by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo

A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor

Staring into the distance called to a halt lowly by a ceiling
With beams of clouds I have my essay planned, do the
Right thing when the morning comes, start early and lap lap
Lap it up… I missed a day will I be able to write it okay?
It’s only a draft, final assessment in the genesis of a new
Year as apocalyptic as it gets draped in gray by God’s
Gesturing arm lamp shading… why should I do it? To
Quickly bang it out before the deadline just to get it out
The way… daydream precocious bipedal insect monsters
Before the real thing moons God and his gang of whiskey
Parlour batchelors leaning on leather elbow pads admiring
The craftsmanship of the upholstery… the real thing is more
Absorbing always cutting off as I’m getting somewhere, start
In daytime and realize there’s nowhere to get, that’s the thing
Yelling stop think again, or fill every nook cranny and interstice
With feet free to walk in peace… they are antonyms I could
Never fit in, gaps that long ago gave up

Deserted wide areas of something, opportunity, you must
Agree are not expenses anymore by any imaginative feat
Dancing to deep scar/jungle depravity light reflections…
I can’t remember and don’t want to check over in case I
Get cut off -

Forget that’s true… (Something I literally cannot do)… I was
Enthralling, reading, writing, the {authorised} daydreaming -
Breakfast for dinner - dinner for breakfast - closer to the sun -
My legs have gone weak - I want to numb the static pain Spit-
Ting strangling cosmic debris from the satellite to the T.V…
It’s not that I’m not moving, I am careering just fine to turquoise
Blue sky, the bottom of a valley draped in a green screen sheet
Searching on my homepage for something more than my
Forest floor in the circular sky print of psychedelic white smud-

Ging print in the canopy tickling my mind’s eye giggles awake…
It’s that I’m not being methodical revolutions around a state I aim
To occupy, to occupy less derivatively… It’s not that… what is
This space? Living harmoniously, smiling on the front page of the
Daily Reality, not a youtube metamemetextraction everyone has
Different power to construe as well as they consume.. which, well…

Headlines to all cheer in support immaculately agreeing rather than
Memetic smearing in a forest snearing, no singing, no branches,
Hollow UVescence flood… hot sun burns ignorant eyes that power-
Point-slide nothing retinal light soggy cardboard calippo awkwardly
Bending, quivering like an Einsteinian physician’s space-time ******
You can’t see, squinting hard open town open mouth open source
Open eyes it is morning time morning square morning everyone everywhere
Square skulky shoulders and a brittle skunk twig head, not always there after
Shipping in a rectangular organisation of beds for fallen fruit everyone
Walks by, what is healthy? in society, what is homely what is dull housing
Ex-ice lolly sweet sticky strawb-red syrup marooning, baking to brown
Down backstage curtains poised in windy drapery drapery drapery…
Window hardware still there not to see any of the people, have you
Gone forever? The sun drapes savannah grapes out of place fire-soaked
Memories, temporary tent, arms and legs and back and Earth and one-
They’ve been the same thing begging to be vacuumed to a better outlook
Well away from towns bookmarking forests of knowledge seeming never
Ending turn to plywood, you can’t be in a vacuum better anywhere,
And hope strives away shooting through the replacement plastic funnel
Into a dropping everything…

Cornered - shopped - bussed - stopped - ticketed - one-wayed - one-way-
Systemed - ticketed - inspected - mauled - in the shops - for food -
For clothes - carred and parked in a roundabout way - merged in a
Motorway, by a dense grey matter, a concrete intelligence, one certified
Body of the indefiniteness of everyone's words, their words… our words…
That which is said… what people say… what we think… make a pretend wolf
Beg for a ready salted crisp at the the bar in the pub I leave the sound of
Those who hear everything better, I couldn’t hear a thing over the hoover…

A wild din falls on developing streets, silent and wide, stocky and broken,
Choking on ******* butterflies in my throat and stomach screaming… hold
Tears back while the sad song plays, that burst out of the interlude’s segue
To the beat picking up exactly what you wanted it to… wake up the pride!
I am trapped in a cage! Wake up the tribe! Is it on your webpage?

