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Jack Huang Feb 2016
I once knew a girl with a giant heart
Beautiful, sweet and awful smart
But far too kind and too naive
To give so much, and not receive

She would smile and satisfy
but at night, she would cry
She would sacrifice in secrecy
and weep in secret frequently

But in our eyes, she was blessed
So we didn't see her one request
Her scream of help wasn't heard
And gone, she was like a manakin bird.
I am back again after a week vacation. Where I was reminded of an old friend I lost because of ignorance. A fake smile can hide an ocean of sorrow.
Donall Dempsey Jul 2019
WHEN DEATH COMES, IT WILL HAVE YOUR EYES
(Verrà la morte e avrà i tuoi occhi )


I once knew a man
who knew a man

who had seen
F. Scott Fitzgerald

drinking a milkshake
in a drug store

(vanilla or chocolate
he couldn't be sure)

flicking idly
through a magazine

( no he didn't know
which magazine )

in the company of
some blonde.

"I'll never forget
what he said!"

"Let's go to the supermarket
Shelia!" he said.

And that's it?
"That's it!"

His voice caressed
each syllable

as if
he were on stage.

But he was like a man
becoming a manakin

like in that episode of
The Twilight Zone

you know the one?"


In a future that had as yet
to happen.

"I don't know what I had
expected..."

The man who knew the man
who knew the man

who had seen and heard
F. Scott Fitzgerald.

"Maybe a Gatsby or
a Gatsby

who had survived the novel's
tragic ending

and wished
he hadn't!"



Here now
at home

Mr. Fitzgerald
sits in his armchair

eating a chocolate bar
checking out next year's

Princeton
football team.

suddenly like a puppet
yanked on a string

he stands up
hand on mantlepiece

like some bad acting
in a silent movie

before falling
to the floor.

He will never
get up.



Nick and Gatsby come
stand by his dying.

So do Monroe Stahr
and Kathleen Moore

even though
words fail them.

Yet they now
more real than he.

Monroe reads
some last scribbled lines.

"There was a flutter
from the wings of God

and you
lay dead.

Your  books
were in your desk I guess

and some unfinished chaos
in your head

was dumped to nothing
by the great janitress of

destinies."

Gatsby
closes his eyes.
WHEN DEATH COMES, IT WILL HAVE YOUR EYES(Verrà la morte e avrà i tuoi occhi )is of course the wonderful poem by Cesare Pavese.

Monroe and Kathleen are from  Scott's last and unfinished novel THE LAST TYCOON.
I also knew a guy who knew a guy who peed beside Richard Brautigan. He was so in awe as to who was at the next ****** that he peed all over the top of his shoes.
Mateuš Conrad Mar 2020
a many a great things have happened recently...
hmm (insert a weasle's snigger)...
i was watching a russian production of...
the escape from sobibor...
yes... i know that rutger hauer is dead...
but not unless listening to some vex'd...
citations from blade runner:

    firey the angels fell - leaping thunder rolled
around their shoulders -
burning with the fires of orc...

at least that's what i heard...

    i want, more: life... ******... which echoes...
no not that 1987 tv flick...
the russian produiction...
      of recent years...
          upon this the god's green earth...
        i could watch... schindrel's list two times
in a row... before being subjected to...
escape from sobibor...
                if only i had a toothpick handy
and pickles and some martini and god forbid
the onslaught of yawns...
         only one aspect of the film stood out...
a sort of:

    the death of Matti Nykanen...
the finnish ski-jumper who ended up being
a stripper...

    i didn't recognize him at first...
or "at last" i'm usually good with faces...
esp. those on film...

         i think the film itself was supposed to
be... the need to capture "the look"!
      oh believe me... a cary grant or
a gregory peck would never...
                                a rock hudson?
a john wayne: drawl... yep: that six-a-piece
sharp shooter...
guns 'n' roses: civil war...
opening citation: from cool hand luke...
paul newman eating all those... hard-boiled eggs...
paul newman couldn't give "the look"...
that antithesis of roxette's pop stamp...
the verb that is actually a noun...
when there's someone worth it...

no... they could never convince me of ever
having: "the look"... these major actors...
paul newman or a robert redford...
i'm counting only the men...
this one's spezial...

        from first hearing queen... to seeing the movie...
Karl Frenzel...
   that same tortured soul
of a Ralph Fiennes playing Amon Göth...
i had to wonder...
did they decide upon psychopaths...
or was it already a priori from the words
first uttered in the hitlerjunge?

nope... completely amiss...
is that really christopher lambert?
raiden from mortal combat...
connor macleod...
                 hell: if this be the fate of skin
to be a much later devised
disguise in stretch-armstrong of leather...

but it was all about "the look"...
it was so intimidating in it being intimate...
"do you still remember me"...
i don't think i had such trouble
with val kilmer...
then again: who's the busy body
in my receding memory loop-hole to loot
from?

