."
They wrote back in forth for awhile. his letters always made her smile.
The last letter she wrote said," My love, I miss you, please take to heart the poem I wrote for you:
                                          Snow Angel
                           You are were it is warm, in that war torn land
                            If you could you could build castles in the sand
                            I am here where it is cold, I could build Angels in the snow
                            I am your Snow Angel, my love warms your heart
                            I loved you from the start, always remember,
                            I am your Snow Angel
She waited at the mailbox everyday, hoping for another letter from him;
but received nothing more, until one day shortly after the war ended.
She saw a man in uniform heading her way, she rushed toward him.
When she got closer she realized it was not her Love, The man had a
letter in his hand, He said" I am so sorry, he got wounded in battle and we lost him.
He Said, with tears in his eyes," He died while saving my life"
He was a Hero.
He once, made me promise that if something happened to
him, I would deliver back to you, your last letter.
She took the letter and looked at the words written on the back of the envelope, You are my Snow Angel and in life or death, you will forever be in my heart.
My mom once told me about a guy that she loved before my dad, having died in the war, so this story/ poem is based loosely on that story.
Plus some imagination too, on my part. I hope you like it.
kimberli May 2013
11:12 on a Tuesday.
A moment when the wind stopped,
Buds popped,
Grass was chopped,
Bunnies hopped,
And my heart dropped.

11:12 on a Tuesday.
A moment when rivers spilled,
Snow was killed,
Birds trilled,
And my soul was filled.

