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Azad Akkash Apr 2015
To Jody;
My five years old friend and nephew

I put down the telephone,
entering a nap of elation,
till the echo of your sweet utterance
On the back of expatriation's wind
Swims away, dims.
By then, medusas of melancholy with their thick sorrow
fill up my throat
and my heart
would blindfolded fall on the knees and
die down…

With good and bad big wolves
tracing lost children or stuffing shaking goat kids into their paunch.
With ravenous bears, malignant hyenas
and crude giants,
garrulous  gracious squirrels, laborious ants
and active voracious hares.
With them, the two of us
had upholstered the land and sky of the wonderland,
and with their voices and whoops all,
we had irritated the dreamland's walls.

No matter how many times
we were building the villages for stories of straw, furze sticks and bricks,
I would only visit your house of mattresses and pillows.

Only for you,
I did revived the dead wolf
in order to revenge the "predatory" lumberjack.
With no regret I kept sending "wolfy" to the roasted chicken's shop
to defeat the hunger,
So that he won't eat the trapped little girl.
And before your smile,
the wolf in walrus moustache would play with the girl till daddy comes and takes her home.

And you are …
popping out, never closing the wide eyes of yours,
waiting for grandpa to take us to the village.
Up from the houses' roofs,
with Qarmeetlak's1 rabbits,
beyond the barbwires and in secret,
we stick the tongues out to the Turkish barracks.
Along with goat kids,
in tracking smugglers' traces,
we fool the landmines,
sneak to the other side of the border.
With smiley faces and hidden bleats,
We ****** the poppies and the grass that grow out from the edges of spring and the craters.
We hide from smuggler's ghosts who
in the  labyrinths of landmines
because of the unclaimed hands and legs are grabbing the collars.
We taunt the jackals' yowling and the patrolmen.
And in front of the rumbling sky, we do our best to look prettier;
Isn't  it "God taking photos of us"?
And like coward puppies we flee and go back to the safe village,
just before the dusk's winds could carry our smell to the angry spirit of Salan2
who is scouring the Kurmanj's Mountain3,
pursuing his endless vengeances.

Till the break of day,
with your slim clever squirreliness,
out of the branches of the most interlocked sorrowful stories,
you were shaking the attached laughs and guffaws
on the  hair of the deceiver Ashrafieh and the grumpy Sheikh Maksood's4 night.
Eventually, in taking its revenge,
the night would stuff you in a small basket and throw you away into the waves of sleep and dream
accompanied with all that eager to see the giants' kingdom and the mice's storehouses,
squirrels' village, their dances and bridals,
the departure will lead you to the waterfalls' cliffs of a dreamy sparrow's new day.
With the beaming love out from our eyes,
you dry up your tousled feathers and
take into the open.

Nevertheless, how simple-hearted the lies were when I kept telling you:
"Dog is a dog, a wolf is a wolf and the kitty is a kitty, and what are we, my Jody?
We are humans!"

I didn't want you to know
how in the world, could a dozen of
rabid armed dogs
smash down the door
and out from your eleven months old eyes,
with a persistent thronged barking,
they did take your dad away to the deepest liars of the ranch of malevolence,
introducing him to all kinds of animality.

How might I explained to you
why in the world, they reduced 'dad' for you
to that thing which every month
from behind a doubled bars
keep sending you a tearful laugh?
Why did they minimized the ancient capital for you into
both of the Political Security Branch and Siednaya's Jail5?

Your fingers had just started taking to writing and drawing.
You had just started
cantering your own stories
along with unsaddled breezes' foals
when herds of jackals with dark mouths
deported 'your Azad' into a fool refuge.
Again,
they
made
you
an orphan.

Inside the brushwood of the story and the wilderness of the epic,
since neither your fingers have become able to rise the sign of victory correctly,
nor could your throat match the letters of 'Kurdistan' properly,
whatever cave you step in,
no matter how shiny is the globe in the witch's hands,
she would never be able to tell you,
these lacrimatory mist and clouds,
with the emerging of every spring,
from which valleys of the ranch of malevolence  
did they come to overflow the Kurdish neighborhoods.
How did they vilely with no permission go up to the third floor
in order to join you in a poisoned feverish soiree.
And since when
the creatures of darkness
that they had brought
have been grazing their hyenas
among our fresh hopes.


