.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

i can't stop feeling this pounce of melancholy,
and i mean: it's like a lynx pouncing on my chest,
i can't even claim a clinical dimension to it,
it's a sadness that comes on two fronts...
   it's a sadness that i left Poland when i was 8,
and the greater part of my life was spent
using the English language...
         and i find the Anglophone world so devoid
of consistency... all this post-truth
          labelling...
       this throwing of the cartesian maxim the other
way around, the "i am" really does
   predated the "i think" scenario on the hopes
of asking for a genesis, a (0, 0) / (ο, ω) coordinate
beginning... yes, i know more of a dougnut
   and less the orbit of a planet in the latter case...
     i can't believe i'm getting this technical -
but it sometimes happens, you know?
i don't really like it... i'd love to write about less
claustrophobic matters, less constrictive intellectual
matters... and before you shoot me down
by denouncing the crass lack of motivation -
                i am frail in undertaking another "poem",
and i mean that as a way of saying:
              terse narration and no claim to technique,
or at least that's what i know is modern...
           i watch the following list of videos
as a sort of freak-natured lullaby while drinking
Obey the Walrus         I FEEL FANTASTIC
Agamemnon Counterpart       Username 666
Cursed Kleenex Commercial      There is nothing
Performance Olivier de Sagazan 2008  
     The Wyoming Incident        My Dead Great
Grandma’s Coffin in My Own backyard!
K-Fee Car Commercial       Pretty Woman
Fatal Diving Accident        Girl Goes ****** During
Makeup Tutorial       Paris Catacombs Lost Footage
Shaye Saint John – Hand Thing (yes, copy & paste
given the uppercase lettering, i can be lazy
once in a while) -
                          so i do see a lot of potential in
these clips... if you can't dazzle them: might as well
scare them...
                      but i watch them and then write
a native-language poem while listening to
    music accompanying a zbigniew herbert poem
by tadeusz woźniak - and i get all nitty gritty
when using a language i should have forgotten
aged 8... and i type one out and i am brought
to tears with it... and then it vanishes from the html
blank...
             and then a deeper horror sets in,
which Ezra Pound would have liked
and it merely means: ten quotes by Horace,
a video, with only 230 views on youtube...
                    no one would dare say carpe diem
like a cliche after seeing this video...
             but still the sadness persists...
and i can't make it systematic, not systematic in
the sense that it might appeal to the zeitgeist of:
the January blues, or... i need the pharmacological
rainbow...
        i have a miniature vineyard... enough for
35 litres of wine... and i make the wine myself...
i pick the grapes...
i crush them, i buy the yeast, i melt the sugar until
i get runny sugar-thick water,
   and you know? out of the 5 litre holders for it...
i get about 10 pristine bottles of wine,
roughly in the range of 15% a pop...
                   from 35 litres i get about 10 pristine bottles
of wine... quality-wise: the stuff you'd expect to
buy in a shopping market...
       and that's the sad part...
it bothers me that i've waited for long for the wine,
i might have mentioned it a few months back that
i do actually make my own wine... but given the addiction
it's a product that could only last for something
worth celebrating...
                     these days people speak of a marathon's
worth of abstinance from the stuff for a month...
    which is a bit sad, given that if people ventured
into producing their own alcohol, they'd have
a Dionysian month of binging on it... and then having
11 months being sober... until the natural cycle comes
back, like the rare event of a comet...
    i'm sad i lost a few poems on the way...
but i'm also sad that the drinking should begin by spring
and that i'm ****** already...
                  that i'm still buying whiskey,
and when i do actually drink that one bottle of clouded
wine today, i'll feel a sense of the most minute accomplishment...
   i can't stop facing this industrialisation of
everything... whether it's alcohol, or art...
   or intellectual debate...
   sure, i'll listen to Breitbart for a bit...
then i'll listen in on how we've began mutilating
language... then i'll think of god, and recount
kant's concept: imagine the pangs of despair i felt
reading through the second volume of the critique -
if you do: you'd be surprised by what's involved
in transcendental methodology...
    what could possibly obstruct you in the existence
of: said word... not enlarged in religious practices?
   i am comforted by the fact that kant deals with
god on a non-religious basis...
    religious i mean: worthy of a reciting only one
book a thousand ******* times and building churches...
if god is merely lodged in your mind and allows
for a narrative, who is sane enough to take that
narrative initiative from you, considering the fact
that you're not bound to kneel and read only one
book a thousand times as if that one book held
the sole capacity for your vocab exfoliation and learning
of the alphabet?
     how can you ever be bound to a cognitive detestation
of god? that really must be painful...
considering that thought is so ****** whimsical, frail,
   picky, panicky... give it all you want...
you can't establish a cognitive detestation of god
  on the simple ground that thought is being bombarded
by a 5:1 ratio of the senses versus 1 non-sense -
    which god evidently is: given the numbers of
the good-church going folks... kneeling lunatics i call them...
but the simple fact that you want to do a lobotomy on
yourself with atheism, is a bit like saying
you'll censor the mathematical statement 1 + 1 = 2...
      at least the concept of god is: language exists...
and can i add to that? if a being as such exists:
he wouldn't consist of games... the verbal colliseum
of anagrams and crosswords... language you seize
to be entertaining... it would spell out a clear
format: a x, y, z      vector precision:
    starting from point (0, 0) moving to (1, 1),
  (2, 2)        to ( 5, 5) etc. you'd get a y = x graph...
   not a ******* parabola of nuance and political
chess... or nuanced ***...
                    and is that a.i.?
           well: the french question about man inventing
god because it would be useful is much better said
these days since we we have the capacity to create ourselves...
and given how it looks: i'm going to be a caveman
trapped in a two-dimensional world of the collective
consciousness by the time the true avant-garde in this
medium starts... creating a god became boring...
so many had to recreate himself in the robotic form...
    man is currently needing this exploration...
forget the space project... it's a case of definition...
but i'm still melancholic about the wine...
     i've been waiting to sniff it and feel the sharpness
of the alcohol for a good 3 months...
       and i really wish i could write in my native tongue
so easily as i do in my acquired tongue...
     i'm sad because i'm drinking the whiskey
prior, rather than getting completely sloshed on
what alcoholism looked prior:
    it's that curse of town insomnia and how we don't
celebrate enough of what comes with natural
cycles...
              which means that ontology is dead...
given we've managed to tame the seasons...
  means that any ontological question, based on
the cycle of wine-making, brings us to a more dreary
position than with nietzsche's god is dead...
look here: at least you have something tangible...
   you can't erase god from thinking...
it's the primost a priori essence of every, single man,
it's not an a posteriori fact,
god is there, in that a priori medium like space
and time...
                              and why do people never claim
that god can contain a dualism, primarily because
the herd is encapsulated by a monotheism?
              if god could ever be an a posteriori you'd
be forced to experience some sort of revelation,
and later encounter the evil contained within the concept's
dualism, so in actual sense: be considered mad:
for not making certain choices in life and wishing to
reach for the pulpit... mind you: i had such an experience...
and my life didn't become better for it...
     evidently i should have pressed harder for
the ontological argument of: marrying the girl...
but then the same ontological argument came back
to me when i started making wine...
                      meaning i could produce alcohol
on an industrial level... and forget any ritualism involved
in consuming it prior... since i would only be
left with an addictive socio-pathological use of the
once celebrated, collective engagement by waiting for
autumn to ferment and keep me warm through
the winter... which i suppose is when all the Greeks
were kept together... drinking and ******* rather
than bother to exploit natural resources like gas and oil...
but hey! that's just me...
         but there's a sadness behind this...
start making your own wine and you'll see it...
which is to say: i don't know whether i'd have lived
a happy life with my russian fiance...
             i have only a quantum idealism to mind
expressed by fanciying myself counter to the history
i'm writing right now...
    so why is god as a priori bound as time and space?
well... why would you otherwise get so many eager
atheist gobs to reach for an argument?
                  i find that the most authentic atheists are
murderers... why? they have transcended
    the cognitive debility of an atheistic argument...
      i'll prove god does not exist by "thinking" about it...
my my: what a lovely congregation you have there!
      i'm not even trying to be clever here...
  well... there's an antidote to this scenario...
               so he's permanently lodged in our a priori
  "consciousness" (might as well do away with psychiatry
******* about with its three-layer cake of
con- subcon- and uncon-) -
                   and he's not lodged in our a posteriori
"consciousness" - i hate becoming the fiddler on the roof -
because what then? experiencing the omniniscence
and the omnipotency and whatever other trait that ******
thing does, would translate as what?
     at best a monotheism... or a place where people concentrate
in numbers... not necessarily worths of being beyond
the estimates concerning their congregation...
            it's dangerous to claim a god in the a posteriori
realm...
                that's why the safest place to keep him is in
the a priori realm... where all the big things happen,
or don't happen, depending whether you're from New York
or Hiroshima...
                    and following from kant's distinction
in transcendental methodology concerning time and space...
and god...
                 it dawned on me that he did see a distinction
between mathematical language and the lingua of
  doodling and anagrams and all those poetic jives that
give no precision...
    if time... then space...
                    if god...            then nothing...
and how are dual in the a priori realm...
       only that with regards to time and space
i'm more likely to throw a 1, or a 2 into conceptualising
these things, than i am to throw an a, or a b into it...
    algebra is secondary in talking about these two mediums...
why? because i'll get a definite rationalisation of
time and space... if i tell you the fastest man on earth
can run 100m in under 10secs...
                       if i throw in x y z into this: i might as well
end this whole narrative with: oi! Zeno! give us
that Achilles joke!
                when i mean god i mean: medium of
communication... that's not necessarily a democratic
omni-versed plateau of sponging everything every human
has to say...
       but i primarily throw 1, 2, 3... 4, 5... 8, 9 and 0
into the a priori conceptualisation of time and space...
  but if i do the same when i throw in the other symbols
into the a priori conceptualisation of god and nothing -
sure, mathematical symbols can be phonetic encoding,
as one, two, three, four... five, six...
          but apply them as one two three four to time and space
and there's no way to rationalise time and space,
because time and space is met with a nonsense
in dealing with a phonetic encoding of 1 (as one) -
due to the vacuum of space... and the timelessness of
    time as a ref. point fixated upon... let's just leave
it with the vacuum of space... 2 overpowers two (because
of to and too), 3 overpowers three (because of free)...
4 overpowers four (because of for)... not only that:
but they're more about photographic memory
and visual conceptualisation ease - no one really bothers
   a - z to be anything more than: what they actually
are as phonetically: awaiting pronunciation.
sure... letter can become mystical in a sense of:
   y looks like a tree (other than pine),
           H is a rugby goal...
                               w is a cosine graph...
                    y is a serpent's tongue...
              but that's mysticism and that's also: fair enough!
what bugs me is the opposite of the a priori
magnetism... as opposed to space and time...
god and nothing...
     well... if i throw 1 and 0 into a priori thinking
about working time and space...
  i'll get, say: 365 days in a calendar year...
               or that the acceleration of earth if 9.8 metres
per seconds squared... (cubic gravity evidently
becomes a bit pointless -
                                        imagine it:
   9.8m/s(superscript)3...   or 9.8m(superscript)2/s...
or whatever variation...
no wonder the chemists got the ****-end of the stick
when they were told they weren't allowed into
the heaven of superscript... but sent to the subscript hell
of writing dwom oxygen... ah shame: Faust! i'm coming!)...
yes... but throw 1 - 0 into the a priori
"conceptualisation" opposite of time and space,
i.e. god and nothing... the best answer you can get
is matthew chapter 1 verse 8... or SIX SIX SIX!  boogie man!
well... not... you throw in the symbols α - ω
into the a priori "conceptualisation" of god & nothing
and you get, e.g.: δατυμ -
which basically means: it can't be meaningless -
       otherwise we'd be stuck with animalistic intuition
and intelligence, overloaded with sensual intelligence
and not marred by the murk of thought...
  how this devolution happened is beyond me...
  no amount of wit makes up for the sensual sharpness of
a monkey shouting at a congregation: spy! snake!
and all with the bare minumum of phonetic distinction...
    thus α - ω are slightly meaningless when it comes
to time and space, i know these symbols to enter
this a priori venture, but we're still primarily talking
about using 1 - 0 symbols to get at the knitting-work...
just like in verse, i say of a crossword
    sound of Valhalla (4),
                 and you say: 1 across... horn!
                              and then we get the pretty picture.
3a.m.
       and the wine ritual is about to begin...
      

