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Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
mike Dec 2013
ders ah leetola hole ah in ah dee woll in my housse wherre i like to go to crrawl into and ah hide and wear childrens clothing. Ah you knoww,, de diapers and ah things. twirly hats and big ah big ah BIG swirly lolli pops. so ah delicious of a baby do i become. EVERY stranger on de whole neighborhood wants to ah talk ah to mee. im so cute ah. ders a no way around it. and i like to ah show it off. yess... to enTICE ah dee old mens. who are so helpless in front of me dey can not ah stop. no stopp ah de drooling in de mouth. no stopp ah de grrabbing with der hanns. no stopp from de taking off ah de clothes ah to make a sandwich de amore with ah leetol baby mee. but ah dey ah can not ah FIT in dis tiny tiny tiny hole in ah my woll in ah my housse....and i go to bed lonely and crying. i feel ah so BAD! so BAD for de other lonely lonely mans who are all probably doing very ah cute things too in de holes in ah der wolls in ah der housses... it iss ah truth to bear.. god..no god...whoo knows.. all i ah do know iss diss: we are all ah lonely sad peoples dressing like de baby in ah hole in de wolls in ah our housse. for tears of crying, i give to you.
this was obviously written by a very well-adjusted italian man.
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
Strange fits of passion have I known:
  And I will dare to tell,
But in the lover’s ear alone,
  What once to me befell.

When she I loved look’d every day
  Fresh as a rose in June,
I to her cottage bent my way,
  Beneath an evening moon.

Upon the moon I fix’d my eye,
All over the wide lea;
With quickening pace my horse drew nigh
Those paths so dear to me.

And now we reach’d the orchard-plot;
And, as we climb’d the hill,
The sinking moon to Lucy’s cot
Came near and nearer still.

In one of those sweet dreams I slept,
Kind Nature’s gentlest boon!
And all the while my eyes I kept
On the descending moon.

My horse moved on; hoof after hoof
He raised, and never stopp’d:
When down behind the cottage roof,
At once, the bright moon dropp’d.

What fond and wayward thoughts will slide
Into a lover’s head!
‘O mercy!’ to myself I cried,
‘If Lucy should be dead!’
Laurent Oct 2015
I now think Love is rather deaf than blind,
    For else it could not be
               That she,
    Whom I adore so much, should so slight me
And cast my love behind.
I'm sure my language to her was as sweet,
       And every close did meet
       In sentence of as subtle feet,
       As hath the youngest He
That sits in shadow of Apollo's tree.

       O, but my conscious fears,
               That fly my thoughts between,
               Tell me that she hath seen
       My hundred of gray hairs,
       Told seven and forty years
    Read so much waste, as she cannot embrace
    My mountain belly and my rocky face;
And all these through her eyes have stopp'd her ears.
Benjamin Jonson (c. 11 June 1572 – 6 August 1637) was an English playwright, poet, actor, and literary critic of the seventeenth century, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Foxe (1605), The Alchemist (1610), and Bartholomew Fayre: A Comedy (1614), and for his lyric poetry; he is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I.
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?

The Bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din.'

He holds him with his skinny hand,
'There was a ship,' quoth he.
'Hold off! unhand me, grey-beard loon!'
Eftsoons his hand dropt he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

'The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The Sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—'
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

And now the STORM-BLAST came, and he
Was tyrannous and strong:
He struck with his o'ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.

It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white Moon-shine.'

'God save thee, ancient Mariner!
From the fiends, that plague thee thus!—
Why look'st thou so?'—With my cross-bow
I shot the ALBATROSS.
It's an epic poem, worth the reading effort
chiggety check my flizzow
its me yosef comin back for more war and gore
makin mics sore
once i soar on the mic
turn these hard rhymers into dikes like mike
everybody wanna be like me
six rings n pending put an ending
last second shot ya know ya got got
one eight seven on the cops
cuz ya see death knocks
unexpectedly thats how its supposed to be
wisdom in the streets crooked i
no need to lie
sendin haters to the sky
dt ask.why?
what happened once i tell em
them i stuck em buck buck em
**** em
throw em.up the river
souls quiver when i deliver
rhymes like mail no stamp
or postage kick up the mostest dopest
boys hope yosef is
on a downfall but still i ball
creep n crawl like eazy in the six tre **** what yall gotta say
i got propz from 3rd coast to the LA much luv to the bay
o yea im coming crazier than sling blade
haters get sprayed like raid
to the tombs ya go where body becomes fade and yeaa it don't stopp



