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Jordan Chacon Apr 2014
The Anglo-Saxon Rune Poem

Each line consists of two half-stanzas, following the alliterative verse form of Fornyrðislag, or Old Meter.

Feoh byþ frofur fira gehwylcum;
sceal ðeah manna gehwylc miclun hyt dælan
gif he wile for drihtne domes hleotan.

Ur byþ anmod ond oferhyrned,
felafrecne deor, feohteþ mid hornum
mære morstapa; þæt is modig wuht.

Ðorn byþ ðearle scearp; ðegna gehwylcum
anfeng ys yfyl, ungemetum reþe
manna gehwelcum, ðe him mid resteð.

Os byþ ordfruma ælere spræce,
wisdomes wraþu ond witena frofur
and eorla gehwam eadnys ond tohiht.

Rad byþ on recyde rinca gehwylcum
sefte ond swiþhwæt, ðamðe sitteþ on ufan
meare mægenheardum ofer milpaþas.

Cen byþ cwicera gehwam, cuþ on fyre
blac ond beorhtlic, byrneþ oftust
ðær hi æþelingas inne restaþ.

Gyfu gumena byþ gleng and herenys,
wraþu and wyrþscype and wræcna gehwam
ar and ætwist, ðe byþ oþra leas.

Wenne bruceþ, ðe can weana lyt
sares and sorge and him sylfa hæfþ
blæd and blysse and eac byrga geniht.

Hægl byþ hwitust corna; hwyrft hit of heofones lyfte,
wealcaþ hit windes scura; weorþeþ hit to wætere syððan.

Nyd byþ nearu on breostan; weorþeþ hi þeah oft niþa bearnum
to helpe and to hæle gehwæþre, gif hi his hlystaþ æror.

Is byþ ofereald, ungemetum slidor,
glisnaþ glæshluttur gimmum gelicust,
flor forste geworuht, fæger ansyne.

Ger byÞ gumena hiht, ðonne God læteþ,
halig heofones cyning, hrusan syllan
beorhte bleda beornum ond ðearfum.

Eoh byþ utan unsmeþe treow,
heard hrusan fæst, hyrde fyres,
wyrtrumun underwreþyd, wyn on eþle.

Peorð byþ symble plega and hlehter
wlancum [on middum], ðar wigan sittaþ
on beorsele bliþe ætsomne.

Eolh-secg eard hæfþ oftust on fenne
wexeð on wature, wundaþ grimme,
blode breneð beorna gehwylcne
ðe him ænigne onfeng gedeþ.

Sigel semannum symble biþ on hihte,
ðonne hi hine feriaþ ofer fisces beþ,
oþ hi brimhengest bringeþ to lande.

Tir biþ tacna sum, healdeð trywa wel
wiþ æþelingas; a biþ on færylde
ofer nihta genipu, næfre swiceþ.

Beorc byþ bleda leas, bereþ efne swa ðeah
tanas butan tudder, biþ on telgum wlitig,
heah on helme hrysted fægere,
geloden leafum, lyfte getenge.

Eh byþ for eorlum æþelinga wyn,
hors hofum wlanc, ðær him hæleþ ymb[e]
welege on wicgum wrixlaþ spræce
and biþ unstyllum æfre frofur.

Man byþ on myrgþe his magan leof:
sceal þeah anra gehwylc oðrum swican,
forðum drihten wyle dome sine
þæt earme flæsc eorþan betæcan.

Lagu byþ leodum langsum geþuht,
gif hi sculun neþan on nacan tealtum
and hi sæyþa swyþe bregaþ
and se brimhengest bridles ne gym[eð].

Ing wæs ærest mid East-Denum
gesewen secgun, oþ he siððan est
ofer wæg gewat; wæn æfter ran;
ðus Heardingas ðone hæle nemdun.

Eþel byþ oferleof æghwylcum men,
gif he mot ðær rihtes and gerysena on
brucan on bolde bleadum oftast.

Dæg byþ drihtnes sond, deore mannum,
mære metodes leoht, myrgþ and tohiht
eadgum and earmum, eallum brice.

Ac byþ on eorþan elda bearnum
flæsces fodor, fereþ gelome
ofer ganotes bæþ; garsecg fandaþ
hwæþer ac hæbbe æþele treowe.