i was about to start writing this up when i thought:
another whiskey Quincy? **** storm,
spilled the remains of the one i barely touched
before having to pour myself a:
puritan Scot in Cheltenham.

now, i heard people say any town in Essex
is a ****-hole...
                            fair enough...
but there are darker recesses of England you
must get to know before making that
assumption...
                  sure, London, proper London,
zones 1 - 4, E17 (post code, outer reaches,
Walthamstow, used to have a dog racing
track - played there once,
like a typical Paris catwalk, those hounds)
can skive off Greater London
                    like New York can laugh off
New Jersey, it's pretty much like that...
the only thing is: Londoners don't know what
exists outside this area: the buffer zone.
this is the buffer zone...
                 you experience England outside of
this very sensitive area of integration,
take for example a 3 hour coach trip to
a little town of Cheltenham in Gloustershire
not far from Oxford (a hub of learning)
and Bristol (Massive Attack, and that
bridge by Brunel - funny, engineers are above
architects, in that engineers build things
that *work, architects are like science-fiction
novelists rather than scientists -
do you know how many problems workers
experience, because an engineer
"forgot to mention" something essential in the plans?
at least an engineer gives you a read table,
all architects work for Ikea -
          ah, here's pieces a - z,
put it together yourself) - anyway...
              spilled my Quincy whiskey, now i'm a puritan
of scotch - unlike that damning quote from
1950s Hollywood: whiskey with a drop of water...
   ok ok... a little **** of ice floating about...
when will the nagging stop? no one says jack
about putting water into authentic absinthe...
      why? cos it goes cloudy green when you do!
(too much digression, news paragraph).

   i was leaving London on Friday,
murky the way i like it... Albert Bridge never seemed
so out of cinematographic urgency -
               but the west end with its grand buildings
appealed to me to start imagining
                    Oscar Wylde ghosts leaving these places
for promenades in top cats and tiaras for the ladies...
                     west London... the best way to see it
is in transit... preferably rather urgently...
                    and in a coach with other people not paying
attention...
                       the Thames receded into the estuary (
as it does), those housed in boats experienced a wake-up
call with a 10° ***** into the mud -
                                past the Chelsea pensioners' abode,
past many monuments to be exact...
   and then onto the open M4... past Windsor Castle
and the streak of aeroplanes about an aerial mile
apart landing at Heathrow -
                                  3 hours later, there i was,
in Cheltenham - chitty chitty bang bang,
apparently dubbed the hub of all English literary
endeavours - well, if you're going to host
a literature festival, wouldn't you claim to host
it with at least one patriotic son of the word?
did i see any statue of a famous poet or writer in
that little rugby stockpile of excess triceps?
nope.
           well, at first i thought it was cute...
                                a little Portobello, albeit
without the St. Petersburg paintwork on the houses,
houses as grey as the skies...
                                           got lost looking for
the b & b hotel i was supposed to be staying at for
the night, went into a gas station, asked,
i was apparently only adjacent lost -
                           old school, map printer and no
g.p.s. on foot -
                                  i once read a map and navigated
a car from an obscure Essex city,
to an even more obscure city in eastern Poland,
past the dreaded Penta Germania consisting of:
Düsseldorf, Duisburg, Essen, Wuppertal and
obviously Dortmund -
                                           i call it the whirlpool
of navigation...
                            anyway, so i found the abode,
what a nice little place it was, shied away from
all the traffic - a lovely garden,
a room fit for a journeying writer,
          actually, everything a writer could hope for
to lock himself away and write,
            tunic scenic - everything to ease the literary
constipation - the surroundings, the whole decor,
i even took a picture thinking: shame if no
Balzac were to not emerge from these rooms...
                           i sure didn't,
i dropped all the things, took a shower,
went into town to do the g.p.s. topographic of
the city so i wouldn't need a map in the future -
bought a bottle of whyte & mackay with a huh?!
apparently this brand isn't popular...
               went back to the room and found myself
drinking in front of the dreaded sight...
well... it was a room fit for a writer...
               but it had a double bed in it...
and a mirror at the desk...
                                    i downed one puritan glass
and looked in the mirror: i don't need your company.
looked away and found to my amazement the
truth of modern writing: the industrialisation
of writing... it emerged in the 20th century when everyone
did it by himself, with a typewriter -
        the industrialisation of writing on an individual
scale can be quiet debilitating when trying to
rekindle the quill... i didn't write anything, i doodled,
and those were bad doodles, it wasn't writing,
it was doodling... i drank a quarter of the bottle
and went out...
        went into the first bar, ordered a Guinness and
and sat down by a table with a
(later disclosed) Gloustershire University student,
a Canadian, jacking-off a script for some
B-short-movie in a public place: to catch the oozing
exfoliation of inspiration from crowded places -
if ever that worked, it might have ever worked
in a graveyard...
                             we were joined by his friend,
some peasant, we got chatting, boy, it was such a thrill
to exchange names... the Canadian's name
i did remember: Darcy...
                          he had that look about him that made
it worthwhile to remember his name,
ah, when names fit the image...
                         chubby, pig-blondish, hairy...
i'm guessing a native of Quebec...
                               but i could be wrong.
so a few hey hey, yeah yeahs later i asked if they
knew something about this gig on the festival slot
that was starting tomorrow, 5 p.m. and for free...
sure sure... got to eye the guide... so i asked:
so, maybe we could meet up at this place at this time
and go from there....
                                  Titanic looked more graceful
sinking than the reply...
                                                 i had to really check myself,
this isn't London psyche chess, this is:
we are small people from a small town,
we think a charming stranger is a serial-killer...
                    the Yorkshire ripper case scenario,
not last... first.
                              i might have been ******* a lemon
by then and pretending to be drunk squirming
a Buddha look - i pretended the polite noting down
the details: suddenly i didn't think like attending
this ****** venture that would start at 5 p.m., end
at 12 a.m. and according to my travel diary:
having to wait 2 hours to catch the 2 a.m. home.
so i went to the first instalment of the "literature"
festival... lemn sissay and salena godden -
and i have to admit, it was a corker - a true
a champagne cork popped and hit the crystal
chandelier and i laughed... and that's how i lost my
virginity to "spoken word",
                                         i wasn't listening to poets,
but i was thoroughly entertained, i swear that
at the end of her performance Salena pointed into
the dark (great tactic, how can they be nervous
if they can't see anyone? they stand on a pulpit of pure
light and see black ahead, where the nerves?)
and said: esp. to my friend over there...
                i might have involuntarily back-laughed /
snorted like a pig trying to catch enough lung volume
for a ha ha...
                          got chatting to this lovely middle-aged
couple: told them: i'm being ***** with gags.
                prior, i was watching the queue build up
into the room, with a god-awful grin on my face...
i couldn't take it off...
                         perhaps because i was looking at
the demographic and thinking: where are my peers?!
i spotted about three people in a close age proximity -
the rest were farts and soon-to-be-farts...
                             now Sissay freaked me out...
in a good way... i met the two after the show,
i brought two copies of my own printed work to give to
them... i had to ask their publicist if i was allowed
to touch the Aegean marbles... luckily i did,
but then i asked the stupid question to Sissay:
so who were you trying to imitate when your eyes
were bulging out nearly gauged out like a Pink Floyd
song video of: teacher! let these children go!
               i should have associated something African
freakish in mask, a strengthening - the sort
of look that New Zealander rugby players put on
to frighten people off when dancing the haka -
he really did talk like that...
                                       the little devil voice didn't help
either... but i only asked that "stupid" question
while mumbling something about how hard it was
getting published and how anyone aged nearing 40
forgot the free press of the internet emerging and
how he asked for a q & a after the performance...
and... hand on my heart:
                                   got asked one question...
          and answered... only one question...
                                        a complete and utter ******* meltdown...
   not: oh yeah, so who's your major influence...
                      a Samuel Beckett moment from not i.
later i standing outside and smoking, a grand English
dame of the west approached me,
chitty chatty kiss the hand later i got to say the most
famous line known to the current Englishman:
unfortunately... from Essex.
             honest. anyone asks you in Essex the question
they always ask: so where you're originally from?
                         anywhere else in England
they just ask you: whe

i should be handling a champagne flute by now,
i don't know, maybe it's the laughter
that's curbing me from doing so... oh the fizzling
of my shizzle: or whatever's the trend in Campton.

