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Nigel Morgan Sep 2013
He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.
The poetic quotations are from poems by Margaret Morgan. A collection titled Words for Music by Margaret and Nigel Morgan is now available as an e-book from Amazon http://www.amazon.com/dp/B00DY8RAGC
Lawrence Hall Dec 2017
Pilgrimage Along the A1

From Peterborough drops a road
Across the Fens, into the past
(Where wary wraiths still wear the woad);
It comes to Chesterton at last.

And we will walk along that track,
Or hop a bus, perhaps; you know
How hard it is to sling a pack
When one is sixty-old, and slow.

That mapped blue line across our land
Follows along a Roman way
Where Hereward the Wake made stand
In mists where secret islands lay.

In Chesterton a Norman tower
Beside Saint Michael’s guards the fields;
Though clockless, still it counts slow hours
And centuries hidden long, and sealed.

And there before a looted tomb,
Long bare of candles, flowers, and prayers,
We will in our poor Latin resume
Aves for old de Beauville’s cares.
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Give me a fresh *** of your nips.
Ehh?? Give me a ******* turnip!
I went to Peterborough, came from Marrakech,
Which one should I rip to flesh?
In summer I love to chew icicles,
Whatever! It’s to die for!
I rode a bike and had a stew,
Never mind this poem, go and have a poo.
Austrslia has great tracks on the way to Adekaide


The Indian Pacific runs on a track
On the way to Perth via Adelaide
You see some great towns like Bathurst
And Lithgow and even Broken Hikl
On the way to Perth via Adelaide
We have a bumpy ride through the
South Australian desert
While little Tommy Mistleton
Leave half hid dessert
Yes, after he went to Broken Hill
And the train nearly left without him
On the way to Perth via Adelaide
Then Mr and Mrs Mistleton wanted to get
Off in Peterborough to catch a bus to Coober Pedy
And then they get a bus back
To Peterborough to get back on the train
On the way to Perth via Adelaide
You see, you get a bumpy, bumpy ride, man
Yes, it can be cool, you know
You eat breakfast, lunch and dinner on the train
And then to fill in time, man
We get out our iPads and watch some crap on TV
After Adelaide we went further on and when we
Reached Nullarbor we looked out
The window to have a look
And, you bet your ****** oathe man
We were impressed, oh yes, we were
And when we reached Perth, yes we were glad
Because we met interesting people and
Now we can call them friends, you see
On the way to Perth via Adelaide
On the Indian Pacific, train
Oh yes we were
Lawrence Hall Dec 2016
Pilgrimage Along The A1

For all DeBeauvilles, Beauvilles, Bevilles, and Bevils Everywhere

From Peterborough drops a road
Across the Fens, into the past
(Where wary wraiths still wear the woad);
It comes to Chesterton at last.

And we will walk along that track,
Or hop a bus, perhaps; you know
How hard it is to sling a pack
When one is sixty-old, and slow.

That mapped blue line across our land
Follows along a Roman way
Where Hereward the Wake made stand
In mists where secret islands lay.

In Chesterton a Norman tower
Beside Saint Michael’s guards the fields;
Though clockless, still it counts slow hours
And centuries long hidden and sealed.

