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Terry Collett Jul 2012
The child looked
From parent
To parent,
Took in the
Raised voices,
The angered

Features, the
Long pointing
Fingers now
Jabbing the
Air, the way
She was so

Overlooked,
Not really
There, some small
Entity
Standing by
The back door,

Wondering
If the peace
Would ever
Come or if
Like the day
Before it

Went on for
Ever more.
She lifted
A hand, gave
A pleading
Gaze, murmured

A small phrase,
Wishing it
Would end and
Be peaceful
Like former
Happy days.
Terry Collett Jun 2014
I woke from sleep
and found that you were here
for me to hold and keep

and not gone to death's hold
as I had thought before
and you would be coming

through that front door
and wander the rooms
to look for food

like some hungry bear
with that large eyed stare
and friendly smile

and gentle manner
to enquire what was to eat?
or what's for dinner?

but then I woke once more
and things were
as they were before

the dream had lied
you are gone
you have died.
A FATHER TALKS TO HIS DEAD SON.
Terry Collett Apr 2013
Her husband failed
to give her this, this
embrace, this kiss.
Her lover, this other

woman, this one whom
she could explore, wrap
herself in, tongue, lick,
smell, was suddenly

revealed to her, at a party
of her husband’s, some
big do, some work related,
job promotion hogwash.

She almost dissolves in
this female warmth, this
female smell, this soft
flesh thing she has known,

yet misunderstood for so
long. Her husband’s ******
predatorial ways are over,
he can go find some other,

go to some girl at the office,
some **** he secretly (so he
thought) had bought. She
feels born again, as if erupted

from the womb a second
time, mouthed a fresh cry,
suckled at new ******* and
likewise the other hers, too.  

What would people say has
long since ceased to matter,
love’s intensity blows out
candles of such, puts far from

reach the narrow minded tongues,
the moralistic finger pointers.
They sleep together, eyes closed,
bodies wrapped about each the

other, dreams take on a new edge,
other shades and tones, nothing
of the old life, just this woman to
woman thing and loving moans.
Terry Collett May 2012
A woman with a tattoo
over the top of her *******

above her red dress got
on the uptown bus and

sat down. Henry tried not
to look, he couldn’t make

out the words that mingled
with the coloured flowers

tattooed there, looked away,
followed for a short while

the goings on in the passing
street, then turned again

and gazed surreptiously as
if he’d not intended to stare

or find once seen, but still
the words were lost in the

flowers’ hold. The woman
thumbed her cell phone,

messaging a text, while he,
giving a sidelong gaze, tried

to solve the puzzle of the
words and meaning that

she wanted to convey by
placing the tattoo there,

but no matter how hard
he looked or turned his head,

no sense was made, just
a puzzled aging brain instead.

She crossed her legs, a little
more thigh was shown, her

suntanned flesh too much
for eyes of Henry’s age, he

turned away, carrying the images
seen to sup upon another day.
Terry Collett Apr 2014
We talked about the dance,
she said. Is that all? Yes,
well she did mention that
her man was late home

from work sometimes
and she misses him
before she has to leave
for the dance show,

but that's all. I see,
Fred said. Nellie looked
at him, brushed her hair.
Her dancing is faltering,

Nellie said. As if she
had other things on her
mind. What other things?
he asked. How do I know?

She didn't say. Unless she
thinks her man is cheating
on her? Do you think he is?
Fred said. He's the type who

would, Nellie said. What's
the type who would? I don't
know, but you can tell, there's
something about him gives

me the creeps. Women's
intuition? he said. You could
say that, she said. How comes
she doesn't have that intuition,

too? Fred said. She's in love with
him, love blinds, she said.
What are you dancing, tonight?
he asked. Swam Lake, she said.