now i'm watching videos on the pros and cons
and i'm thinking: it's really out of my hands -
i can do what Pontius Pilate did, back when
everything political required things to be hygiene prone
- and when there were literate fishermen who
miraculously broke from physical toils
       and wrote anti-Pharisee booklets.
forget Socrates defiling the youth:
it's me and a few old men -
will i become martyred because of it,
am i deluded with an invasion of
Shoreditch coolio across the depth and breadth
of London: who cares?!
       i like a good film, and this one is
always going to be good -
it only takes one word (well, two): the queen;
mainly the logic stuck true to the end
result: it would have been too good to be true...
take that logic and make it into a motto -
        wholeheartedly honestly,
      i have not an inch of my own wet *****
dipped into your ear: that's what
being independent means -
it also means that Copernicus ruined
   all things nautical, sunrise, sunset,
                  and thank **** the earth is
3D, now the problem, what shape is the universe?
   as it goes we're in a fudge swamp -
we aren't going anywhere, we think we are,
but people forgot to twin thought and doubt together,
   instead we have thinking and denial twinned,
which means: no matter how many facts are
spewed and later picked up as golden nuggets
we're not going anywhere.
       that's the beauty of a niche armchair,
      you get to bypass the comforts of crowd and airing concerns -
i'd never miss those emotional reactions
of people slyly: for the world!
    i love how they think that spying is masquerading
and not stating the obvious: which it usually is,
spying is stating that: the opposite has a tradition
built upon using sharpened knives:
                    me and my blunt knives:
i'm tearing into the meat like a vulcher -
what the hell can you do?
   sell the truth for 30 quid, buy it back for 20.
  that's a Homeric certainty -
    no, not the jokey Springfield variety:
the serious Grecian 2000 year old (if not more)
one - and i already asked:
what are you here for?
  me? i'm into writing a 2000 year old chapter
ranging from monkey, neanderthal and man -
     given the obvious disparities
and image issues and ****** favours considering
the pale anorexic Parisian modelling skeletors.
     you know what i found distinct in that story:
Slavs among the Germanic tribalism?
i concentrated on the eyes, rather than admit
a less pronounced *occipital bone: yeah,
that's almost a tail in evolutionary sprechen.
       all thanks to a girl in school who noted
that "defect".
     i just looked at the eyes and found they were
more ****, and subsequently quasi-Mongolian
and less Germanic fish-eyed fixative of ogling
out as if about to be gouged out, or simply
popping out with a reference to helium.
    once again: a stick has two ends.
         it's the historiological (why the iota in that
i'll never know) demand:
the pendulum simply said: too good to be true -
and it was:
  i'll go one better, better than black and female?
how about native?
   now that would be a game-changer -
      anything less than a native american is
as about as revolutionary or a status quo disciple
or a hamburger for breakfast:
hence the reason why sarcasm and apathy mingle
        and look down at the doormat:
  oh right, only wiping my shoes does it? hell,
i'll wipe my shoes: come in and take a ****.
     thus the misrepresentation of writing on
pixel-paper (or what's called:
       drunk, but still in want of having a chance to
revise, because we're all sloppy when
      staging what the original transgression was);
   i never write with a want to say the things i write,
i just think the misrepresentation comes
when i treat the internet as a punching-bag to think
things through: a voyeuristic-reversal,
        as such a great medium to think things out:
the new ****.
   nonetheless, it's hard not to laugh within
the framework of defending the freedom to sprechen
and leave the defence of the freedom to denken
  within a socialism that never manufactures
    anything: apart from protest marches -
the F. Gumps amid broken vocal chords.
                  you get suspicious about deaf people
hearing more than those able...
                                 to hear a crackpot mantra
and subsequently diffuse it.
                     i wish we lived in world summarised
by the words: all eyes on Mongolia...
            but that's what happens when you popularise
**** and industrialise it:
    a. China and India beat you in terms of industrialising
             it (over a billion buggers by my count, each!)
and b. it's a litmus test of youngsters in the future
              suffering from depression -
now that's really obscure - i don't really have a b.
     point to make... pornographic industrialisation
got me...            come to think of it:
if america didn't industrialise *** i'd be in a transgender
clinic trying to figure out whether i had
    any ego in my phallus - completely bewildered
whether i should accept my ******* as if a dog
accepting its canine extension...
        given women these days
and the fact that i had to pay for the pleasure tells me
a lot...
            i either pay for it and play the genteel role
or i go mad from ****** frustration and ****:
at least we're talking a contract,
like that bubbly Puerto Rican woman in Amsterdam:
                                         **** it... Freud!
so we solved the whole "earth is not flat" debate,
           even though we still require the n.e.w.s.
to go about our daily business... tragic: we now have
to encapsulate the universe as having a shape -
  milestones have been conquered,
  from a 2D earth into a 3D earth
      we now have an infinitely 1D universe -
                because it couldn't have been: a box
within a box, within a box: without an actual box,
or as the people said: hence we having the sport of boxing /
dentistry.
            the Russians put a man and a dog into
space: fair enough...
      we go a step further and end all fairytales
  and turn our children into ambitious astronauts
breakdancing on the moon -
                              then comes Mars...
if we're going with that sort of escapist route then we're done:
   these traditional capitalistic endeavours for
mere competition have turned into a variation of
simple escapism - as i was taught in a catholic school -
imagine yourself in a world, then leaving it -
always imagining the earth from afar, from the moon, say;
all that really was said was the Taoist motto
about not engaging with the world on terms of
rounding up, rabble talking and ******* whatever needed
******* (pervert, i know the slang in the engagement
     of the cultish excesses of skin; rough ***?).
   but that's what it is: escapism -
                         as they said: a message from former
communist countries -
                           a sprouting vogue in western
           societies: with their beards, and chequered shirts,
social conforming hippies know as hipsters:
i don a beard because it's cold around here:
plus i look less of a fat person -
alcohol fat ain't cutie pie fat: it's called being bloated.
       only among an obese population would you
get anorexia - again: historiological logic (the pendulum,
or the Newtonian impression) -
         once Newton was told he was less than accurate
people decided everything was relative:
the Greeks abhorred moral relativism -
   it's not that god died - cause & effect died
in what's modern, and reliably crescendo.          
sure, humanity will go on in any other argumentative suite,
      it's the one thing humanity can't be, i.e.: undermined.
*** is (after all), an existential variant of ******* -
you'd be daft to think that it was or could / would be
  otherwise.

/
zdrowie, na budowie (health, on a construction site, a modern polish proverb) - because? well the army allows it, any woman can be bossy in the army... but on a construction? perhaps the very rare example of a woman working side by side with bricklayers (and that does happen), but construction work is immune to all ideology focusing on the pop. narratives of feminism... women will not infiltrate the construction industry, they can infiltrate the army, but not the construction industry, unless of course, they're dinner ladies, or secretaries, but even then, the construction site canteen is dying, reduced to a kettle and a microwave... all i'm seeing, when my father goes to work is an army... or as the joke goes about the managerial staff, with tight jeans and pink car rims? well... you can take a boy out of essex, but you can't take essex out of a boy.

i can only assume that writing is spawned
from a weakening of a
   cognitive narrative -
             foremostly i have to "apologise"
for making such a compound term,
   but i remember an echo of what once was,
a firm grasp of narration,
                                  in thinking terms,
as such, thought per se, used to be a leisure,
or rather: a pleasure,
               but since then... scrabble...

                                         static dissonance...
a poignant blur: a bit like the impressionist
movement... hardly the fizzy water...
   naturally from impressionism,
to expressionism, and then: a smack into
dada and subsequently a return to geometry
via cubism...

                but there really is a correlation
between writing, and a weakening of
           a cognitive narrative -
                   i know: -ive -ive
                             but one's categorised
as an adjective, the other is a noun -
           even though they share the same
form of a suffix...
                             yes, i know this is merely
"poetry",
                   there is no sludge of fictive
architecture that might encompass a narrator,
props and character studies,
      no embodiment of cohesion that
makes it to the bestseller's list of:
                    same ****, different cover...

yes, it's scattered, yes it's primitive in
composition, but what it isn't, is
   akin to the protagonist of the film
          nothing's funny, or freak's day
   (nic śmiesznego)                (dzień świra),
i.e.: hard to put a thought to paper...
     the escape artist of this conundrum
comes out either: a happy manual labourer
content with rest at the end of his chores...
   of a sir-mouth-a-lot, talking, talking, talking,
much like any other example required
to show a: ditto-head;

see, my grandmother doesn't like poetry,
so i gave her a book my zbigniew herbert
(the whole mr. cogito sequence of poems
and all) and all i said was:
            doesn't poetry feel, breezy? airy?
on what occassion has a poet constrained
himself to the zoology of a paragraph?
                  airy, isn't it, doesn't strain the eyes
so much...

      well... if i didn't have the ****** luxury
of pixel paper, i too would be offended by
this waste of paper, but since this isn't paper...
a baboon just escaped its confinement and
it rummaging in the zoo's cafe, looking for
a caffeine fix; later he'll be found
      in the pharmacy, looking for some
cream to ease the bulging hemorrhoids

  (nice fact: algorithms are...
    apart from search engines...
               spell...               chequers...
  tongue says one thing, eyes see another).                  
no, if i wanted cohesion, i'd have invented glue,
huh? ah... adhesive... but there really isn't
a worthwhile mention of adhesion,
      unless of course:

                  you put a bumper sticker on
your tongue and say: speaking english is
the only form of patriotism i know:
  allegiance to the tongue, but not the crown;
why? i have my crown on a ten pound
note...                but it's not that i want
her dead, it would grand to see this english
monetary overhaul, seeing ol' charlie on
the notes...

                               you know, fun.
yet i do remember times when i could grasp
a strong cognitive narrative,
              and there was no point in writing,
anything...
                      esp. not something like this,
jeez...
   now, in painting a mess can be excused,
or rather: conceptualized, but in writing?
   ooh... caesar salad...
    you can't even conceptualize a reader's
short-attention span, or at least:
           how long does this straight line go?
                                                  no darting eyes?


where?
                                                  ­                    here!

for all the mumbo-jumbo of heidegger's
strict writing, he at least taught me spatial coordination.
as well as how nerves shatter, and then mend.
yes, there is no narrative cage,
  yes there is no caged animal,
instead of a:
             --
           |   |     there's an:       \  /
             --                                /    \
                                                           ­  an opening.

i can understand critique, but only if the critique
allows dialectics,
                       Kant imploded on this
realisation when he dedicated a section
of his work to a thesis and an antithesis...
why? because he doubted the already
embarked on synthesis...
                           every manner of critique is welcome,
as long as the critique can entertain
                                    a dialectical safety
mechanism... overwise: sure, be on your way.

of course it's going to be messy,
     why can painter get away with mess,
while writing has to be adhesive in nature,
           spare me the concentration that later involves
taking a book to bed, and falling asleep with it;
as i admire those people who fall asleep
easily during transit (bus, plane, train, whatever),
i have the same admiration for people
         who fall asleep reading a book...
and because of william burroughs...
                  far from taking hallucinogenics,
there's the sour bourbon (just some lemon juice
added) and there's the: ******* blank page
staring me in the face -
             or in gujarat english:
                         s'te'rrrrr'ing (gotta trill that R
like a rattle snake):
                     alternatively eton english:
starring                             bogus the penguin;
hit cue:                  as with the old movies -
came the credits first,
                      now?      just ask for a supermarket
cashier to read you the list...
  as if no one these days is bound to be
forgotten.

  to stare, or to be cast: that is not a question;
whoopsee.

  the subtle "orthography" in english -
        and **** me what a custard worth spaghetti
that it does to the memory bank:
                         i see we sailed the sea.
now, if that doesn't erode your memory,
notably when you take to writing
away from speaking and a manual job?
  i don't know, what will.

of man and the universe:
        like a cat endowed (armed) with only
a meow, exploring human speech,
varying it by many degrees,
            with grunts and purrs of labour,
while sometimes shrieking noises
             or, crafting a mimic of a hunchback
upright, ready to express grievances.

bore: the domino effect of narration,
or rather: when the art of narration becomes
predictable,
                   whoever strikes at a guess,
because the narrative is lost to the fact that
cinema exhausted it,
           in that modern narration is almost
always predictable;
    whoever thought that gambling on
a story was not unheard of, can hear this.