uh while you flyin' with witches
im ******' ******* with multiple riches
even ya girl got her pearls tongue wrapped aroubd my hung
dickkkk stickin' yo chick
after i nut in her
i drop her *** like a cheap brick i stick
hoes like i stick my flows
nothing but that raw ****
that hits so hard make even the dead raise from casket
tisket a tasket
i got heads in a basket
crazy insane in the membrane
i told ya ***** im a four time veteran i can dance in the water and not get wet
can ya dig it
i aint talkin friends of distinction
im tryna put mcs into extinction
my rhymes be penchin'
nerves with the verbs that curbs
make reservoirs
at dry spots liver than liverachi
cook up lyrics like a japenese habachi sound the banchees
dont ya know jalel death comes in three
****** you and whole wack rappi. family
yall cant handle me
im slick as rick check the tock to a tick
times running out no doubt
got ya sweatin' as the water tricklin'
down ya check yosef eradicates weak
so no need to speak
uh my flows detrimental every time i lay my **** in an instrumental
learn to rhyme learn to spell
***** ****** always wanna yell
out loud but once i puff my cloud
i pop guns make ya soul run
as ya lay in a casket uncovered the shroud
yea and it dont stopp
cuz its 187 on a muthpahukkin flop
Grace Oct 2012
Why is it when I am finally soaring above the clouds, someones gun shoots me down.
Why can't we all just stopp bullying?
I'm sick and tired of it.
Why is it, whenever I feel good about myself you people bring me down......can I not be happy?
Or will that destroy your world?
Why
Oh
Why is everything so wrong
Yesterday it felt so right, I was flying above the clouds
You shot me down.........
So sweet is the raz'r of thy tongue
That hath from my flesh stole
My vigour young
And my heart made cold

By thy caustic speech;
Off thy lips shot,
Pluck'd my heart's petals each
And cause my veins to clot.

So sweet is the torment wrought
By thy tongue sharp
And my heart stopp'd
From thy lungs' wretch'd harp.
I have begun a series of poems that are inspired by Italian opera arias. This is the first, inspired by Monteverdi's Aria Amorosa.
Elyas Nakos Apr 2017
3
Dreimal klopft der Specht dann öffnen sich die Himmelspforten.
Dreimal um den Block  gerannt, zweimal Gott  getroffen.
Die Hände gestreckt, entgegen dem Sterbelicht.
Ich seh ein Licht, ich seh ein Licht.

Dreimal mit einem Engel geflogen,
einmal abgestürzt.
Ein Stopp auf Wolke Sieben.
So elegant, oh so elegant.

Dreimal bin ich hingefallen, zweimal wieder aufgerichtet.
Einmal fast ertrunken in der Selbstzerstörung.
Hinunter gezogen hat es mich, als hätt ich einen Anker am Fuße.

Dreimal schon hab ich geliebt.
Einmal nur mich selbst.
Zweimal nur die Welt.

Noch keinmal wurd ich selbsterfüllt.
Zweimal muss ich nochmals graben.
Einmal werd ichs doch dann finden.
#3
VentEmotion Sep 2016
What have i done
Giving mylove away
For a trail never promised to stay
A heart full of love
Filling with sorrow
I should of thought twice
I am tired of leading with my heart
When it comes to love i am weak
My weakness is i love harder
Harder than i ever thought
Its pure to my wants
I chase what i want
Its him who i want .
Stopp the recklessnes ..your weakness
Weakness spoke upon me and let him take it.
He took it and ran with it
Never looking back
Chasing him was an empty virtue
O was so blind with masked lovely haze
I didnt seeo..i wanted to feel nothing but him
Hypnotized by what ..i had no meaning to
This love had no meaning
Its takes two to make it historic
I left in your hands as if i cant conquer on my own.
Trial mistaken.
jeanette korbel Mar 2015
I figured out its not your fault.
I need to tell you before its too late.
All those days i thought you left me behind.
Your heart was broken before mine..
All those days i wondered what you were thinking.
I realized you were thinking about me.
All the people that try and replace you.
I laughed at them, I still do.
If one day you don't think anyone cares.
Even though im far away, Im still there.
No matter where you are or what ever happends to you.
I wan't you to know I never stopp
nvinn fonia Apr 2019
our grasslands,frantic Jiving,Jiving Jiving  carries     the full moon  
things you know ,under stilts- day/&night; /\are off ,,,, raspberry,
discontent,  its in  my winter,  / in  my seasons/  mother  fuggazii a neatt blueberry /trimed, neat
  