She finished brushing her hair
and poured him a scotch and ice
and prepared to leave. He watched
her as she put on her coat, her

fingers buttoning up, her eyes
watching her hands in action,
her tongue poking over her
lower lip.  He lifted his glass

of scotch, studied her ankles,
and had a long slow sip.
A BALLET DANCER AND HER MAN.
Terry Collett Dec 2014
Soft toffee
in wrappers
in a bag
in my hand

just take one

Ingrid looks
at the bag
then at me

they are yours

I can share
no problem
I tell her

she takes one
and untwists
the wrapper
on the sweet
takes it out
and eats it

I watch her
her slightly
protruding
teeth bite through
soft toffee
quite easy

I eat mine
put the bag
of toffees
in my coat

my uncle
gives me sweets
she tells me
if I’m good
and do things

I study
her brown hair
pinned with grips
her brown eyes
looking sad

do what things?
I ask her

she looks down
at her shoes

I can't say
Uncle says
it's secret
between us

the uncle
visits her
at weekends
her old man's
big brother

gormless ***
Jimmy says
who's seen him
in the Square

why secret?
I inquire

cross my heart
hope to die
she replies

wonder why?
AN 8 YEAR OLD BOY AND GIRL IN LONDON IN 1950S
Terry Collett Oct 2014
She won't be long
Milka's mother said
she's just having a bath

I sat in the kitchen
of the farmhouse
a mug of tea
in front of me

that's OK no rush
I said
the film doesn't start  
yet a while

what are you seeing?

an Elvis film
I said

O I see
in my day
it was Robert Taylor
or Robert Mitchum
she said smiling
not that I went often
but now and then

she turned around
at the sink
and started peeling potatoes

I looked at photographs
on the shelves
one of the my mates
Milka's brothers
another of Milka
in a school uniform
frowning

Milka's mother was talking
about something
but I was thinking
of Milka
how she and I
made love at my place
when my parents
were out
the other week

now she was upstairs
in the bath
and I was downstairs
listening to her mother talking

you know Benny
she said
I trust you with Milka
she's a bit high spirited

but you are a good boy
I know you will keep her
on the straight and narrow
despite Elvis
she turned
and gazed at me

I put on
my butter wouldn't melt face
and sipped my tea

yes
I said
you can put
your trust in me
I won't let you down

I gazed at the photo
of Milka
with the deep frown.
A BOY AND HIS GIRLFRIEND'S MOTHER IN 1964.
Terry Collett May 2015
What's arsenic?
Lydia asked

she broke the word down
into two components
making it sound  
a bit rude

it's a poison I think
I said

POISON?
she said loudly

we were walking up
Meadow Row
it was Saturday morning
and we were
on our way
to Saturday matinee

why?
I asked
looking at her sideways
taking in her lank hair
and thin frame

my mum said this morning
that she'd put arsenic
in my dad's tea
and poison can **** you
can't it?

can do yes
I said

and where does
she get it from?
Lydia asked

don't know
chemist I expect
it's a sort of chemical thing
I said

what if she gets me
to buy it
will I be arrested
for helping Mum
poison Dad?
will I hang
if I'm found guilty?
she said in desperation

we crossed the bomb site
off Meadow Row
over rough bricks
and rubble

I think she was kidding
just saying it
I said

she sounded serious to me
Lydia said

why'd she say it?
I asked

my dad came home
drunk again last night
singing at the top
of his voice
in the Square
I'll walk you home
again Kathleen
and  Mum was none
too pleased

I see
I said
looking at her
as we walked
the faded flower dress
she wore had seen
better days
and the cardigan
of off white
had only two buttons
I don't think
you can buy
arsenic that easy
these days
and they wouldn't sell it
to a nine year old girl
I said

they wouldn't?
she said

no not these days

but what if Mum buys it
and kills my dad?

she won't
she loves your old man
too much
I said

I don't think she does
Lydia said
not this morning any way

we walked across
the crossing and along
the New Kent Road

if she does
I said
and your old lady hangs
then I'm sure
my mum will adopt you
as my sister

Lydia looked at me seriously
I don't want
to be your sister
she said
I want to marry you
when we're older
and I can't marry
my brother can I?  

I looked ahead
as we approached
the ABC cinema
I guess not
I said

the thought hadn't entered  
my little boy's head.
A BOY AND GIRL IN LONDON IN 1958.
Terry Collett May 2014
Words-
yours, the last ones,
the ones I try to recapture,
illusive now, my son,
just out of reach
of memory's touch.

Words-
not famous ones,
not of depth or
philosophical
or world changing,
but yours,
last breath spoken,
before I left,
exchanging of words,
out there still
in the atmosphere
ghostly, haunting,
yours, my son,
the final words,
what the last one?