- when motherhood, or parenting in general
is equated with a "profession",
or rather the hyper-industrialisation,
reaching into the bowels (*****, borrows,
bowls?) - of a family unit...
     two things are happening:
on one side the shrapnel argument,
on the other side: the hyper-industrialisation
of the family unit:
             there really isn't much to
navigate with, no compass, no map,
merely chance, luck, happenstance...
     because when did motherhood become
a job?
              parenting became a job?

2nd. phase iconoclasm.

     (in a mock impression):
oh gee, when did barnie become barney,
he he (as in a mock of laughter):
      joe'bb, joe'b... job, yob,
                      lobby, jolly, jobe...
          ****, paraglider, spike...
      
         you can tell i'm **** as crosswords;
i hear too much,
          and my oyster is rummaging in
number puzzles, that translate into
   a strict rubric of adhering to spellin;
you can pacify the rest on me,
but this corner of interest has to stay:
firm.

- i could have respected darwinism,
  if only it remained in its, original biology
nieche,
        but since then, darwinism has become
a quasi-marxism,
   not that i'm slowing you down or anything,
but darwinism translated into
  a historical narrative is like a brick wall...
a cul de sac of any future events,
****... back to petting a monkey...
             if there is such a thing as common
sense...

               how did darwinism escape
    the zoo and enter into a study of history?
     and as such: become the testing ground
for all things to come?
        believe me when i say:
darwin only matters in the anglophone
sphere of talk, think, do...
                darwin is crass in terms of
currency of affairs designated to the times
of occupying a shell of limbs...
                    
not to mention that communism was first
tested on Mongolia...
                  yep, Mongolia was the host
of communism...
                          they tested it there for, i guess,
the same arguments that post-colonial
children who have inherited a past
     might be deemed easy target...
       or rather: because from Mongolia came
a certain khan...
                                 (surd H)
       as is the case with several familial ties
in pakitan, sharing that surname...
                  kan (otherwise crackle
and trying to await audience with phlegm
to spit with).

if it were not a Latin man answering for
the Greek for the short-hand version of
the old testament,
        it wouldn't be a study of the tetragrammaton,
first H is for laughter (vowel magnet),
the second H is for the allowance of surds
   (e.g. khan):
                          the greek tetragrammaton
consists of the following letters,
   based on an a "god", or rather the hidden
iota:
                                   ΨΘΞΦ
well... if we're all going to be literate monkeys...
might as well complicate things further,
based on the meritocracy of:
      you do your ****, i do mine,
                   i don't dig up your grave,
you don't dig up mine...
                  we meet in the middle,
   and stalk a fascination with 3 dimensional
space, akin to it being compressed
  into a: jesus mary and joseph,
              or a trímūrtí the hindus believe in).

- yet this constant reiteration,
this constant banging against the wall...
             in the anglophone world a seemingly
dead end, fudge-packaging of events,
mingling with a journalistic insomnia...
        journalism is in a state of
insomnia...
                    i can actually go through
the day not even bothering to remember
what day of the week it is,
        but i can tell you what day of
the week it is, watching the volume of
traffic...
                like some idaho monk smoking
a spliff...
                   it's not that it's wrong,
but akin to marx, darwin's ideology has
infiltrated areas that should have been left
to their own demands...

  for all i know, anglophone "orthography"
is so subtle, that all it takes is a spelling
mistake to reveal it...
        
                  which is why i don't
                               bother with metaphysics;
and what a grace bestowed upon me
by england, to be born a monster of
these lands, based simply, on minor clues
of usage.

Once I knew a place, a place I never truly found significant.
A vast stretch of abandonment and history - long forgotten and left to be consumed by Time himself.
Once I knew a place, a place I never truly understood.
Decorated by Mother Nature with an asortment of trees and shrubs and an abundance of flowers it's only scar which betrayed it to the present was a solitary man-made structure, tattoed with the bold letters of "FALCON SECURITY" - surely an untold testimony to this place's past life.
Once I knew a place, a place I never truly acknowledged.
Ocassionally it would become the temporary haven of hobbos and hermits alike. Living in mutual homelessness they sort comfort under the trees, in the confines of the hideous building or simply amongst the long, billowing grass of the place. They would build thingie-ma-jigs, what-ja-ma-call-its and thing-a-ma-bobs and sell them to the curt passerbys of their place.
Once I knew a place, a place I never truly appreciated.
Surrounded by infastructure, and industry it stood out like a rose amongst the thorns and brought beauty and clarity back into the otherwise monotonous, morbid environment. It stood defiant and strong against the hungry, salivating greed of humanity - yet someday it was bound to succumb to our over-powering ambition for development.
Once I knew a place, a place that no longer exists.
In the blink of an eye that place was destroyed - uprooted and upheaveled.
Every tree, every shrub, every flower ripped out and now gone. No longer a haven but a grave yard where the dead lay scattered like fallen soldiers across the battlefield. Victims against the War of Industrialisation they fell prey to mans' heinous desires.
"Collateral damage" for a "brighter" future they say.
I say, who needs another vehicle retail outlet.
Once I knew a place, and I will never know that place again.

lawyers don't use dictionaries... they use thesauruses... why would a lawyer use a dictionary in the first place? to get a concrete meaning? i hate how novelists are still prone to use that infernal tool... if a dictionary is a compedium, having precipitated from philosophy, and how the encyclopedia is a precursor of the scientific method... then the thesaurus is nothing but the end result of jurisprudence... that branch of philosophy that doesn't really have morality as the central piece of its care for a compass... the thesaurus exists for the sole purpose of man exercising "law", or as the poetics of Moses said: you will "know" the "difference" between good and evil... clearly the conjunction and means we wouldn't know, hence the existential either / or... but more precisely: between neither good or evil... of law and the thesaurus and the juggling circus act of synonyms and sharpening flint stones... and looking for words, and shallow ground and a bias for a fully established mono-personnae vocab with a dictionary.... or at least that's how i like to think of it: that the basis for humanity expressing a moral obligation of law is settled by creating a counter-intuitive fluidity of language... the holy bible of the strand of philosophy that deals with moral will, i.e., jurisprudence, is set in the thesaurus... there's no point referring to the dictionary and law books... i'd discard the dictionary completely... after all, dictionaries will never teach you anything rhetorical... you begin learning law by learning to avoid the dictionary, and equpping yourself with the thesaurus, no wonder i once called it thesaurus rex, the idea that humanity has any foggiest about expressing law, rather than finding a law, like that of gravity, is precisely why the scaffolds took to the stage, and the guillotine in the french revolution...  but i am capable believing man can bake a decent loaf of bread... not so naive in a belief that all law and justice stems, as it does indeed stem, from a book, like the thesaurus.

i have a very due exposure of what a 21st century
poem currently looks like: i write horror,
  but i wait for the music to become translated...
   aren't we the ones to write
the most kept, most worthwhile
secrets the next man might
wish, or care to encounter...
i write under the one pretense
that modern people don't
dive into amnesia of forgetting
classical music, as i know
they will, when they only listen
to classical music in cinema...
a *vide cor meum from hannibal
(cassidy),
or from seven...
bach, g string & violin concerto no. 1...
at least applying classical music
to the genre of horror in the cinema
can lace us to universal memories...
tender hands, oh such tender porcelain hands...
bitten by the frost...
bitten by all except my teeth and lips
to dare perform the custom of lip unto knuckle,
like a knight,
         bound to receive the slap across the cheek...
so much less with ego-ego bonding...
as much as Hegel might presume...
that my love to no gravity of womb be secured
the imagination lost with the reactive
tendency for *****-count...
            and how horror really is the basis
for ensuring movies are filled with music...
if so much of life is equipped with having lost it...
unless we're sprechen deutsche Dante..
              or what's left to claim there was a spark
of believing the nearest of touches with
Michelangelo depiction of the gemini architects...
juliusz słowacki: the clad angel,
szatanioł -
   who's books i never read, and instead read
Kraszewski, or so the world is understood to be left
in the mechanism of constant continuum...
but this is only an imitation poem...
   how cruel, how unkind, the world surrouding us,
that our friends become our enemies,
and that after, so few and ever fewer to be accounted
for are asked to be friends, or can be...
how i will never life in Venice,
or Tuscany,
  and how i can be laid naked and senile,
not having a venture into these pockets of paradise
as a tourist,
   how can such places remain intact as fictional
oasis, enclosed in history books, and there
be read about, among egos and bookwoorms,
and have one soul, eager to think about them,
not having trodden a single banknote of pavement
in them, to not have bought a cup of coffee in them...
it's a sadness realised, and never forgotten,
but at least never beaming to have been
undone from such an arithmetic, as to have done so...
with only two words as remedy:
Kant & Königsberg - it almost begs to revise
the concept of nationalism, starting with the stated
example, as the face to resemble local avenues
lost, or foremostly undiscovered.
localism, first, then we can gain the gateway toward
nationalism, and the drift, the tide;
only when things are assured to have taken to
local "journalism" can we explore a world,
and thereby a happening / being in it...
what Kant lived, heidegger excelled in describing,
just the local, the mundane,
the: if you don't have what you like...
be content with what you do have, and be content
with it, as if it were something you would like to have.
so much concerning the study of being is formulated
upon the basis of not having;
  to me being is not having...
not possessing; so much of being is about
   not having, not possessing...
why pirates always overshadow the adventure of
clinging to the seas...
why pirates are the worth romantics easily translated
onto the silver-screen, and why admiral become
shoved and scarecrow stuffed into libraries with
dust and bookworms that wish:
that a moth might wake up, when a book it opened.
that it becomes self-evident that it's better
to possess and have, and not-be, than it is to be...
in that layering that's known to be man,
we're last in attempting a human feat...
to ascribe ourselves being human,
is to describe ourselves having roles...
   for by not ascribing ourselves the role of man,
we act with impetus to congest the world
with have, for there is no possession
in the ethereal, or with god alone... and that means:
yhwh will hardly translate into the n.e.w.s. or
the crucifix vector with the satanic lie from mt. sinai,
as the chinese are ready to prove
not being convinced, or converted...
only by acting with impetus to congest the world
with "having" it, claiming ownership of it,
can we act by deviating from claiming the sole role
of being men, and therefore like an oak
reduced to tooth-picks, call claim to
the industrialisation of meats, pork, beef, paultry,
and lay our foundations for the seemingly
countless examples of occupying space...
and the professions that come with it...
   until an enzyme akin to space-time emerges,
and as technology catches up to our comforts,
and says: we have to insert a revision,
a limit, a robotic schedule for the jobs that
are, well... pointless...
   then we worry... what with taxi drivers and uber apps,
and bus drivers and robot steered cars and the Docklands
light railway...
               and why lawyers will always be there,
a bit like us, dictionary prone, and them,
stretching the contempt for humanity having
a content for prescribing law as if contending for having
invented gravity, and using nothing,
but a thesaurus...
they should have just said it! *****!
there is no basis for jurisprudence working from
the 0 of a dictionary, a 0 meaning: plateau...
sea-level... jurisprudence does not even
acknowledge the existence of a dictionary...
when poetry, philosophy and all the other arts
use the dictionary as a reference point...
jurisprudence, or the practice of law
only uses the thesaurus... as do some writers,
who try to look smart for about a second
when they're looking through their recyclable *******
of a novel that takes 3 years to write:
milk bottle, tin can, milk bottle, amazon wrapping,
newspaper... law: same ****, different cover.