And there before a looted tomb,
Long bare of candles, flowers, and prayers,
We will in our poor Latin resume
Aves for old de Beauville’s cares.
Mateuš Conrad Sep 2022
what a whacky weekend, it's finally over, a shift at the Romford ice rink watching Romford Raiders vs. Peterborough Phantoms, selling tickets, ones by card, others by cash, checking pre-booked ones... and then? the easiest shift... watching the game... i have to be honest: the first time i watched ice hockey live i was bored stiff... but then again i was on top of the stands looking down on the game... from a high place looking down? it's... a really **** sport... BUT... today i had more flexibility... i was next to the rink... i have to admit: to watch ice hockey properly you need to be really close to the ice... and compared to the Oxford United shift?! **** me... im never doing that ****** shift ever again! ten hours out of the house and for what? £35 quid? here i can wear black trainers, i don't need to wear a white shirt or tie... i "work" for 4hours and get paid for 5... plus? i can cycle here and be back before i know it... total time spent out of the house? maybe 4.5hours... plus at the ice rink might get a free hot dog like today and a free drink: plus as it happens in ice hockey, the whole play-stop routine the DJ will play some sample of a song, today i managed to hear a sample (donkey's years old - September Cry For You... i knew it but forgot it, but remembered the lyrics: you'll never see me again ¶but that's not about all of that... i was talking with my coworker about finishing our shift at Wembley yesterday, she finished much later... oh! it took me ages to get home! i only got home at 4am - i sort of blundered and replied: yeah, me too... she's quick to pick up lies - but didn't the trains work? oh no, they did. so how come you only got in at 4am? oh, i don't know (****, one little white lie will not pass her, she was already growing suspicious, i should have just told her the hypothetical truth that i managed to get home at after just 1am... and i would have, i got to Stratford and spotted that the Southend Victoria bound train was via Romford, and not via Shenfield... it was supposed to come in 5 minutes by the time i was standing on the platform, but suddenly it became delayed, a passenger was taken ill... it would take forever for the train to start again... the original plan was to go the brothel, but i figured: i might as well go home early, get some chicken on the way at Romford and catch the last bus home, get in early and write for a while... but then the ill passenger made me return to my original plan). ¶well an hour or two later i had to own up as to why i came in at 4am, so i told her: well, you know... the reason why i came home at 4am is because i had, a slight, ahem "detour"... she looked at me smiled and sort of giggled... oh: that sort of "detour"? yeah... the beautiful thing about this was that i gave no further explanations... maybe she figured it out, maybe she didn't...

I.

well... at it's not me scribbling with squint eyes after having
have to catch four night buses to come home from Wembley
from a shift at 4am... this time i stopped over
at the brothel...
i can't help myself:
i can hit the ultimate high but then follow up with
the lowest of lows...
i even managed to buy a t-shirt... ****'s sake...
what are the chances of a "tour" of "compensation":
paying tribute to a drummer...
with only two dates of tribute... today's currently the 4th...
i don't exactly: love love Foo Fighters...
they can't topple the pyramid of Red Hot Chilli Peppers...
but it's still so much better than
what i heard the previous night.. Garage...
i had to buy that £40 t-shirt... they were running low
on the one i really liked: the yellow one...
i bought the black one... waited...
soon the merchandise shops opened again and the yellow
one was made available once more...
oh man... it's 4am and it's not like i just took 4 night buses
to get home...
i took the tube from Wembley Park to Stratford and then...
plans changed twice... i was originally planning
to visit the brothel... then...
a Southend via Romford bound train was supposed
to come... o.k. forget the brothel...
but then... a passenger became ill on the train
and the train became delayed indefinitely...
**** me... off to the brothel i go...

it was sort of gladdening to have seen
    josh homme...
                 brian johnson... liam gallagher...
roger taylor... rufus taylor...
   brian may... who else was there?
brian mccartney... the pretenders, i.e. chrissie hynde...
i had the best view in the stadium...
at the far end opposite the stage... fifth level Wembley...
in the disabled (accessibility sector)...
easy... boring... 12 hour leg numbing shift...

no... i don't really like the Foo Fighters...
i like Andrea though, our supervisor... this tiny little
creature with spectacles that looked
so quirky lifting her spectacles up
and looking at a page when writing like she might
have looked at bacteria through a microscope...
darling: she called me...
      yes: the the great big world would eat me up
with a yawn and i'd still reply: yawn great big
world... should i meet her ever again:
a woman of my implant idealism... of borrowed books
and failed loves...

i have a t-shirt to prove that i was at this gig...
that's all i have... but i don't think i was there...
i think i was looking for my shadow in Andrea's shadow...

i'm pretty sure someone died...
oh man... going to the brothel this tired is always a bad
idea... more unprotected ***...
but this time Khedra was different...
she kept whispering: **** a blonde little baby into me...
half asleep but nonetheless with a *******
i was thinking: what?!
three aphrodisiacs... the proper cider... exercise and
excess tiredness...
a complete ****-up of the senses....

even now it's coming to 5am and i'm thinking about
that *******'s slapping of a shift at the ice-rink
tomorrow from 4 through to 8...
i never thought that ice-hockey could be just a boring
sport to watch...
i.e. where's the puck?! hockey to me is a bit like
monotheists in prayer...
lunatics... at least the pagan Hindus throw spices
and more spices around to cover themselves in excess of
what can be sometimes missing in nature...
but monotheistic reasoning for procrastinating
within the confines of labouring the bend and beating
of prayer to an otherwise deity that demands
the "prayer" of "thought" rather than
the deification through a "prayer of the body"
and use of the tongue...
    monotheism ought to never be about pseudo-paganism
of procrastination with idle words on idle
tongues of idle bodies... the matrimony of lunacy
of bending objects...
monotheism is a sort of telepathy...
a telekinesis...
prayer should be abolished in monotheism...
as well as all the lunatic deifications of monotheism...
esp. in Islam and Judaism...

