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I’d known Dionne since her coming out
In a dress of tulle, in cream,
And held my breath when she took the floor
To glide like an autumn dream.
My eyes had followed her, all that night
As she danced from hand to hand,
I knew from then I would be in thrall,
She became my promised land.

She married badly the first time, and
I thought that she’d come to me,
She leapt from the fat of the frying pan
To the fire of the Presbytery,
Her husband Sol gave his sermons on
The fires in the pit of Hell,
Eternal moans in a fire of bones
With a terrible brimstone smell.

She seemed subdued, in a sullen mood
When I went to tea one day,
I asked her if she was happy now
But she simply looked away.
I saw a tear on her dainty cheek
And it took me by surprise,
‘I’m such a fool,’ she revealed to me,
‘I should have been more than wise.’

She said she wished she had never wed
For the first had made her cry,
He’d come home drunk for a solid month
And she said, she’d wondered why.
‘I loved him then, and I slaved for him
For I thought that he loved me too,
But then I heard about Annabelle,
And she, just one of a few.’

She married, after a swift divorce
A man with a flinty soul,
‘So much different to Adam, he
Is true, but his love is cold.
He tortures me with his tales of Hell,
Of sin in this earthly place,
And threatens that I might meet him there
If I don’t live in God’s Grace.’

She told me about a yellow doll
That she’d had since she was four,
She’d lavished love and affection on
But she didn’t, anymore.
He’d burnt its hands and he’d burnt its feet
When he’d been annoyed with her,
And said that she was the yellow doll,
The devil was waiting for.

I told her that she should leave him
That the man must be insane,
And told her that I would take her home,
That I would bear the blame.
She smiled at me with her sad blue eyes
And she said, ‘You’re really sweet,
But he has threatened to hunt me down
If he sees me in the street.’

She said he’d threatened to burn her feet
As he’d done, the yellow doll,
She’d not be able to walk again
And leave him, like a trull.
I left that day with a heavy heart
But at least, I knew the score,
Though when I tried to return again
I found that he’d barred the door.

The months went by and I thought of her
For she never left my head,
But then one day came the welcome news,
It seemed that he was dead.
I stood well back at the funeral
And I watched the widow’s face,
Under the flimsy widow’s veil
She shone with an inner grace.

We kept apart for a month or two
But I knew that she was mine,
We tried to avoid a scandal, it
Was just a question of time,
We married after a year had gone
He’d long been in the ground,
We couldn’t believe the harmony
And the love that we had found.

But then on a cold, black winter’s day
Dionne cried out aloud,
For beating ******* the cedar door
There was someone in a shroud,
And lying there on the welcome mat
Lay the little yellow doll,
Its feet were totally charred and black
And Dionne cried out, ‘It’s Sol!’

She clung to me and was petrified
And I tried to calm her down,
‘It can’t be Sol, for you saw him planted
Six feet under the ground.’
The shroud continued to beat the door
And Dionne, her voice was grim,
She pointed to the doll on the floor,
‘I buried the doll with him!’

David Lewis Paget
Dionne Charlet Nov 2016
Sands traverse oceans to envelop me
within the coercion of a dream of Egypt
as I search the turquoise of the medallion in my hands
to match the gray-blue of his eyes.

Too long have I willed for him
to sail the Atlantic,
stride through the door,
and sweep me from haunting this view of London.
But for now I am left
to my own image and a pane,
so I muster the meat of my palm
within this sleeve of lace
to brush it across the glass for a clearer look,
yet my efforts have revealed
no more than engorged eyelids reflected…
manacles of me.

Behest of self,
maniacal I am slated
to perform involuntary tedium,
hopeful to unlock deeper meaning
within each hieroglyph,
once so purposefully etched in a semblance of bronze.

I long to surrender
to the warmth of the taste of iron
caught in his sights over a tomb blanketed in gold.

I will come for you, Daughter of Heaven and Earth.

Spontaneous peristalsis of phrase
connects with the drop
gurgling through the candid quiet
and I wonder
if the image that now reflects would indulge him,
or if he might ****** the lock of dark hair
that he cropped from my neck with the skill of an assassin
when our paths first crossed in Cairo.