Broken pots.
Polka dots.
Floral hours.
Autumn showers.
Made of glass.
Sharp round the edges.
Hanging on hedges.
Ornate as Christmas baubles.
Makes the Gorbals look glam.

Industrialisation at the top of the nation.
Trying to beat the price of inflation.
School kids on kerbstones are moaning and groaning.
Mummy and daddy are hugging each other.
Fighting against the benefit trap.
Destructive bears.
Crushing dreams and each other and brushing their hair.
They're hunting for Nessie down in the loch.
Want to make fortunes, together as one.
A get rich quick scheme.
Forgetting their kiddies, while hunting the sun, or netting a fortune.
Their monster is a phantom, called neglect and greed.
(C) LIVVI
This is only used for the poem because it fits...not being derogatory to Scotland or Nessie...x Promise.

and with the high street long gone, they keep nagging that
only lunatics use the internet,
me? i treat the internet as a serious medium,
it's almost despotic to treat it otherwise,
after all... internet banking, amazon,
why should Beelzebub's pixel vision
in that new medium be lesser?
it isn't, here's the big ******* F
                                                                U
to the establishment - and i too thought
that the mystery if lawlessness
                  was with Philippe Petit -
you got to admit, that's more spectacular
than that thing at Golgotha...
you even have an accent of stigmata riddling
the mystery - oh sure, i'm into esoteric
*******, because i'm about to become
a shopper -
                        people don't seem to go
into merchandise streets to buy things,
all it is is: clothes, shoes and mobile phone
outlets -
                     anyway, they walk the promenades
to be seen...
                            not to necessarily buy
and keep the economy well oiled...
            they go and do the catwalk pretence...
so that's me: a Heidegger book worth £30...
mad, ain't it? spending £30 on a book...
                  and an album by cage the elephant,
i should really buy another copy of
tool's aenima or steve wynn's album with
cindy it was always you -
                                      maybe a pair of socks
to match...                  next thing you know
they'll call it shamanism - well, any literature
coming from Eastern Europe can almost be
deemed as such...
                               and the next best thing
to fame is enforced anonymity -
                                        because fame just
= interviews.... and mostly moths / journalists.
                     nagging aunties and uncles
of the scene.
                                   oh sure, take all you can,
i don't mind... if it gives you rubies and
diamonds i don't mind... a conker
signature of mahogany print is worth more
than a table to sit about with your
******* / orthodox disciples -
                fame?          i've seen what it does...
i rather have the chance to do small talk
at the supermarket and say: well, yeah,
i write poetry, no biggie,
                                           does it rhyme?
does it have to / would it help?
                             i left Cheltenham earlier
than planned because of my left hand -
that's the deal with the industrialisation of
writing, with that quill you get to be one-sided,
i know for a fact that my hand can grip
the quill better, i left the festival early because
i felt sick with my left hand not being
encouraged, lame, not using the keyboard -
i hate leaving body parts about the place
not being used,
                            and, obviously,
when someone starts reading philosophy and
utilises the medium of poetry: he's not one
to entertain...
                           at least i learnt a valuable lesson
after seeing spoken word event -
              i couldn't entertain -
my life might be ****-up, but it's not ****-up enough
to vocalise it with some sort of
                                redemptive analogue -
i couldn't entertain people even if i wanted to:
i read philosophy, without tutoring by established
lecturers -              it's enough i studied chemistry
and thought that dabbling in philosophy would
make me seem more "human": that famous
abhorrence of scientific studies and what humanities
shun in terms of adequate perspective -
               i simply cannot entertain -
                                     maybe because i'm
entertaining myself more,
                               the shadow and glad to be one...
but they keep nagging internet opinions...
     narratives...
                          yes, i'm gullible enough to believe
all of them...
                         if the internet managed to desecrate
the high street shopping experience, and people
bank using the internet...
                         i believe every word...
      lies have short legs anyway,
        and assuredly a Samson moment comes
somewhere on the timeline with the blind hulk
pulling the temple down...
                       i just never used the internet to
use comment forums...
                                 my experience of trolls is minimal...
                  the terrible has already happened,
   i just filter any agony and transform
certain one-liners into an antibiotic:
       your writing is ****!
i.e.      pronoun noun verb noun
                                              problem solved -
and too many young people took their own lives
because no one taught them to use this barrier,
these white cliffs of Dover, this natural barricade
and the ultimate defence -
                              put the hate into a grammar
filter - apply the anaesthetic - desensitise -
                                             that's practically what
your subconscious does anyway,
                               some part of you if wholly grammatical,
meaning that you're understood,
                                 point being:
journalists have become annoying -
                         the printed press is a bit scared,
          primarily because they're offended by
our expression of democracy, they think that whatever
is written on the internet is bogus...
                      so i guess internet shopping is bogus
as if internet banking... bogus too...
                        if the internet wasn't all-encompassing
i'd agree...
                                but as usual, people have to
******* something silly rather than make love to it...
sure, i have my wild opinions,
                                       but i have them because
they are actually dialectical cul de sacs -
                                     yep, dialectical dead-ends -
           i write them but do not actually adhere to
them -
                                pretty much conversation
killers -
                          post-Nietzsche? more than
killing god... we killed dialectics -
                                     since Socrates we've been
putting god and dialectics back into the box
to prescribe civilisation innovations of how to
construct "polite" societies -
                                              the sort of "politeness"
that masquerades and is the dung-heap
                    where mushrooms like Isis sprouts from.
but sure enough: read philosophy
                              and stop pretending to be
an entertainer -
                                 i couldn't entertain people
for the love of anything worth mentioning -
                     entertaining would mean disrupting
the continuum -
                                  the very accurate biographic
sketches -
                                  well... what would you expect,
we're living in a parallel society,
                                a society where a gardener on
television becomes a chat-show host
                                  and gets a publishing deal...
               we're bypassing that...
                                            if we're living in a democracy
we're living in a badly represented formatting of the idea...
              and that great ponce of the idea of books:
more than bricks...
             i open a book, enter it, and i'm already
walking into a building of some sort...
                     few books i enter are actually left
undisturbed - i make my own feng shui alterations -
            but i wonder:
                   is eternity the place where you actually
live inside your own head?
                              &nbsp

indeed, only yesterday i took to the arable seclusion,
the warm april air amplified by the oozing
sunshine, through the forest and into open
dilated pupil horizon - there ahead
the horrid geometry of elevated rectangular
pivots of civilisation, that ***** & Gomorrah
of urbanity; yet nearer me within a touch
a herd of horses grazing like tables in some
sort of Salvador Dalí immersion - beer in hand
i wandered among them, sat in turkish akimbo
and waited... no sooner than later i was whispering
with them, eating camomile flowers, one approached
with enough sincerity, so i cupped my hand and
poured some beer into it for him to drink it,
and he did - the african like nozzle so gooey and warm,
the eyes: goat-like slits... a pleasant reminder that
i'm yet to be fully urbane, only two generations
separate me from rural life, two... and the generation
in question was ushered out from the great project
of industrialisation, an exodus into cities precipitated
by the second world war... i too remember her
musings on the matter, she died aged ~90, in a
peaceful way, conscious, as Julius Caesar remarked
about death: rather than asleep, i want death to
come sudden! and indeed she collapsed, suddenly,
yet her memories still echo in me, donkey's years for
some, history books for others, but a vivid
eye-to-eye memorandum; so yes, only two generations
separate me and what would have been an endless
hubris in rural life, the best example i can cite
is a book of B & W photography by Edward Hartwig
entitled moja ziemia (my earth)... and that's the
beauty of what modernity can provide (given the location
you find yourself in)... on a Friday i can travel
to the hub of immigration that's east London,
namely Stratford... and on a Saturday i can walk into
a rural predictability, with owls, crows... horses...
crows... exactly! when have you ever spotted a crow
in an urban environment? hmm... never...
as the saying goes, the membrane of urban life
is predicated as: where the crows create a roundabout
and turn back among the wild - ahem - indeed my
wolf like howling, that ah woo! did get mention,
my neighbours freaked out, trigger-happy interventionists
for the police or ambulance... apparently freedom
of this nature freaks people out... more than the freedom
people have killing one another... odd, isn't it?
being asked, why did you do a wolfish in the middle
of the night? i just replied... er... because i can?
so if you think that all this social criticism i sometimes
unveil concerning western society, its values and its
shortcomings... i wouldn't want to be anywhere else...
and indeed social criticism is a sort of bitter-sweet
antagonism that just has to be evident, should another
maniac with a Kalashnikov or a suicide-vest end up
bringing a thundercloud to your little parade of
running a mile for cancer sufferers in your strange
twist-of-tale from colonial power to charity power...
added to the fact... that i write EVERYTHING drunk...
i take partial responsibility for my internal mechanics...
i'm writing... i'm not drink driving... so m'eh m'eh
and with what Shakespeare said about thumb biting
in Romeo & Juliet... indeed as cited

Samson - i do bite my thumb, sir.
Abram - do you bite your thumb at us, sir?
Sam. - is the law of our side, if i say aye?
Gregory - no.
Sam. - no, sir, i do not bite my thumb at you, sir;
             but i bite my thumb, sir.
Gre. - do you quarrel, sir?
Abr. - quarrel, sir! no, sir.

well... it wasn't really a biting of the thumb, revelatory
when you hear it decoded:
   you'd wedge your incisors behind your thumb's
nail and then flick it to craft a sound that's
the entire play rather than an onomatopoeia -
otherwise the meaning being, according to Nares:
'the thumb in this action represented a fig, and the
whole was equivalent to a fig for you, or the fico',
basically an f off or you're such a thick'oh /
custard brains.

klatka: or cage -
don't ask me about the etymology.