                monotheism ought to start to equate
thinking with speaking...
by that standard... collapse it furthermore...
the freedom of thought is not the same as the freedom
of speech... in that writing: with writing being
the extension of thinking: the medium of writing
is not an invitation to speak, but rather an invitation to think!
monotheism speaks like the pagans speak...
too much... monotheism has as many mantras
as polytheists have...
the only difference is that the monotheists have
abstracted their deities as cryptic language structures...

in the crypts of the ciphers:
one can find at least one decipher... some sacred word...
either over-used: e.g. blah-lah
or under-used: the acronym yhwh...
of Æ... when Adam was a Siamese twin with Eve...

i'm sort of... half blinking... i have these half closed
eyes: i'm squirming and pretending to blink....
i lay mountains in a single valley
and later called this same mountain range
a witness of the canary's song that could
encompass a folding of a cave to boil a river
to a standstill: from a sea create a river
and from a lake a mirror...
what miser ******* i'm thinking:
thank god i'm simply thinking it rather than speaking
it in arena of rhetoric...

let clouds be puffs of negative-salt clusters...
negative-salt clusters so that they can absorb
"positive-water" into their invisible gobs...
and... like seagulls... carry the food-stuff over
kilometres of agony... from sea toward land...
from rivers to the lakes...
and then back again... from the lakes toward
the seas...

II.

i must have been really tired yesterday, i just abandoned
part I. altogether: i don't want to know what i've written,
i'm not rereading it... i'll have to rewrite some aspects
of it...
                 today i feel livelier and actually awake...

1. i figured out the brothel, finally! it took me some time!
half an hour sessions... no more those 1 hour sessions...
why? i can go more often, ergo i can **** all of them in the brothel,
so much so that i will have to start looking for
a new brothel... one hour sessions don't work anymore:
if i am to please a woman who i never met,
i either will or i won't... and that will be within the confines
of half an hour...

2. my three favourite aphrodisiacs are:
(a) cider + a little bit of whiskey + a cigarette or two
(b) exercise
(c) tiredness... my god... every time i came back
from a very long shift i would try to relax before
writing by jerking off... each and every time i would
get a ******* like clockwork....
i guess tiredness switches the mind off completely
and you feel more and more uninhibited...
mix that with aphrodisiac (a) and made (c) comparable
to the effects of (b)... hey presto!

a rare moment for me... original thinking while sitting
and listening to my father dictate to me
the invoice i'm just writing
myślnik: i.e. dash or hyphen (-)
od nowego akapitu / wiersza:
            from a new / "poem"
it's not actually a new "poem", it's more a new verse...
i.e. it's lazy speaking because it's not
actually akin to the sign applied in medieval
times to use up as much paper with
an indicator for a new paragraphs
employing the ¶ (the blind P): come to think of it,
i think i'll employ it in the italic section of the intro.
i just added... them... the pilcrow...
it was used to use up as much paper as was available...
these old texts never wasted space...
but a revelation came when writing my father's invoice:
thank god i'm an employee and i do not have
to write any invoices or do any tax self-returns...
of all the people employed i don't know whether anyone
else is in my position...
but the revelation came with...
i remember my English teacher: the Scot didn't teach us
much English... he introduced me to jazz and a love
for Led Zeppelin rather than Black Sabbath...
but i remember his one major lesson:
you, don't, start, a, new, sentence,
with: a, conjunction, namely: and!
you can't stand a sentence with And...
what is the semi-colon for?

after all, what's the semi-colon in Arabic?
either the letter(s) dh (the H is a surd borrowed
from the name of the Hebrews' deity)
                  ذ or Z(ed)               ز    -
aren't these semi-colons?! ; ذ ز
                                                               ­ ?

but i had a split consciousness: the cat that was sleeping
in my bed decided to jump out of the window and
sit on the roof of the kitchen...
while i was typing the invoice...
when i got back into the bedroom he was still
sitting on the roof... i have an invisible leash
on my cat... the moment he saw me perched
on the windowsill: i smoked one cigarette: he noticed me...
he jumped straight back into the room
and is current sleeping on my bed...