  ,                        
,bespoken// man off the hour Onegin \Gerianne- ,,twitches  .Onegin \Onegin \Gerianne-
astute,!!! many many-floors up, piping- cleaning,every quarter the clouds/masquerade ,this is cat______
to,,, through ,,through,,n,moved, a-blue,, temple a bloom,a ,temple a rook a trek a stoop now
Buddha, a simpleton/buddah geriane
evn more, man , means  pristine,adhoc ,reminisce wt i was wt wht wht ever i was
end-knot, end knot yet waas itt it was probable most likely
immeasurable , -penetrable the - wild/man go take a look beckons/you hey  the  ribbons the  knots
knots  the wrought what for/wt for noww  door to door
tropic tropic endemic you hear wt you see you lurch you b you b you believe sort  off  
on my sideAusual-revival A rendition again  again and lifee-like -ride
and whatever moreover all oveer the leftovers rose swells . fine
inn smoke  -reels/ ncapabl,,indecicve ne more dayy nd through
th moors,,a week goes
mayb a month a long intention  itt- sooths./all the more doggs
onegin \Gerianne- ,,twitces  .astute, many floors up,pigging cleaning,every quarter
the clouds/massquadre ,this is cat to,,, through ,,,,,moved , a-blue,, temple
a bloom,a ,temple a rook a trek a stoop now Buddha, a simpleton/buddah
geriane droggs onegin \Gerianne- ,,twitces  .astute, many floors up,
pigging cleaning,every quarter
the clouds/massquadre ,this is cat

to,,, through ,,,,,moved, a-blue,, temple a bloom,a ,temple a rook a trek a stoop now
Buddha, a simpleton/buddah geriane
,, miniature lamps,,blizzards all that can in a man/rigour
all that hula hoop possibly a merry christmass,,dayys spent ,,,  full you  are all that is
sire a \all the pleasures off a small room full off all the kool tools an art decoo sire by now you know it all thecrystal fairies in blue crystall *****    
,pretty slick,,,runs ,piping hott ,, undone &the; buddha, the-rider,, the- boxes,,,layaway
the glistering the beaming, all  the book keeping a philistine, if i mayy

impeccable, and  free glitters all  the hourrs,a\ repliccaa just a beguiling  taste ,\
,sire,,little empty purposely,, masterfully done,,,sire beefy ,,sire,and, plenty-full
surelyy the nectar bequeaths
( projected .mediocre , mister faires in ferries  shimmering  dearest of stories
  / wings/reminising      buddah     buddah.    
  an artt decoo sire,,,a purple tea *** in which we drink our tea,

,,mirrors,,, the very best in the pristine the mannequins,,all the more
the -buddha,the-rider,, the- boxes,,,,sire iff only i may evn more
from wt i was endless immeasurable the - wild/beckons/ ribbons and knots
knots what for/ door to door  tropic
day/&night; /i was i would on my side
Ausual-revival  Arendition again  again  and  lifee-like -ride
and whatever moreover all oveer the leftovers  rose swells . fine
our grasslands,you know , stilts  frantic Jiving,Jiving Jiving
in smoke  -reels/incapabl,,indecicve  one more dayy and through  th moors
are off ,,,, raspberry,discontent  / neatt/  mother  fuggazii ,,
a week goes  mayb a month a long intention, itt- sooths./all the more

coldest,yet An ongoing black screen, then you came   colored coldd eminence  at al times
around me,   the birds,forrow Here burning,  Orange yello/blue brigand
In a lot, and  the cloud,  the grasslands to let me in,  dollor man
a board, a bloom Buddha, a simpleton ,  slanted/ forever possibily
  glistering/the ice cones,gingivitis floating away    /balloons
Above//   before beyond   half  half ,exciting  Elicit, , derelict,  
,  /never closing  a fantasia what i mean when i need  
   rerun .the chapters <retort>     there's a god  today in this moment and i can feel  it  .
   "jessica"\    ( the drudge   ducks   dips digs more and more
     won't stopp)       diners too many  tea  
  <>>>>\        stays afloat,        dispels /beaten /scowls   scary ,all-of jiggling/kepp bouncying
     ><weeds out / >minuscules         ripes/renders
         <jessica>>>>jamboree          come face me.
     the grandest / all  the oddities     one magic invention i was missing all this time
    transgression/ kindda may be timid /    my jive /our rruby/mouthing
a last supper if you will .something akin
   reasons /acuity/  th more the merrierer
   my bliss/slits    till-kingdom comes .   / & the black space everywhere in
   them the/many minds    all the more    \><citadel.come and go touch of gold
   see to believe              &&&&  <    deep blue lakes that  never end
their rune and it  returns  a ship on her chest
that i will reach places un dreamt of   will   returnn  > there. everyplace
                        
