Who’s to say how
He might come back for a second
inhumanely heaped-up helping,
if we grant that immensity
of our assumption He did come
kingly first into this inside-
out size from a do-you-miss-me-
yet’s mirthfully mythical realm

I have seen Him
lurking in a particle-board fine
finish on the thin outer membranes
of our estranged and better faces;
He’s Higgs-boson omnipresent,
but far too theoretical
for our broadly practical, turned-
away gazes to rediscover

There He is now
rising in the favela’s gap-
toothed grins with fabulously naughty
corners this glee-pawed grandpa twists
using cur jests his ***** charges
imagine as flightless quarrels
grey-hooded pigeons would gaggle
were they over-stuffed on golden grain

And there again
on a Calcutta mound’s cluttered
conic end, smog-like He slowly lifts
with the crust-gnawed, razor-wire crimps
of a soup-can’s unconsummated lid
as dainty fingers crawl in toward
a gelatinous glob still clinging
to the powerful pretense it’s meat

And there once more,
conceding oms, He restless flickers
at the margins of blocky beige
Beijing screens as crisply clicked clacks
circumnavigate the darkling
smooth patches and spit-spark a few
conscious drips to squiggle out from
the babble of noxious red seas

Emerged, this welp
won’t toddle off to dribble-stain
the dressy linens of a made-up
nanny’s well-mannered and ornate
evil; it will curl up instead,
a swaddled yawn with no yearn to
suckle under His real mother’s
gaping wide and grungy bloused best

Virginia Nicholson

How To Build A House In N-Dimensions

1. Begin with lines, pencil to paper (if they could exist) drawing graphite arrangements, N-space reduced to one, a structure viewed in slices. Imagine the bathroom off the foyer, the den off the dining room, viewable only as inked lines, dit-dit-dah, a contractor’s Morse Code.

2. Progress to carpet squares, linoleum tiles, the coral paint pairs well with the eggshell trim.  Dit-dah-dit becomes something useful to the non-contractor, “door” or “Master Bedroom” or “x hundred feet of pipe.” Envision the imagined patterns hidden in the bathroom floor, the kitchen hardwood.

3. Move to volumes, solids, conic sections, height. One story, two stories, a basement, an attic?, take advantage of the introduction of 3D. Upgrade the closet to walk-in, needs more carpet squares. A snapshot of a family barbeque, Charlie’s height 1D penciled in to the 3D door, marring 2D eggshell paint.

4. Adding time, the house is built, ages, gets sold to new families with little Charlies of their own, new markings on the cupboard door, 3-foot-2, 3-foot-5, 4-foot-9. Grass fades from Kelly to sand to Kelly, saturation a cosine function with respect to time. The Zoysia starts in one, breaking ground in two, growing in three, a well-manicured 4D experience.

5-11.    Include the things invisible to us, objects on the order of 1 meter, orders of 10E-2 to 10E9 seconds. Five to eleven drip through leaky pipes, seep through porous flooring, get lost in iron-rich soil and oxygenated exhalations. Five to eleven stay hidden, wrapped up in Calabi-Yao manifolds smaller than graphite hills and valleys marking little Charlie’s height, stronger than the 2-by-4s and stone foundation keeping strong in 4D. Five to eleven circulate undetected, seven dimensions shrunk to sub-pinpoint size, keeping seven dimensions of unexplainables covered until their traces are seen in the blades of Zoysia.

I wanted to stay,
But I wouldn’t let me
With dawning on the dark,
It lay there fully heaving
With searing conic splinters
Of headlight in its back,
We left it on the road

Tossed in epinephrine,
Guilty of some throttle-rush
We had macerated in the night
Some brood of Nature’s brush
So, I sped to Edgerton
As fast as our time was

You'll say, “He never cared.”
I’m sad I’ve lost your name
No phonebook would amend
I should have just slowed down

Trippin and falling, high like i can’t touch the ground proper
im stallin and falling like prophetic time stoppers

so stop!

and watch a television show, because when it comes to us you just can’t know

inside the body, outside of time, shulgin synthesized drugs parody the mind.

seen black holes ebb and flow, but you think you on a ro’?

Put on ZINNs shews and check the news

HEADLINE TONIGHT:

PSYCHONAUGHTS PREACHING TO THE MASSES
FROM THE pew pew pews….

our lazers are in favor

ignite the light,

PEW@!

mind blown dead slaver.

2) Silence as my psyche gets psychedelically psychonaugtic, toppin my minds eye-conic depiction of psychotropics, an ocean of dreams, im sailing through thoughts, so potent it seems, l on the drop, this is some ******-logic……

3)…..Naughty nautic.  Sailing through waves of rhymes, try to , but when it comes to the jugger-or-naught, you can’t stop it.

so we dreadlock the dreadnaught just so god can fill the hair lock,

fall from the sky, slow down and reverse this verse,

cause there is no up or down, just forward or rewound,

straight

****** LOGIC

There I am,
The first light pole,
Waiting for my ride.
I wave to a few,
And receive consolation
For a life struggle.

There I am,
The second light pole,
Under the shade of a green canopy of leaves.
I receive a greeting of consolation
By a friendly whack of a paper bulletin
Ruffled up into a conic shape.

There I am,
On a rock,
And my ride is here.