Words-
fragmented now,
my brain searches
through the corridor
of cells, seeking
in the drawers marked
forgotten, the last words,
yours, my son:
what was
the final one?
A FATHER TALKS TO HIS DEAD SON.
Terry Collett Oct 2013
Mrs O’Brien stood
at the office hatch
of the factory
as Naaman approached

he stood there
gazing at her
how long
were you on that job?

she asked
about 6 inches
he said
looking at her

standing there
with dyed brown hair
and glasses
making her eyes

look larger
seriously I mean
in time how long?
she said

about 2 hours
he replied
about?
she said

I need accurate time
I am doing a time
and motion study
he looked at her

non plus
1 hour and 45 minutes
and 45 seconds
he said

trying to see himself
in the glass
of her spectacles
trying to gauge

how old she was
seeing the crowfeet
at the corner
of her eyes

she sighed
accurately?
yes
he said

she looked at him
as if he were her son
and had spoken
out of turn

any problems
Mrs O'Brien?
the manager asked
no Mr Nede

she said
giving Naaman the eye
just a bit of confusion
with Naaman here

about timing
she said
it was how long
Naaman?

Naaman took out
a piece of paper
from the pocket
of his jeans

and handed it to her
she read it
and scribbled it down
in a notebook

thank you Naaman
she said
giving the look
of a mother at a child

who had been punished
anything at any time
Naaman said
winking an eye

she looked at him frowning
as if a small window
had opened in her mind
and let in light

she walked away
from the hatch
carrying the notebook
and Naaman watched her

studying her
swaying behind
the patterned skirt
the dark brown stockings

the high heeled shoes
she sat at her desk
and saw him
still there at the hatch

anything else Naaman?
she asked
if you like
he said quietly

what is it
I can do for you?
pleasure
he said

and walked off
along the factory floor
between noisy machines
and the other workers

wondering how well
she'd pleasure
if at all or
even if he'd

want to
and switched on
his machine again
with more work to do.
Set in a factory in 1968.
Terry Collett Oct 2014
Miss Pinkie
pours me scotch
in a glass

any ice?

no thank you
I slip slow
allowing
to swirl round
my twenty six
year old mouth

she sits down
beside me

she wears that
polka dot
red short dress
and the blue
cardigan
her dyed brown
cropped hair style

want music?

got Mahler?

yes of course
she gets up
and puts on
a Mahler
symphony
on her old
gramophone

as she bends
I spy red
underwear
unattached
to the light
brown stockings

she comes back
and sits down
Mahler starts
lights are low

can I smoke?

sure you can
she replies

I light up
so does she

how is she?
she asks me

who is that?

the slim girl
at the home
pretty thing
all brains but
no knockers
Miss Pinkie
says softly

we just talk
I reply

about what?

poetry
modern art
politics

is that all?

yes that's all

she inhales
and stares cool
exhaling

any ***?

of course not
not with her

why not her?

I don't know

we're silent
Mahler plays
we smoke on
sip whiskies

I study
her two chins
her blue eyes
her thick thighs

the last time
we had ***
she mutters
it was good
on the couch
till you fell
to the floor
half way through

she was right
'bout that night

MAN LIFEBOATS
MAN OVERBOARD
she shouts out
too loudly

she stubs out
the wasted
cigarette
so do I

how about
my big bed?
she asks me

if you like
I reply
thinking of
the slim girl
with the brains
and hot ***
in the back
of her car

that image
in my head
as we walk
to her bed
her plump ****
swaying slow
to Mahler
the moonlight
in the sky

this is how
the world ends
no big bang
just a long
drawn out sigh.
A YOUNG MAN AND OLDER WOMAN AND *** IN 1974.
Terry Collett Jun 2014
And would that be it?
would that be how
it was with him?

