Submit your work, meet writers and drop the ads. Become a member
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Jun 2013
Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur
extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept
Anything you say can and will be used...to express our community

Written June12011
Tanya Jun 2017
Hoeveel keer gaan jy my hart nog breek?
Jy het belowe jy sal dit nooit doen nie
Ek weet ek het nie jou liefde hanteer soos ek moes nie
Ek was nie gereed nie en jy weet dit nou meer as ooit

Maar dat ek jou lief gehad het, en steeds het, is sonder twyfel
Ek weet ek het dit nie gewys in die maniere wat ek moes nie
Ek weet ek moes jou buckets vol maak
Ek het getry

Maar vandag is n ander storie
Vandag kan ek sê dat ek geleer het
Ek kan sê dat ek verstaan wat mens moet gee
Ek begryp die betekenis van liefde
Ek verstaan wat ń soulmate beteken

En tog weereens smyt jy my weg soos ń ou lap
Ek ken nie die mens wat jy nou is nie, jy is harteloos, verdwaal, onbekend

En so ken jy my nie meer nie

"You don't know the new me, I put my pieces back differently"
My stukkie hoop vir jou afwagting is weg..
Connor Reid Oct 2014
Lent,
Conseillez-vous
Munissez-vous de clairvoyance
Seul, pendant un instant
Laisse faire
Concrète
De maniere a obtenir un creux
Tonalité
Très perdu
Portez cela plus ****
Animer vos doigts fissurés
Ouvrez a tête
Enfouissez le son
Apaisé
Flottante
Sur le bord de
L'incertitude
Tomber en amour
Avec les vagues
"Ninì Santoro, il fine dicitore,
maestro di eleganza e di maniere,
il re del music-hall, il gran signore,
debutta questa sera al Trianon".
Guardanno 'o manifesto, chi liggeva
penzava: certo chisto è n'artistone.
Tenevemo st'attore? E chi 'o ssapeva!
Stasera stessa mm' 'o vaco a ssentì.

C' 'o tubbo, 'a caramella e nu bucchino
d'avorio giallo, luongo miezo metro;
un fazzoletto bianco nel taschino,
ncuollo nu frack 'e seta blummarè

Tutt' 'o teatro illuminato a giorno,
na marcia trionfale comm' "Aida",
Santoro ascette e cu na faccia 'e corne
pareva ca diceva: "Eccomi qua!

Mo v'aggia fa vedè chi è Santoro,
il fine dicitore, il fantasista
ca quanno arape 'a vocca caccia ll'oro,
oro colato 'e primma qualità".

'O pubblico ansioso s'aspettava:
chi sa mo ch'esce 'a vocca a stu Santoro.
Ma ch'era ascì... Santoro 'ncacagliava,
faceva smorfie, zumpe e niente cchiù.

Nun fernette nemmeno 'o riturnello
d' 'o primmo raccuntino d'avventure,
quann'uno arreto a me: "Santò, si bello!"
('Ndranghete!) E allazza nu pernacchio 'e nuvità.

Fuie cumm'a nu signale 'e na battaglia,
mancava poco e nce scappava 'o muorto:
'e sische mme parevano mitraglia.
Santoro nun putette continuà.

"Ll'artista" se facette 'a mappatella:
'o frack, 'o tubbo, 'o fazzuletto bianco,
s'annascunnette pure 'a caramella.
Dicette: "Aggio sbagliato,.. Ch'aggia fà?".

Trent'anne so passate 'a chella sera
che il fine dicitore fantasista
pe fforza avette chiudere 'a carriera
a beneficio dell'umanità.

Aiere steva scritto into 'o giurnale che:
"dopo varii e lunghi appostamenti
è stato assicurato un criminale
alla Giustizia delle Autorità".

E chi era, neh, stu disgraziato?
Santoro... il dicitore fantasista,
ca, pe magnà, al furto s'era dato
o pover'ommo pe putè campà.

Io penso che fu l'epoca sbagliata;
trent'anne fa tutto era n'ata cosa.
Oggi che il nostro gusto s'è cambiato
Santoro fosse na celebrità.
Blom In Blou Aug 2020
Ryk in maniere
wat nie gemeet of
Maklik bepaal kan word

Oorstallig
Rustig
Tevrede

Ryk daarna uit
Na ander oorstelp
Wat nie kan help

Bedroewig
Mismoedig
Begewe

Deel gerus jou harts lied
Sing vir dié in droogse donker
Belaai met verdriet

Vrylik
Lieflik
Begeeflik

Herinner hulle heimlik
Hul oorvloedige innerlike erfstuk
Skink 'n heildronk op die Heilbron

Bespoedig
Begeerlik
Begiet

Buig saam die kop
Ontvang die Heilse heet
Verborge net as jy vergeet

Ligweg
Verhewe
Belewe

Stap dan heelhartig helder
Koester elke kosbare tree
Destinasie onbepaald ewig verder

https://blominblou.weebly.com/blog/skatlik-ryk
"Ninì Santoro, il fine dicitore,
maestro di eleganza e di maniere,
il re del music-hall, il gran signore,
debutta questa sera al Trianon".
Guardanno 'o manifesto, chi liggeva
penzava: certo chisto è n'artistone.
Tenevemo st'attore? E chi 'o ssapeva!
Stasera stessa mm' 'o vaco a ssentì.

