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Thou hast committed—
       Fornication: but that was in another country,
       And besides, the ***** is dead.
                                         The Jew of Malta.

I

Among the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With ‘I have saved this afternoon for you’;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.
‘So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.’
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.
‘You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
(For indeed I do not love it… you knew? you are not blind!
How keen you are!)
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you—
Without these friendships—life, what cauchemar!’

Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite ‘false note.’
—Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.

II

Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in his fingers while she talks.
‘Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands’;
(Slowly twisting the lilac stalks)
‘You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.’
I smile, of course,
And go on drinking tea.
‘Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all.’

The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
‘I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.

You are invulnerable, you have no Achilles’ heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.

But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey’s end.

I shall sit here, serving tea to friends….’

I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance,
I remain self-possessed
Except when a street piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?

III

The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
‘And so you are going abroad; and when do you return?
But that’s a useless question.
You hardly know when you are coming back,
You will find so much to learn.’
My smile falls heavily among the bric-à-brac.

‘Perhaps you can write to me.’
My self-possession flares up for a second;
This is as I had reckoned.
‘I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends.’
I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.

‘For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends.’

And I must borrow every changing shape
To find expression… dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance—

Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon…
Would she not have the advantage, after all?
This music is successful with a ‘dying fall’
Now that we talk of dying—
And should I have the right to smile?
I

The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.

III

The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.

IV

On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.

V

When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.

VI

It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?

VII

The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.

VIII

Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.

How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.

IX

This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.

Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you-
'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.

X

It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.

What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?

The snowflakes, helplessly veering,,
Fall silently past my window;
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!

XI

As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;

And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.

And still, though I know this, and say this, it cannot console me.

XII

How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain,-
We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
Or because we found a crimson eft
Darting in the cold grass!

These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.

XIII

My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room-
Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.

Who is she? I do not know.
Why does she dance? Do not ask me!-
Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward,-
Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.

XIV

Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth-
Torn from its house-
So do I seem to myself
When you have left me.

XV

The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin-
The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.

And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.

The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,--
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,--
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.

Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved?  Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.

He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.

'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
Dark n Beautiful Apr 2017
The ugly poetess
Over the housetops,
Above the dry blades of the sugar cane husks
I have known fear, I have known hunger
I felt the pain of a nail wound deep in my foot
I belted out the blues like Nina Simone
An era of reform: the moments of truth,

On top of the hill, lies a village in Barbados
Acid rain, rooftop leaks on to my bed
It was a rough year:
only food sources were rice and breadfruits
We lived through it all:

It was my destiny:
To love and to hate them:
those old fruit loops

Through the eyes of a uprising poet
The curving of his pen,
Somehow, he made amends, he purge
the smoky air,
the disgusting sight of the pig pens
out of his mind

lack of personal dental hygiene,
the elders lost their teeth
Grinding down on sugarcane, while they
awaits the big meal of the day
Supper!

With innocent eyes and achy feet
I read so many books for inner peace

My stomach was empty,
but my mind was at ease
To dream big while aiming high

Marlene, Delores, and Linda
Known as the vanishing three
Migrated to North America
Where a Barefooted child
like me wasn’t supposed to be
Eventually, I know I would have followed

I have woven my feathers,
while looking upwards,
In my little corner under the old rusty galvanizes
.
At the old country shop the vanishing three mothers
told me that I wasn’t pretty enough to leave the island
Words of hatred, mere words of discomfort
I felt my wings tighten against my rib cage,
My tongue, glued against my jaws

From that day forward the poet smile against stupidity
And spitefulness, she too had come to
Eat her words, the old shopkeeper

The poetess enter another line from that era
Uncaring beauty without brains
Where are they now?

I walked with confident down that street
The misty air moist my skin
The poetess return to the Island of Barbados
Without the sugar in her blood..
.
There lived an old man in the kingdom of Tess,
Who invented a purely original dress;
And when it was perfectly made and complete,
He opened the door, and walked into the street.

By way of a hat, he'd a loaf of Brown Bread,
In the middle of which he inserted his head;--
His Shirt was made up of no end of dead Mice,
The warmth of whose skins was quite fluffy and nice;--
His Drawers were of Rabbit-skins,--but it is not known whose;--
His Waistcoat and Trowsers were made of Pork Chops;--
His Buttons were Jujubes, and Chocolate Drops;--
His Coat was all Pancakes with Jam for a border,
And a girdle of Biscuits to keep it in order;
And he wore over all, as a screen from bad weather,
A Cloak of green Cabbage-leaves stitched all together.