Where has it gone?

~
To: Gods  
From: Only Love Poetry
Subject: Manchester Commencement


~
dedicated to Nat Lipstadt, my better half,
who whispers when life whipsaws beyond belief,
there still will always be,
a new sun come,
a day newly needy for an only love poem


commencement, a lovely,
so human contra-dictional term,
to begin, to end, the meaning meant  
in the ear of beholder,
though this year,
the meaning perhaps, is
in the heart of the true believer

a perfect end of May day, fully unofficially summer
but for the brisk crisp spring sweater weather temp,
informing that the official calendar heated demarcation day,
yet a full month ahead,  
but the news reminding that neither man or nature  
don't necessarily respect
foolish man made conventions of any kind

once again, return to the isle of shelter,
lawns lush, the waves speaking in wave lapping, watery tongues,
which suddenly all humans comprehend,
the sky, a milky blue cappuccino and
I struggle desiring to disbelieve that the
almost summer holiness communing has begun with a  
****** pointless Manchester commencement

the external perfection clashes with the internal revilation,
knowing anger is unprofitable, understanding and resolving
not even close to possible, the waste of why and what for's

thrice, already sent you missive missiles,
that acknowdge did not hit the target,
you must be the the hard hearted pharaoh
who won't let my people, any people, go,
till all of us hold our eldest child in our arms, dead

the is no point in anger, the consoling of souls,
disregarding the vanity of revenge calls,
the Einsteinian repeating insanity of praying each of us,
to different gods to do what we stupidly call the right thing,
expecting different outcomes

so what's the why and the wherefore for just another poem?

to prepare the soul, keep yourself at the steady,
for the next one, never complacent, staying unready,
commencements are either endings or beginning
who can tell for sure, sometimes a bit of both

and in a poem, composed only of love,
written with solemn tears decorating the screen,
finger slipping on the warm sad wet,
a kind of scar tissue, a healing, but differentiated,
returning similar, but forever changed, different,
is still something human I can true believe in, no gods necessary

~
5/27/17 2:21pm

I am a leaf in the winds
        Of time
Floating through space
        hurridely
Face up, face down
Knocking on walls
      of eternity
In an Einsteinian sort of way

I do not belong
  to this plane
Going in and out of
  Many dimensions...
Like the spirit that i became

Colette Anne Naegle
copyrights 2008

given the zeitgeist, well, what can you expect, bad punctuation, even worse grammar, and a complete of "raining from above" diacritical appropriation, can make anyone quasi-dyslexic, even if they are said to champion a high-level of proficiency in a native tongue; which always made me wonder: why did i turn into a speedy gonzales, outrunning the majority of natives in the tongue? i guess it came to a dedication to a craft, like any carpenter with a block of wood, english, represented by a block of:
                                               a b c d e f g
                                               h i j k l m n
                                               o p q r s t u
                                               v x w x y z.

