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"lettuces" poems
Among the market greens, a bullet from the ocean depths, a swimming projectile, I saw you, dead. All around you were lettuces, sea foam of the earth, carrots, grapes, but of the ocean truth, of the unknown, of the unfathomable shadow, the depths of the sea, the abyss, only you had survived, a pitch-black, varnished witness to deepest night. Only you, well-aimed dark bullet from the abyss, mangled at one tip, but constantly reborn, at anchor in the current, winged fins windmilling in the swift flight of the marine shadow, a mourning arrow, dart of the sea, olive, oily fish. I saw you dead, a deceased king of my own ocean, green assault, silver submarine fir, seed of seaquakes, now only dead remains, yet in all the market yours was the only purposeful form amid the bewildering rout of nature; amid the fragile greens you were a solitary ship, armed among the vegetables, fin and prow black and oiled, as if you were still the vessel of the wind, the one and only pure ocean machine: unflawed, navigating the waters of death.
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Ode To a Large Tuna in the Market
Here lies, whom hound did ne'er pursue, Nor swiftewd greyhound follow, Whose foot ne'er tainted morning dew, Nor ear heard huntsman's hallo', Old Tiney, surliest of his kind, Who, nurs'd with tender care, And to domestic bounds confin'd, Was still a wild Jack-hare. Though duly from my hand he took His pittance ev'ry night, He did it with a jealous look, And, when he could, would bite. His diet was of wheaten bread, And milk, and oats, and straw, Thistles, or lettuces instead, With sand to scour his maw. On twigs of hawthorn he regal'd, On pippins' russet peel; And, when his juicy salads fail'd, Slic'd carrot pleas'd him well. A Turkey carpet was his lawn, Whereon he lov'd to bound, To skip and gambol like a fawn, And swing his **** around. His frisking wa at evening hours, For then he lost his fear; But most before approaching show'rs, Or when a storm drew near. Eight years and five round rolling moons He thus saw steal away, Dozing out all his idle noons, And ev'ry night at play. I kept him for his humour's sake, For he would oft beguile My heart of thoughts that made it ache, And force me to a smile. But now, beneath this walnut-shade He finds his long, last home, And waits inn snug concealment laid, 'Till gentler **** shall come. He, still more aged, feels the shocks From which no care can save, And, partner once of Tiney's box, Must soon partake his grave.
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Epitaph on a Hare
Beams shoot, pierce, being. Cross light, torch, hydrogen star seams. The universe fabric'd slightly, by photon lattices, Making salad, for ingestion purposes, of lettuces Energy. Chlorophyll. Gathering. Spectral blue/red (465 nm/665 nm) Smattering. Frankenstein piece of art worn leather. Earth is stitched lava, magma sewn together. Forming the lawn face of all reality. Reality is suburbia to the string.
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Mar 27, 2013
Mar 27, 2013 at 11:47 AM UTC
Harpooned Gently with Little or No Collision
Lottie lived in an old pebble-mashed cottage in the middle of nowhere, with a ***** muzzle tree in the garden. She always wore white glubbs on a Sunday, and going to mumble sales was her favourite pass-time.   All year round a lyre would smoulder in the gate, as the house was not connected to the lucidity grid, which Lottie considered the work of the davel. She liked to recite Shakespeare to her clogs but as she got older would mix up her worms and get her lettuces in the wrong order. At times I was the only one who could stand on her.    There was a lovely orchard out the back in which all kinds of baffles, tums, bears and cheeses grew. She made the best crum plumble you never tasted.   She loved her macaroni wireless, the old type powered by molluscs, although in latter times she accepted my gift of an up to date transittor with a built-in bat pack.   We would ***** away many an hour as she reminisced about her youth, when she had traveled far and wide in the grand old days of steam *****      Lottie kept all her marbles right up to the end in an old sweet jar, kindly leaving them to me when she passed. So now it's up to me to carry the mantelpiece.  Dear old Lottie was unusual, but I liked her concentricity. There's no one quite like Lottie I'm sure you will agree To some she didn't make much sense But she always did to me
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Apr 13, 2014
Apr 13, 2014 at 11:30 AM UTC
Lottie
FROM EXCESS. found material words and scratched out sentences remember to eat your greens and clean behind your lettuces and peas and broccoli and ears white static noise black static noise colourless noise buzzing scraping screaming to be heard clean behind your ears and hear the words
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Mar 29, 2014
Mar 29, 2014 at 9:04 AM UTC
RENDERING MEANING
A crimson muddy ravine is marked on both sides by massive cliffs towering over the precession below. A figure wrapped in white muslin and rubbed with ash  is propped up on a stone altar. Around the figure tribesman and women dance hard, their eyes wild, their curled fingers wicked. The figure is not touched by the dancers almost as if he is diseased. I realize at this point that that is exactly what is going on. A plague has swept through this tribe and killed many. They burn the bodies on these altars to appease the gods and to beg mercy. The dripping fat and flesh pools in the mud below, making a small trickle of filth that led to near by water. Down river from this tribe is a whole different world. Here instead of being dark skinned the people are very pale. All of their houses are remains from shipwrecks put up into trees and connected by rope bridges, hammocks and twisting vines. Below the fields are covered with water. Below the surface was their crops. Melons, lettuces, berries, peppers all kinds of earth like flora but every species glowed softly with a pulsing beat. The pale tribe was very careful walking through the lines while harvesting. One rough handling could ruin the whole crop. A sense of fear was here all of the people smelled strongly of it. I could still hear the drum beat of the sick tribe. All work stopped and slowly everyone turned to look at me. Just then a loud crackling sound shot through the sky. A bolt of lightening struck close. Gasps could be heard all around. I looked quickly at my feet in the fields of water and didn't see the glow. The fields were black. The pale faces around me sunk in, gaunt and hungry. Their mouths worked but I could not hear them. My vision went blurry then black, fading away from their struggle.