C' 'o tubbo, 'a caramella e nu bucchino
d'avorio giallo, luongo miezo metro;
un fazzoletto bianco nel taschino,
ncuollo nu frack 'e seta blummarè

Tutt' 'o teatro illuminato a giorno,
na marcia trionfale comm' "Aida",
Santoro ascette e cu na faccia 'e corne
pareva ca diceva: "Eccomi qua!

Mo v'aggia fa vedè chi è Santoro,
il fine dicitore, il fantasista
ca quanno arape 'a vocca caccia ll'oro,
oro colato 'e primma qualità".

'O pubblico ansioso s'aspettava:
chi sa mo ch'esce 'a vocca a stu Santoro.
Ma ch'era ascì... Santoro 'ncacagliava,
faceva smorfie, zumpe e niente cchiù.

Nun fernette nemmeno 'o riturnello
d' 'o primmo raccuntino d'avventure,
quann'uno arreto a me: "Santò, si bello!"
('Ndranghete!) E allazza nu pernacchio 'e nuvità.

Fuie cumm'a nu signale 'e na battaglia,
mancava poco e nce scappava 'o muorto:
'e sische mme parevano mitraglia.
Santoro nun putette continuà.

"Ll'artista" se facette 'a mappatella:
'o frack, 'o tubbo, 'o fazzuletto bianco,
s'annascunnette pure 'a caramella.
Dicette: "Aggio sbagliato,.. Ch'aggia fà?".

Trent'anne so passate 'a chella sera
che il fine dicitore fantasista
pe fforza avette chiudere 'a carriera
a beneficio dell'umanità.

Aiere steva scritto into 'o giurnale che:
"dopo varii e lunghi appostamenti
è stato assicurato un criminale
alla Giustizia delle Autorità".

E chi era, neh, stu disgraziato?
Santoro... il dicitore fantasista,
ca, pe magnà, al furto s'era dato
o pover'ommo pe putè campà.

Io penso che fu l'epoca sbagliata;
trent'anne fa tutto era n'ata cosa.
Oggi che il nostro gusto s'è cambiato
Santoro fosse na celebrità.
"Ninì Santoro, il fine dicitore,
maestro di eleganza e di maniere,
il re del music-hall, il gran signore,
debutta questa sera al Trianon".
Guardanno 'o manifesto, chi liggeva
penzava: certo chisto è n'artistone.
Tenevemo st'attore? E chi 'o ssapeva!
Stasera stessa mm' 'o vaco a ssentì.

C' 'o tubbo, 'a caramella e nu bucchino
d'avorio giallo, luongo miezo metro;
un fazzoletto bianco nel taschino,
ncuollo nu frack 'e seta blummarè

Tutt' 'o teatro illuminato a giorno,
na marcia trionfale comm' "Aida",
Santoro ascette e cu na faccia 'e corne
pareva ca diceva: "Eccomi qua!

Mo v'aggia fa vedè chi è Santoro,
il fine dicitore, il fantasista
ca quanno arape 'a vocca caccia ll'oro,
oro colato 'e primma qualità".

'O pubblico ansioso s'aspettava:
chi sa mo ch'esce 'a vocca a stu Santoro.
Ma ch'era ascì... Santoro 'ncacagliava,
faceva smorfie, zumpe e niente cchiù.

Nun fernette nemmeno 'o riturnello
d' 'o primmo raccuntino d'avventure,
quann'uno arreto a me: "Santò, si bello!"
('Ndranghete!) E allazza nu pernacchio 'e nuvità.

Fuie cumm'a nu signale 'e na battaglia,
mancava poco e nce scappava 'o muorto:
'e sische mme parevano mitraglia.
Santoro nun putette continuà.

"Ll'artista" se facette 'a mappatella:
'o frack, 'o tubbo, 'o fazzuletto bianco,
s'annascunnette pure 'a caramella.
Dicette: "Aggio sbagliato,.. Ch'aggia fà?".

Trent'anne so passate 'a chella sera
che il fine dicitore fantasista
pe fforza avette chiudere 'a carriera
a beneficio dell'umanità.

Aiere steva scritto into 'o giurnale che:
"dopo varii e lunghi appostamenti
è stato assicurato un criminale
alla Giustizia delle Autorità".

E chi era, neh, stu disgraziato?
Santoro... il dicitore fantasista,
ca, pe magnà, al furto s'era dato
o pover'ommo pe putè campà.

Io penso che fu l'epoca sbagliata;
trent'anne fa tutto era n'ata cosa.
Oggi che il nostro gusto s'è cambiato
Santoro fosse na celebrità.

— The End —