sorry, i'm taking over, i've had enough,
enough of these poncy natives speaking
their native language as badly written
as a rap, or as naive as a *simon & garfunkel
song, i don't care for your little english degree,
i know your little scheme,
to ensure the H is mutilated, mainly bound
by promethean chains of surd -
only apparent in laughter...
that alphabet you see before you?
it's my version of sudoku -
i look at that "square" and get **** out -
i never write from the heart,
i write from the perspective of my *** -
**** it out, forget about it, move on,
move on...
            i rearrange what i see and don't see...
and yes: you learn from the best,
and the best being? the ones that allow
you to think, make-up your own little narrative,
you pepper the writing with nuance,
with ambiguity, with a: huh?
   along the the day you also channel in
a tarantula's bite of disorientation -
narrative has seized to be worth a linear
geometry -
  there's no point (a) through to point (b) -
we're talking literature in einsteinian terms,
not newtonian projectiles...
           any ******* idiot can draw a straight
line, this deformed kid i knew from being
a child: hugged the **** out of me,
could have made a brussels pâté out of me,
i liked the ******: his ****** ****** his
wife's sister, and, being a ******,
he supported the whole family with
the benefit cheques...
          couldn't say a word without a ******'s
grin... but i do remember his favourite
pastime - precision of a pair of scissors,
he would sit and tear up newspapers all
day long, sometimes walk the dog,
  but you couldn't cut paper the way he ripped
it in streaks like spaghetti...
       hell: nature abhors a vacuum;
ah, ol' robbie.
                but that's beside the point,
what i learned from my pict english teacher
was: digress... he always digressed,
i learned the art of english is via: digression -
he's the one who got me into jazz -
i can't say i listen to jazz all the time like
some pompous aragonite of catalonia -
       but when the mood is right,
and there's no woman, and there's no wine,
and there's only the identical twins
ms. & ms. pepsi & amber - and it's october,
and the wind is warm in the night,
and i feel like: these headphones are becoming
too claustrophobic, i put on some miles davis
and feel like: like a politician in davos...
   still, i don't believe in linearity of dialogue -
after all, the earth doesn't travel in a straight line...
so why bother with a "beginning, middle & end"
style of storytelling? why not tell a tale high
on a tarantula bite, completely disorientated?
the best english you're going to hear is:
via digression -
     and as i recall, up to the age of 16 -
the pict made us sit through about 2 / 3 hours
of curriculum, i.e. in english class that means
learning grammar...
     ****, we learned about 0's worth of grammar:
his motto was something like:
  hey, if you speak it grammatically,
there's no point learning any grammatically
grammatically grammar, written, or spoken.
fair point.
     so he taught us by digression -
and no one can teach you better english,
  than a glaswegian... hey, you want a great memory
of school, and not turn into some soppy
         morrissey? learn to build up an
affection with your teachers...
           ****, i even remember the teachers
in primary school, everyone feared mrs. hetherington;
she once told us a story of being shipped out
from london (due to the blitz) into
the countryside... the old "hag" is dead by now,
but, although the rumours: she was a gem;
school wasn't a problem, as long as you
didn't buy into this whole famous obscure,
weird yada yada yada, frozen prune on
a popsicle *******, you did fine...
                as long as you had respect and
some sort of weird admiration for a teacher,
or +2, the other kids just, seemingly, drifted
into the song of ambient music - akin
to refrigerator humming.
seriously - the best time of your life is
the time you have in school, esp. given the currency
is nothing more than brownie points / peanuts...
no, i know a teacher's pet when i see one -
but dabbing into the personal life of a teacher,
say, seer thomas! what's your jazz collection
like? and then you get a c.d. to burn
the next day jazz on a summer's day album,
with the opening track being
    art blakey's song moanin'...
but that's beside the point (once more) -
let's just say that solving the sudoku allows you
to clear through the claustrophobia of thinking,
notably, given that all mental illness is
a form of cognitive claustrophobia -
     well...
    there once came an argument against
the godfather of existentialism, JP sartre -
who said: existence comes prior to essence...
so we live a life (borrowing from kant's rigidity)
             vita est a priori
  subsequently esse est a posteriori -
  i need to degrade everything into cartesian
terms, with that eternal formula
that has reached a mathematical pinnacle
of 1 + 1 = 2, i.e. 1 (cogito) + (ergo) 1 (sum) = id,
no matter how much you'd like to shake
it off, you can't! everything in philosophy
zeniths and nadirs on the cartesian sly cat
of expression...
                 what are we though?
do we exist to think, or do we simply,
                           essentially think?
well, if we exist to think, we'd be nothing
more than a brain in a pickle jar...
and we wouldn't get up to moral transgressions
and general idiocy of making mistakes...
    and given the aura and the fauna of
our environment, and the number of sport
disciplines available for us to practice:
thinking is non-essential,
it's a byproduct of existence per se.
before writing this i was actually going to
channel an argument against sartre,
  but given the ongoing arithmetic of the end
product of this writing...
  i kinda agree with him...
       existence is a priori to essence,
as essence is a posteriori to existence -
   nice, look at 'em siamese twins, butter-rubbed
greasy and all...
                 could slide into a chimney
prior to santa (anagram of satan)
          prior to santa saying: bishquits und quackers
and a handful of rollie-pollies to add the
extra, crunch!
    thinking is essential, i admit,
       but it's not exactly an existential absolute
i.e. uniform in: the omni sphere of things,
plants don't think, parasites don't think...
    hence the antithesis of the cartesian
res cogitans is the res impetus -
   phototropism being the best example...
           shlime of a honeybee in the ear
of krampus...
                    how can essence come prior to
existence, given the cartesian reductionism of
pivoting the argument on thought?
  thought doesn't even enter the picture,
once the senses are fully formed,
  and that lesser celebrated cognitive faculty
of memory finally lodges itself on the hamster wheel...
first we memorise, then we imagine (so many
games in childhood) - and we start to think: lastly.
as the world around us suggests:
   thinking isn't exactly essential -
   it's existential...
      wait wait, too many O 0 O 0 O 0 O squashing
of doughnuts and rollings wheels...
                      essence comes prior to existence...
so, by saying that: i am to be born an
essentially good person?
              this is theologically speaking an
inversion of the protestant concept of
  predestination...
        now the spaghetti muddling revision...
       i had it! i swear, i had it!
                         essence can't "predate" existence
since existence has no universal analogue replica,
no uniform coercion of all given examples...
yes, in essence we should all be universally
well off, rich, beautiful, perfect skin etc.,
that would be the "utopian" essential component
in arguing: essence comes prior to existence...
but the reality is: existence comes prior to
the essence of things - given we experience
the odd bouts of daydreaming...
        essentially that, but existentially: this...
trouble with certain counter-arguments
      to doctrines is that they leave the argument
in the jaw of a chimera,
   and never bother with real-life examples of
counter,
          like in poetry,
            with its array of technique,
   philosophy has but one sunshine moment -
   take the abstract road up to a point,
and then ask that age old question:
give a man a fish and feed him for a day,
or teach a man how to fish?
               as any parasitic business model will
tell you: give the man a fish, make him
indebted, and then tell him to mine for diamonds
to make for the first, and subsequently
second fish you're going to give him;
as was my concern:
  if no idea, no concept, can't be made
infantile, or rather, to be reduced to a level assertive:
well, you know, that "serious" thinker was
also, once a kid... what's the point
of taking yourself seriously?

