Submit your work, meet writers and drop the ads. Become a member
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

Here is a toast for valentine
Valentine in all seasons perennial
Where angst of money for love  
Cradled utopian capitalism,
It is once again in the city of Omurate
In the south most parts of Ethiopia
On the borders of Kenya and Ethiopia
Where actually the river Ormo enters Lake Turkana,
There lived a pair of lovers
With overt compassion for one another
The male lover was an origin of Nyangtom,
A cattle rustling Nilotic kingdom
While the female lover was a descendant of King Solomon
The Jewish children which King Solomon aborted
Because their mother was an Ethiopian African
They now form substantial part of the Ethiopian population
Their clan is known as Amharic, they speak subverted Yiddish,
These lovers were good to one another
Sharing secrets and all other stuffs that go with love.

Both the lovers were fatherless
They had lost their fathers through early death
They only had the mothers, who were again sickly
Their mothers coughed a whole night with whoops
And when in the wee of the night, when temperatures go low
The mothers breathe with wheezing sound
Like peasant music from African violin,
They didn’t eat with good appetite
They always left irritating chunks on the plates,
But they all puked mucus from their mouths
And of course with a very sickening regularity.

The menace of sick mothers intervened with love freedom
Among the inter-compassionate lovers
They did not have time for real active love
I will not mention recurrent missing of ceremonies
Fetes that are bound to go with valentine day
The lovers were bored to their teeth
They don’t knew when gods will come to unyoke them.

Especially the male lover, was most perturbed
His mother looked sorriest
With a scrofulous look on her old aged African face
She looked like a forlorn erstwhile cattle rustler
She ever whined in pain like a trapped hyena
Her son the male lover even began apologizing
To the female lover for such environmental upsets
Hence an African proverb that;
No love is possible with impaired judgment.

One day in the wee of the night
With no electricity nor any source of light
Darkness engulfing each and every aspect of the city
Confirming the hinterland of Africa
The female lover woke up from the sleep
And she never heard the usual wheezing breathes
That her mother often made in such hours,
Feat of suspicion gripped her
She jumped out of her bed to where her mother was
On feeling her, she found her dead, cold like a black member
She was already past the rigor mortis stage of death process
African chilliness had frozen her like a poikilothermic creature.