czesław śpiewa, or: the prodigal son returns from
his hiatus in Denmark - talks accented slavic
and can't mustard the danish either - hello applause
of the mediocre crowd! intelligence? on the *bruk!
(threshold).
                  just enough distance
between you and me and a sniff our a cinnamon stick
being sizzled. i'd love to love women like richard
burton -
   but i'd prefer women to liked to
be women loved by richard burton:
if that makes sense -
            the story goes that since wwii
women embraced enough feminism
to drive all the manual labour to china -
and in fluster were cited as shouting:
come back! come back! no to be, honey....
which is why men of a certain age
turn to reenacting the battle of hastings
of 1066... Darwinism has created
a historiology dynamic: rather than a historical
dynamic - oh sure, there's a logic (wording)
behind it, but we're not really writing history
these days, we're writing something
that attributes history of expression,
but is nonetheless merely celeb culture.
i see more body-parts in my cognitive
reflection that in my ****** reflexion -
             the ego is my right hand (since i am
right-handed), and so and so forth.
                   we've moved beyond history
and what sort of environment is needed to
write history: incompetence, sadism,
patriarchy, Versailles, an Ottoman harem -
generally speaking, strife;
the only thing that keeps us thinking of
a merciful god are the elements we're exposed to,
and on water we strive, and by water drowned.
        we haven't got that,
we have d.n.a. augmentation and for those
that are actually creationists in robotics -
de-humanoid: never have we become so
dehumanised by being cultured and educated -
i find more humanity in an unread scaffolder
than i dare to poke and pierce the yoke of
a librarian's gusto -
               apparently a fifth of 10 to 12 year old girls
have never experienced concentrating
         on encoded sounds -
and even more never managed to
               ballerina twirl an R into an Я:
Narcissus kept them barren with wasted hours
in-front of the mirror.
i have absolutely no idea (other than the accent-diversity
argument) why the Anglos never applied
"punctuation" / diacritical marks to the encoding -
but as Darwinism teaches us:
  even the bible doesn't state why snakes
don't have eyelids, let alone limbs:
i think that not having eyelids is more of an agony
that slithering across the platitudes -
mind you: cats are serpents in disguise:
and they a pair of eyelids: hence that nausea of endless
sleep.
         sroka = magpie. some words really do sound
better in other languages...
                       they really do.
30 years on this earth and i've never bedded an English
or a Polish lass...
       African (tick), Russian (tick), Ukrainian (tick),
                    half-Indian (tick),
                           Thai (tick), Bulagrian (tick)...
****, i'm not picky -
i'll **** anything that moves; oh well, thank-****
that confession is over: or that's how i rationalise
the hot-air of conspiracy theories, and only believe
in things that really scare me;
and yes: you can be a really ******* on paper
after a drink or two, but as Adellè said:
                                       write not a word sober!
i mean, is sober literature even acceptable in that
Venetian banquet of fakery & blossoming?
     it just means you got tired of living
and started to chisel epitaphs on gravestones -
       if i wasn't in some ways impaired to do
what i used to do: i wouldn't have descended into
the Tartarus of Heidegger, and kept myself
afloat in the Hades of Stendhal and Dumas:
reasons all pointing toward posterity and
the love of weekend escapades to Stockholm Paris:
my my... Paris... or of what once was:
                                                          ci­rca 2004,
on the steps of Montemartre: **** you Heraclitus!
  which is the point: as man of individuated
surrounding we're but rivers, elongating and despairing
apart - but once in a century a man comes and
applies a transcendental overthrow of commoners such
me and Heraclitus: where there's no talk of a river
or the flux: instead the sea and the turbulence of
a tsunami, akin to Napoleon, ******, J.C.
all they said was universally true to all of them,
**** it, stampede!
          and it came to such blows of lost conscience and
massed mind virus: i really do care to say
    that such individuals (if we are to embrace
what's become a Cartesian dichotomy rather than
a duality, which is the case) are viruses:
collective manias: a Sydenham's syndrome
                                              (née st. Vitus' dance).
my interests in all of this?
    etymology is the wording of archeology when unearthing
plainer, dumber: etymology = archeology.
sure, there's the fashionable vocabulary,
there's also the standard Oxford vocabulary,
   then there's the cool kid slang something -
and then there's the individuation of vocabulary
toward idiosyncratic endeavours: on the palette:
a character study.
                   most people are familiar with
the archaic, like they're familiar with the magical -
but etymology really is archeology on paper -
     and the clear cut-off points? runes and
the Rosetta stone -
      i even find it believable that they're trying to
make Greek dodo (extinct) - if not for the Cyrillic script
i fear it would be so:
heh, half of infinity (∞) is ascribed to α (alpha):
if one follows less puncture dotting and more orchestral
   waving of a harry pooter wand
and the incantation: abraham **** dabble
(snoop in the b.c.) / abracadabra - case in the law courts
vs. the easter bunny: i'm starting to suspect
  there's a cliche involved with a magician
and a top-hat... the pyramids were feasible,
Auschwitz was ****** feasible:
the hanging gardens of Babylon? insane
(have a building where a garden is above the heavens?!):
oh look, here come the three "wise" (magi) men from the east!
            and all those known deviations from beer:
ale to the west (stale non-carbonated liquid cereal)
while mead (meed) to the east - or miód pitny
          (mew'd p'eat'nee - ee hollowed out) / drinkable honey.
                          or as i once said to her:
you try to bring me down: i'm going to do the trick
of pulling the tablecloth from a table with chandelier-like
preciousness of china or crystal: and fail to pull
that tablecloth neatly off the table: a bull
in a chinashop, me.
  - are we really still trying to sterilise ourselves
with the "sanity" of the sort of language english teachers
taught us in the first place? really?
well... as a poet i can't be considered a "respectable"
citizen... unless i have a rich husband and i'm a woman...
feminism, premature depression, chinese industrialisation,
         i would be accepted as a "respectable" citizen
if i wrote poetry on the side, but primarily
    had my lil' richard made into a patent for a *****
or decided to be a merchant selling all things
excluding the Quran: perhaps toothbrushes or bow-ties?
yep, Judas spilled the salt (whoever thought
that actual white meant we learned to do the Pavlov
trick, and everything tasted better and
no one wanted to snorkel at the great barrier reef
of what would be an acid trip otherwise) -
         i just find the new testament poetics exhausted,
everyone in the west knows this,
which is why all protestant nations decided
to read the nag hammadi library: literally.
well sure - this is the second coming, he's been coming
back since the year of the discovery of the library
(1945 a.d.) -
                          but i'm not buying it...
only because there's that undercurrent in the background,
that requires a little more patience with reading
    (a faux pas these days) and no chastity to be
redeemed when praying, if praying at all.

Like industrialisation
May seem
Like
Progress,
But
In reality
It's
A mess!
It's
A vacant creation
VACUOUS!
It' s
Against NATURE !
Against
Purity
And
Truth.
It's
Nothing to do  with
Old age or Youth,
Biology
And
ALL
The
Ologies...
Academics
Scientists
Historians
Politicians
Theologia­ns...
Do Not Call The Shots!
Remember
This
My
Precious
Children
Which
At your outset
Outshine
The
Establishment...
Created
By
...?

A thousand unclimbed chimneys but the soot lay heavy on his half starved frame,
and the woman,a name he could not pronounce waited in the darkened street to pounce upon unwary boys and men,
and then the clinging of the silt at low tide on the Thames, where the lens of greedy eyes would spy out,hear the cry out of the mudlarks
but no larking there.
The gears that grind and inner wheels that wind.

Northern towns do not exist
they're just a story that persists in our collective memory,
a nightmare that we waken from.
These mill town dressing gown like nursery rhymes
designed to make us think we live in better times,
wrapped us up in cotton wool.
Until
we were just as full of fear and fantasy
as our collective memory.

Industrialisation was the sow that suckled pigs,
look at them now,
Swines
don't talk to me of better times
don't talk to me at all.

If dust, it's just industrialisation,
In dust, it's injust making real eyes ache and,
Only those real eyes have the power to realise,
The truths that we all know are subjective, and real lies.

I breathe deeply, moonshine sweetly dripping from my tongue,
the time has come to move away and
so I move my still into today,
This still and I go back some time,to when the wine we drank was blood red,good red,full,
the time of Tull and martyrs,Khan and Tartars,when men were men but then came industrialisation,the undoing of a once great Nation and you may mock but I say,'put a sock in it' we hit upon what we thought good which turned our forests into firewood,burnt in factories belching smoke,smoking's bad,is that a joke?
We built the century into a city with no thought and certainly not an ounce of pity for those whose clothes hung like rags on a nail,set sail for war to steal some more,oh we were good but now we lack the firewood to build a fire in the grate,
this state ruled over by the Queen has seen much better days,so it's better I remain, bound in the mill beside the still with moonshine sweetly dripping off my tongue.
I see what's done and is being done and when we go to Kingdom come we'll go with cap in hand,
a beggars band,a beggars land
an 'Ozymandias'
in the sand.

i found that only the mono-phonetic peoples of this earth act like neanderthals did: protectively... implying i had a chance with one of their ****** counterparts... the loss of monotheism in a largely diffused area creates them, they're prone to shouting drunk slogans when watching a football march: with no foreign invasion impeding... to say the basics: that they can't intellectualise drinking is their downfall... drinking is shamanic like eating certain mushroom is: drink is liquidated fungus, it's an implication of all things thriving on the degenerative, to thrive on decomposition... even those championing the psychedelic escape route with the fungus can't see for a miles' worth of **** the potential of liquidating mushrooms / wheat and bottling it... i never expected to say profound things... and even if i did, i wouldn't get a ***** from saying them as those quasis who say profound things and leave me limp-dicked anyway.

a bottle of beer in between glugs of whiskey as they are:
the most refreshing and happy: sunshine down
my throat... and with those words unsaid
but typed: how i too can adopt a sarcasm
for all the woes that un-inebriated
people state, middle-aged and sexually frustrated
from socially-invoked inhibitors concerning image...
sarcasm is all they get back...
it's kinda sad... kinda...
all i'm doing in writing this verse
is an attempt to re-enter the haunting
house of the epic i started
writing two days ago...
    on the principle of ensō i find myself
unable to reenter than narrative,
every time i think about doing so
i think of: inauthentic...
                and it would be,
authenticity and the equivalent of
said once, therefore said properly...
but i wish to: only to erased the (pending)
in the title...
   but then i look at the script and think:
i've moved past this...
    why would i want to turn a river
of yore, into a lake of the now?
then unto man, who unable to coerce the elements
sought a fifth for elemental as too sensory
encapsulation and boundary,
   lightning being the fifth element...
candles v. light-bulbs, right?
       for too long the tetra-said-and-tetra-experienced...
or toward encapsulating man in
     water (creativity)
       and within wind (empty talk)
          as with earth (proverbs)
so too with fire (rhetoric)
                    so too with lightning (genius),
how i wish to have been able to write those
belittling notes down in industrial print
away from what would be considered
mindless sketching: that is why industrialisation
of print has created a medium of uniformity,
but also the Picasso's worth of hand-craftship
in what appeared at Belshazzar's feast in
the invention of late, western origination of graffiti:
******* rebel. can anyone else imagine
saying something like that, instead of asking
us why the flu or the tapeworm exists?
       the re-, the one true unfathomable monstrosity
apart from the logic of moving from point A to
point B... the re-, the one true unfathomable
monstrosity that burdens us all: who are rested...
the repetitive dream when we are instilled into
lying back and unconscious...
   for the blinking of the eye: and what is sight...
     for the first oyster gulped wriggling down
our oesophagus, alive,
    to the second and third, on a date with a lovely
   at Harrods... for all that re- is, without the -s,
it can only be a thing...                        as
thus said: that ancient curse of the vampiric
insatiable thirst to continue: under whatever circumstance,
repeat, replicate... oh the woe of the re-
                         as to be endured, heard, seen, felt, tasted...
with the demagogue all suicides rebel against:
master pro, master pro,
         who ***** his re *****, who ***** his re *****
in all of us: as transcendental genetics might not teach
us... bound to only escape such a formula,
staging ourselves within the groundwork of
the pre formulae; or how i can understand true will,
or the existence of will, as only a suicide might
investigate: to take death into his ***** and say:
for what will continue in me is but mere an apathy
of submission, but if i take death to the dancefloor,
i will truly find death's master: for in old age i will
not find wisdom, but merely the plagiarism of
childhood with less haste: to chase, to hide, to speak...
i find old age as not blessing with that childhood
already was... let me take death to the dancefloor,
on the seabed, in the hands of a hurricane,
         in the sunken sockets of gravity...
       please, here, in the crescendo of what i feel,
rather than in a congregation of mourners who
weep only in the thespian courtesy for others.
suicide? that is what i understand as true will -
              man, bacterium infernum: lost within
a blinking of an eye - within which all fates of things
freeze, undisturbed, as if alive and relentlessly blooming,
for within them an untrodden path and
within them a hand that never endured tilling as
a scythe... of that Edenic hope: to live among
the less mechanised things and in turn be a lessened
replica of that mecha-...           should this be seen
as an encouragement? too long has the asylum been
romanticised...
                    few have ventured to romanticise
the eventuality of Camus' culmination...
of what had to become the *sole question...
          hence the taboos... people demand to think
that certain cognitive states are akin to viral infections...
   as if all those bound to the unexplained are
pulverising leprosy to the general public...
   a common trait, among neanderthals.