  they must have used dubbing...
otherwise it would seem that christopher lambert
spoke the very base of german
like a puppet of a ghost...
most certainly a changed man...

he had that look in his eyes that read:
i don't remember myself...
this face is no good: for you... either...
and it truly wasn't...
truly petrifying this enigmatic cloak
of ****** features...
but those two voids like a lemniscate (∞)...

i can X with my eyes when concentrating
on the egoism of the tip of my nose
and see the water inside the aquarium
all blurry and salty and mirage prone...
but not this...
this was a sensation of...
seeing an unrecognisable face...

again: i'd sooner revisit watching schindler's
list: because of it being in black & white...
otherwise cudos for the work
by a yanuš kamińци... that red dress:
"here" and... "there"...

for a russian the poles are traitors...
but thank god for the bulgarians
being the bell-boys of their whole
affair of wounded pride...
given the bulgars frequent the aisles
of st. cyril...
             but it looks like... the mongolians
are having... "counter-productive"
thoughts: themselves... good for them!

so close to the germans:
is it eastern europe west of kiev?
is it?
  traitors... oh god... those minor
denominations of the baltic states...
   perhaps... once upon... a time...
prussia would have been just a pocket of influence
akin to estonia... or latvia...
let's not mention lithuania...

it was a christopher lambert... by god...
sure... he was suited to age...
isn't everyone? but not like this...
in a positive way, though...
incomprehensibly unrecognizable...
a loot of enigmas...
well... if gérard depardieu a citizen
of ol' mother russia...
what doesn't stop a christopher lambert...
being dubbed when speaking german
like a manakin does running...
eyes that scream rather than peer...

it's one of those sad affairs of appreciating...
beside theatre... acting...
of course everything is in the detail
of the edit and the production of the end
product: with at very little hiccups as is to be
avoided...
it's a russian production: nonetheless...

but thoese eyes...
i didn't remember him...
was it perhaps donning the uniform...
or was it perhaps... perhaps of:
    seymour hoffman?
   but why couldn't i pick out...
a b-list actor... look at me... mr. hierarchical prone...
but no?
    chris cooper... bruce greenwood...
sure... no problem...
always the general, the "protagonist" of
"real" life... somehow along the line:
hardly a basis of a shadow meets shadow
compromise...

i think i saw a human being that became
unrecognizable from the burden of life
off-screen! i actually found a conviction from
a thespian... i saw two blinding cauldrons
of ire... which was...
ire... it wasn't fire...
    two blinding cauldrons of ire: i saw...
a blue tinge of flame... i saw tears...
it wasn't a purity of fire that will be later
made into a recycling power...
it was...

a fire that keeps intact a status quo...
that unfathomable perspetive
and an unmoveable object:
even if armed with the binding will
of a sisyphean determination:
where are the demons whipping him
to comply?!

   i was two blinding cauldrons of ire...
i saw fluorescent blue of glowing squid and less
revealing monsters of the deep...
i saw... a face disguised as a mask...
i saw a face from beneath a donned niqab...
more clearer than the glee of smile...
the chubby moon-clip
or the scythe of reasons behind...
the bulging shadow of harvests pending...

all this... and not much more...
  i'm good with faces...
   apparently not good enough...
was it really christopher lambert playing
karl frenzel in escape from sobibor?
i try to bypass the glamour and all that dry
artifact affair of keeping score...
to denounce all actors as...
the last and the least obliged to put pressure
and fathomability of the concern
for human... "things"....

what sort of a man is a christopher lambert
wearing.. if his eyes are...
pencils and needles piercing me...
that i can't recognise his face?
have i been gorging on too many
digestive biscuits... or something?

    by faking it... but i didn't see a slouch
of wanting to fake it...
given the numbers...
          what are the puny rhymes...
                   i want to see a rhyme
that riddled a blunt hammer-axe at the end
of this... foreboding of "contemplation"...
i want to find it soothing
for man to justify the antics of a slaughterhouse
concerning the wailing pigs
and the... cowering aum litany of the...
sanctity of beef...
            or the lesser kind via
the goat of the graces of riccota...

          i don't exactly know what i saw
in those eyes...
    but i saw enough to make me forget
a face.... i would most, be assured to...
have a memory of...
i was drawn into the eyes...
it's not like brian may aged so badly...

i did see the flabby skin of a pig become
stretched... then contracted...
over a square mile of a Berliner's post-code
"hum and oops"...
    little ******* good that would ever
do me!

              these tires need to be burned...
this soil needs to be shovelled...
this butter needs to be spread on
oozing warmth toast...
this rootweiler requires a leash:
are you the sort of walker
to allow a lessening of tension...
mind you: this "hanz" and "heinrich"
tends to tug along like
a pirañha on a diet...