                  
   still passionate  though    /frothing/foams  "jeddah" "a simpleton, gives wayy too ".
the landscapes.an excerptluxomberg- along the /tumultus ,dry  the same dayy footing it foams  2 itt noww,,a cold..trance ,, embezeled !! forr ,regressed. ,thoseof us VISIBL- Keene
it is finally-plenteous breathing!a more juniper  . . cold. \ invisible,grooming////      
  turns outt
_..... ) .same dayys, for ever,evoles the delicate, the muffin menin muffin coats
/,/renders the arc  dayy 5 on the road is lunch  now ............
along the heavy points 4pm same dayy a brown tea *** so nicely preserved but off no grater utility just a brown tea pottt  37 -38 ..........just likk thatt
.... kindda winds up ,,wry now ....the fckig landscape.an excerpt  luxomberg
alice springs.carrie. chapter 1,the landscapes 2.pm preemtive.the-blue-acron in chrome  i-would know _ -as forr a while  ,(radio rahim....) for you ,tic-trackks,tic-trackks viggelntees) a vigill,


step1 : sudo apt-get install xserver-xorg-input-all step2 : sudo apt-get --purge autoremove xserver-xorg-input-all && sudo apt-get install xserver-xorg-input-all
agnes Jul 2021
han
jag skulle ljuga om jag inte erkände att jag minns dig
jag minns hur din famn var som en vagga för min trötta kropp
jag minns hur ditt leende satte ett stopp på allt jag trodde att jag var
för med dig så räckte inte mina andetag eller trösten jag trodde skulle göra dig hel
det räckte inte med maten jag fyllde din kyl med eller när jag träffade dina vänner som kollade på tjejer som om de vore tårtor i ett skyltfönster
precis som du gjorde

du höll upp mig med ett snöre med saxen nära till hands
snälla klipp ner mig och låt mig träffa marken innan du hinner skada mig igen
tänk om jag hade sagt så
tänk om jag sa åt dig att sluta
istället lät du mig vakna i fläckar av blod och i en kropp som inte längre kändes som min
men du lät mig aldrig vara ledsen för det var ju din själ som skulle vara trasig
det var ju du som förtjänade sympati
för en gång sa du ju
                                      f ö r l å t
och om jag inte säger okej till allt du vill så är det mitt eget fel
det är mitt fel att dina ögon inte längre är blå
men att mitt lår är lila från ditt grepp

jag minns den mörka parkeringsplatsen och hur jag gick från skratt till chock av din hand runt min hals
tänk om det hade varit suddigt som en dröm
istället minns jag mer än jag önskar
hur allt var så naturligt och självklart för dig
och då var det redan för sent att säga nej
min rygg mot din vägg blev min plats och jag skämdes över såren som du skapade
för kanske var det jag som låtit dem ta form
smärta
du bar en mantel av svek och ändå kunde jag inte se igenom dig

din skönhet försvann i ögonblicket mitt namn och våldtäkt nämndes i samma mening
men även nu känns det fortfarande som att jag vill säga okej
att allt är...
                    okej
nvinn fonia Dec 2016
what i mean
when i need
  
   rerun .the chapters <retort>  
   there's a god  today in this moment and i can feel  it  .
   "jessica"\
  
  ( the drudge
   ducks
   dips digs more and more
     won't stopp)
  
  
  

   diners too many
Whit Howland Feb 2021
a miss miss miss

fire

a dis dis dis

connection

snow falls and looks like
puffy fluffy cotton
on the ground

do i stststutter do i
do i have a sspppeeeech impede

impediment

ssstop stopp the the
world the world
from sppininng

I want to get off

impediment

the pipes clank
and the sink drips

in a syncopated
rhythm

whit howland © 2021
An abstract word painting. An original.
Em Aug 2020
Do not run to him. He won’t set you free.
His arms don’t promise release, his lips aren’t
Telling you truths. He beguiles, can’t you see
His wreath of lies on a closed door, you can’t
Go through, you won’t come back my love
Would follow, but you would go beyond
My words, my eyes, my soothing touch and you
Could not be free, nor could I, binding bond
Will batter my heart, twist, squeeze, choke through
The hinge, frame, keyhole, send tender shoots of
Mute desperation, then coaxing sap, sop
That speak of trips laughing on the beach, of
The tale of life unlived, brutal full stopp’d.
Do not run to him. He won’t set you free.
Stay ‘til I grow old. You belong with me.

— The End —