alternately titled: tick tock runneth amuck
seconds elapse imperceptibly
leaving me dumbstruck,
how quickly fleeting tempus fugit;
ofttimes imagined as time thief.

Hence following vignette: quiet as a mouse lurks the time thief

The invisible hours hoarder stealthily steals precious seconds (like minute hors d'oeuvres) away during the dead of night surreptitiously and unsuspectingly robs and buries me alive by subtracting each and every precious second of my tender life.

As the world spins, the days fly by at nearly the hummingbird wings at the deathly hallow supersonic sound, this little elfin grot sized goniff (groomed by Father Time) monopolizes and usurps a greater role like some unwanted guest who overstays his welcome.

Mortality (visited by quick and painless demise) on the other hand would be an especial balm, relief and tonic to my countless decades long existential slog, which this model ’59 hew man cargo happens to be in sore need and want of that fairy tale genie in a bottle to grant me eternity.

How quickly the hands blindingly **** by instantaneously eclipsing memories from yesterday (when all my troubles seemed so far away) as I just barely shucked off the frock from today.

Meanwhile faint hints of tomorrow (albeit dark shadows creeping imperceptibly closer from the edge of night as all my children frolic in the summer of their blissful innocence totally oblivious to the galloping generational gourmand grandfatherly clocker) hungrily prowling on the outskirts of styx strewn groveling grooved globe.

Nocturnal creatures emerged from respective hideouts regaling in fleeting festivities (apropos to their species/ genus) before the curtain rises on another dawning day.

Although an unseen yet palpable grim harbinger (per prescribed existential allowance) precedes, and allocates finite years sans spontaneous birth of life, the daily hubbub finds this introspective individual self-absorbed in gloom.