Time has softened the image I hold of him;
his eyes are satin,
burning like a flag still waving
as his army advances over our forbidden dig.

There is something
sensation-like in downfall…
copious saline embodies the fractal curve.

I found no scrolls of the Book of the Dead.

Here in my olive skin I rot like a peach
that’s been left in a satchel
forgotten to dust of the ages
disturbed by picks and axes
that strike with the determination of discovery.
A peach, never to be savored;
never to nourish or to pleasure,
or be trampled by insects
and carried off in pieces
to the hollow of the ant queen.

My eyelids are hard to turn like wet pages
forced to envision a river that is not the Nile
where I am held within the binds of propriety,
corsetted, bustled, and locked out of Egypt
dammed from the salvation
of even an intermittent Dutchman’s finger
by dunes and shores and footfalls
to find words that stream in liquid resonance
where firm succumbs to self and
I can feel passion writhing through my intangibles.

Thusly, clouds form over a city that blackens and distorts
the way a river's reflection of my face
would ripple from the plunging body of a dove,
belly-up, encased in wings,
and two thousand miles from him.

Arousal is a moccasin seethed in spasms
of peristalsis and musculature
toward the beckoning pulse of breast.

Any hope for contact collapses into flesh,
venom sheathes each corpuscle,
and a woken neck flails in judgment
before the truth in his eyes
under the shadow of the Great Pyramid
where Ramses II lies supine
across the Turin Papyrus.

I imagine the other side of me
and where she might reflect when
all that there is in such a study
contributes to my wanting
to wreak my bellied freedom
beneath crevices that sink as crevices do
in downward angled layers
to withstand the ages.

Dark hair gleams in contrast,
more for strip of scalp
than the trickle of red down my back.

Breached like sugar that candid—
starburst wings of Monarchs dripping ancient like sunsets
over magenta and milky mauve in the reeds—
my ankles revealed and inverted to the sky they glean, yet...

his arrival is delayed
when the pistol ***** three times.
The still of my breast compounds
with the steady union of the dark, and
somewhere denial flows with the sands.

So cycles change, like a fable for Eternal.

“Daughter of Heaven and Earth,” written by Dionne Charlet, appears in print in Cairo by Gaslight, the second anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Books in the series include New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie. Look for the upcoming anthology Paris by Gaslight, which will feature a poem of the same title by Dionne.
A steampunk narrative poem of adventure and love lost in Cairo.
Terry Collett Oct 2012
Dionne Warwick was singing
you’ll never get to Heaven
if you break my heart

over the small white
transistor radio
under the covers

of the bed after
having made love
to your girlfriend

and you both snuggled there
she running a finger
down your spine

and you kissing
one of her small *******
and the transistor crackled

and the voice on the radio
went in and out of tune
and you said

hush Sweetie Pie
or the others
will hear you

and she put a hand
over her mouth
to stifle the giggles

and the smell of lilac
and sweating bodies
filled your nose

and the singing
made you sway
and you sensed

the flesh warm
and sweet
beneath you

and you listened
for the sound of others
maybe along the hall

or moving in their sleep
and her lips
kissed your ear

and her tongue
reached right in
and you thought that

paradise
that music
the warm flesh

the kisses
and her tongue
easing itself

in and out
of your ear
and the moon lit up

in the corner
of the window
bright and angel like

over the top
smiling glow
and you and she

in the bed
and you opened  
your eyes

and you were alone
it had all been
a dream in your head.
Dionne Charlet Nov 2016
Plumped rouge with pigment
her lip fills to graze the *******
intent to disquiet the likes of de Sade
autografted with ocular detachment
should a Marquis wish to harness
the song of the morning
within a bandolier of Seine
to ensnare any bustled Persephone
gilted by discharge of ions
into a ménage of torment
through the Porte des Lions.

Hers is the tincture of doxy
caramelized and debrided of naivety,
empowered by the eve of invention,
swollen to curves and grounded in Paris.