She wept but not in the uproarious groan
In that instinctive Jewish shrewdness
She did not announce nor inform her lover of her mother’s death
She only washed and groomed the cadaver of her mother
She made a headscarf around the head of dead mother
She even placed reading glasses on her face
On her mother’s dead torso she wrapped a dress
The most expensive of all bought from Egypt,
In the same wee of the night
She carried cadaver of her mother on her shoulders
The way a poor Nigerian farmer would carry a stem of banana
And walked slowly by slowly for a distance of a hundred kilometers
Down ***** into Kenya towards the city of Todanyang in Turkana County
Todanyang was a busy city, but silent and minus people in the night
The king of this city was called Lapur the son of Turkanai
And the law that Lapur passed in this city was archaic
It was; an eye for an eye, a tooth for a tooth, a Jew for a Jew
A pokot for a pokot, a samburu for a samburu
It was simply the law with nothing else
Other than clauses of measure for measure
And clauses of *** for tat instantaneously administered,
On reaching the market she placed her mother standing
Being supported on a sign post at the bus stage
In pose similar to that of an early morning traveler,
She sat a side like a prowling spider awaiting foolish fly
They way an African ***** exposes its red ****
And when the hen comes to peck
It traps and closes the head of the hen
Deeper into its ****,
At that bus stage there was a hotel
Owned by a Rwandese refugee
From the foolish clan of the Hutu
He had ran away from the genocide
In his country, he was also the perpetrator
And thus he was a runaway from the law *** hotelier
His name was Chapuchapu, meaning the quick one,
When Chapuchapu opened the hotel for the early customers
The female lover walked into the hotel
With innocence on her face like all the Jews
She placed an order for two mugs of coffee
And two pieces of bread
When Chapuchapu had placed food on the table
The female lover shrewdly instructed Chapuchapu
To go and hold the hand of the woman standing at the sign post
To bring her into the hotel for morning tea,
Chapuchapu in his unsuspecting charisma
With a mad drive to make money that morning
He dashed out as instructed with his foolish notion
That the customer is the queen, which is not
He grapped the standing cadaver with force
On pulling her to come along
The cadaver tumbled down like a marionette
Everything falling away; headscarf and glasses
Chapuchapu was overtaken by awe
The female lover was watching
Like the big brother in the Orwellian satire, 1984.
When the cadaver of her mother fell
She came out of the hotel
Screaming like a hundred vehicles
Of St John Ambulance
And two hundred Kenyan vehicles of fire brigade
And three hundred Kenyan cash transfer vehicles,
She was accusing Chapuchapu for being careless
Careless in his work that he had killed her mother,
Swam of armed humanity in Turkana loinclothes
Began pouring in like waters of Nile into Mediterranean
Female lover improved the scale of her screaming
Chapuchapu like a heavyweight idiot was dumbfounded
Armed people came in their infinite
Finally king Lapur arrived on his royal donkey
That his foot soldiers had only rustled
From Samburu land a fortnight ago,
The presence of the king quelled the hullabaloo
The king asked to find out what had happened
Amid sops the female lover narrated how
Chapuchapu the hotelier had killed her mother
Through his careless helter skelter behaviour
The king sighed and shouted the judgment
To the mad crowd; an eye for a……….!?
The crowd responded back to the King
In a feat of amok value;
For an eye you mighty Lapur son  ofTurkanai,
The stones, kicks, jabs began rainning
In volleys on an innocent Chapuchapu
Amid shouts that **** him, he came here to **** people
The way he killed a thousand fold in Rwanda.

The sopping female lover requested the king
That his people wait a bit before they continue
Then the king waved to the people to stop
Chapuchapu was on the ground writhing in pain
When the King asked the female lover what was the concern
She requested for pay from Chapuchapu not people to **** him
Chapuchapu accepted to pay whatever the price that will be put
Female lover asked for everything in hundreds;
Carmel, money, Birr, sheep, goats, donkeys, cows
Name them all they were in hundreds
Chapuchapu and his family were saying yes to every demand
And they rushed to bring whatever was said
The payments exhausted Chapuchapu back to square zero
The female lover carried everything away
The cadaver of her mother on her shoulder
She disappeared into the forest
and buried her mother there.

When she arrived home she found the male lover
He looked at her overnight change in fortune in stupefaction
He didn’t believe his eyes, it was a dream
Sweetheart, where have you gotten all these?
Questioned the male lover
Sweetie darling there is market for dead women
At Todanyang in the Turkana County of Kenya
I killed my sickly mother and carried her cadaver
As a trade ware to Todanyang
Whatever I have that you are looking at is the proceed,
Can my mother fetch the same? Asked the male lover
Of course yes, even more
Given the Africanness of your mother
African cadavers fetch more than the Jewish ones
At Todanyang market,
The male lover was now overtaken
By strong urge for quick riches
Was not seeing it getting evening
That day for him was as long as a whole century
He was anxious and restless more tired of a sickly mother
When evening fell he was already ready with the butcherer’s tools
He didn’t have nerves to wait till the wee of the night
As early as eleven in the evening he axed his mother’s head
Into two chunks of human skull spilling the brains in stark horror
Blood streaming like a rivulet all over the house
The male lover was nonchalant to all these
He was in the full feat of determination
To **** and sell his mother to  get the proceeds
With which he could foot the bills of valentine day.

