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Amanda Small Jan 2012
A caged bird that sings to the wind like only a lover can.

I do back bends on roller coasters,
I want to be fearless.

I want heartbreak to be named after me,
so when you fall and shatter (yet again)
you are forced to say my name.

Regret coats my throat

A cough syrup that interrupts confessions

Unable to keep my eyes downcast
I gaze at the galaxies of the streetlights with my back to the pavement.

I trace trapezoids into my blue jeans
mouth confessions to the moon.

Press fingertips to taste buds
I can taste what I feel:
gravel
books
and pens

oh, and regret.

yeah, mostly that.
z Apr 2016
God
I am one hundred thousand water droplets
Leaning fast on the oxygen like daylight over the cemetery.
I am that very light that forms parallelograms
In the sun dial of your bare white room in the rail town.
I am the child that falls and does not break anything;
I am the child that falls and gets hit by the train in Barcelona.
I was never yours.
I am your reflection in the back of a fish refracted beneath your lance
Ready to dart away. I am in the air of the prison vents
And in the vents of the court room just before that
And I precipitate within the dew on the monuments years later.
I am the parallelogram of light that falls
On the empty side of your bed after the war.
The same that forms infinite trapezoids of myself as the days wear on
And draws all over your walls in the evening and morning light,
The same that encapsulates the motes of dust that are not mine but yours.
Unfortunately you will have to understand that I am no more
And strangely so, I never was.
S Apr 2017
and as i tap on my keyboard making noises unspeakable i notice that
somewhere between the Y and the I is a U, and I wonder why apple would set up such a cliché
a metaphor I would want to use in times like this where my writing is vulnerable and uncouth
i can’t even be angry with you, against you pressing on your V line since
i knew the movie was bad
i mean i just knew it as soon as the VCR ****** in the thick, boxy, tape
that this film was going to be just like the others— immature and messy,
you were unable to articulate the simplest of my sentences

insert line here

you didn’t even look new, you weren't even an opportunity
you told me you were willing to be the elevated beam in my single music note that we would create harmonies even my mother would like to hear
but she hated you
and you didn’t understand why I liked Bach more than Mozart, or why I didn’t like Mozart at all
you weren't a gentleman, but I am beginning to think those don't exist until well into our 30s
when our hearts are tender enough to feel empathy
you don’t deserve a poem, or the image of heaven

the capital letters you rained in my text messages made my eyes open a little bit wider
i went to cvs and i bought the twix the blanket and the *****
we used to do that together
asian men still write me poems for the morning, i walk out of dorm rooms with water that never knew the cold
and my head it; pounds from dehydration, its been a while since I’ve been in love
but some us are
in love i mean
the dumb ones, the despicable ones
how are they achieving something the kids with 4.0 gpa’s couldn't make an equation for

insert lines here

and why the hell do i keep looking at my phone, waiting for your name to shine bright telling me what to do what to say