11:12 on a Tuesday.
A moment when spring was delayed,
Children played,
Flowers swayed,
And whole, I was made.
I take a marble path to where we met
Underneath the ebony pressure and blowing mini lives
And think of every single thing
That ever chanced to grace your lips
And I walk and I walk and we walk to the bench
Where we aimed at those deaths
How they laughed at our kiss
Trilled down the fragrant spools
Of blurb stained cotton
You and me forever being
Good at bad ideas
Dark stories flying through the pane
Teasing me and never to be seen again
So take take take me to where we met
And where a single moment was greater than this
And even brighter than this
Swirled veins of redundant horrific prayers
Get me out of myself
to infinite
Yes darker than the 'byss
Please believe me
I never wanted this
And never could again
And here I am ready to jump
Into the magnificent song of yours
The gates creak for want of you.
Mateuš Conrad Jan 2017
i always wondered what
je ne sais pas might sound like in german...
   ah, **** it, let's put
this prosthetic limb together,
you never know, a siamese twin
might just pop out to steal the show...
ich      (je ne sais.... ah.. ha ha ha!
i was thinking of je ne sais qua...
ok ok... je ne sais quoi, quo-oh-e...
    e. e. cummings, come ere!
fiddle this violin to a fine tuning
that a deaf man might 'ear)...
and when language does indeed
as diabolical as this, you really should
stop using Poles as antibiotics to
German then Islamic fascism...
or kidding yourself that it's really
just a pardonable dream you're having...
so the prosthetic limb is coming...
  no point schmoozing me with
anything else... oh please please:
just dance the one legged tango a while
longer, i'm working on it... honest...
  look here... je, ich
   ne, nein, nein-stimme... no steam:
bog **** choo choo!
     meaner: neinschtimme -
   kinder dicht... why would i say kid-tight?
well... ballerinas begin their careers
at an early age... maybe that's why...
   otherwise? dunno...
let's feed this alcoholic cold-sweat -
finding the tutti-frutti hyper-delusion,
trying to say much more than the sound
of knocking on a door can ever provide...
that's one way to go about it, for sure...
and every part of me wants to be a serious
novelist, and be sober, and chop wood,
but then every other part of me
wants the poetry, and the drinking,
    and the scarcity of the adventure...
  to feel, having only slaughtered one pig,
that i was able to feed a billion ching chongs
in Beijing...
           china... ching chong...
a focus on the prefix ch, and the suffix cha cha cha?
no? different joke, on a different continent...
   i swear there was this guy from Bethlehem
who also made the same conclusion...
     can't remember his name...
you know, like: two fish three loafs of bread,
you can satiate a coliseum...
   ah! delirium! that's what alcoholics experience
sometimes... i love delirium...
      it just shows you, that if you're really
serious, you can experience many more facets of
alcoholism...
    hidden gems... and if you're really
hot-headed, have enough crassness about
to write about it...
    delirium... when other drugs have the after-effects
of paranoia, alcohol prescribes you delirium...
   in polish slang also called a delirka...
   but i'm not drinking purple denaturat /
ethynol substitute to chanel no. cinq...
    or should i say: çank?  yep, that ship sank
once it gave a smoochie to an ice-berg...
                                 hail Titanic! ave Titanus!
but i really was trying to find
je ne sais quoi (qua... ******* French,
excessive spelling and a gob that later
says much more throng... and that nasal
cavity needs fixing, seriously -
  but they write so beautifully,
and later slobber it with their local...
or should i say: locál! or perhaps: locállé?!
depends how you make do
with a syllable dissection) -
so how would it go? the je ne sais quoi in
Swabian?
   ich tun nicht was kennt...
              well... there are worse things than
mutilating a language...
      you could do worse, like mutilate a body...
   like in that film...
   with colonel sisi... the last king of scotland...
ah, what's his name? that guy
reminding me to never travel to uganda?
    yeah, had a wife, she cheated on him,
so he cut off her legs and arms, and sewed them
back onto her torso so she really ended up
with a confused pair of cranium hemispheres...
    and i'm the mad one...
just because i drink and have a vocabulary
equivalent of diarrhoea...
       but, so it goes...
   i'll never say the correct way of saying
je ne sais quoi in Swabian... because je ne sais quoi
is a complete package... like faux pas is
a complete package, like carpe diem is a complete
package... like coup d'état is a complete
package... like déjà vu is a complete package...
    there's absolutely no way to unravel it
or furthermore: translate it...
      a German once complimented my language
on the cushion-like effect of the word
  kurva...  *****... he loved the trilled -r-
and the waterfall of -va / wa wa... va to english speakers;
and so he did, relieve himself of stress
saying the word... and with such malice as
to no hurt anyone... and what's happening in
english? social-cool, prescriptive dyslexia...
        one step away from really, i mean
really being o.k. with watching **** and all
forms of perversity, and not o.k. with seeing
the correct spelling of the word ****...
      yes... mm... so ******* agonising seeing
a correct spelling...
                                   i better gouge my eyes
out having seen that....
or that case of ultra-proximity...
     kręt                        vs.      skręt...
kręt (a pathological liar, on a building site in
England usually called a Romanian) -
skręt? a rollie... a cigarette, you know the type,
you buy the tobacco, you buy the papers,
you buy the filter... and you actually roll
a cigarette... a variation of the word skew,
i'm sure... kręt does actually mean a meddler...
a swinddler...  and if you having been exposed
to the reality of a construction site in england...
you should see the ******* that's written
in the toilets...
     i really shouldn't have gone to university,
i wasted my degree in chemistry to merely drink...
**** good wine though, home made juice...
   hyper! hyper! hyper-ventilating on the silence
that's gathering around me...
  and if you ever spotted a lightning bolt
and never heard a thunder... you're bound
to be as itchy as me -
and by the way: the karma term for a German
in Poland is: schwab - or szwab...
              of shvab... it's getting dizzy... pfoo...
bilinguals can't be proud polymaths...
         i'm seeing alternative spelling in different
linguistic geo-political zones.
Lance Jencks Jan 2017
I couldn't help but smile
when a bird outside our kitchen
trilled, "Whew, whew, whew!"
Then it switched to "Wee-oop,
wee-oop, wee-oop!"

"Listen to that!" I cried aloud,
as Kim kept chopping her kale.
I went to the screen for a ****
while the bird continued.

The singing abruptly stopped,
and so did I.
I put away my pipe
and started a gluten-free diet.
I cancelled our subscription
to the New York Times,
and filed for divorce.