                 the other head
of... the clamour fest... of feeding of...
cerberus... this night-walker this...
shadow-thief...
                   this... burden of my pride...
synonym coupled with ego...
rottweiler to the east...
       dobermann-pinscher to the west...
get this...
a ******* pop-up head of
a dachshund heading south:
                                        in lombardy!
hey presto...
                    my luvvie-dubbie companion!

for me... give me a harem of 72 dogs...
i'll sooner dog-wrestle bit
and chow-mein
and clash with teeth before...
         don't make me...
preside over the gratification of having
72 virgins: that same number
of the names ascribed to the hebrew god:
you and not you...
"you" hairy-hey-rab! ibin!

there's a barking... i'm pretty sure i don't
hear anything worth biting into?!
i'm quiet unamused hearing barking...
when i'm not entertaining
the convinction to suma summarum
it with: chewing...

              i would most certainly like
to hear less barking...
****** punctures of flesh...
i'd like that very much...

              i'd like filled stomachs of dogs
to be the only precursors...
the wolves are at the gates...
    
           words like daffodils easily
plucked up...
                  is that serious enough of "us"
to have these minor griefs...
as... vectors for what's to become
of the unfolding rest?
Donall Dempsey Jul 2022
WHEN DEATH COMES, IT WILL HAVE YOUR EYES
(Verrà la morte e avrà i tuoi occhi )

I once knew a man
who knew a man

who had seen
F. Scott Fitzgerald

drinking a milkshake
in a drug store

(vanilla or chocolate
he couldn't be sure)

flicking idly
through a magazine

( no he didn't know
which magazine )

in the company of
some blonde.

"I'll never forget
what he said!"

"Let's go to the supermarket
Shelia!" he said.

And that's it?
"That's it!"

His voice caressed
each syllable

as if
he were on stage.

But he was like a man
becoming a manakin

like in that episode of
The Twilight Zone

you know the one?"

In a future that had as yet
to happen.

"I don't know what I had
expected..."

The man who knew the man
who knew the man

who had seen and heard
F. Scott Fitzgerald.

"Maybe a Gatsby or
a Gatsby

who had survived the novel's
tragic ending

and wished
he hadn't!"



Here now
at home

Mr. Fitzgerald
sits in his armchair

eating a chocolate bar
checking out next year's

Princeton
football team.

suddenly like a puppet
yanked on a string

he stands up
hand on mantlepiece

like some bad acting
in a silent movie

before falling
to the floor.

He will never
get up.



Nick and Gatsby come
stand by his dying.

So do Monroe Stahr
and Kathleen Moore

even though
words fail them.

Yet they now
more real than he.

Monroe reads
some last scribbled lines.

"There was a flutter
from the wings of God

and you
lay dead.

Your  books
were in your desk I guess

and some unfinished chaos
in your head

was dumped to nothing
by the great janitress of

destinies."

Gatsby
closes his eyes.


*

WHEN DEATH COMES, IT WILL HAVE YOUR EYES(Verrà la morte e avrà i tuoi occhi )is of course the wonderful poem by Cesare Pavese.
Monroe and Kathleen are from Scott's last and unfinished novel THE LAST TYCOON.

I also knew a guy who knew a guy who peed beside Richard Brautigan. He was so in awe as to who was at the next ****** that he peed all over the top of his shoes.
Donall Dempsey Jul 2021
WHEN DEATH COMES, IT WILL HAVE YOUR EYES
(Verrà la morte e avrà i tuoi occhi )

I once knew a man
who knew a man

who had seen
F. Scott Fitzgerald

drinking a milkshake
in a drug store

(vanilla or chocolate
he couldn't be sure)

flicking idly
through a magazine

( no he didn't know
which magazine )

in the company of
some blonde.

"I'll never forget
what he said!"

"Let's go to the supermarket
Shelia!" he said.

And that's it?
"That's it!"

His voice caressed
each syllable

as if
he were on stage.

But he was like a man
becoming a manakin

like in that episode of
The Twilight Zone

you know the one?"

In a future that had as yet
to happen.

"I don't know what I had
expected..."

The man who knew the man
who knew the man

who had seen and heard
F. Scott Fitzgerald.

"Maybe a Gatsby or
a Gatsby

who had survived the novel's
tragic ending

and wished
he hadn't!"



Here now
at home

Mr. Fitzgerald
sits in his armchair

eating a chocolate bar
checking out next year's

Princeton
football team.

suddenly like a puppet
yanked on a string

he stands up
hand on mantlepiece

like some bad acting
in a silent movie

before falling
to the floor.

He will never
get up.



Nick and Gatsby come
stand by his dying.

So do Monroe Stahr
and Kathleen Moore

even though
words fail them.

Yet they now
more real than he.