He stuffed the headless blood soaked torso
Of his mothers cadaver in the sisal bag
He threw it to his bag
And began going to Todanyang
The market for human dead bodies
He went half running and half walking
With regular whistling of his favourite poem;
Ode to my Jewish lover
He reached Todanyang in the wee of the night
No human being was in sight
All people had gone as it was late in the night
He then slept in the open with dead body of his mother
Stuffed in the sisal bag beside him
Wandering night dogs regularly disturbed him
As they came to bite at smelling curdled blood
But he always scared them away.
As per the male lover he overslept till five in the morning
But when he woke up he unhesitatingly began to shout
Advertising his ware of trade in foolish version;
Am selling, the body of my mother, I have killed,
I killed her myself, it is still fresh, come and buy,
I will give you’re a bargain price,

When the morning came
People began crowding around him
As he kept on shouting his advertisement
Also Lapur the king came
He was surprised with the situation,
He asked the male lover to confirm
Whatever he was shouting
The male lover vehemently confirmed,
Then the law of an eye for an eye
Effortlessly took its course
Lapur  ordered his people, in a glorious royal decree
To stone the male lover to death
And bury him away without ceremony
Along with his mother in the sisal bag
In the wasted cemetery of villains
The same way Pablo Neruda
Had to bury his dead dog behind the house,

On hearing the tidings
About what had befallen her lover
The female lover had to send out a long giggle
Coming deep from her heart with maximum joy
She took over the estate of the male lover
Combined with hers,
All the animals and everything she took,
She made her son the manager
The son whom she immaculately conceived
Without any nuptial experience in the usual Jewish style
And their wealth multiplied to vastness
And hence toxic valentine gave birth to capitalism
Adrianna Perez Jul 2014
April 5th 1994- Kurt Cobain dies
April 6th 1994- The President of Rwanda Dies
April 7th 1994- Kurt Cobain's body is found
April 7th 1994- A genocide begins.
Neighbors take arms against neighbors
People he once shared a sandbox with now hold a machete to his neck
Heads roll- literally
Babies cry out to their mothers who lie there choking on their own blood
Girls who 2 days ago were playing house with their dolls, now take care of their whole family
Screams of pain from girls who's innocence is taken from the man who used
           to bounce them on his knee.
Gathered in the place where God is supposed to be
Hundreds are murdered ruthlessly.
Guns not pointed at their heads
But clubs that smash them in.
Achilles' heels slashed
These men drink and feast and sleep
Over the screams of their victims
Babies born 9 months after these men took something that was not theirs to
           take
A physical representation of all that is evil and hatred and pain
She tries to love them anyway
But she sees him in them
He has daddy's eye
She has her fathers nose
She sees them in the way he looks at her when he's hungry
As if she is just there to quench that thirst with her body.

The whole word is split in 2
Nobody is Rwandan anymore
You are Hutu or Tutsi
Short or tall
Human or vermin.
The dead among the living
Sometimes I can't tell which is which
Until I see it
That sparkle of hope in that one man's eye
Because the human spirit will never die.
The father of his best friend tortured and murdered his mother on their
           front lawn.
Orphaned and afraid,
He cannot stop
He cannot slow down
He cannot give up
Because ***** Kurt Cobain
he has to tell the story of what really happened that day
Rwanda April 7th 1994
This is a spoken word poem that I wrote about the Rwandan Genocide that began on.... you guessed it April 7th 1994. Because it's a SPOKEN WORD poem I will eventually make a video of me SPEAKING it and post the link right here--->>> https://www.youtube.com/watch?v=MKMoL-SXMDc
I am the past and I am the present. I am the digger of graves and the conveyance to them.
I am the string; connected to the puppets that wield my blows.

I am the thing they call, “Havoc” I am the Blue Monkey.

The key to my cage, that which sets me free is your disinterest, your apathy and hate. My freedom to roam unabated is your ignorance, and retribution’s ****** slate.  Man’s violence upon himself is my ignorant inspiration, and I revel in the thought of his de-creation.

I can be found in city and town, in far flung reaches around the world. I can be seen in newscast scenes, I can be found in the eyes of a starving child. My name is celebrated in ball ammo flight, and the pungent aroma of smoke and cordite.