Thus, he infrequently finds himself conscious of that eye popping, jaw dropping, mind boggling sheer speed of light flash representative of his passing life. Where in the world did those days, weeks, months, years, and decades go? Try as one might to catch the robber baron of ages, he/she also appears to be at least one second ahead.

These immeasurable micro moments appear to leap ever faster as one inches closer to that average length of longevity. Odd though, that these indiscriminate discrete constituent parts of being consciousness well nigh impossible to isolate, yet recognition prevails at cradle to grave cycle.

I feel utterly dumbstruck at diminishing residence on this planet now while walking along the boulevard of broken dreams. An indistinguishable blur (akin to the brushstroke of an artist across blank palette yet to be covered with an unpredictable product) the only evidence that tempus fugit.

Now as one crotchety curmudgeon contemplating cumulative chapters of mein kampf (from childhood to doddering sexagenarian senescence), nostalgia for yesteryear like a parasite symbiotically festering inside for unrequited liberty and the pursuit of happiness.

The second these minute, gnarled, bent arthritic fingers manage to lay hands on that bleeping son of a blank, hours and days will be like one endless months long week-end without parental supervision.

Throughout mankind's awakened consciousness
elusive abstract notion
identifying past, present, and future
adopted as avuncular personification;
Father Time an apropos sobriquet
impossible concept to grasp
within the mind of one Finnish huckabuck,
whose clodhoppers get mired in muckamuck
analogous to quicksand yours truly stuck
markedly challenged, hence
mission scuttled when attempting to zuck.

Ever since the advent of civilization
contrivances crafted to measure
days, weeks, months...
years, decades, centuries...
analytical “gifted” anonymous minds,
wrought ever more sophisticated inventions
to divide existence into manageable units.

Now twenty first century **** sapiens
technological atomic clock work mechanisms
markedly catapulted by quantum leaps
immense degrees of precision  
extremely accurate types of devices
linkedin with state of the art electronics.

At this fleeting instant
(approximately 8:18 AM
September 13th, 2022)
ever so briefly wedged between
what elapsed and future events to arise)
impossible mission to isolate
that illusory present,

not only cuz the herein now
flits away at light speed
(or greater - you're right quite dubious),
but also everywhere within
cosmic space/time continuum
infinite microscopic and
macroscopic events occur.

As an amateur thinker
I feel baffled when pondering
that crude convenient schema
whereby greater minds than mine
devised devices to measure passage of time.

Yours truly can barely articulate
his farfetched dumbfoundedness,
me merely a simple brute
(shortish but not so nasty),
whose permanently creased
furrowed brow courtesy
his scrutinizing noggin
encasing fifty plus shades of gray matter,

whereby one percent bonafide Neanderthal
deoxyribonucleic acid explains
atavistic predilection issuing primal grunting,
when foraging for small (lame) game,
cuz feeble minded twenty first century
run of the mill garden variety **** sapiens
amuses himself (mentally)
toying with Einsteinian paradigm.

Though barely able to fathom
mind bending and boggling concepts
theoretically linkedin if an object
subjected to travel speed of light
(particularly an objet d'art - ha

think The Persistence of Memory
series of clock paintings by Salvador Dali)
mass becomes infinite
as does energy required to move entity.

Obviously the ability to wrap one's head
(or hands for that matter) around,
humongous (super sized) material essence
filling subsequent seconds, minutes, hours...
defies feasibility to grasp,

neither could ways nor means
allow, enable and provide
any semblance to hold (tangibly) as solid
something so abstract
as a singular moment, yes?

The above (ambiguously stated) thought exercise
equally as challenging where to locate
beginning and/or ending point
upon Möbius strip.

I say if this is true.
Here it's true, there it is a story, we understand.
This is all we do. We bher life's meaning.

We stand for you, holding truth as self
evidence,
for when you feel meaning less,

we signify reason to try next once more

in significant qualia quants
for common sense

at little green apple level. Not much

a little think , a

photon size Einsteinian think.

True of false? This happens all the time.

It feels like you understand something
that makes no sense.

And it feels so good. Nothin' missin'
Like a perk on the spaceship earth cruise, an
add in fun item
late in the game. Okeh. Your play.