He had walked a short way, when he heard a great noise,
Of all sorts of Beasticles, Birdlings, and Boys;--
And from every long street and dark lane in the town
Beasts, Birdles, and Boys in a tumult rushed down.
Two Cows and a half ate his Cabbage-leaf Cloak;--
Four Apes seized his Girdle, which vanished like smoke;--
Three Kids ate up half of his Pancaky Coat,--
And the tails were devour'd by an ancient He Goat;--
An army of Dogs in a twinkling tore up his
Pork Waistcoat and Trowsers to give to their Puppies;--
And while they were growling, and mumbling the Chops,
Ten boys prigged the Jujubes and Chocolate Drops.--
He tried to run back to his house, but in vain,
Four Scores of fat Pigs came again and again;--
They rushed out of stables and hovels and doors,--
They tore off his stockings, his shoes, and his drawers;--
And now from the housetops with screechings descend,
Striped, spotted, white, black, and gray Cats without end,
They jumped on his shoulders and knocked off his hat,--
When Crows, Ducks, and Hens made a mincemeat of that;--
They speedily flew at his sleeves in trice,
And utterly tore up his Shirt of dead Mice;--
They swallowed the last of his Shirt with a squall,--
Whereon he ran home with no clothes on at all.

And he said to himself as he bolted the door,
'I will not wear a similar dress any more,
'Any more, any more, any more, never more!'
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
Ken Pepiton Apr 2019
here's the deal:

I love you. That is something and
that is doing something and

beings of my kind, men, woumbed or un,
are love enabled,
graced with whatever

cognitive and hormonal turbulence
reporting system
signals the truth, I love you
yet I've no
trite ryhme at
this time

love truth way of life
all one
alone

and now, here we are, dear reader.
learning what our minds do,

how might we do this better, this co
munication
mit hi-def meanings and
things
old secrety now archives
pointing
aitia cause accuse response to that
which is unknown abil-ifity

hop

this is where my God of the Bible put his foot down

as I wrote that down, a meteorite fell through
the plane of my point of view,

I noticed:
I do see all I see as scenes in movies enacted
originally

on frameworks of stories we let be true.

Thus one who chooses not to obey an urge
to pray for patience when patience thins,
never learns
this:
waiting is being in reality ification,

wait for it, reread, rereward (a cry to the rear guard)
Read. Comply. Reply. Fore
Read. Comply. Reply. Aft.

Hey, wee accuser imp, where y'bin, lad?
''''''''' (translate) Going to and fro on the face of th'earth
signaling for a runner
to run
with a well told, detailed, message thus
saving the sender, or re
quester, the gesture of shouting from the housetops.

reread,  Shout back and Back reread
the message moves, a runner come, pass it on.

You are new acquaintences to the person I am,
you know what you think you know,
and that works as a mirror works,

reflexitifative, you see. Some things are ideas.

Some ideas are new.
Few words are new
so, I thought we could add a fresh batch of the
old meanings for captive and idle words,

by deeming those once meant, mean, meant
words taken captive by lies and outlaw legends.
Those  are mined for redemption.
All words can hold a fine meaning.

Lost? Words once meant, mean dung.

***** giver. Queer. Gay. Are we five?
Give recrudesence some
relevance, re deem this a word children should know.
Wounds do re open raw as ere the miracle
hemoglobin and oxygen and fibrous proteins
manifest, on signal, damnear speed o'light,
to staunch the flow
where hatred

Stabbed me in my mind,
slew me;

yeah, mebbe, like if y'did in y's mind's
like
ye did it in y'heart. Bad, man, real bad,
Heart-
head-tension all twistednshit

Real, right? Keep on. We role-in. Anono, mos'o'us.
Got voice? Gotta ryhme?
Well, not althetime, that is criminal
crime in al
right
we won. This is the dance, afthshow
incrim-mental criminal be

haviour or havyer be and have as linked
words, that must not be what the first thought was. I struggle with behaving, having been.

{Footnote from etymonline.com crudely placed
exactly where my next step was
meant to be taken}
have (v.)
Old English habban "to own, possess; be subject to, experience,"
from Proto-Germanic *habejanan(source also of
Old Norse hafa,
Old Saxon hebbjan,
Old Frisian habba, German haben,
Gothic haban"to have"), from PIE root *kap- "to grasp."