Æsc biþ oferheah, eldum dyre
stiþ on staþule, stede rihte hylt,
ðeah him feohtan on firas monige.

Yr byþ æþelinga and eorla gehwæs
wyn and wyrþmynd, byþ on wicge fæger,
fæstlic on færelde, fyrdgeatewa sum.

Iar byþ eafix and ðeah a bruceþ
fodres on foldan, hafaþ fægerne eard
wætre beworpen, ðær he wynnum leofaþ.

Ear byþ egle eorla gehwylcun,
ðonn[e] fæstlice flæsc onginneþ,
hraw colian, hrusan ceosan
blac to gebeddan; bleda gedreosaþ,
wynna gewitaþ, wera geswicaþ

Modern English Translation

Wealth is a comfort to all men;
yet must every man bestow it freely,
if he wish to gain honour in the sight of the Lord.

The aurochs is proud and has great horns;
it is a very savage beast and fights with its horns;
a great ranger of the moors, it is a creature of mettle.

The thorn is exceedingly sharp,
an evil thing for any knight to touch,
uncommonly severe on all who sit among them.

The mouth is the source of all language,
a pillar of wisdom and a comfort to wise men,
a blessing and a joy to every knight.

Riding seems easy to every warrior while he is indoors
and very courageous to him who traverses the high-roads
on the back of a stout horse.

The torch is known to every living man by its pale, bright flame;
it always burns where princes sit within.

Generosity brings credit and honour, which support one's dignity;
it furnishes help and subsistence
to all broken men who are devoid of aught else.

Bliss he enjoys who knows not suffering, sorrow nor anxiety,
and has prosperity and happiness and a good enough house.

Hail is the whitest of grain;
it is whirled from the vault of heaven
and is tossed about by gusts of wind
and then it melts into water.

Trouble is oppressive to the heart;
yet often it proves a source of help and salvation
to the children of men, to everyone who heeds it betimes.

Ice is very cold and immeasurably slippery;
it glistens as clear as glass and most like to gems;
it is a floor wrought by the frost, fair to look upon.

Summer is a joy to men, when God, the holy King of Heaven,
suffers the earth to bring forth shining fruits
for rich and poor alike.

The yew is a tree with rough bark,
hard and fast in the earth, supported by its roots,
a guardian of flame and a joy upon an estate.

Peorth is a source of recreation and amusement to the great,
where warriors sit blithely together in the banqueting-hall.

The Eolh-sedge is mostly to be found in a marsh;
it grows in the water and makes a ghastly wound,
covering with blood every warrior who touches it.

The sun is ever a joy in the hopes of seafarers
when they journey away over the fishes' bath,
until the courser of the deep bears them to land.

Tiw is a guiding star; well does it keep faith with princes;
it is ever on its course over the mists of night and never fails.

The poplar bears no fruit; yet without seed it brings forth suckers,
for it is generated from its leaves.
Splendid are its branches and gloriously adorned
its lofty crown which reaches to the skies.

The horse is a joy to princes in the presence of warriors.
A steed in the pride of its hoofs,
when rich men on horseback bandy words about it;
and it is ever a source of comfort to the restless.

The joyous man is dear to his kinsmen;
yet every man is doomed to fail his fellow,
since the Lord by his decree will commit the vile carrion to the earth.

The ocean seems interminable to men,
if they venture on the rolling bark
and the waves of the sea terrify them
and the courser of the deep heed not its bridle.

Ing was first seen by men among the East-Danes,
till, followed by his chariot,
he departed eastwards over the waves.
So the Heardingas named the hero.

An estate is very dear to every man,
if he can enjoy there in his house
whatever is right and proper in constant prosperity.

Day, the glorious light of the Creator, is sent by the Lord;
it is beloved of men, a source of hope and happiness to rich and poor,
and of service to all.

The oak fattens the flesh of pigs for the children of men.
Often it traverses the gannet's bath,
and the ocean proves whether the oak keeps faith
in honourable fashion.

The ash is exceedingly high and precious to men.
With its sturdy trunk it offers a stubborn resistance,
though attacked by many a man.

Yr is a source of joy and honour to every prince and knight;
it looks well on a horse and is a reliable equipment for a journey.