I am the flame set to irreverent crosses; lighting the sky with racist delights, I am the tailor of white sheeted banners so bias. I am the unjustified 13 knots of retribution, fashioned on the hangman’s noose.

I am the thing they call “Havoc” I am the Blue Monkey.

Complacency is my friend, Revenge, my *****. Blood letting my delight, to even senseless scores. My hands are soiled with the lives of many, and I have been given freedoms in place of your outrage. Look around in farm and town, in village and city streets, my presence is everywhere…

Keep sleeping; keep sleeping,
For when you awake, I shall have to go.

I am the vehement articulations of opinion and rhetoric, and in spite of your diatribes,
It is they that give me wing. I am the developer of future battlefields. I was the architect of the Auschwitz oven, the builder of the Berlin wall. I was the sharpened blade of Tutsi, Hutu cleansings. I am the mix master of Jim Jones’s cool aide. I am confusion; I am disassociation, alienation and empty pride.

I am the thing they call “Havoc” I am The Blue Monkey.

You will find me in back alley shooting dens, on skid row’s bleeding pavement.
You will find me in lonely fields and dark forests, within the graves of the murdered unknown. You will see my reflection in broken mirrors, for I celebrate their fall,
And I will revel in the screams of your unheard call.
They call me destruction; I am your neutron bomb. I am the wings of the Enola Gay at thirty thousand feet, reaching out to touch you. With nuclear, holocaust treats.
I am dynamite, TNT, I am the thought imposed in political superiority. I am the IED
On the path of Man’s sacred journey.  I am travail and tribulation.

I am the thing they call “Havoc” I am the Blue Monkey.

I am the summation of all your perceived wrongs, and yet you tarry about,
Clanging self-righteous gongs,
You see, but you are blind, you listen but do not hear. Instead you wallow in the pits of self loathing and determinate fear. And in that fear, it becomes quite clear that indeed your hearts are closed, for to open them wide would cause your heart to collide with the awful truth about me.

Yes, keep sleeping; and sleep well,
For when you awake, I shall have to go.

For I am the thing they call “Havoc” I am the Blue Monkey…
JoJo Nguyen Jun 2015
Some days I wish I were an X-men
and not just an ordinary mutant.
Some days I wish I had Magician
level magic like Bink,
just enough to negate other's.
But then I look around;
The Irish and English don't have it.
The Pakistanis and Indians don't have it.
The Chinese and Taiwanese don't have it.
The Hutu and Tutsi don't have it.
The neighbors in Bab Tabbaneh and Jabal Mohsen,
don't have it.
Why should I have it?
We’re all just a bunch of Muggles.