Illumination defies pervasion
down to every gear and pulley
she has hushed through mechanization
and lulled by steam,
swaging a cacophony of flickers
encased in glass by the Lady’s watch,
where every rivet of her plate glisters silken
reverberation in cascade,
elegant, caged, and towering,
outspoken in silence,
ever challenging the Champ de Mars.

"Paris by Gaslight," written by Dionne Charlet, is the title poem to be featured in the upcoming steampunk anthology Paris by Gaslight, the third anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Look for the first two collections of poems and short stories set in Victorian Times, New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie.
"Paris by Gaslight" - written by Dionne Charlet - is the title poem to be featured in the upcoming steampunk anthology "Paris by Gaslight".
Bob B Oct 2019
(Try singing this poem to Dionne Warwick's version of "Alfie," by Burt Bacharach and Hal David.)

Somehow you went wrong, Lindsey.°
Don't you feel like the president's chump?
Don't you feel he's wrong, stringing you along, Lindsey?
Strange things happen when you deal with Trump.
You once said he was unfit,
And if he was so unfit, Lindsey,
Then what happened to make him the man?
There can be no doubt what this is about, Lindsey.
How did a foe become his biggest fan?
I guess it doesn't matter if you've got no pride, Lindsey.
How can you live with yourself?
Can it be that Putin has some dirt on you, too,
That you want to hide, Lindsey?
Your odd behavior baffles us, Lindsey.
Wait till you're thrown under the bus. You will be, Lindsey.
If a fool is what you want to be,
Say good-bye to dignity, Lindsey.
Lindsey…

-by Bob B (10-28-19)

°Lindsey Graham, Senator from South Carolina

https://www.youtube.com/watch?v=YidCdaLPPR8
jeffrey conyers Dec 2012
Leslie Gore, sung you don't own me in the sixties.
But the words contains a powerful message.
Dionne Warwrick, stated don't make me over.
And the message is just as strong with truth.

We, are who we are?
And lovers, friends knows our imperfection.
But when you enters into a romantic affair.
We find them trying to mold us to suit them.
We might change a little.
We might change a lot.

Except always watch what you ask for?
We know why we selected them to be the one we love?
Hank Helman Mar 2021
Sunday morning,
Toast, coffee and strawberries
Sliced in half.

The music surrounds,
Dionne Warwick
Why do you have to be a heart breaker?

I'm remembering, wandering.
There were good times.
Just not enough.
What would you do differently?
jeffrey conyers Jan 2017
Eugene Reynold, wrote about love.
Curtis Mayfield, about social issues.
And Smokey Robinson addressed romance.

The best of the best knows how to reflect their truest feelings.

Dionne Warwick, sung about life.
Diane Ross, sung about that certain someone with the Supremes.
And Dust Springfield, level feelings on various themes.

When in love?
Sing it.
When protest's needed?
Go for it.

Life holds nothing more than being lived.
For joy exist within all of us.
Latiaaa Jan 2021
The evening cast a warm glow peeking through the curtains.
Dionne Warwick’s “Make It Easy On Yourself”
Hissed and popped as the needle danced across the record.
Its sorrowful tune echoed the room, looping
The words easy on yourself
As life stood still
And time grew short.
With a trashbin stuffed with crumpled up letters,
A phone shoved in the side pouch
Of a bookbag buzzed. It eventually
Stopped,
And the music grew louder
And louder.

There she laid---
Her arms and legs sprawled out
While her body slowly sunk, being one with the bed
Finally.

Her lips quivered,
Unraveling an ocean of warm tears. The room
Seemed blurred out, but her eyes
Still captured posters, the ceiling fan,
The fairy lights.
Her cotton candy hair rustled against her cheeks---
Sticking to her as the tears continued to fall.
Then, the phone
Buzzes again, this time longer
As it competed with the song.

Cut up pictures of
Missing,
Burnt out, faded faces
Decorated the floor, and the girl
Softly wept, sniffled, and let out a sigh.
She couldn’t stop weeping.
As life stood still,
And time grew short,
She knew she had to make it easier on herself.

— The End —