Iar is a river fish and yet it always feeds on land;
it has a fair abode encompassed by water, where it lives in happiness.

The grave is horrible to every knight,
when the corpse quickly begins to cool
and is laid in the ***** of the dark earth.
Prosperity declines, happiness passes away
and covenants are broken.
de kunne lande det fly på mit hjerte
det er det sidste, jeg når at tænke og
så falder benene og universet sammen
under og over mig og fra alle sider og
det er ligegyldigt, hvilken vej jeg går
eller for den sags skyld ser, for du står
der altid - ja lige dér, og blokerer for de
milde solstråler, der holder sammen på
mit allersidste fokuspunkt
du er der altid, selv når angsten spiser
af mit kranie og gemmer rester til mine
stikkende, prikkende, rivende fingerspidser
- digte om alt det, der vandaliserer os
Olivia Kent Dec 2013
Tonight the Robin flew.

Left the land of once was .

Now in eternal peace.

Walked into the light.

Flown legitimately.

Robin left the planet.

Set Mandela free!

And into the light he steps.

From non-religious English girl ..Goodnight sweet sleep and rest in eternal peace.

Slaap goed vader van Afrika-lande

(c) Livvi Kent!5/12/2013
R.I.P Nelson Mandela...I don't know why the caged bird sang but now he's free to fly x
(First Movement: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of cheerful feelings upon arrival in the country)

Leaves blow in the breeze
the music of trees
carried in the wind
to the ears who can hear
the symphony of nature.
Le brouillard est froid, la bruyère est grise ;
Les troupeaux de boeufs vont aux abreuvoirs ;
La lune, sortant des nuages noirs,
Semble une clarté qui vient par surprise.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

Le voyageur marche et la lande est brune ;
Une ombre est derrière, une ombre est devant ;
Blancheur au couchant, lueur au levant ;
Ici crépuscule, et là clair de lune.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

La sorcière assise allonge sa lippe ;
L'araignée accroche au toit son filet ;
Le lutin reluit dans le feu follet
Comme un pistil d'or dans une tulipe.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

On voit sur la mer des chasse-marées ;
Le naufrage guette un mât frissonnant ;
Le vent dit : demain ! l'eau dit : maintenant !
Les voix qu'on entend sont désespérées.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

Le coche qui va d'Avranche à Fougère
Fait claquer son fouet comme un vif éclair ;
Voici le moment où flottent dans l'air
Tous ces bruits confus que l'ombre exagère.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

Dans les bois profonds brillent des flambées ;
Un vieux cimetière est sur un sommet ;
Où Dieu trouve-t-il tout ce noir qu'il met
Dans les coeurs brisés et les nuits tombées ?

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

Des flaques d'argent tremblent sur les sables ;
L'orfraie est au bord des talus crayeux ;
Le pâtre, à travers le vent, suit des yeux
Le vol monstrueux et vague des diables.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

Un panache gris sort des cheminées ;
Le bûcheron passe avec son fardeau ;
On entend, parmi le bruit des cours d'eau,
Des frémissements de branches traînées.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.

La faim fait rêver les grands loups moroses ;
La rivière court, le nuage fuit ;
Derrière la vitre où la lampe luit,
Les petits enfants ont des têtes roses.

Je ne sais plus quand, je ne sais plus où,
Maître Yvon soufflait dans son biniou.
Vita che non osai chiedere e fu,
mite, incredula d'essere sgorgata
dal sasso impenetrabile del tempo,
sorpresa, poi sicura della terra,
tu vita ininterrotta nelle fibre
vibranti, tese al vento della notte...

Era, donde scendesse, un salto d'acque
silenziose, frenetiche, affluenti
da una febbrile trasparenza d'astri
ove di giorno ero travolto in giorno,
da me profondamente entro di me
e l'angoscia d'esistere tra rocce
perdevo e ritrovavo sempre intatta.

Tempo di consentire sei venuto,
giorno in cui mi maturo, ripetevo,
e mormora la crescita del grano,
ronza il miele futuro. Senza pausa
una ventilazione oscura errava
tra gli alberi, sfiorava nubi e lande;
correva, ove tendesse, vento astrale,
deserto tra le prime fredde foglie,
portava una germinazione oscura
negli alberi, turbava pietre e stelle.