insert lines here

why did you sleep with her, on her, side by side, parallel making hexagons and trapezoids keeping me out of the loop
why did i say ok
Everything was consummation to define the end in everything that was insinuated in the idyllic border that nothing presumes and deduces a good decision, but the emptying was already unobjectionable Vernarth, after living a thousand lives, began to anxiously call those who he believed that everyone was going to depart with Him. The elements had already been treated to reverse them in future spiritual lives with Eucharistic prayers that smelled specific aromas that would preserve the indiscreet air when seeing caravans passing by that came from concurrent to the final ceremonial on the heights of Profitis Ilias, including flocks of Ravens that they carried in the lips of birds that brought the essences and tiaras to decorate the Opistódomos. Alexander the Great and Ezpatkul were already coming with the rooks from the suburbs that would swarm through the ****** heights of the pronaos where the Vas Auric levitated, turning towards the Cinnabar that was already categorically in the Naos. The lavishness of the Mashiach specified the elements that were divided from the abstinences of the liturgy in honor of Him where all the winds from east to the west became the majority in the disciplinary section, from where its interior was grafted to the Vas Auric as a complement to the body. of Vernarth that began to atomize in the Apokáliptika assembly towards the paths of the eschatological epilogue, without detractors and tribulations to attend to the sighs of the Universe that would contract with magnificence when seeing that the nadir of the Duoverse was appearing, that is, the inferiority of the Universe that would bow down to the complex and unintelligible Duoverse, but with swift paths towards the sacred textuality where the work is already a reality. The souls in the pomegranate tree on its pedestal were already occupied by the Hexagonal Primogeniture, seeing that the Mashiach had already become the living word of Nazareth whose passion became co-binder in the ascending radiosities that came and went along the shoulder of the Hydor in the Nimbus Iridescent carrying rays of ultra warmth. Carrying imperious prophecies that departed from the component that everything is part of the precious stone that is submerged in the deposit, where the resurrected Mashiach takes Vernarth's hand and places the Golden Xiphos sword on his right hand, forming the empire from east to west. Thus it is demonstrated that Vernarth during the entire journey of this Mega Parapsychology was never dead nor ever lived, he only waited for the hypostasis of the Lord that led him snowy on promontories that brought him closer to the monumental ex-voto held in those present where everything was of monumental muteness, bringing resurrected wails of the Apostles to the scene as they were martyred by their pernicious pursuers.

The Investiture ceremony already gave rise to a formulation that would satisfy great celestial desires with gestures of toast or universal conformist gestures, to unite all the people of different origins who began to meet with Vernarth with a total outcome of humility that embodied the figure of a proselyte who constituted the voice of Ruth crushing the leftover grasses in Naomi's doubts. The trapezoids mocked every cross-eyed look twisting the height of the summer that swirled with the objects of generosity that arrived and fell on the lawn as a remarkable epiphany in the form of delicacies and ambrosial that dreamed of being in the compendium of the height of Olympus and Horcondising on the same level of the liberation of beings where the Gentiles converted to the creed, which fed on the words of Ruth and her grasses as advocated banners that adored all who were present at the Investiture of Vernarth's Himation.

Behold, the sacrosanct pilgrimages were from the geocentric Rosemary who had held the Messiah before trying to throw him off the cliff after intervening in the Synagogue in Nazareth, reversing the plot, perhaps assuming a figure of the indulgent portent that clung to the barrier of the portals of the corn, and everything in the center was dressed as the focus of the Himation towards a great rodón or molding of Rosemary.

Who else may be missing from the presses of or that could not be taken to the mill. Behold, from the spaces where light did not reach, the sacred ones of exclusive faith were displayed with the flashes of these Bern olives, so that everyone could enter the central place where everything was crowded with double luminaries that lit up as obfuscation until the end of each descending inspiration. . Vernarth melted and carried the shady slip of the cross that entered over the heads of the attendees, and the late prayer that did not hit the avatars of each bis of each pagan and converts that slipped through the lips in the seventh invocation, as if Flavius Josephus were referring to the purple gold that volatilized in the midst of all those who slept, and at the same time the dim jambs of the temple dilated to act as a relationship to the meeting of the Vas Auric and the Cinnabar that joined the shimmering aldehyde contracting in the oratory that fell when the Beit Hamikdash collapsed, to later become oratic frames that were largely diluted when adopted in the dynasty of a throne that would have repercussions similar to those of Homer in the Iliad, where an admirer like it is Vernarth of Achilles as he worships his parents Hair and the goddess Tethys more in the affront of an empyrean higher than Olympus. Achilles walked ***** but limped only supported by the materialized rods of the Aldehyde with the sole purpose of reincarnating him in Vernarth's submitology, where he will show him noble fields and herds of black-white steeds before regenerating him in the genealogy of the bishop that is situated and surrounded of peons, but not in his long palatial life, rather in the equestrian fields where his life was reborn in death and took him to old age that receded as he walked on the heads of the deceased. The notorious individuality was made by taking hold of Vernarth's arm for the short walk like a Soter that finally rearmed his gallantry in front of Briseis; she granted it to Achilles, and that she was now Vernarth's female consort.