This was no surprise to Kim.
"You were always an *******,"
she said. "Same as that
******* bird."
Mateuš Conrad May 2016
r a n, or: reformed alcoholics named, such pretty,
saintly creatures, you can almost yawn at the whole affair;
i've never heard such gracious life-affirming stories as these -
watch them scuttling like rats from a sinking
ship, you can count them, hell, you can even name them:
oh there's jerry who ****** himself in bed,
there's bradley in black-out mode
at liverpool st. station,
james the one who puked blood in the toilet...
and there's me, using alcohol for what
the arabs feared it could do to a man:
dehydrate him and leave him with a snail-tongue,
all slurry and slow - not a very known
sedative back then, it was first used to sterilise
medical equipment used in removing an
appendix, or the third tonsil (e.g.) -
rarely was it used as a sedative, people abused it
during Bacchus ****** - they'd dance and sing;
Spartan meat-heads used to drink diluted wine
(all that six-pack growling and Hoplite Phallus...
Phalax... whatever RAA!) and would give pure
wine to shame someone and walk him down
the street, tumbling... the Japanese... hmm, what
an odd case indeed... i'd need a barrel of sāké /
säké to get drunk... and they drink it... warm,
disgusting... mulled wine i can understand...
but drinking ****-***** ***** warm is sick...
            now concerning the diacritical marks,
so the umlaut a (dot dot)... am i right in assuming
that in english it would be equivalent to write
it as: a a            and whatever letters either side?
oh oh! like aardvark? i'm good at arithmetic, . .    . .
    . .        . .            . .         . .                             σ 12, yes?
then surely the macron on the other variant is also
a prolongation, or perhaps an elongation of the vowel,
but of course with the     e           you're sort of supposed
to jump, make the tongue jump or fire a slingshot
or throw a Molotov cocktail or something, ṝight?
(yep, that's not a trill but a "growl", the english
                                        hollowed-out r -
     meaning it is prolonged, but it's not trilled -
                                        the posh Chelsea girls would know,
puffs and toffs and macaroons, whatnot, oh ya,
yeah, those kind of girls, they'd tell you all about
                   the hollowed-out and prolonged english ṝ
there's no greater amount of ambiguity like there is in
that and why w is said to be a double-u but is written
like a double-v, and translated into polish
a                 w is actually             a         ł;
                            i think this is where we ref. everything
to the dispersion of the peoples and the tower of Babylon).
Bex Jun 2013
She had long since stopped singing. The notes that had once flown off her tongue now lay dormant, her voice box squirreling away melodies meant to be sung aloud. Once, she brought smiles to the faces of old men as she trilled and skipped about, flaunting the youthful lightness of her limbs. But the notes were gone now, and with nothing to carry her, she sunk.

She no longer slept as she once had. Her nights had stretched long, with such indifference for the troubles of the waking, she had rarely bothered to see the morning. Now she awoke before the sun, shaken from slumber by the ghosts that haunted her. She knew they had less hold in consciousness.

Singing, sleeping, these she did not miss. They simply slipped away when she had forgotten to notice them, forgotten to relish her dreams, to hum lyrics that buoyed her above the pavement.
Hinata Jan 2015
There she stood playing a melody,
Her fingers positioned and ready.
She's such a tease as she trilled her passionate notes,
Playing songs that someone else wrote.
Her flute gleaming in the spotlight,
I love the way her lips were positioned on that pipe.
Her eyes sparkled as she ran through scales with such ease,
Her melody still haunts my dreams.
The way she blew steady air into her flute was ******,
And she continued to play notes that were chaotic.
Her fingers danced with passion over the keys,
Making me get down on my knees.
I imagined her fingers dancing upon me,
Imagining us in perfect harmony.
She gave me such a thrill,
My body is tingling with chills.
Her lips firm as she played,
Manipulating her mouth to make volume rise and finally fade.
Be mine, you free little bird,
Your song is the only one I heard.
Unleash your melody into me,
Let's make sweet harmony.
I love the way you tease me,
I love the way you play me.
I want my heart to be your flute,
Playing it to your wicked tune.
I love the way you fly,
I want to keep you as my own sweet lullaby.
Be mine, my beloved teasing flutist,
Let your melody and my background tune become sweet bliss.
Anyways, I decided to continue it. It's not as good as the first but I did the best I could with it. I like it, it came out better than I expected. Let me know what you think.
malcolm harris Aug 2016
Trump missed a step today. It's sad to see
such gaffs in a political career.
The morn dawned clear and bright. Humidity
had moved out overnight. (Precisely here
was Donald's chance.) Sweet-tweeting sparrows trilled,
bees buzzed industriously. As Nature wept
for joy dew sparkled, zephyrs fresh and mild
wafted the greenery. A sturgeon leaped.

Had Don been up, inspired he could have said:
"Were I your president I'd get my way,
o people of America, instead
of Tuesday I'd declare this Saturday!"
Then even a hard-nosed realist as myself
might vote for such a winning furry elf!


....naahhh  :)
Fay Slimm Sep 2016
From the fingers of first
misty light,
rays
of morning shatter
dark chains,
and usher
in daybreak unrehearsed.

Black songster displays
agenda for
mating
by ringing the ether
in trilled carol,
shakes off
damp night and flies away.

Smiles become partner
to awe
after
first heard
feathered dawn-bird's
wordless praise
as life again makes its start.

Raise the eyes for more
and view
nature
revealing truth
that only by such glories
can Love be
understood in unvoiced talk.

— The End —