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Of
Of immaterial vision birthed in mind.
Of spirit annihilating the selves,
of calling it plan. The one-
a semblance scattered on deck space
refracts on reflections of the reactions of tokens
of the carnivalesque,
of the hunger artists,
of phenomenon-
which may or may not exist depending on reflective surface of the true self,
of the motion of tides,
mocks motion in body,
of obsession.
The tonality of the "be" and the "is" and the "will be" is deafened by the "I am,"
by the Ohm.

Of shuddering and implanting embraces,
of blessing on every ember of cleanliness that is true self,
of the oneself that exists above selective memory,
not draft of time arrow but the material existence of dream,
not disembodied but embodied.
Of breeding,
of circumstance and forking fourth dimension prison terms,
of crowd control,
of she wolves and their feral children,
of forceps interpolating material reality of conception,
of Dreamtime,
of pain,
of pleasure,
where they are relations-
of skin perversely hanging, dually,
gratifying and sullying-
Fraying beautiful disasters that react to invisible ripples

I, the oneself, implore you to awaken in your utility and then outside of it.
Take those boot straps and bend the bars of confinement with them.
Chisel and sculpt light into a fabrication of quantum of action.
Celebrate the ordinary and expose it.

Of stargazed caustics,
of the early universe.
I stand awake as not the expression of design
and no longer connected to Earth by my roots
but awake inside cocoon,
entrapped behind slits,
of alien cage otherness.
The Akh beseeches ownership of the Ba
I want play dice with god and end in draw.
I am Sekhmet-Wadjet who dwells in the west of heaven,
I am Sahyt among the souls of Of.
This was written during the arab spring in Egypt. There was so much hope in the air that it could reach us in Nyc. All of love to the egyptians. Never stop fightingl
rhett burke Mar 2023
if ever i did love you
or even so much as laugh with you,
share a meal, or a moment in time,
i will hold space for you in my heart forever

i will hear that number on the radio and
visions will pass through my brain
interpolating into the melodies
capsules in time

and if you call i will surely answer
—be it twenty years after we part—
i will ask you about that time and
we will laugh again,
you will remind me of what i used to know

i will think of you, fondly,
always
Mateuš Conrad Aug 2018
when even mark hamill takes a stab at the industry...

the last movie i ever saw,
or for that will ever see
in a cinema -
             was the last jedi...
given that i didn't
watch the force awakens
prior:
            hell, the title itself...
the only good thing
about the movie was the actual
cinema,  
         a cameo -
   in my home town of
    Ostrowiec Świętokrzyski...
plus it was affordable -
given the exchange rate
hovered above £1 : 5zł...
     i remember times
when the exchange ratio
stood at
       £1 : 8zł or there about...
but now?
   hmm... just shy of
        £1 : 3.99zł...
and thank god the Poles
are leaving these accursed isles...
me?
    ****... been living here
since i was 8 years old...
   i can't, in the words of
Kevin Spacey: just... *******!
it's a life's worth of investment...
perhaps not the people,
but... the language, *the language
.
i'm no polymath,
but i have to keep up teasing
english psychiatrists
about one, curiosity...
well... two...
   the employment of regression
(implanting false memories
by insinuation) -
and... why is a bilingual person,
suddenly, a schizophrenic?
  medically... metaphorically?
of course!
              so i took it up to her...
(dr. moncrieff -
oh she's real,
  she did a BBC interview
for a program about R. D. Laing)...
    i said to hear:
but i also hear "voices" in
Polish?
             a bogus statement,
i had to toy with her...
   by the way...
why was John Allen Muhammad
the only genius killer
among blacks?
       a killing spree for a white
serial killer is simply dumb,
hood violence...
  petty emotional construct...
but John Allen Muhammad?
most definitely stands out...
the only black serial killer i ever
came across in the news...
the rest? whites.
           ****... digressing again...
see... drinking and listening
to political commentary videos
is one thing, sober,
on the crapper -
    but drinking and listening
to these sober concerns?
     that's not the point of drinking,
and not listening to music.
you lose the rhythm...
   you lose your orientation
in the face of the blank canvas,
awaiting your mosaic composition.
yeah...
   i don't think that cinema was
killed by television, per se...
  two factors, perhaps three killed it...
televised series have
  better music strategists...
   more music, basically,
and better researched...
come on - thor: Ragnarok?
led zeppelin's immigrant song?
that's it?
      sure... some of the classical
music theme are great...
Schindler's List's whining Jewish
violin tearjerker
  (gets me sometimes...
   i cry at beauty -
because beauty is worth crying
over... after sitting with my family
at the wake of my great-grandmother
having passed,
i sat alone in the kitchen,
put a red rose just near but also
just far away from the candle flame...
and managed to transform cardinal red
of the petals, into bishop's purple...
and then i grit and grinding my
teeth together, enlarging the ferocity
of my bite to feel a chip of
a tooth come off one of the bottom
incisors)...
compare that to sharp objects's
opening song from episode 2...
    jeffrey brodsky's
glance backwards...
           come on...
   the genius of a horror movie,
or the genius of a thriller?
  it's always been the music -
   nothing invigorates the horror genre
like the music,
  the visual props are secondary,
and always will be!
        but that's not 2nd reason for
the downfall of cinema...
merely the 3rd...
    an attache, whimsical observation...
the time allowance...
that stretches... far far beyond
   the *** break between such behemoth
movies like ben hur
    or gone with the wind...
    plus in t.v. you can play with
more juxtapositions...
vague interpolating time reference,
very much akin to sharp objects...
which... is, quality wise?
on par with the quality of Versailles...
in my humble opinion...
              plus?
   the once old gigantic necessity of
crafting extras?
  ****! gone!
                     big but nonetheless
cut budgets of CGI?
       not as much fun...
you can still spot the cut off points...
where the canvas of extras
meets Shogun: Total War CGI...
           and this is reason no. 2...
but reason numero uno?
  you can't binge on cinema...
  but sure as **** you can binge
on engrossing television drama...
             unlike some soap opera
omnibus on a Sunday?
   you have to wait...
say... 10 weeks...
                    before letting the beast out...
and then you sit up all night...
and watch the whole ******* season
back to back...
   no one has ever made a 10 hour movie,
and never will...
               binging on television
killed cinema,
  notably the kind of television
that allows you the freedom to record,
and watch back...
                   people always loved
binging on something,
now they've been plated an alternative
to food...
    pure optics...
                       and given the extortion
of cinema ticket prices?
    by the way...
            i couldn't be bothered
to go and watch the last jedi with
the subscripts...
         i'm pretty sure the version i watched
in dubbing could have saved my
initial impressions...
  nice cinema though...
              3. ****** soundtracks
    2. hmm... what was point no. 2?
  1. people love to binge,
   and cinema?
   no matter what movie franchise,
star wars...
     rocky... whatever...
          eh... not with the new star wars...
the only franchise that allowed
itself to mesh together,
like a t.v. show?
back to the future...
   you can't exactly watch one...
and not subsequently watch the other 2...
sorry... i tried...
ended up spending the night
watching the trilogy.

— The End —