a split consciousness? what song to listen to?
the original i started with? September cry for you?
Collie Buddz Sensimillia?
Stephen Marley hey baby / iron bars
or Combichrist sent to destroy?
obviously the foremost...

i had to scribble this note down in between writing
the invoice:

/ aesthetic:
                                                      ­   look up Gothic
    bl.... blah blah. Also...                  a script and ᚱᚢᛖᛋ
                  no!                                       ­                       Σ
b (scribbled out)
"           "          "   ; also

                                          via example of And at beginning
                                             of (a) sentence
                                             is a massive
                                                         ­     no-no! /

some Copernican rotations in place... notably
via the Runic E (ᛖ) and the Greek S (Σ)
and obviously the work that went into crafting
the Roman S and ...
huh? i never heard about this 'un... the sigma-reflection...
what's this?

                           σ² ≡ E

id est: a twofold reflection on one plane
produces the operation of identity;
     any planar molecule has at least one mirror plane.

ugh... coding... something for termites...
    <p><var>a<sup>2</sup></var>
                                   and what modern poet dabbles
in STEM methodology? people are still complicated?
or just plain ******* daft... having created so many complications
of their / adding toward their lives outside of themselves?
i think it's the latter...
there's no longer a need to concern oneself for
"being there":

Heidegger was slow on picking up on what
Zhuangzi talked about beyond his grave:
   the... grammatically correct "concern": or rather...
in the eyes of the Chinese rather than the German
concept of "there being" as that of concern...
the Chinese variant was always "being there" with
a sense of non-doing... some thing are unchangeable...
yes, pressed by the continuum of un-change-ability...
you can't alter the sun or the gravity the planets are fed
by it...
  to orbit...
               unlike Egyptian hieroglyphs... Chinese hieroglyphs
are ideograms... they are more than sounds:
they are as simple as sounds of letters...
whether alone or coupled... but they are also IDEAS...
ergo, they are ideograms...
"being there" is one of these...

                           在: zai... roughly, i'm not an expert...
i'm a: LA-IK... but Heidegger preached the wrong sort
of thinking, if Tao is the correct sort of thinking:
this is the contention (from the Chinese prespective)
against the German interpretation of da-sein...
i'm not concerned: that would be very Christian of me...
i'm not a fraud of F.O.M.O. (fear of missing out):
that takes concern... i know i can't change the world:
i can only change myself in order to grow into myself...

ANY AND ALSO are grand examples of when
the semi-colon ought to be used in a sentence,
a semi-colon is a follow-up to a thing already stated...
... yes... i use that puncture marker when
i'm following up one thought with another...
it's not aesthetically pleasing, but then again i am not wasting
any paper or using a type-writer...

but i have (i've) seen too many books in print
where a sentence opens up with such: DISGRACE
(the negation of grace, the prefix dis-, id est)

it figures... i'm too intelligent to **** neuro-typical women...
i need to **** prostitutes...
i'm not even paying myself a compliment...
i walked back from the shift peering into the houses...
ageing couples... one on one armchair
another on another armchair... living the easy:
mortal life... oh **** me...
alone again... the children flew their nest...
just waiting for a spot in the old people's home:
Protestantism is so cruel when it comes to old age...
it's spectacular when you're young!
me? i'm sticking around...
i applied the Japanese method of *******...
sure... no long partner: no need to talk...
at least the Japanese are unabashed about
complications of housing... at least they're open
about the ラブ ホテル (rabu hoteru)...
spares me the need to **** prostitutes: but no!
oh no! no no!
i need to **** prostitutes to avoid my makeshift
boney **** of a hand!
i need to eat, i need to sleep, i need to ****...
i don't care what the WASPS spew from over the "pond":
i stopped listening a long time ago...

hey! Darwinism preached adaptation...
i'm adapting! it's called... have you heard the term?
E-VO(h)-LOO-SH-ON?!
i know it's spelling evolution...
but you hardly hear the T to begin with...
well... if God made Poland his playground
(according to Norman Davis)
i'll just make England MY... mein SPIELPLATZ!
sorry... not England: ING-LEASH!
this is my playground!
                  