Not related to Latin habere, despite similarity in form and sense;
the Latin cognate is capere "seize.

Sense of "possess, have at one's disposal"
(I have a book)
is a shift from older languages,
where the thing possessed was made the subject
and the possessor
took the dative case.

You know (as in Latin est mihi liber"
I have a book," literally "there is to me a book").
Everybody knows that.

Used as an auxiliary in Old English,
too
(especially to form present perfect tense);
the word's taken on more functions over time;
Modern English 
he had better would have been

  {Too dense sorry, but better is a good idea to have, if you can hold it.}

Old English him (dative) wære betere.

To have to for "must" (1570s)
is from sense of
"possess as a duty or thing to be done"
(Old English).
Phrase have a nice day 
as a salutation after a commercial transaction attested by 1970, American English. Now,
fifty years hence, have a nice day,
followed by thank you, then replied to
to add a layer of common courtesy,
where "you are welcome" played in1970,
"No prob"
now has that role, replacing "you are welcome" as welcome ceased making sense,
you notice.

Phrase have (noun), will (verb) is from 1954, originally from comedian Bob Hope, in the form Have tux, will travel; Hope described this as typical of vaudevillians' ads in "Variety," indicating a willingness and readiness to perform anywhere;
exemplar gratis,
"Have gun, will travel". On Craig's list.

Possess. Have. Same same, okeh.
Have idea. Idea have. Possess idea. Idea possess. What samesame?
Your behavior signals action,
so that Idea possess you. What to do?

Last time I tell. Ideas have men, not other way.
--Think new idea
-- Create new song, sing it, inside outside

Word.
I am the portal,
he who approaches Mot from Maya must
enter
here.

Other wise, he is not here. Simple. Love it.

For a little while.
No wish to be taken for fools, we, the
manifested sons,
watch,
are watched, targeted, it's been said.
We are watching, I say, we who see

and have alwise known at the gnostic level,

we are born to behave this way.
As luck might have it,
were luck a factor. But life's not fair.

The good guys win. Really win, as
opposed to
virtually win, as in a game.
This is ever. This is living.
This is what we have to do.
It takes practice. Old guys know how to
twist grammar into con
fessin', just in time.
---
maybe memes are angels,
awaiting recepeption, old man.
Having and holding
rebeccalouise Dec 2011
a lone car
drives by
on this forlorn highway

we’re heading
somewhere,
or nowhere;
anywhere

it’s dark,
early

another day
ready
for new mistakes
and opportunities

fresh

and our tired eyes
witness
the light,
slowly creeping up the fields,
grasping at fences and housetops

cleansing the world from yesterday

and on this lonely highway,
we become
alive
John Silence Sep 2016
The moon is watching through the window.
She sits low over the low hills,
daubing the housetops and lightpoles with silver.
In my drowsy mind
in the cool air of the first moments of tomorrow
I confuse her name and my state,
“Selene” and “serene.”
I think one must derive from the other
though which came first remains unanswered
like the first question you asked me.

Her silver spills into our darkened room
across my legs
bare and exposed on the white blanket
still damp, my flesh still bright and warm,
your head black on my shoulder,
your breath just one element of the silence
as are the neighbor dogs,
the mourning doves,
the passing cars on the hillside.
When dreams turn your face,
gibbous in black hair,
white as milk in her light,
I want to sleep like this forever.
Ash Slade Jul 2018
ice came down
mixed with rain
streaked windows
on this april spring day

thunderclap
struck the sky
bolted across
blanket white deck slick
greased up the skillet
stir up some eggs
fried, plated

bangs, knicks, scrapes
pushes on curb-top
pours into driveway
rips mailboxes from posts
in muck

like drums
rat-a-tat rat-a-tat
down it spills
beating on housetops, hose-water
streets

neighbors drive on
wash-out roads
a few speed through
riper to pass slow

folks losing electricity
trees fallen 'round
hibernating, little, town

colorless sounds clog up headset
on a mismatch sort of day

out-of-place ride-out
gasket blown
Gypsy Dec 2020
Early - in a strange bed,
On the other side of the valley,
Wrapped in leftover shadows
The truth,  so deep
In a puddle of sunlight
That sprawled naked on the housetops.
The frozen sea within us
The act of surrender
The need to understand
The ceremonies we perform
God knows what bones I've been gnawing in my sleep
The ******-fingered dawn
Bends to earth another false beginning.

Gypsy

— The End —