Con lo sgomento d'una porta
che s'apra sotto un peso ignoto, entrava
nel cuore una vertigine d'eventi,
moveva il delirio e la pietà.
Le immagini possibili di me,
passi uditi nel sogno ed inseguiti,
svanivano, con che tremenda forza
ti fu dato di cogliere, dicevo,
tra le vane la forma destinata!
Quest'ora ti edifica e ti schianta.
L'uno ancora implacato, l'altro urgeva -
con insulto di linfa chiusa i giorni
vorticosi nascevano da me,
rapidi, colmi fino al segno, ansiosi,
senza riparo n'ero trascinato.
Fosti, quanto puoi chiedere, reale,
la contesa col nulla era finita,
spirava un tempo lucido e furente,
senza fine perivi e rinascevi,
ne sentivi la forza e la paura.
Una disperazione antica usciva
dagli alberi, passava sulle tempie.
Vita, ne misuravi la pienezza,.
Mariee Feb 2016
Kaffen er varm og duften er velkendt når den rammer mine sanser. Åbner op for den velkendte smag, som jeg snart smager. Når kaffen er varm, møder jeg måske lidt flere minder end hvis den var kold. For når den er kold, så er vi gået, og samtalen og tankestrømmen er som regel forbi.
Når kaffen er varm går samtalen mellem dig og mig, eller dig og hende eller ham på velsmurte skinner og solen skinner måske i øjeblikket, og glæden stråler ud af dine vintertrætte øjne, og jeg ser det. Vi smiler. Vi er glade. Måske endda lykkelige, lige der i øjeblikket. Enten med selvskab af dig, ellers sidder jeg alene med den varme kop mellem mine skrøbelige hænder, som er trætte efter dagens forhindringer, som jeg har måtte stå imod. Måske tænker jeg for meget.

Jeg svæver mellem mælkeskum og varme bønner, væk fra det der gemmer sig bag ruden, som dugger til af varmen fra min nu varme krop mod vinduskammen. Jeg lader dem strømme, tankerne, lader dem svæve som om de flygtede fra det kolde vejr mod varmere lande. Dagens, ugens eller månedens ophobninger af forvirrede, glade, vrede og småligegyldige tanker.
Det er små øjeblikke som denne hvor jeg ser at de travle øjeblikke er der for mange af. Fordi om lidt er kaffen kold, og snart kalder hverdagen igen. Tiden går, kaffen er kold, og snart er der kun kaffemærker af den tidligere varme kaffe tilbage.
Zut alors, si le soleil quitte ces bords !
Fuis, clair déluge ! Voici l'ombre des routes.
Dans les saules, dans la vieille cour d'honneur,
L'orage d'abord jette ses larges gouttes.

Ô cent agneaux, de l'idylle soldats blonds,
Des aqueducs, des bruyères amaigries,
Fuyez ! plaine, déserts, prairie, horizons
Sont à la toilette rouge de l'orage !

Chien noir, brun pasteur dont le manteau s'engouffre,
Fuyez l'heure des éclairs supérieurs ;
Blond troupeau, quand voici nager ombre et soufre,
Tâchez de descendre à des retraits meilleurs.

Mais moi, Seigneur ! voici que mon esprit vole,
Après les cieux glacés de rouge, sous les
Nuages célestes qui courent et volent
Sur cent Solognes longues comme un railway.

Voilà mille loups, mille graines sauvages
Qu'emporte, non sans aimer les liserons,
Cette religieuse après-midi d'orage
Sur l'Europe ancienne où cent hordes iront !

Après, le clair de lune ! partout la lande,
Rougis et leurs fronts aux cieux noirs, les guerriers
Chevauchent lentement leurs pâles coursiers !
Les cailloux sonnent sous cette fière bande !