                                 well if God can make Poland
his playground for the Turks, the Swedes,
the Russians and the Germans to pretend to tickle
and juggle... i'll make his favorite tongue:
my... playground... i''ll make sure as many people
come to London as are readily available...
let's see, "god"... who's going to start having
a *****-fit... i can watch the natives become minorities...
don't worry... i'll fit in just plain dandy with the other
minorities: they won't even know where the ****
i'm from... they'll think i'm English but when i tell them
that i'm not German they might have a second
thought: why have so many Arab names
popped up as "friends" on my facebook?!

that's the thing about Slavs... English speaking people
associated Orcs with Africans...
well... where's Mordor? East?!
last time i checked... are these people going to be throwing
pronoun-grenades at the Russians as the Russians
starve Europe from a gas supply?!
oh sure sure... the "worship" of "correct" pronoun
usage is already keeping me warm: the warmth of WRATH...
maybe i didn't have children because i thought that:
my natural intelligence wouldn't be passed down
and they would become products of their
environment and peer pressure?!
i think so... i think i refrained from having children
because i thought: mein gott! and what if they might
be swayed by idiots?! guttrauer (good grief)...
imagine!
- but as i was walking back from the shift...
i noticed these old couples... me god, their ageing so quickly...
i sticking put... my parents invested in me...
now i'm going to invest in them...
i'm not moving... i'm not going to rent...
i'm sitting on money! i'm sitting on Smaug's ransom!
i'll keep them youthful for as long as i can...
they will not be sitting in two armchairs alone
before a t.v. with pictures of their children and grand-children
hanging on the wall...
they'll just have to deal with the insolent drinking
alone little me...
i'll entertain them... i'll do the household chores...
i'll cook for them... i'll do the d.i.y.:
they're not going to be packaged like ******* mushrooms
into the dark into an old people's home...
and whatever women that comes into my...
ah... ah ha ha ha... what woman? for a relationship?!
relationship with: what, exactly?!
i already have sway over a woman's body whenever i feel
like it: whenever i feel like...
do women have intellect? i.e. talk about what?
other people... i've heard it before...
you couple with a woman and all she wants to do is
talk about how happy she is when she's with you seeing
other women being single: how "superior" she is...

what conversation? the best conversations i ever had
were with strangers or when i started to write...
when i untangled my thinking into not-thinking...
i wouldn't appreciate a life of simply being lazy
existentially... this is not the right sort of time to be lazy
existentially: why? becoming existentially focused
by the simple demand of external forces that force
you to beg for explanations: just like the 20th century
proved is no beginning or, for that matter:
an encapsulation of: what?
do people really think literacy is omnipresent?!
if it truly was... we wouldn't have people scratching
letters in graffiti mode on brick walls like
those of Lascaux... sure... the caves imploded:
but the skyscrapers exploded...

how times change...
back in the day, even Milan Kundera lamented
the sayings of Neville Chamberlain...
what were those?
how horrible, fantastic, incredible it is that
we should be digging trenches and trying
on gas-masks here because of a quarrel in
a far away country between people of
whom we know nothing

that explains a lot... Czechoslovakia is
just a little bit nearer Ukraine... Ukraine is on the map!
far far way: i'm pretty sure the British became
confused by digging the Suez canal:
India suddenly became West of Ireland...
when it came to navigating ships!

that's the thing about the Slavs... we'd sooner start
a war amongst ourselves than succumb
to some Germanic festering wound of the intellect:
pronouns! blah blah ha!
the Germanic consolidation project for Europe:
hell! bring the entire world to our shores!
that's an Germanic intellectual starvation project!
the Slavs, like Orcs: would sooner fight among
themselves than tempt the idiot cross-eyed
serpent of the Germanic Twilight of Intellect...

today i learned the reason why i was so attracted
to that middle-aged woman from London Stadium
who looked like a frightened doe: in head-lights...
i was coupled with her at the Basildon shift...
isolated... i had to talk to her...
       Chill-y... she's actually Turkish... i would have
never known! i like Turkish and Romanian girls...
hell... if English girls have this post-colonial
black fetish against their fathers...
i'll pick one (fetish) for myself... wait... i have one...
we're good... we're equal...
now? more! more! more!
i need to fry my mind with as much ****-box-*****
as possible!
i'm not stopping: something was woken in
me that should be sleeping a tight monogamous sleep...
that's not, going to happen...
like all the beautiful girls that turn out to
be prostitutes: akin to nature's sake:
everyone would love to live through
seeing a tornado, a daffodil blossom...
******* a beautiful girl...
a man with many arrangements:
i don't want to be selfish...