on the rare occasion that it does happen,
bad news, i was already fired up
to get on with the work,
of painting the corridor,
    when i was informed that
the boazeria (wood panneling)
had a lakier / lacquer finish...
at first i thought that i was
******* at the person giving me
solid advice...
    i stormed out of the house
thinking of the impossible,
yet what dragged me into reflection
of the possibility of: the abyss
of so many lives interchanging
social cordiality hiding beneath
a depth of life: worth more as solid
bricks, than as would be novels...
dare i: suckle at thost most mundane,
and do so, without any
responsibility to burden my
       already freelance devoid matter
of fact, as if: there was no
duty, no inheritence tax on
say, the english speaking world
effort of the memory of 1066...
       well... 1410 is quiet another date...
when the northern crusaders
were vanquished when a nation
of newly converted Christians were
wed to a nation of polyphonic pagans
of ancient Lithuania at the core,
extending: from the Baltic,
                              to the Black Sea...
sad almost, yet blinding nonetheless,
to be bound to the accummulating
eyes...
               hunched, sitting at the tease
of the river before the high tower
of the setting sun, before the altar
of žalias and mother May...
           of course no heroism...
saison: added the zest of bitter
orange, based using French yeast...
had i not peeled off the etykietkę,
the label, i wouldn't be writing this...
thankfully some passing stranger
noticed me, asked me for a light,
thanked me (he too towed
several beers to his abode)
    and without a lost in translation,
lit.: hold on / trzymaj się...
   ty też / you too... came my reply;
had Sisyphus been giving the task -
or told as little...
    anger arose from an immovable
object, yet the day was retained,
in the smallest of fathomable
vanity projects, thinking, or spare
morality, vagabond ethics, Democritus'
dogs and other howling
in crematory urns, graves,
and within spying crow beaks
perched in pretending sleep martyrdom
statuettes...
           are we to **** a poem
for worth of rhyme?
     or suddenly, the uncontained
gong, and rattling chains, crisp to
the 20th bellowing frost-bitten echo:
as replica, of a chattering chess game,
king a tier above the pawn,
pawn the numerous analogue,
a queen, a bishop, a rook,
                   a knight... and a long lost
******...
        but by nighttime the concern
for lacquered wood panneling was gone...
anticipating a full moon
that the calendar later refined as:
till Monday....
       ah... not only in Germany such
beer is drank...
           sure enough ***** comes at pure
night, czysta noc,
        but prior to cliché sword dance with
sweet, come sour, come the barking dog...
perpetual autumn with accents of spring,
till that orb and Atlas and Louis XIV ego
market assurance of a tomorrow:
   HEFEWEIZEN...
         hefe-weiß-bier...
   meddlesome murk and twice worth
the romance associated with the fabbled
smog of London...
     and just today...
   it started in Naples:
        schatten, **** and a fondness for
scalding frost:
              but before the ladies started
investing in botox,
    and elsewhere apart from the lips,
before came lips like
early flower buds teasing a comparison
to Violeta, and the violoncello...
          vigour and violence...
    sophia loren and nature playing
with dice...
       sack of pears each side,
cider on the left, poached with cream
on the other fused with cinnamon
and cloves...
       and a pair of lips,
    like poststamps and sealed envelopes...
before nature was robbed of
throwing dice...
           gambling and sieving and
all manner of alchemical fabric...
whether chicken prior
   to the egg or vice versa...
   the lips of sophia loren
came prior to the genenric:
   industrialisation of a plagiarised
beauty...
                bad expriment,
or simply bored...
                   stash of doodled ideas
and sketches -
   sie ist ein modell und sie sieht gut leer,
    genießergelage auf bandwürmer
    und champagne flöteglass sträusels
             on gestrig erbrechen...
   pardon mein schwabian,
     tiz noot too güt...
    ol Fritz didn't teach me well,
but I happen to notice...
   Italy, albeit fascist, enjoyed
a colourful revival under
the watchful eye of holywood...
a Roman holiday...
       huh... no wonder I'm teasing
roboboy and thinking:
surely the only complimentary
exponent of the third *****,
to compliment my reading of Heidegger,
must be a more, public, figure...
    ah... the biography of
Leni Reifenstalh is waiting...
once i finish the ****** affair of
a historical novel, and a lost tourist
who was supposed to have summoned
a quest for inspiration at Marienburg...
if we're looking for artefacts
from the third *****...
   who better stand as antonym of
Heidegger, if not Reifenstalh?        
as are we all, tourists of history...
    it could have been a fascination
with the Weimar Rep.,
                      or the Polish Peoples' Rep.,
but...
     history seems rather,
congested... and that hardly mentions
Jacob Ripplestone...
                          a fascination
as concise as it is consistent with:
in the days when journalist are thieves
of time, and kings, their marionettes:
part etiquete poodles,
      part lunatic patrons,
             part honing devices for
small town tourists...
                      and to think: the night
as yet, so young.

The English invented the
shifters, or an adjustable
spanner which is referred to
en France, as the clé à molette,
or, occasionally un croissant.

Le croissant is a crescent
shaped pastry which took
its name and shape from
the moon as seen on flags
of many Islamic nations.

A Molette or Roulette Dentée
is a wheel with teeth, cogs, as one
sees on the British Wrench. This
is the typical tale of two cultures,
industrialisation versus realisation.