- Et verrai-je le bois jaune et le val clair,
L'Epouse aux yeux bleus, l'homme au front rouge, ô Gaule,
Et le blanc Agneau Pascal, à leurs pieds chers,
- Michel et Christine, - et Christ ! - fin de l'Idylle.
Les chars d'argent et de cuivre -
Les proues d'acier et d'argent -
Battent l'écume, -
Soulèvent les souches des ronces.
Les courants de la lande,
Et les ornières immenses du reflux,
Filent circulairement vers l'est,
Vers les piliers de la forêt, -
Vers les fûts de la jetée,
Dont l'angle est heurté par des tourbillons de lumière.
Mateuš Conrad Sep 2016
today was the second time i became a spontaneous ****** - only the second time that a couple ****** in suburbia, without window-blinds and not beneath the sheets - she was on top... just walking past with a beer, headphones on; and indeed my development bypassed teenage hormone harmonisation: to need the opposite - an advanced curiosity aged 8 - prior to actual ***** production - King Onan - which meant that my hormonal chaos atypical of teenagers never set it... i never appreciated a sense of hormonal binding to strive for relationships of this kind of bonding - it's not a complexity that i'd below out from the mountains, more from the gutters... once upon a time i could have taken interest in women in the hormonal crescendo - some tried to state they too were adept at premature findings of the genitals and the bone ***** of the hand imitating **** ***: well, better the **** in your hand, than your, ahem, in the blessed muscular ease of the prostate - or some dare believe.

a crude beginning - but necessary -
however many theories they throw at me,
i feel in limbo of dissatisfaction -
only today i learned that i wasn't born
an entertainer: i should have written
two or three major poems and stood up
and bellowed out a cry of mercy and
rebellion - i don't believe Mozart hummed
any of his pieces after writing something:
if he was a violinist he probably would
have written two pieces, and rambled about
Austria with those two pieces:
writing very little after. i figured: what have
i got to lose, if i end up a dwarf miner,
and keep mining? the mix of seeing stand-up
comedy, and then seeing the opera Werther:
the last scene, where Werther is dying...
i don't know how the opera singer did it -
he shot himself and lay on the stage: singing...
that must have been hard, singing opera while
lying down...
                         but something dawned to me
in the morning today, i woke up and opened up
a book in the price range of £25 - £35...
only a preview, but that's sometimes enough
(the most i ever spent on a book? in Barnados
Edinburgh, £30) - Hölderlin's hymns "germania"
   and "the rhine", by m. heidegger -
and lying on my back, i started reciting Germania,
    
nicht sie, die seeligen, die erschienen sind,
     die götterbilder in dem alten lande,
     sie darf ich ja nicht rufen mehr, wenn aber
     ihr heimatlichen wasser! jezt mit euch
     des herzens liebe klagt, was will es anders
     das heiligtrauernde?
                      the oddity of writing poetry but not
necessarily thinking about voicing it -
    on top of mountains, atop large crowds -
    like a serpent in Eden, i guess, being the more
    appropriate consideration -
     *not those, the blessed ones who once appeared,
      divine images in the land of old,
      those, indeed, i may call no longer, yet if
     you waters of the homeland! now with you
     the heart's love has plaint, was else does it want,
     the holy mourning ones?

perhaps poetry as an aversion toward modern philosophy,
unchallenged systematisation, imagine dropping
a Platonic dialogue into these gargantuan volumes -
half of them would turn into cf. of encyclopedic entries,
or how dialectics turned out to be: dialectic solipsism -
a natural aversion toward prose -
         the rigidity of narrator's curiosity or disposal
of understudies of the narrator: characters with pithy
one liners - or sometimes truly rebelling against
the puppeteering: akin to Ivan and the Inquisitor
in the Brothers Karamazov - perhaps poetry is all
but a rebellion against all literary movements -
but the point being: for the first time i lay in bed
and recited poetry, smoking cigarettes and drinking
has really changed my voice, for the first time
i noticed the orating voice i have, conversations aside,
a warm-up in German, i don't know, i have a fetish
for German and Jewish mysticism -
i'm taking English back into Saxony - no au pairs
and airs and colonial ******* on the natives,
back to the roots - if ever on stage, i don't know,
i might decide that the gamble paid off,
that i decided to create more material than write two
poems and shout them at the world to listen
and pay attention... i'd lie down... yep... i'd lie down
on the stage: to place rhythm and open up my stomach,
as i did in bed today... start warming up in German,
and then launch into English - and sometimes swaying
in Latin, Polish and the odd Greek -
             if they can have stand-up comedy,
             i'm sure they can have lay-down poetry -
cigarette rasp and the water-hole echo drum:
                 paraphrase with a way to antidote modern
society and the constant: purpose-built negation of
autobiographical facts of other people - Sartre's bad faith
association - i don't understand why people have
this inherent need to deny someone their autobiography -
oh right, not glamorous enough, not enough cocktail
parties, not enough Marlin Monroes -
it's not a good enough autobiography without any
thespians, apparently -
                                            and after years at it,
                           you turn into turtle skinned observer -
god forbid shouting this to the world...
          perhaps an innovation is needed - well, i might
find out when i go to Cheltenham - there's a free
even: pub crawling and talking literature,
    and there i'll be, with a freshly printed copy of my
verse... someone gives me a mic, i go onto the stage,
lie down, and recite a poem... who knows?
          after 9 years at it, 11,740 and so many deleted,
i might grow a pair of ***** about that time and, for
the first time, hear whether what i write is any good.
(First Movement: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of cheerful feelings upon arrival in the country)