Maybe it's a good thing I don't have superpowers.
I look around and in fits of frustration,
in bouts of rage, I might destroy all the Husnock.
I'm kinda glad now my only mutations are thoughts.
Thoughts that I put here,
viral like - infective memes - hemorrhagic e-fever.
Outbreak? Snow Crash? Virulency? Survival rate? Epicenter?
Futile epidemiology because I know
exactly what and where I am.
>sync.Fb.JBC
Mateuš Conrad Nov 2021
**** me, what a... "predicament"... i'm applying myself to, eh... "cultural relevance": whatever the hell that means, even if enclosed in "misnomer" bracketing... but... of late, hell, more recently than "of late"... i am applying myself to a culture, a people, that's, simply put, a dodo-project... i'm not going to mind my contemporaries, i have three structural dynamics, all three are negations, i.e., since my grandfather died i have: NO peers, NO contemporaries... NO elders... i do have a graveyard of necromancy to deal with, i.e. my own private library, of actual, physical, stinking books... minimalist man and his ******* shortcuts, 'links in the disclaimer' blah blah blah... to write this worth of *******... while surrounded by a culture that, clearly, is hell-bent on... at best: shooting itself in the foot, at worst: committing suicide... because? oh.... universal suffrage... women... the instigators of downfall... women... whatever man built... has to topple, on the whims of a woman... it's not longer: woe to man... woman! it's... woman?! run! hide! save yourself... hunt a, ******* mammoth while you're at it! what the **** happened to romance? that ******, flimsy, whatever it was that was sold to us when growing up nearing the year 2000? gone... ****! in a flash... a droplet of water in a frying pan with a puddle of hot oil... in the meantime the ol' lovely jukebox that was once youtube was hijacked, circa... whatever year prior to 2020. I'm here, sort of waiting for death, death: by that i implore: release... as i also invoke the question: why do crows fly in pairs over England, while  on the continent they flock? huginn! muninn! truly, crows congregate in flocks on the continent... clouds of them... messerschmitt clouds or black, iron, crosses: looming shadows... yet over England... happy to see one sit it out, croaking, some the sunset, bound to find a crow paired... not paired up with a hooded crow, ever see a raven mingle with a magpie?! me neither... ever see crows display ****** attraction in a way that's atypical to pigeons, i.e. the whole routine of courting & subsequent failure? no... i guess crows do their "****" at night, in the forest, donning, for ****'s sake... leather S&M suits, gimp gagging *****, etc., no? no... i'm not writing this because it's pleasant, it's funny as hell (though)... but i'm sort of part of a culture that's dying... it's a dodo-project... this might be seen, if i am allowed, the same status as a mummy can... there was a man alive at the turn of the 21st century and he wrote, this... well... i'm all for hope... slowing down on the intake of alcohol too... i switched from whiskey to cider... her presto! i find myself animated... like cider was mixed up wit amphetamines, or caffeine... i raise my emptied bottle of cider like it might be a horn awaiting / celebrating a procession of a god through an avenue of spectators... i can't possibly here to "save" a culture, that, inevitably (however that might be phrased otherwise) is not willing, is making too many "anschluss" decisions... **** it... let it rot... let Pakistani men run rampant in Rotherham...  i'm just weirdly here, while it happens... Pontius Pilate once didn't say, while washing hi hands: i'll have nothing to do with this... let the dice roll... there's nothing to upkeep, there's nothing to conserve... questions, question: all that ought to be addressed by some supposed variation of an Elder... no elders though, just Alzheimer buggers... unto the youth, strain their shoulders.. perform the Atlas pose... ****'s sake... no! i will not defend this culture, i'll fake being part of it, sure... who wouldn't... thank god i didn't invest in carving replicas of DNA into this schematic... i'm happy not having children... oh i love the children of strangers, esp. toddlers... i can "talk" to them in onomatopoeias... that's fun... i can't disagree... no... beside this... no ******* chance in hell... hell first... my engagement in this world, second... i'm out... convince someone, otherwise, to take a spin, on your current variation of a carousel... what once there was, is no longer more, or for that matter is... sure... i will die childless, but also freed from the looming responsibility of the world in which, i left only words, but not a dire imprint of physicality having mated with someone, producing offspring... oh how glad i have to be! what relief! what release! if the structure of the argument follows its logical conclusion, one less of me, or a Russian.... then the Tutsi, Twa & the Hutu weren't slaughtered by Rwandian militias? my my, almost like the Yugoslav debacle, remnants of the Ottoman Empire... after all... it's not like the macaques staged a war against the baboons... come to "think" of it... i only visited Kenya to, "make-sure"... that the macaques were as boring, as easily spotted, as easily available as... pigeons... not a lot of birds in Africa... plenty of primates... falling asleep outside while those little rascals ravaged the possibilities of existence in the trees... perhaps the croaking of crows at night during winter is, some sort of "compensation"... but, not really...

my next door neighbour "thinks" it's necessary
to start rapping in the dark,
rap, or rhyme, whatever,
what a waste of breath...

there's a passage in Plato's Theaetetus
where Socrates
arrives at something
resembling a Japanese unit of language...
a unit of syllabary...
i.e. consonant + vowel...
why oh why does Japanese
allow for the stand-off with
the five vowels and one consonant (N)...