And to think
it was as if
nothing was wrong

and that maybe
there would be
another day
to follow

and he'd
be there still
and rain would fall
and clear
and the sun
would come out
and shine
as it often did

and the people
on the ward
would be kinder
to each other
or not
as the case turned out

but I thought things
would be fine
and that he'd be
there all

sitting upright
and happy
and that I'd
bring him home

but it was not
that way at all
he sat there
kind of hunched over
catching his breath
puffed and bluey dark

and I asked
the questions
he said
and seemed so calm
and not uptight

as if it was
always like this
the hands and arms
the skin
the eyes looking
but not doing so

and looking back
there was lingering
unknown to us
over his shoulder maybe
pushing out
his breath
silently
that sinister
unseen
slippery death.
ON THE DEATH OF A SON AGED 29 IN HOSPITAL.
Terry Collett Jan 2015
I would wish
you here,

here as you were;
the eyes large

and deep
as oceans.

I would
have you

to hold,
back from

the dead,
not some place else,

but here instead.
I would

that you would
speak again,

soft, deep
and with that

hint of joy,
my lost son,

my grown man -
boy.
A FATHER TALKS TO HIS DEAD SON.
Terry Collett Feb 2013
What day is it?
Miss Ashdown asked
waddling up the aisle

you looked at the board
taking the chalk marks
the hand script she'd made
then she said

Benedict
write it on the board
you looked at her
standing with arms crossed

so you walked blushing
to the blackboard
and chalked up January 25th
is that it?

she said
but what day is it?
what feast day?
you stared at the numbers

and letters
I don't know
you said
going bright red

the room narrowing
to her standing in the aisle
her arms crossed over
her large *******

like piglets
under a blanket
at rest
sit down boy

anyone else
have any idea?
Monday?
a girl suggested

no you fool
Miss Ashdown said
it's the Conversion of St Paul
the girl put down her hand

and bit her lip
and stared at you
as you went by
her eyes were watery

like one about to cry
and you sat down
studying Helen's
bright red ribbons

holding
her plaits of hair
as she sat in front
of your desk

that tiny
patch of skin
showing above
the collar of her dress

between where
her hair almost met
then raised your eyes
to the blackboard

where the Conversion
of St Paul
in large script
was set.
Terry Collett Mar 2013
Xenia has never felt so low,
Xenia has bathed and scrubbed,
but still feels unclean.

She wants him unsexed
from her body
his kisses removed
from lips and skin,
and those places within.

She wants to wash him away,
watch all aspects of him ,
drain down the plughole
with a big slurp,
feel her flesh tingle
with cleanness,
but she still senses him there
on skin, in hair, in her memory,
he’s still there.

Xenia wants
to unkiss his kisses,
untouch his touches,
his caresses. She sits and broods,
thinks of past times,
of him and those days,
those deeds done.

Xenia wants to be reborn,
be as new, be unaware
he existed or exists,
how long and big
her want to happen
and not lists.

She recalls
his blows, his punches
to out of the way places
(he never hits faces)
his cruel torments,
foul words,
poking finger,
poke poke poke,
the endless
taunting joke.

She feels so unclean,
so tainted, so used,
so undone.

There’s a bird singing
from outside her window,
a church bell rings,
from next door
a baby cries.

She closes her eyes,
something within her
hunches up and dies.
Terry Collett May 2014
Yaakova said the caravan
we slept in
was too crowded.

It was Belgium
on the outskirts
of Zeebrugge,
some base camp,
no tents
arrived for us.

Couldn't move legs
without touching others,
she said.

I'd seen her in the night;
I had slept on the floor,
near the door, draft,
chill, legs stiff.

Frightened I kick
some one in my sleep,
she said.

We were in
the base camp café
eating breakfast
and drinking cokes.

No tents, why is that?
She asked.

**** up, somewhere,
I said.

What is the **** up,
as you say?
She said.

Poor planning
and execution of plans,
I said.

Execution?
She said,
my father he talked
about executions
in old days.

He said his uncle executed
in Stalin's time.

I lit a cigarette
and inhaled.

I didn't mean
that kind of execution,
I said,
I meant the carrying out
of plans made.

I like to sleep
with more room,
she said,
at home I sleep
in big bed.

I can imagine,
I said.

I could.
Even what type of bed
it was and what
colour sheets
she'd have and covers.

She ate her bacon and eggs;
I sipped my coke.

How you imagine
my big bed?
She asked,
you not see
my big bed.

Imagination,
I said,
I can picture it.

She looked at me
with her big brown eyes.

You think of me?

No, your bed,
I said.