i once walked from Boulevard Pershing,
near the hotel Concorde Lafayette to the west of Paris city centre
300 metres from the metro station Porte Maillot
to... the 3 ducks hostel... 6 Pl. Etienne Pernet...
upon arrival i was welcome by an American
bartender... and when asked how my journey was...
well, i walked...
you walked?!
yeah... i walked... my first time in Paris...
like my first time in Stockholm... solo... in a hostel...
upon landing it really was a city of lights...
the Eiffel tower was my beacon and my hypnotism...
once upon a time i had that pet project
of going to capital cities alone...
Athens... well... i thought: Venice might be better
than Rome...
i sure as hell i visited Berlin... i was going
to hit on Prague before... the last year & some happened...
3 years in Edinburgh: i wish there were more...
London dragged me back in...
but... it's one thing to walk in a capital city...
taking the public transport...
it simply doesn't allow you to sample the entire:
horizon of the city... the nooks & crannies that
otherwise: a bicycle ride allows...
just today i thought... enough of this area of
makeshift London that's being eaten up...
that the county of Essex is willing to give up...
i need to get some urban salt on my face:
you do return from a heavily urbane area
with a residue on your face that looks like
***** salt... but feels like the purest of sands...
from circa Havering-atte-Bower...
a little village on the hill with Bower Wood
Havering County park... oh... i'd say
1 mile from my home...
from there to Canary Wharf via Canning Town...
via Barking...
taking the CS3... i passed... just after leaving
Barking i came across architecture i can only
best describe as...
postmodernism "gothic"...
            gothic architecture looks menacing...
so did all i passed...
but it was gothic tinged with postmodernism...
it was very much cubism meets Lowry...
although there's this very short segment
of the CS3 where you ride past the
recycling centre at Beckton...
all shaded by trees and a roundabout
underpass... the route becomes very narrow
and there are just enough turns to make you
galvanize your speed a little...
it's a brutal landscape... Barking in general
is brutal... it feels very much like:
Babylon with Pyramids... but the sun was shining
today: and you know what happens
when sunshine glees over Glasgow:
it can almost feel like Edinburgh...
sunshine elevates everything... just like Edward Hopper
said: i just want to paint sunlight...
even the grimmest: grimiest of place can
be elevated & it doesn't have to feel all ******...
before arriving at Barking i had to pass through
the multicultural hub of Ilford Lane...
sari shops... halal butchers...
as a white immigrant: since i'm not... English
per se: by the demands of "born & bred"...
& even thought i was the only one of about
3 white, male faces... it somehow didn't bother me...
seems like being a minority has had its perks
all along!
Asians girls looked at you like some curiosity
equivalent to a spice mixture of cumin,
cardamom, coriander... cinnamon...
must be the suntan: the copper-neck appeal
i sometimes acquire in the summer months...
if these people are "supposedly" conquering these
lands... do they think their...
high-spiritedness and vigour will not
wane under the scrutiny of the weather?!
i sampled some of their imam rhetoric...
yes yes... but once all the english girls have been
vehicles for **** & revenge and rooted out...
while the white boy'ohs are not reproducing with them?
where's the revenge going to come from?
that desert is going to dry up...
these people will return to their own
sacred rites of: oculus per oculus...
an eye for an eye... no?
i'm starting to see the bigger picture... the tomorrow:
i'm starting to like living with a minority status...
it's called Darwinism: proper...
not Darwinism upon inception: with all
that eugenic crap: let cousins **** cousins!
this is... how a species adapts...
i can't exactly grow a pair of wings or become
invisible... i make concessions...
i adapt by... well... making compensation
leverages...
if i'm not a white: native of these lands...
i'll fit in such fine: or so i hope...
after all... a monochromatic society makes much
for nausea... esp. when i return to Warsaw...
my grandmother is still living... when she dies...
though... what reason will i have to visit that
old... fable of a land of my birth?
the English in me is already my own...
i own it...
i'm not just going to give it up...
like i won't give up reading philosophy books in
****** since... they make no ****** sense to me in English:
i'll just read them in one language...
and translate myself an interpretation...
that's how it's going to work...
it worked just fine up to now...
why should it stop?
come to think of it... what happens in eastern vs.
western households?
oh you know:
in western households if a man / woman is still living
with their parents... rather than:
living alone... & paying rent to some stranger...
for some hope of reaching some one night stand quota...
then they're LOSERS...
there's a particular spice to this word...
it's best associated with Sichuan Pepper...
that tongue numbing sensation best associated
with: how the French & the English slowly: but surely...
lost the trill of the R...
there's not much to LOSE when the fatalism
of mortality has your ***...
there's only a waiting game while
some people amass more... and have to give it all
up or... leave it to... failed ******* sons
akin to: how the amassing of wealth & prestige of
the Krupp family became
  Arndt von Bohlen und Halbach....
these supposed "losers"... amass nothing...
leaving nothing... all the better for it...
at least not a dead-end lineage... just dead-end
per se...
but... i can clean around the house... take care
of the cats... be a custodian to the affairs
of the "estate": make a variation of tortellini
with a beetroot borsch...
and... chances are... i will not see my parents
enter an old-people's home...
neglected: relegated to merely a dementia
status...
clingy or... how do those eastern
inter-generational households fair...
compared to the west's championing
of individualism when...
  rent goes **** knows' where: Arab moguls?
two fine examples...
one door down a Nigerian couple in their 60s...
their son & daughter still live at home...
two doors down a Sikh couple likewise
living with their son & daughter...
their son recently managed to throw a houseparty
that attracted circa 30 guests...
oddly enough: he wasn't regarded as a: LOSER...
opposite my house: an English household...
the younger daughter will be moving two doors
down parallel to my house with her would-be hubby...
so she will be in: screaming distance from her
mother's home...
if i am to be paying rent?!
to some anonymous ghost face ****...
forget it!
Darwinism doesn't imply: adapt to the hard-earned
orthodoxy of eugenics in tow:
after all... eugenics came prior to Darwinism:
i don't care much for Darwinism...
i didn't care much for the Copernican inversion
of whether it's a heliocentric or a geocentric model...
in terms of perspectives and coordination:
orientation: i need the "flat-earth" model
to get from X to Y... i don't exactly need
a Z... unless i'm... ******* sailing!
but even then... "Z" doesn't require me the allowance
of... "the earth isn't flat"...
sure as **** it does... if i'm going
from X to Y... no?
the anglo-saxon households will fall, last...
when it comes to inter-generational living
"fall-outs"... i don't mind the periodic celibacy
patterns... if i feel the urge to "get some"
after one of my feline companions entices me too much
while grooming her:
i'll ******* to the brothel and get it over & done with...
i don't need a dating app to... waste my time over...
dating apps... i so *******
oblivious to their existence i can ast least attest
that happens in real life...
i'm also out to not crave ambitions for
offspring... funny how that works...
well... so who's going to take care of you?
me... with the proper incisions when the game is up...
i figured out around cruxes on my body where bloodflow
is concentrated...
under my right-arm-pit...
in my neck... all that's required is a hot bath...
and plenty of mr. whiskers und ms. amber...
i mean: for ****'s sake...
reinterpret Darwinism with individualism:
the "premise" stands:
i will not give up my private library collection...
cooking food others enjoy...
ownership of two cats... but still "living" with my
parents for... four empty ******* walls...
and a chance to somehow... merely...
bring back a dating partner for nothing more
than a fling...
it's like that quote i heard about Neopolitan cooking:
minimum effort: maximum satisfaction...
that's all life has to be...
mind you: is it so... ******* unbearable
to not be able to love your parents, esp. when you can?
i'm always put off my white, western women,
they want too much...
they're never of interest to me:
i know what game they're playing...
i never heard of a herd of "individuals"...
sure... rent... but we can **** in the garden...
in the forest... like this one spice-up i picked up
off of a park bench... a Thai Surprise...
we ****** in the garden... so?
Darwinism without a superiority complex
of the people who conjured it up...
can become... refreshingly... revelatory...
you just don't need to line other people's pockets...
i never used darting apps... never felt a dire
greed to do so...
CS3 is fine while cycling towards Canary Wharf...
i like the grift... the grift...
but the CS2 from Ilford towards St. Paul's...
it's great *** Mile End: on your way back...
but little Bangladesh coming in...
it leaves me with a distaste... too much of
Asia... not enough European postmoderist
"gothic" grit.... nothing too much familiar with
industrialisation...
coming back on the Bow overpass
at Stratford... an Asian couple...
let's just leave a tinge of scrutiny on her...
she looked like Cindarella: before donning
on her ****-up make-up and her glass
stiletto...
she pushed the various traffic buttons
and
stood... in the middle of the bicycle route...
thank god i was d0nning my sunglasses..
it's impossible...
i was eyeing her up...
she was eying me up...
her boyfriend was next to her...
eh... the niqab does little...
easier to don a pair of sunglasses:
if the concept of playing poker arrived for the Arabs
"too late":
i'm pretty sure the ninja attire could be made
simultaneous to the niqab...
chicken or the egg...
did the niqab give birth to the ninja
attire, or what it...             ?

but there's a trajectory where household living
resembles little what: investment in
wholesale looks like...
i like to think of Darwinism as a way
to adapt...
to make concessions...
  they're not pretty concessions...
as an ape... supposedly... i can hardly make
peacock remarks... or therefore:
peacocking... years later though...
but by then...
the fear of exploitation will summon
a paranoia in me of diabolical proportions...

i will have to summon: ****! mode.

that being said... CS2 ius great on your way back from
Canary Wharf.... to... the outskirts of...
what is London... what isn't London...
best life in Paris, though...
best life after life's over: Edinburgh: for sure...
in that respect... London's traffic.

the first layer is p.t.s.d. free
                                       orientation...
   i call it the ***** brigade,
                       a strong psyche,
   or at least something akin
to a ******... and i knew some would-be
footballers, aged 15 / 16,
  dropping ****** rather than ecstasy...
   a weird experience seeing it happen...
his name? ryan.... ryan cyrmy...
  however you spell the last name...
i found him popping ******
  on a night out...
        can you imagine it?!
no, don't know my potential,
it's still very much anime fantasy...
            the worst sadists come
clothed in the following:
save a drowning puppy,
           forget the drowning toddler.
            per-fe-ction!
oh sadists are above psychopaths,
  they're an anti-thesis
to the psychopathic theoretical...
   muder industrailised is
an anaesthetic...
   ****** solo?
               that's an adrenaline rush...
but genocide? i.e.
the industrialisation of ******?
   no misnomers here, sure
homocide, whatever... let's not
get into the correct word,
  when deviating with "misnomers"...
   industrialised ****** is
  an anaesthetic...
                  ****** one on one?
that's pure
                 adrenaline...
       they do say that p.t.s.d.
arises from what evil you did,
rather than what evil was done unto you...
sure enough, imagine firing
a machine gun, and then having
to return to a society, where
boiling water for a cup of tea,
could also seem dangerous in your
murderous hands...
           within comparison?
i like to think of the undiagnosed:
  p.c.s.d. (post-colonial-stress-disoder)...
   and if you come from an ethnicity
that had and has encompassed
a nationhood, without colonising other
nations...
            it's a grand joke,
i'm just making jokes over a slobbering
pope, that, if god endowed him the wiser
step, would have been a lesser saint
or no saint at all, but at least
                           a fond memory,
of the sickly pope emaritus,
    that taoist pope i wish he would have
become... to ease the world,
                 let the world forget you;
but now... semi-, completely senile...
      slobbering, needing a napkin to catch
the saliva oozing from his
            pseudo-brain-haemorrhage;
ya... ob nur papst rentner:
      pig latin makes germanic sparrow -
none are exact...
       but at least we can
conclude: at least it was a singing
        cucumber pickle singing in the
barrel with the pickled barbarossa
in jerusalem... singing...
     when the boy is resurrected and sings:
crow for crow, and a thousand number of
the crow throng! so the red king arises
once more!
          precursor i guess...
                            bartablondine.

*** with a *******, clean cut
or what's called the guillotine
mark...
           simple economics
without spaghetti heart
   that becomes inherited ****-brains
and instead of a cartesian
dualism, of a body shared
with a mind & vice versus...
   a dichotomy of body, contra mind...
god and ontology, or rather:
it was always going to be
governed by exploring the crux
of p.s. golgotha, namely a cage,
invisible nails, and the peddlestool...
hanging, tied, drowning
while upright in a gas chamber
of readied oxy...
   as Elite Johnny spanked
Nikita...
          while chilling off gangrene
mingled with frostbite...
       a tale of lonely sailor harbored
at Amsterdam...
          nonetheless?  a clean
transaction... spaghetti mind
and a vacuum, yes...
he died less for our sins and more
for the fickleness of our hearts...
HE DIED LESS FOR OUR SINS AND MORE
FOR THE FICKLENESS OF OUR HEARTS!
     a fickle heart assures a broken
mirror, a steady heart,  like stone thrown
into a glacier rigid lake,
allows ripples and a time continuum,
unlike the former and a spatial
rigidness, Librache and the twice
unseen, milking of cows,
2nd virgins who aged 80 wished
they had their first Lust Vegas....
the ****? Slot machines?
                 America died having
made its 8th *** puritanism...
   what aches the heart transcendent
above poetic vanity,
giving a pauper a sandwich,
or ******* down a drain
or into an umbrella worth of copper
age penny artefacts?
    good with faces:
   watching movies...
    Achilles' cousin...
           son of flynn...
            patroclus...
                      on the odd occasion
I'll buy a pint of milk, a loaf of bread,
fix my grandmother's remote control,
fix the shower, spend rather than buy
an hour with a *******...
given that I can't own what I spend
and given that I spend on some "thing"
that I can't buy because I don't own it...
the milkman in England begins his chore
just after midnight...
nocturnal creature, a fetishist regarding
snowy illumination of the night
come later winter...
         an hour for a year's worth
of celibacy...
    a clean guillotine transaction
and no spaghetti labyrinth of the heart...
conjure up heartless psychopaths
who feed off the weaknesses
of the mind...
             and who duly understand
a heart's fickle nature...
HE DID NOT DIE FOR OUR SINS
FOR BE FORGIVEN,
    HE DIED TO REDEEM OUR HEARTS'
FICKLE NARRATIVE,
BOORISH, OVER-DELUDED
PREDICTABLE FICTIVE THEATRE..
perhaps an asteroid
       would be less of a worry,
had we the courage
to have to stomach a yawn of deities...
but we don't...
            the asteroid prime
shields us from
                           the apathy the gods
have naturally succumbed to...
however magical a revision
of prayer might take place...
     post scriptum of adventure
comes industrialisation,
claustrophobia mingled with insomnia...
mechanisation and
the crooked unpredictability
of gambling...
so much so, that even prostitutes
can stomach a reciprocated
responsibility of *** as recreation...
         but, it would appear...
   *** isn't exactly deemed
     a recreational endeavour...
     hard to stop one's testimony
on a canvas that deems
this pleasure, a ball & chain,
frivolity of gossip,
                  the ugliest of, chores;
toward the nunnery and toward
Mars...
              with *** as chore
and motherhood as a job...
                        came the cemented
cross, wriggling toward an end,
with a poppy seed's worth of width
    of distance
covered per year...
     vibrations sub-audio.