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Promises of respite
from sallowed ashes,

adorned with feathers
from a thousand culled doves.

Haplessly wishing that freedom
comes soon.

A hope ensnared
in the clench
of crimson-stained gloves.
~
Time is a dark feeling
—the spell of a vanishing loveliness;
in the present mist
the imperatives in the wind
move less and less.

Haul away the anchor,
this is not a safe place.

Between insufficient coasts
—a land of look behind—
science is dead,
pessimism in the remaining oar,
and flies in the eyes of the Queen.
Their graves decorate the spine
on the east bank
they call Euthanasia,
each crucifix made of plasticine.

There's a discursive quality to the sea,
I can see the pearl fishermen,
the empty dancehall,
victims of latitude and eclipse.

I can see the tattered sleeves
of Edmund Fitzgerald and the pockets
of emptiness inside,
hoping to quell the hunger
of the cruelest month.

I can see an underwater country,
colonized by the unborn children
of pregnant African women
thrown off of slave ships
during the Middle Passage.

I can see myself sinking;
farewell my sorrow,
keeping precarious time
against a backdrop
of silence less and less;
its final sound being
that of seagulls
flying away into the distance
—a force of nature that’s
both solemn and inspirational
in equal parts.

~
you, yes, you
I need you to feel
more alive
and that's the end
the beginning of
any metaphor
I care not about the words
spoken
Nor the one's laid down on page
I long ago got over myself
and the antics of my rage
They seem to be valueless
in the scrapped scope of paradise
I will take the offer given
and let the advice suffice
Poets don't live in mansions
Nor on rheams , nor texts or screens
They occupy the inner works of imaginations and all that it will bring
People don't pay for poets
nor feed their desperate ego
They just steal a line or perhaps a quote just to prove that they must know
At least songs have a memory with words dripping in notes for coats
So much easier to swallow
Not like the paper that chokes
So next time you say heh listen
I'll turn my head and flee
For it must be another attack of killer poetry
some people are already dead
and don't feel the magic
of moonlight and a car and a 6 pack
music on the radio
and an arm around someone
you think you love
and sometimes when the moon is full
I can hear your footsteps
coming down the back porch steps
of your house
and the memories of you
come running to that moment
when our hearts were young
and if I am attentive
to these echoes from my heart
I can hold you in my arms
for the briefest of moments
I woke up at angles with you
---a parallelogram, opposite but equal,
my thoughts in constant rotating view
---a diagram, showing us where
our homes are laid to rest,
where streets became dead spiders
caught in their own webs.

If we are in transit via tunnel,
aqueduct, or escalator,
it might be cinema.

If we lose atlas in the worship of light,
it might be cinema.

But I can't find you here;
here, where they used to build ships
from sand and steam
and science fiction;
where they used to design
buildings so as to create
a dissonant and mournful
whistling sound when wind
blew through them
---ostentatious things;
dead people’s things.

Through walls and underneath concrete, dug so deeply
into the wide plains
and withered, gnarled tree roots
of an agonizer's conurbation,
is a space halfway to the zenith,
charting the prescribed power
of in-betweenness.

Never again will we draw meaning from
our proximity to one another.
The long draw of contemplation
The slow sweep of realization
The full bodied exhaultation
of life as it is

Oh sweep me away beyond
the fettered ways attached to the feathers of escape

Let free the chords of dissapation that baffle the binds of imagination

Come the vibrations that penetrate the soul of the eternal ear creating cravings that are simply insatiable

Cello !
your touch a bet with intensity
unfathomable
my eyes turned into seeds like
energy turns into matter
the pain and pleasure of words
who cares who is one with whom
Silver Beach: Always the Sole First

familiar white fishing boat, up with early light,
seeking sustenance and pleasure in = measure,
anchored ‘bout quarter mile east of my under-the-coverlet,
(of course! as the crow, raven or scavenging osprey flies),
it’s precise location amazingly exact, but alas, soon daily
familiarity breeds no secrecy, and now joined by a
farther out, smaller version, a compatriot in spotitude,
of the best spots for harvesting the early running
brackish bay water favorites, striped or black sea bass

what persistent fortitude these fisher-peoples display,
early to rise, first to depart, when others crowd its “spot,”
(amazed by its knowing precision the exactitude of “spot”)
this ship, always the sole-first, invokes a first poem of the day,
always a soul-first, an unburdening of deepest gratitude that
one more day granted me to imbibe this vista, awake to its
soothing silent heavenly serenity, absent machine or
electronic interference with my delicate sleepy wakefulness,
when newly minted words come into my mind, my
secret spot



Sat AM June 3
<>

”To dream by the oak and awake by the sea
when August has ripened and turned Jubilee
you must enter dominion of summer's delight
and live in the rapture of candescent light

Oh to live and to love one must first learn to kiss,  
the kinetics of summer, with eternal bliss.”


~from vienna bombardieri’s poem, “Kinetics Of Summer~
(with her kind permission)

<>

First verse pinpoints accurate, this,
my spot!
by oak and sea,
my precise longitude and latitude, where my summertime
eyes open to receive the gift of morning’s light, observing
the conjunction of land, hard by the sea, the land-ed avian gentry
and sea~sailor birds interacting, sharing the uprising currents,
for sport and observation, travel and pleasured sailing,
these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and
my shock,

at these, her words
my breathing is gasped and grasped
by oak and sea, for so it be,
this is where
my morning’s operatic scrum, ballet and dance hall hullabaloo,
my diurnal natural choreography is performed,
while slow sipping my very heated first coffee

it was here
that I learned to love more easily,
for the kinetics of summers trio of sun, sky, and moderate breezes,
lulled the turbulence of my disheartened lives into an easier
order, the world~surround, a living, breathing exercise that
warmed the spirit, cooled the soul, and spoke without uttering
a single word,
here dear person, is the where and the when,
the comfort of the natural-blanket
that enwraps, covers, cherishes the atmosphere entire,
containing the healing elixirs and protective ointments,
that remove the
plaque of life’s accumulated injuries, slights and scar tissue

simply put,
here I breath freely,
here I see with clarity
here the infusions of
living in nature, prolongs,
restore, remind, enliven
and enhances,
the intermixture of
body and soul

here in actual deed,
the kiss of summer bliss
upon
my tiring cell’s walls,
are resurrected even unto the nuclei,
by the warm breath of sun life and sun light,
and the breezes of salty sweet caramel air
and under their loving, combined-dominion
am I
resurrected and will yet sense,
one more Jubilee again
as I lay dreaming
by the oak and the sea…
great appreciation to Vienna B. for the beautiful poem she wrote,
and thanks for the inspiration!
Always be dreaming!
W.S.
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