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May 12, 2012
May 12, 2012 at 11:53 AM UTC
Dream: Fields of Water
A crimson muddy ravine is marked on both sides by massive cliffs towering over the precession below. A figure wrapped in white muslin and rubbed with ash  is propped up on a stone altar. Around the figure tribesman and women dance hard, their eyes wild, their curled fingers wicked. The figure is not touched by the dancers almost as if he is diseased. I realize at this point that that is exactly what is going on. A plague has swept through this tribe and killed many. They burn the bodies on these altars to appease the gods and to beg mercy. The dripping fat and flesh pools in the mud below, making a small trickle of filth that led to near by water. Down river from this tribe is a whole different world. Here instead of being dark skinned the people are very pale. All of their houses are remains from shipwrecks put up into trees and connected by rope bridges, hammocks and twisting vines. Below the fields are covered with water. Below the surface was their crops. Melons, lettuces, berries, peppers all kinds of earth like flora but every species glowed softly with a pulsing beat. The pale tribe was very careful walking through the lines while harvesting. One rough handling could ruin the whole crop. A sense of fear was here all of the people smelled strongly of it. I could still hear the drum beat of the sick tribe. All work stopped and slowly everyone turned to look at me. Just then a loud crackling sound shot through the sky. A bolt of lightening struck close. Gasps could be heard all around. I looked quickly at my feet in the fields of water and didn't see the glow. The fields were black. The pale faces around me sunk in, gaunt and hungry. Their mouths worked but I could not hear them. My vision went blurry then black, fading away from their struggle.
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We should be taught more often we are wrong. A figure behind the chair leans over the scripts of younger hands rocking as we edit blotched letters dangling figs. Homeworks describing the Viking day to day now reveal flat soles on hard mud and the clarity of those lettuces you admired in the LRB economical by the lb and ‘freshly efficient’.
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May 7, 2015
May 7, 2015 at 8:22 AM UTC
We should be taught more often we are wrong
Sanguine fluids course my veins, Neurons, synapses, excite my brains, Nectar of life in unfolding leaves, Verdant runner-beans ascending weaves, Roses deep purple with aromas sweet, Lupins and lettuces, begonias 'n beet, The sound of blackbirds in morning chorus, The light of the sun in breaking auras, The patter of rain quenching the deep, Herds of cattle, flocks of black sheep, Stretching wings soaring the skies, Laughter and smiles, frowns and cries, Wind and hail, sunshine and breeze, Love is the essence of all these.
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Mar 10, 2021
Mar 10, 2021 at 6:05 AM UTC
Love
Lawrence Hall [email protected] Poeticdrivel.blogspot.com Logosophiamag.com Hellopoetry.com Fellowshipandfairydust.com A Field Guide to Fields Watermelons, sunflowers, field corn, sweet corn Sweet potatoes, green peas, butterbeans, squash Cabbages, purplehulls, lettuces in rows And across the fence, red clover in glorious clouds But the most glorious field is in midsummer hay Green-dancing beneath the benevolent sun Crosstracked by beagles, terrapins, foxes, and rabbits And little boys off to the fishing hole Those little paths across farm fields, you know Lead to happy memories of the long-ago
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Jan 20, 2023
Jan 20, 2023 at 10:33 PM UTC
A Field Guide to Fields