Hence…
when I tell you that
I'll come back with the snowfall,
it is nothing but a lie!
When you ask me to come back in summer
in order to hang on my back
and swim together
along with the little fishes,
such an imagination!
When you are not sleeping in my empty bed anymore
Intending to let my pillow and blanket await for
my return,
only a childish dream!!
Yet, when you
in the sweet and soft Afrini accent of yours
say to me
'Ozod, I mithed you thoo thoo thoo much',
my heart
would blindfolded fall on the knees and
die down…

Azad Ekkaş
Roni_alend@outlook.com
Erbil: 3-1-2011
1-The village that Jody's family decsends from. It is located on the very Syrian Turkish borders.
2-  A traditional hero of the region.
3- Kurds in Afrin district in the remote north western corner of Syria call their region the Kurmanj's Mountain
4- The two largest Kurdish neighborhoods in the Syrian city of Aleppo.
5- The largest political and militaty prison in Syria where Jody's father was imprisoned. It is located in namesake town near to the Damascus.
Harrison Apr 2017
My grandpa who eats steamed sweet potatoes on foothills textured in green rice patties
dreamt up a tall brick house with a black iron gate
barbwires sprung around the tips of the entrance to keep out thieves
right now he wonders how long he can keep fibbing to my mother—
their rotten hut at the end of the massive foothill, not fleeting
monsoons come early, swells the ground till it gave
a landslide takes four people and a child

that day, red stars hung above Tiananmen square gates
grounded bones came in sacks, white cement hauled by green skin trucks

My grandpa who loves sweet potatoes constructs an ivory wall.

after the revolution, the sun peeks out in montages
peering through the smoke
gunpowder stuck to the tank tire roads
black heads roll off yellow tar dirt into a pit
My grandpa gives his best friend one thousand yuan—
visas for my mother and grandma,
His best friend disappears,

writes my grandpa
an apology and, leaves him a large white sack of uncooked sweet potatoes

light tan, severs in half and plops down on the lumpy cutting board,
dusty orange inners, grandpa tosses them in the boiling water
and later, while gnawing down,
he pretends they are oranges for once

Grandpa, who’s kneeling on our dried front yard with a worn out copper pail
waters the salty earth slowly until it sprouts sugar canes
chops one down, breaks it in half, the sun beats
peering through palm leaves
a viridescent river of silk and pale honey
my small three year arms grab a hand full
sliced by grandpa into pieces neatly placed
in a blue flowered ceramic bowl
years later, I chop a stalk down and chew until
English becomes a second language again
and in my twenties, I grab a hand full
sliced my mom into pieces, places them in a weaved basket
made of reinforced bamboo
I put it in front of my grandpa’s grave
in Fujian on the foggy mountainside of a small retirement town.
The edge of the South China coast covered in a thick plastic smog,
I sit on a stone eating sweet cold potatoes with my grandpa facing outland,
a red kneeing sun, barely visible past the trees
Lendon Partain Mar 2014
Everything is ice. Everything is ice
The barbwires frozen and the ephedra vines are white

But the snow melts on my nose
And your hands are cold
And the kiss is over nothing left but the spit

The rings been worn
It hurts that the vegetables rotted in that cellar.
The gowns been starched and the freezer just tightens it

Onions ruined cabbage dead
Carrots putrid
And the vilest

You've ever seen
It looks like starry night

I followed you into the mesquite when the shinry oak calls my name. I'm dragged to the deep by my tongue when the thing I needs a brain

Cut into two hemispheres a naval orange into
A ****** mess of sticky stuff
Nourished by the juice

I should have froze you too
I should have froze in the ice lake
Then melted once the blizzards done but I've seemed to made a mistake.

Bleeding in the snow I clench my fist and chest
Wrenching all my guts last glory
Death falling on fleur de lis

You're my flower with withered petals cold dead blue.
Nausher Banaji Feb 2010
you catch it in your hand and watch it expire,barbwires in the sand, the blackness of fire,careful what you put in your head, the mirror said,it will stay with you forever, even after you're dead,you'll forget what you need to remember,but you'll remember what you need to forget-Nausher

— The End —