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i love poetry
unto
death or till
the watch
stops ticking

which ever comes

last.
city of flips Jun 2020
our hips fit,
our hands entwine,
fingers unlockable,
laughing twogether,
“mighty fine”
she’s wearing the Levi’s,
I’m wearing the Strauss,
and it looks like we
been stitched together

her hand slides
easy in,
to my back pocket,
smiling
she announces,
we like, fit,
like a wedding announcement,
we fit like,
like an old country song

we see a movie
with our crew,
lights go up,
everybody loved it,
she secretly, her nose
wrinkly wrinkles,
one too long car chase,
my eyes are grinning
from corner to corner,
knowing she’s knowing
i’m all in, full in her
with agreement total

they took us to a tailor,
suits we required,
made to measure,
fit as perfect, as
perfect we be, as
perfect as we were,
matching customized,
white shirts, black tie,
shiny black shoes,
for matching caskets,
everyone saying
we just fit together,
even now,
crying ‘so long,’
for so long,
see you guys
so soon,
you two
fit,
like an old country song, one that everyone knows, all the words.
  May 2020 city of flips
Marshal Gebbie
Serpentine of hard green sheen
Born in hydrothermal’s spleen
Where pressured, metamorphosed plate,
Converged at boundaries’ Vulcan gate
To lay in tumbled disarray
Where octopi and dolphin play.

From olivine and pyroxene
Derived the crystal serpentine
Through Hellfires’ metamorphic fate
Now crystalized to Greenstone state.

There lying in the golden light
Of mountain stream in tumbled sight
Refracting in the morning sun
That glint of green since time begun.

M.
That glint of green, a jade boulder
in the tumbling mirth of a plummeting
mountain stream in New Zealands'
wild Southwest.
Jacksons Bay
Fiordland National Park
June 2017
A explanation delivered to Karinnjinba of the meaning of this poem.

Convergent plate tectonics cause subterranean layers of mineralization to be exposed in the process of mountain formation.
This poem is a celebration of the formation of greenstone through its transitions from from serpentine a glassy green layer situated twixt the continental plate and the mohorovic discontinuity...through exposure to intense heat from nearby magma intrusion and the incredible pressure applied in its upward ****** to the light. The transfer through crystalization, in the heating and cooling of the rock through its passage to its discovery as a water worn boulder in an alpine stream...Greenstone or Jade or Pounamu as the Maori call it....A magnificent, translucent, glassy green rock carved and valued, historically by the maori as cultural taonga and weaponry and valued worldwide as a classic gemstone of metamorphic origin.
M.
city of flips Apr 2020
~for John Prine~

she’s eye closed, playing sleepy possum,
so I stealthy stroke her cheek, she, all smiling,
then I nose tickle my sweet-love, now frowning,
till I cease and desist, go back to stroking,
then I’m her good loving man once again

tune comes in my head from out of left field,
start to tap the beat, pic my guitar strings, roaming
all over her smooth features, now she’s all aroused,
cause she knows what I’m about and this strumming,  
why that ain’t allowed, so she knocks my fingers away

later, sneak into the kitchen, she’s fussin’ - could be,
cleaning, could be cooking, but soon she ain’t moving,
cause she’s just listening to the new tune first played
earlier that morn, on her features born, a love song,
calling that song “Playing with My Love’s Face”

now she’s grabbing the biggest knife I ever seen,
waving it to and too close to fro, in my direction general,
waving it like a baton, conducting my song, singing along,
making up her own lyrics, whole stanzas, now it’s her song,
****, if that ain’t “the way the world goes round”
city of flips Feb 2020
all these I see, in realized eyes and whimsical musings,
in perfect silence, for the Sunday city morning
is worshiping the coming day in a church like silence,
where each patron fills in the empty sounds
with hymns of their own making...by moving their lips
in fervent unspokeness
city of flips Nov 2019
I’ve Got A Guilty Heart and a Texas Troubled mind*


looks as if I’ve won the losing lovers lottery twice,
had me the bonus number, now my silver buckle,
getting an overdue shine-up, my heads getting full
of regret and wondering, so my Daddy’s Stetson 6.75 size
nowadays, fit real tighter over my piled-up cowgirl braids

got excuses plenty, none worth sharing, none,
that’ll change nothing, two hearts continental drifting,
and with all the lyrics I write, got not a one about
how we let each other get away, the jukebox playing
Dixie Chicks “Cowboy Take Me Away”

think I’ll cover it in my next set, he will be sad down in Brownsville,
me, be traveling-singing in a dive bar up near Amarillo, no body
will be sad for me, no cowbodys posting no videos, no telling then,
but I’ll chance it, he will never know, cause I don’t want to
make him swollen sadder than he be already

somebody says god made country songs so sad so the world
could knowing-nod, been there, done that, in case company
might make you feel better, but it don’t till I right the wrong,
till I write the lyric that won’t explain much, but me, taking
the rightful blame, living with a guilty heart & troubled heart

me, way up north, but not so far away, still in Texas that’s for sure,
for the heart has a range finder that knows the GPS  of where he be,
and the exact distance between us...






—-

I've got a guilty heart
And a troubled mind
No matter where I go
You're never far behind
I'd like to think
That you've forgiven me
But forgiveness ain't enough
To wash my conscience clean”*

lyric from “Not Cause I Wanted To” by Al Anderson / Bonnie Bishop
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