Leaves blow in the breeze
the music of trees
carried in the wind
to the ears who can hear
the symphony of nature.
Annesofie Olsen Mar 2015
Jeg er et sandkorn i Sahra
et ud af mange
jeg er her bare,  indtil den dag jeg bliver blæst væk
blæst væk af vinden
hvor mon jeg lander ?
jeg ved det i hvert fald ikke
jeg kan lande hvor som helst
på bunden eller på toppen
men det slutter jo ikke her
for  om jeg er på toppen eller bunden
blæser jeg væk igen
hen til et nyt sted
jeg blæser hele tiden væk.
Laura Amstutz Mar 2021
små fisk svømmer rundt i mine æggestokke
de vil ikke fødes endnu
de vil svømme sig stærke
og skiftes til at rutsje ned ad æggelederne
her vil de lande i en pøl med kun én åben dør
og denne dør vil også være åben i modsatte ende
og her vil en lille reje danse sig ind af døren
og følge gangen hen til døren for enden
og lande i pølen og den vil forføre fisken
og fisken vil spise rejen
og de vil vokse sammen og de vil være stærke
nok
og bane sig ud gennem den åbne dør
når de er stærke nok
og så vil de fødes og senere jordes
SummertimeLace Feb 2017
Her
The apples of her smiling face
Shine like fresh dew drops on a spring morning
Light emits from her eyes
Like twinkling stars in the dusky night
Her lashes surround her bright eyes
Like sprays of wild flowers
They flutter as she laughs
And her laugh
Oh her laugh!
Melodic and sweet
Fills her with warnth
From her head to her feet
And whenever she comes near
Glowing
And full of light like the sun
You can't help but love her
Full of gaiety and fun
Her whole being is like
A fresh breath of spring
Lily Lande
My light
Always shining
Vita che non osai chiedere e fu,
mite, incredula d'essere sgorgata
dal sasso impenetrabile del tempo,
sorpresa, poi sicura della terra,
tu vita ininterrotta nelle fibre
vibranti, tese al vento della notte...

Era, donde scendesse, un salto d'acque
silenziose, frenetiche, affluenti
da una febbrile trasparenza d'astri
ove di giorno ero travolto in giorno,
da me profondamente entro di me
e l'angoscia d'esistere tra rocce
perdevo e ritrovavo sempre intatta.

Tempo di consentire sei venuto,
giorno in cui mi maturo, ripetevo,
e mormora la crescita del grano,
ronza il miele futuro. Senza pausa
una ventilazione oscura errava
tra gli alberi, sfiorava nubi e lande;
correva, ove tendesse, vento astrale,
deserto tra le prime fredde foglie,
portava una germinazione oscura
negli alberi, turbava pietre e stelle.