Saint John says: “we all give parts of our bites to others, what an honor makes us more special when armies of Greeks descended on this investiture where incense reigns, longing for the aroma of Briseis in each piece of air that is soaked in Vernarth's Himation. This is how all courage becomes perennial in the gifts where the Achaeans also dare to arrive at this ceremony, and of all that exordium that contradicts fighting beyond all death, especially if the Mashiach extends the opening of the point and its space! -time in a single potion of the heart of the servants!
Everything was in the hands of the eyes that perceived the birthed gaze of the Fibonacci effect, where the steep columns seemed to open up to the gazes of those who were stuck in the stands before the descent of the Naos. What greater strength than being brave and eager to shield all the cowards who do not forgive the demigods who die first before the boarding, and without pain before the merits of those who with their beginner gaze reside with their eyes closed before being absorbed by the duality of life that recurs farther from the threshold of the flame that devours the indecisive departure. Feats and disdain to close the senses when the Mashiach came down with his archangels and Cherubim defying without any fear that illuminates Homeric doubts so extensive, that they could perfectly be confused with all palpable reality.
Ravens and Belphus
Lawrence Hall, HSG
Mhall46184@aol.com

                   Browsing the Poetry Titles in the Book Store

            I soon had a thorough understanding of the rules.              
            For a poem to go through there had to be a few lines  
            devoted to [         ]

                     -Yevtushenko, p. 68, A Precocious Autobiography

Call Me by the Post-Colonial Things We Carried Without Borders in the Boat in the Twilight Garden of our Being Unsilencing the Silent Voices Songs of Our Powerful People Aimlessly in Fire New and Selected Hopes To Change Your Life Forever Becoming the Healing                                                          ­                                                       You Always Wanted to Be in the Emptiness Within While Searching the Soul of the Underself in Quest of Anti-hierarchy For Elegies of the Lover
Who
Never
Was
But
Who
Might
Be on the Silences of Screaming Wings in a Rhapsody of a Plangent Tangent of Voided Meanings at the End of the             Rainbow World When a Golden Sickle Pierced the Sighings of                     the Moon in  Your Shivering Hand Leaves in the Exiled Gentleness of              Barbed Wire Pillows Comforting Your Cerulean Soul-Quest of Meaningful    Meaninglessness adrift in the Writhing  


Arms of your Powerful Weakness as a Twinkling Pancreas Vaults        Ambition Through Disconnected Quotes from Shakespeare Who was My           Soul-Twin Aflame with Passionless Passion for a Forbidden Vegetable Incarnadining     the Cosmic Cypress of Your Unattainable Body Through the Music of                 the Trapezoids as the Forbidden Kiss of Life

And, like, stuff
John Dewberry Mar 2020
Parallelograms
Go unparalleled
Until  trapped
by trapezoids
That
are than fused and molded
To fit inside
Rhombuses

For the squares who
Lack imagination
You’ve likely raised a brow at this notion
And for the cynics ever questioning
I say congratulations
You’ve done a stellar job... at proving nothing
Life is about the possibility of what could be
Based on what is
Improbability lives only in the minds
Of those who’d prefer to Uber to a dream
Just to avoid a toll
And if rules must be broken
So that tradition may redefine itself
Then who’s to stop it
Travis Green Aug 2019
You were always on my mind, and I could never get enough
of your benevolent love, the days we spend together in the boulevard blocks, our bodies a sea of bliss creating adventure and escape, our glowing gestures bringing us closer together as I glide
my fingers across your bearded chin, feel the magic within,
the crowned elements under your skin, the smooth silkiness
rising towards infinity.

The scenery around us a wave of gorgeous depictions glistening
in the air, green leafy trees swaying in the distance, fragrant flowers
aligning with the chamber of our souls, delicate square roots
and derivatives, incredible integration and trapezoids, exuberant
bridges and borders.  

You were my favorite valentine, a lovely romance on the canvas
of my flesh showing me all the things I’ve never seen before,
taking me by the hand, leading me into the labyrinths of boundless
treasures.

— The End —