Although I could imagine her
in her bed
all laid out there
arms spread wide,
legs too,
but I didn't
tell her that,
I just sipped
the coke
and inhaled
my cigarette.

She talked of her home,
her family,
but she lying there
in her bed,
that image,
I couldn't forget.
BOY AND GIRL IN BELGIUM BASE CAMP IN 1974.
Terry Collett Apr 2014
Yehudit stood
by the window
of the bedroom
looking out

at the garden below
Baruch  lay
on the bed
taking in

her figure
standing there
after having
made love

in his bed
I like your apple orchard
she said
the blossom

makes it
so beautiful
not as beautiful
as you

he said
taking in
her nakedness
the sunlight touching

her profile
she smiled
the blossom
is more beautiful

than I am
she said
come back to bed
he said

she turned
and walked back
to the bed
and lay beside him

I’ll have to go soon
she said
your mother
will be returning

from her work soon
he watched her eyes
the flush
about her skin

I know
he said
guess we best
get dressed

and I’ll walk you
back home
she kissed him
and he caressed her

and she ran a hand
along his thigh
shame we have to go
she said

he kissed her
and said
can't risk being here
when Mother returns

or she'll put
2 +2 and come up
with 5
Yehudit sighed

and moved off
the bed
and began to dress
into her underclothes

and orange flower
patterned dress
he got up
and began to get dressed

looking at her nakedness
disappear into clothes
the memory
of their love making

fresh in his mind
her apple scent
her body supple
her peasant look

her simplicity
the kissing
the holding
the bodies interacting

ready?
he asked
she nodded
and they went down

the stairs
and out the back door
and along the path
by the apple orchard

and out the back gate
into the woods
there was birdsong
and a warm air

and smell of the farm  
beyond the woods
back to work tomorrow
she said

my half day
spent making love
they kissed
and he walked her

through the woods
to her house
along the small road
at the edge of the field

by the farmed land
he holding her
peasant
warm hand.
A BOY AND GIRL AFTER *** IN 1963.
Terry Collett Sep 2014
Yehudit walked away
from the bus stop

she'd seen Benny off
it had been more
than she had thought
and she felt unbalanced
all of a sudden

she walked along
the country lane
the  moon shone
her a path
through the darkness
the hedgerows high

the bus would have gone
by now
and Benny aboard
and gone now
after the years
of being close

and now
there was another
and she paused
looking at the moon
listening to the night
feeling an ending
like a cliff edge
a sense of falling

she looked back
at the road way
the lights of the bus
moved over
the horizon of darkness

she remembered the first kiss
that Christmas years before
the meetings
the kisses
the holding and embraces
the ***

yes the ***
and she clutched
at the darkness
and ran her fingers
through the darkness

the bus had gone
and she was there
and he had gone
and another had come
and taken his place
and new love
and new sense
of touch and hold

she moved on
hugging herself
against the winter cold.
A BOY AND GIRL AND A LOVE LOST IN 1965.
Terry Collett Aug 2012
History is bunk some one said.
History is an interpretation of
the past said another. Yesterday
is a lost land to Mother. Her half

blind eyes scan him and she says
who are you? He informs her,
but she is none the wiser. She just
smiles and looks away. Maybe she’ll

remember him another day.
Nine months she carried him
within her womb. Her first born
whom she tended, fed and bred

and suckled, whom she nearly lost,
but saved and thought of in her
unclouded days. Dribble hangs
about her lips. Her words come

jumbled as if she pulled them
randomly from a box without
knowing or looking. Some days
they make sense; others, not.

Years ago she’d talk of art or
music or how to behave in a
certain way with a ladylike
manner in her stance or walk.