Con lo sgomento d'una porta
che s'apra sotto un peso ignoto, entrava
nel cuore una vertigine d'eventi,
moveva il delirio e la pietà.
Le immagini possibili di me,
passi uditi nel sogno ed inseguiti,
svanivano, con che tremenda forza
ti fu dato di cogliere, dicevo,
tra le vane la forma destinata!
Quest'ora ti edifica e ti schianta.
L'uno ancora implacato, l'altro urgeva -
con insulto di linfa chiusa i giorni
vorticosi nascevano da me,
rapidi, colmi fino al segno, ansiosi,
senza riparo n'ero trascinato.
Fosti, quanto puoi chiedere, reale,
la contesa col nulla era finita,
spirava un tempo lucido e furente,
senza fine perivi e rinascevi,
ne sentivi la forza e la paura.
Una disperazione antica usciva
dagli alberi, passava sulle tempie.
Vita, ne misuravi la pienezza,.
Vita che non osai chiedere e fu,
mite, incredula d'essere sgorgata
dal sasso impenetrabile del tempo,
sorpresa, poi sicura della terra,
tu vita ininterrotta nelle fibre
vibranti, tese al vento della notte...

Era, donde scendesse, un salto d'acque
silenziose, frenetiche, affluenti
da una febbrile trasparenza d'astri
ove di giorno ero travolto in giorno,
da me profondamente entro di me
e l'angoscia d'esistere tra rocce
perdevo e ritrovavo sempre intatta.

Tempo di consentire sei venuto,
giorno in cui mi maturo, ripetevo,
e mormora la crescita del grano,
ronza il miele futuro. Senza pausa
una ventilazione oscura errava
tra gli alberi, sfiorava nubi e lande;
correva, ove tendesse, vento astrale,
deserto tra le prime fredde foglie,
portava una germinazione oscura
negli alberi, turbava pietre e stelle.

Con lo sgomento d'una porta
che s'apra sotto un peso ignoto, entrava
nel cuore una vertigine d'eventi,
moveva il delirio e la pietà.
Le immagini possibili di me,
passi uditi nel sogno ed inseguiti,
svanivano, con che tremenda forza
ti fu dato di cogliere, dicevo,
tra le vane la forma destinata!
Quest'ora ti edifica e ti schianta.
L'uno ancora implacato, l'altro urgeva -
con insulto di linfa chiusa i giorni
vorticosi nascevano da me,
rapidi, colmi fino al segno, ansiosi,
senza riparo n'ero trascinato.
Fosti, quanto puoi chiedere, reale,
la contesa col nulla era finita,
spirava un tempo lucido e furente,
senza fine perivi e rinascevi,
ne sentivi la forza e la paura.
Una disperazione antica usciva
dagli alberi, passava sulle tempie.
Vita, ne misuravi la pienezza,.
Zut alors, si le soleil quitte ces bords !
Fuis, clair déluge ! Voici l'ombre des routes.
Dans les saules, dans la vieille cour d'honneur,
L'orage d'abord jette ses larges gouttes.

Ô cent agneaux, de l'idylle soldats blonds,
Des aqueducs, des bruyères amaigries,
Fuyez ! plaine, déserts, prairie, horizons
Sont à la toilette rouge de l'orage !

Chien noir, brun pasteur dont le manteau s'engouffre,
Fuyez l'heure des éclairs supérieurs ;
Blond troupeau, quand voici nager ombre et soufre,
Tâchez de descendre à des retraits meilleurs.

Mais moi, Seigneur ! voici que mon esprit vole,
Après les cieux glacés de rouge, sous les
Nuages célestes qui courent et volent
Sur cent Solognes longues comme un railway.

Voilà mille loups, mille graines sauvages
Qu'emporte, non sans aimer les liserons,
Cette religieuse après-midi d'orage
Sur l'Europe ancienne où cent hordes iront !

Après, le clair de lune ! partout la lande,
Rougis et leurs fronts aux cieux noirs, les guerriers
Chevauchent lentement leurs pâles coursiers !
Les cailloux sonnent sous cette fière bande !

- Et verrai-je le bois jaune et le val clair,
L'Epouse aux yeux bleus, l'homme au front rouge, ô Gaule,
Et le blanc Agneau Pascal, à leurs pieds chers,
- Michel et Christine, - et Christ ! - fin de l'Idylle.
Les chars d'argent et de cuivre -
Les proues d'acier et d'argent -
Battent l'écume, -
Soulèvent les souches des ronces.
Les courants de la lande,
Et les ornières immenses du reflux,
Filent circulairement vers l'est,
Vers les piliers de la forêt, -
Vers les fûts de la jetée,
Dont l'angle est heurté par des tourbillons de lumière.

— The End —