Monroe reads
some last scribbled lines.

"There was a flutter
from the wings of God

and you
lay dead.

Your  books
were in your desk I guess

and some unfinished chaos
in your head

was dumped to nothing
by the great janitress of

destinies."

Gatsby
closes his eyes.

*

WHEN DEATH COMES, IT WILL HAVE YOUR EYES(Verrà la morte e avrà i tuoi occhi )is of course the wonderful poem by Cesare Pavese.
Monroe and Kathleen are from Scott's last and unfinished novel THE LAST TYCOON.
I also knew a guy who knew a guy who peed beside Richard Brautigan. He was so in awe as to who was at the next ****** that he peed all over the top of his shoes.
Shelia of course being Sheliah Graham who was a powerhouse gossip maven in Hollywood’s Golden Age. Her “Hollywood Today” column was carried in 178 papers, at its peak. By comparison, the columns of her better-remembered rivals, Louella Parsons and Hedda Hopper, were only carried in 100 papers and 68 papers, respectively.
She wrote two books about her life with Fitzgerald, Beloved Infidel (with Gerold Frank) in 1958, and The Garden of Allah in 1969. Beloved Infidel starring Gregory Peck as Scott and Deborah Kerr as Sheilah Graham, was filmed in 1959 at around the time the hotel where much of it was set was being demolished.

WHEN DEATH COMES, IT WILL HAVE YOUR EYES
(Verrà la morte e avrà i tuoi occhi )

Death will come with your eyes—
this death that accompanies us
from morning till night, sleepless,
deaf, like an old regret
or a stupid vice. Your eyes
will be a useless word,
a muted cry, a silence.
As you see them each morning
when alone you lean over
the mirror. O cherished hope,
that day we too shall know
that you are life and nothing.

For everyone death has a look.
Death will come with your eyes.
It will be like terminating a vice,
as seen in the mirror
a dead face re-emerging,
like listening to closed lips.
We’ll go down the abyss in silence.

Verrà la morte e avrà i tuoi occhi
questa morte che ci accompagna
dal mattino alla sera, insonne,
sorda, come un vecchio rimorso
o un vizio assurdo. I tuoi occhi
saranno una vana parola,
un grido taciuto, un silenzio.
Cosí li vedi ogni mattina
quando su te sola ti pieghi
nello specchio. O cara speranza,
quel giorno sapremo anche noi
che sei la vita e sei il nulla.

Per tutti la morte ha uno sguardo.
Verrà la morte e avrà i tuoi occhi.
Sarà come smettere un vizio,
come vedere nello specchio
riemergere un viso morto,
come ascoltare un labbro chiuso.
Scenderemo nel gorgo muti.
Donall Dempsey Jul 2020
WHEN DEATH COMES, IT WILL HAVE YOUR EYES
(Verrà la morte e avrà i tuoi occhi )

I once knew a man
who knew a man

who had seen
F. Scott Fitzgerald

drinking a milkshake
in a drug store

(vanilla or chocolate
he couldn't be sure)

flicking idly
through a magazine

( no he didn't know
which magazine )

in the company of
some blonde.

"I'll never forget
what he said!"

"Let's go to the supermarket
Shelia!" he said.

And that's it?
"That's it!"

His voice caressed
each syllable

as if
he were on stage.

But he was like a man
becoming a manakin

like in that episode of
The Twilight Zone

you know the one?"

In a future that had as yet
to happen.

"I don't know what I had
expected..."

The man who knew the man
who knew the man

who had seen and heard
F. Scott Fitzgerald.

"Maybe a Gatsby or
a Gatsby

who had survived the novel's
tragic ending

and wished
he hadn't!"



Here now
at home

Mr. Fitzgerald
sits in his armchair

eating a chocolate bar
checking out next year's

Princeton
football team.

suddenly like a puppet
yanked on a string

he stands up
hand on mantlepiece

like some bad acting
in a silent movie

before falling
to the floor.

He will never
get up.



Nick and Gatsby come
stand by his dying.

So do Monroe Stahr
and Kathleen Moore

even though
words fail them.

Yet they now
more real than he.

Monroe reads
some last scribbled lines.

"There was a flutter
from the wings of God

and you
lay dead.

Your  books
were in your desk I guess

and some unfinished chaos
in your head

was dumped to nothing
by the great janitress of

destinies."

Gatsby
closes his eyes.
WHEN DEATH COMES, IT WILL HAVE YOUR EYES(Verrà la morte e avrà i tuoi occhi )is of course the wonderful poem by Cesare Pavese.
Monroe and Kathleen are from Scott's last and unfinished novel THE LAST TYCOON.

I also knew a guy who knew a guy who peed beside Richard Brautigan. He was so in awe as to who was at the next ****** that he peed all over the top of his shoes.

— The End —