ΣO... something about knowledge,
so what?

don't ask: i'm grooving to...
Alphaville's Big in Japan...
to be a teenager in the 1980's...
going to the cinema with a sweetheart,
going to the cinema to watch
a horror movie...
hell... what a time to be alive!
Duran Duran, A-Ha... Roxette...
the Cure, Depeche Mode...

we don't have any cultural ref. markers...
Tool? seriously, o.k.,
i can give you that one...
i'm not even going to mention
the Comic Book film adaptations...
Unbreakable... that film consolidates
all the rest of them...
the soundtrack is tantamount too,
more a bonus than anything...

ΔO? do i?
well... ***!
ΔO is more: ΔΩ:

to doo... otherwise, what's that?
DOUGH?
we're baking bread, now?
oh the dreaded return of the facemasks...
muzzles... how near are we to a gallop?
there's no silent H in Greek...
"silent", technically a surd...
no, there's no dow or dough invoked...

i've just spent an hour writing up
a writing assessment for an NVQ qualification,
i find relief in having abandoned
all that formal language...
in the first scenario i was writing
a newsletter for a local volunteer project
concerning a recent vandalism of the park...

in the second scenario i was writing an article
to reply to a nutritionist on campus who
spotted that only takeaway quality of foods /
fizzy foods were available,
so no salads etc.,
she also mentioned that the students
were not getting enough exercise...
i agreed with the hypothetical she on the grounds
of food... but i implored her,
as a nutritionist... to not meddle in affairs
of exercise, was she implying that she's a nutritionist
AND a personal trainer?
everything hypothetically staged, of course...

ugh... this dreary formal language when employed
to examinations...
does my head in... no knowledge of the three dots
as an authentic punctuation mark...
the hanging suspense.

how do the Greeks laugh? if H is the capital
ref. to eta... is eta less prolonged than epsilon?
oh i know that there are obvious similarities
between Omicron and OOmega...

do: pool, do i just pull?
omicron, omega, upsilon...
sounds almost the same,
how the meaning changes when written down...
excesses, "excesses" of the lambda...
pulverise... most certainly not pull-toward-the-averse...

come 2am... all is self-evident...
i can't possibly be an additional chapter in
this culture's self-expression...
it's the end... a culminating perspective of cul de sac....
bring me fire, bring me waves...
even those ethnic minority groups
who have established themselves
in the parameters of this languages
are... pretty much aware that...
they're not safe...
well... their status isn't...

            i might think of myself as an Anglo-Slav...
but... there are plenty that wouldn't ascribe those
words to themselves...
then again... most Polacks are staying put...
blah blah, one confusion after another...
here's to planning a ***** colony in
Botswana!
me, you... let's hire a dingy!
let's cross the Strait of Gibraltar!

we won't worry... we didn't invest in having
children... don't worry...
it's not like the culture we were leaving was
anything but fair to us...
it was willingly dying...
i stopped to bother about it,
when it stopped bothering about itself.

strange... of a people that most espouse this
whole Darwinism tirade...
all ******* theory: very little practice...
the English be ****** for their Darwinism!
seriously!
all their little explanations, their ergonomics,
their ******* sensibilities...
their cricket banalities...
yet when facing an immediate and obvious threat?!
where's the carpet? where's the dust?
the broom! the broom! quick! quick!
******* to Devonshire!
people ought to learn to be heartless...
then again... when was the last time the English
were asked to be heartless,
when was the last time they were subjugated
by a foreign entity, in a historically legal sense of
noting history?

so much for their pompous posturing within
the luxury of historically reading about the greatest
empire that could ever be envisioned...
i wasn't there for the partitioning
of the Polish-Lithuanian Commonwealth...
i'm so sorry that i missed it...
but i'm here for "this"... and boy... do i have a hard-on
for what's to come next...
i'm just waiting for the Welsh & Scottish nationalists
to put in some more momentum!

after all... if you're going to deconstruct Warsaw...
you need to do it: brick by brick...
so that... no brick stands on another brick...
here we go... looking forward...
a future: that wonderful plateau!

— The End —