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Emma Oct 2016
It makes me go "Jesus Christ. Look at the view"
Middle of October, birthday,
Driving past Bantry bay
Treading boots on a carpet of brown
Leaves, the forest walk in Glengariff

I walk and wonder
Why the ivy leaves sprout from the mud  
Scattering green shapes on the ground
Spread across the floor like mushrooms

I see the thin branches hold a preschool painting
A trillion burning instances of colour
And nothing is human here, but you
I am only the moss that clings to the trees

Like a pointilist masterpiece
The apple-green and autumn yellow spots
Gather in canopies above the rocks
While the white streaks and dots
Dance wildly in the black stream

And so
The orangeness, as I turn, flies diagonally,
Looking down across the dampened stones
The colour of fire paints the falling petals
That flip like red feathers

As the stream flows clear as molten glass
And the foam, so dove white on the surface
Bubbles against the edge of it
Splashing boulders,
Rinsing toes
  Oct 2016 Emma
Bre Woeller
Society scoffs when a man
holds hands with a man. Shakes
their head at a                  woman kissing
another woman.                        For-fidelity to them
is between the                              opposite. When
it's between                                      love and love
Rainbows are                                        for the outcasts
of society. Yet                                                  for innocent
children Where                                                same genders
holds hands with                                                    out a problem
These colors                                                          represent a place
where a ***                                                                  of gold exists
  Oct 2016 Emma
Jonathan Witte
We counted seventeen that morning,
driving in circles around Greenbelt Park.
Biding time before preschool drop-off,
we moved in measured paces beneath
a verdant canopy of oak and Virginia pine,
crossing diminutive rivulets repeatedly,
revisiting the same downed tree limbs
and tired park signs, disappearing and
reappearing in mist, our languorous
revolutions seemingly interminable,
each lap lost behind our slipstream.

It was a game we played together,
my daughter and I, circumnavigating
that slight road and counting the deer.
We tallied the bucks, does, and fawns
in plain sight, either ignorant or bold.
Vigilant, we watched for minuscule
movements beyond the windshield,
subtle stirrings in the understory:
a foreleg caught in a confusion of ferns;
a white tail, brazen, above the blueberries
or hovering, a clump of cotton atop holly;
caramel eyes cupped in mountain laurel—
ephemeral proof, woodland intimations.

Most days, we saw nothing
but familiar creatures as we
circled, spinning our wheels.
If we parked on the shoulder,
the black ribbon of bitumen
seemed to move beneath us still,
a vinyl track playing under tires,
daughter and I locked in place—
two diamonds at the tip of a needle,
skipping across prosaic grooves.

But the morning of the seventeen!
The moon hung dilatory in the sky,
a winking crescent eye, opaline.
And with each loop, the number grew.

-------------------------------------

Two years later, I circle back,
my daughter and I walking
toward a black fishing pier,
gulls etching invisible lines
into an aquamarine sky.

I ask her if she remembers
those rides before preschool,
if she remembers the morning
we saw those seventeen deer.
We pause, waves washing
white sea foam over our feet.  
She looks beyond the breakers,
taking in the horizon’s hard line,
a crisp indigo seam that appears
to stitch the round world straight.
One hand rests on her bony hip;
the other grips a shell-filled pail.
She turns, sizing me up with the
cold skepticism of a six year old,
and shakes her head in disbelief.
She tells me I’ve got it all wrong:
It couldn’t have been that many.

I’m tempted to argue. Instead,
I ask her, why does that number
(seventeen!) seem too high.

She looks at me, incredulous.
What am I trying to prove?
She speaks in small measures,
makes herself perfectly clear:

We were driving
in circles, Daddy,
and the deer,
the deer,
they move.


At once the horizon bends,
azure arc in space and time;
gulls stall in midair, snapshots
above suspended breakers. Silence.
Suddenly I’m back in Greenbelt Park,
treading nimbly, veiled by ivy screens,
leaping broken dogwoods cantilevered
over precious shallow streams,
muscles, ears, and eyes electrified.
I see as the unseen eighteenth deer
would have seen us—two creatures
harnessed in a restless death machine,
recumbent gods marking territory.

Around again. Wait.
Another close orbit.
Scrutinize red taillights
fading to distance and
then explode, vaulting
across alien asphalt,
hard halo of misery:
unnumbered,
exalted,
infinite.
Emma Oct 2016
i love to count
the wintry things
two lips

the tundra glides
                past the slates
as, perched on wires, the crows wait
for their white coats
              to build

two covered boots
              walk the ice on the road
as the children and their bikes
stick out

distinctly red, half hidden in snow
the wet ice of the street
            two black tires

a trail of feet
i count five flakes
one cold face
one pink nose and two flushed cheeks
eight car hoods

mounds of snow piled up on each

snow,
            the snow falls
feathering down to the ground
            through the cold
settling down on woolly clothes

my tongue stuck out to catch the snow
landing, thawing, melted down

condensed. five, six, seven, eight,
thousands, millions
          an infinite
blizzard
        of snowy
children
dancing, muddy footprints

orange gloves on numbing digits

hot chocolate inside
snugly

both palms
around
        like a lighter's
flame
in a cold home

and the birds' wings clap
as they fly
from the branches
in the frozen
      barren
fields
Emma Oct 2016
glowing moon
shining bright
behind the oaks

beaming white
within the leaves
the swaying

and rustling
the winter night
the thick clouds

grey like a fog on the stars
my red cheeks
black shoes on my feet

earth's ear
pressed
to my heart

exhaling
my lungs
my ears

listen
the air flows through
each hole in my soul

the verdant leaves
bask and glisten
in the light

i hear
a whispered tune
connect my mind

to my heart,
a reason
to my soul
I keep changing this poem. AHHHHH
Emma Oct 2016
My thoughts are poisoned
I can't relax, I can't rest
Nothing makes me sad

Or happy, I try
I can't relax, I need rest
I need to fix this
Nothing makes me happy or sad or feel anything. I write poems that I don't feel any passion for and then delete them. I can never relax. I'm not looking forward to anything in the future. I need to change my life, I need to take a break from everything.
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