last night was just, plainly, weird...
i can't remember the last time i was asked so many
questions...
Khedira asked me: so... did you prefer Michaela...
who? the short plump girl with great ****?!
the blow-up *** of pump?
or did you prefer the taller girl?
i'm just asking, as a friend... the former...
something was afoot...

the wind blows in cold into my bedroom...
it's a welcome breeze... it folds itself around
my ankle prior to strangling me around the neck
while kissing my forehead...

the glorious 4 were sitting there...
the one with the glasses was incredibly talkative...
Mona... Mina? does it matter... she was wearing
glasses...
where have you been? i ripped off my
bands... showed her: Wembley... the Taylor Hawkins'
tribute concert... oh... dearest Adriana...
that supervisor... please don't call me darling...
not when we're working... my name is enough...
out of the 4 i chose the predictable non-****** ****..

as you do...

i haven't seen Khedra for a while... the started with her
usual *******: thank **** that she doesn't charge me
for unprotected ***... either oral or vaginal...
i felt sort of relaxed-tired from not having to put
on the rubber... but we Polacks and Turks are
cleanly people: we wash ourselves regularly...
i can't remember the last time i *******
a *****-load into a woman while she whispered
into my ear that she wanted a blonde baby:
eating and burning my blonde mustache and love-bruise
of hair growth (catching up to the length of
my length of beard... some ******* quarrel between
a boy and a girl while i was leaving Wembley,
he breaks the argument... direct her sight toward
me with: i love your beard! my bib?! i.e. t-shirt...
forty quid... i'm later informed he was talking about
my beard and not my t-shirt... what?!
i've just spent 6 hours in an environment
where you have to don ear-plugs...
what?! i can't her you! EAR PLUGS!
you can still hear the music, but you can't sense
the vibrations! bib?! 40 quid... oh! right... oh! beard...
yeah... thanks... it took 3 years to grow)

but i had to **** Khedra firt... i slapped her ***...
she slapped me... i wish she slapped my face...
i deserved it... i was asking permission without asking
permission: oh... Mina looks lively...
the one wth the glasses... she's happy...
how about we have a *******...
that's the second time i've bee asked to have a *******...
i know Khedra could make a ******* magical...
seriously... i watched as she harked up some bad
*******...
next time i told her... before she gulped and swallowed
an "oyster" of my missing *******...
2nd ******* *******... well... **** me...
i'm not exactly readied to disembody myself:
quit certainn limbs: on a whim...
who's paying? of course i'm paying!
i'm not paying for food! i'm paying for the *******!
dating is such a 20th century sort of past-time...

people: get with the times!
the 20th century requires closure:
you're not giving it!
   i told her: next time... next time...
sure... you and Mina can please me...
i hope this second ******* will be much better than the frist...
i'd love to see you two kissing...
before competing for the oyster Olympics
of slapping ****...

me god... first she ****** me off then she decided:
you did enough work arching over me in the missionary
position... i'll ride you...
women are strange that way...
they speak during *** like men might speak
during sleep...
what i heard...
what didn't i hear? i'm sure as **** knowledgeable
not hearing any lies...
i don't pay for lie... i pay for ****....
after she finished her oral ***
and climbed onto me and told me to look into
the mirror...

i was thrilled with warm-shivers...
it wasn't an ******...
but close enough...
           she was stalling... shivers...
shivers: she was stalling a ******...
******-lost *** is... is what it is...
i was her parterened self re-partnered...
he clicked: a wet ***** a hard-on ****
of an uncircumcised phallus...

upon insertion? you always aim below
the floral patterns of the ****...
of the *****... you aim an inch above the ****
at the root of the ****...
it's a bit like undoing a woman's bra...
inserting your "weapon" into a woman's
"shield"... sword-sheath-sword-sheath...
metaphorical, "metaphorical": of course...

but she did say: you taste all of them!
don't me mind! if i'm readying myself...
you choose another: choose another!
have as many women as you please!
don't feel obliged to choose only me!
well: doesn't love have to be shared?!
i can't be selfish! i can't just love one woman
when so many women are left loveless!
can i? i must love as many woman as are readily
available!
if i find boy exclaiming: i love your beard, mr.
i'm pretty sure the women are tediously shy
about a great number of details about me!

die forderungen von dies nacht ar fertig!
the demands of this night are finished!
ein tag kann gewinnen sie mit
morgen sonnenaufgang

                                              alle­ mit morgig verheiße.

— The End —