Chop, chop, chop. The marionette slumps, and I’m left holding the blade, sticky with the residue of years. Family? A loose construct. A rotting scaffolding propped up by shared scars and the thinnest thread of blood. They weren’t people—they were collectors. Hoarders of anger, archivists of hurt. They fed on it, bled for it, distilled it into a toxin they called love. I drank it until my veins swelled, until the comatose hum was the only sound I knew.
Their lies were iron bars, their truths blunt objects. They didn’t whisper—they shouted, fists slamming bets on the underdog. "He’ll crack," they said, "too small, too soft." They didn’t count on the dog biting back, didn’t see the will buried beneath the scars.
And the scars—purple, thick, obscene. Skin turned leather under fire. A graft job, patched together with pain and necessity. They thought they’d burned me to ash, but ash has its uses. It fertilizes. It grows things.
Now I’m moving forward, past their circus of anger and blood, past the puppeteer’s stage. The road hums under me, neon signs flashing promises that aren’t real, but maybe they don’t have to be. The truth? There isn’t one. Just will. Just the drive toward some distant point of light. Peace isn’t handed out. You take it. You keep it. And maybe, just maybe, it keeps you too.