children of death and settlement
by the tired, busy mouth
of the evening;
where the only
art is entering
you squat, bare
in the corner of darkness
suffering and smiling;
searching for the love
of another darkness
there! i mistook you
for a lost shadow, for i let you go
let you go.
before now, i slept
into the is same darkness
waiting to be ferry into tomorrow;
thinking the large body
of retrospect past
is immutable
but can't convince my pen
that the only poetry in nigeria
is her present —messed-up
by the same gone, ageless people
we revered, we have to let them go
let them go.
into the red dark
past nigeria, there
is a labyrinth tree
whose ripe fruits are love
and poetry
but was intentionally
neglected; we let it go, let it go.
looking through this tree
i can see
into the future;
above and beneath —
the ****** hatred
of death and grave's
settlement, that we can't let it go, let it go.
gently —gently and gently
i want to sink the deepest borehole
of poetry
into this tasty period
where the only water is not
only bullets; but
nepotism, tribalism
neglecting naked reality
that brewed the wine that we can't let it go
let it go.
the largest wound
in our hearts
where the past bullets
pierced our comforts
i want to heal it before i let it go, let it go.
i sauntered
through this discomforting pain;
climbing through —
the disagreements
betrayals, backbiting
debaucheries and raw selfishness —
minds who don't want to let it go, let it go
i enter the past
the way good poetry
entered the indolent
through its untied roads and
whispering potholes
with the hope
that not all nigerians are stupid
through this silent
tired, busy mouth
where the only poetry
is entering
you must broad
your search;
night is also an unemployed
graduate, wanting to let to go, let it go.
© umar yogiza jr
abuja, nigeria.