Now she sits most days in her
special chair. Her blue white eyes
in vacant stare. But he loves her
none the less. Still gives her

the honour due, gazes into
her eyes. Thinking that somewhere
within or beyond his Mother lies.
Terry Collett Sep 2014
Yiska slides
a knife blade
across her

soft pink palm
a thin line
of blood comes

seeping out
she watches
the blood seeps

down her arm
I watch her
and the knife

but am too
drugged up to
be alarmed

whose's the knife?
I ask her
thin red lines

move downward
I stole it
from the tray

supper time
while the nurse
was busy

with the pills
she tells me
want the knife?

not just now
too drugged up
I tell her

blood drips down
to the floor
pitter pat

Yiska no
a nurse calls
from the door

of the room
put it down
Yiska stares

at the nurse
then at me
up to you

I mutter
the nurse stares
anxiously

another nurse
comes along
don't Yiska

the nurse says
place down please
Yiska sighs

long and deep
then hands me
the handle

of the knife
I give it
to the nurse

the fat nurse
takes Yiska
by the arm

to a room
at the side
marked in red

MEDICAL
they go in
the door shuts

I stand there
while the nurse
the thin one

cleans the floor
of the blood
I study

the knife blade
Yiska's blood
settled there

best be off
the nurse says
how'd she get

the **** knife?
I am dumb
with the words

pack them off
in my head
as I walk

to gaze out
the window
at the fields

and tall trees
white with snow.
YOUNG MAN AND WOMAN IN LOCKED WARD OF PSYCHAITRIC HOSPITAL IN 1971.
Terry Collett Aug 2014
Yiska wants to slit wrists

to shove handfuls of pills
down her throat

leap from the ledge
of the ward window

bang her head
against the door frame
until her head bleeds

I am not shocked
I have an underlining
admiration
of her dedication
to death of some sort

don't suppose
you have a razor blade?
she asks

no they don't allow
those in here  
I say
we have to use
the well used
electric one

she walks across
from window to the door
of the locked ward
I walk beside her

I'd mouth pills
if I could get any
she says

locked up
I add

she pauses
I could try hang myself
from the pipe in the bog
like you did
she says

but all cords or belts
are now confiscated
once in here
and the nurses watch you
like hawks

some look like hawks
she says

I notice her anxiety
it sits in her
like a possession
like a demon
has taken over her

don't the pills
they give work?

no
she says walking again
twice you tried that
she says
hanging in bogs
what is the thing
about bog hanging?

I don't know
the solitude of the place
no one there with you

I was just lucky
that old boy noticed
and called the nurse

lucky?
Yiska says

well that time
else I wouldn't be here
talking to you

or the second time attempt
she says

we stop by the window
and stare out
at the snow on the fields
and trees

kind of pure isn't it
I say

unlike me
she mutters
it's cold out there
fancy getting out
and lying in a ditch
and wait to die of cold

she shivers
her pale blue nightgown
moves
her unslippered feet
look innocent
as children

there's always ECT
I say

she looks at me
didn't work
just a fecking headache
afterwards
she says

me too
I say

she peers at the snow
I read somewhere
of German soldiers
freezing to death
in Russia during WW2
some standing up solid
she says
almost admiringly
but I’m locked in here
not out there

she puts her forehead
on the window pane

I can smell her perfume
musky but out of place
and a haunted look
on her young pale face.
A YOUNG MAN AND GIRL IN A LOCKED WARD IN 1971.
Terry Collett Apr 2015
Yiska waits by the fence. The school's on the other side. Yiska waits for Benny; he is at lunch, she waits impatiently. The playing field is crowded with other kids; some girls sit in groups talking and laughing. Yiska sees boys coming out, Benny not amongst them. She waits arms folded,a face on her. Alma said she'd told her brother about her. Alma was her best friend. That's the boy, Yiska had told Alma. He's my brother, Alma said. Good, you can tell him, I fancy him, Yiska said. Alma had said she told him. Yiska waits; walks along the fence; sees other boys. No Benny. She has visions of things going places. Not that she'd tell Alma that. Some things are best not told. She looks towards the playing field; girls and boys in groups or couples or alone. She looks back towards school. He's there, Benny, walking by the fence, hands in pockets, school tie hanging loose, shirt unbuttoned at the neck. Alma said you wanted to see me, Benny says, looking at Yiska, his eyes hazel, his look, steady. Yes, I did, Yiska says, feeling her nerves beginning to unravel. Rick said you wanted to see me, too,  Benny says. My brother? Yiska says. Yes, the very one, Benny says. They stand by the fence, face to face. Only he said, you fancied the socks off me, Benny says, smiling. I never said. She looks past him. Yiska feels undone. Anyway I'm here, Benny says. Only said I liked you, she says, looking at him now, seeing his hair, the quiff, the smile. He looks her over quickly: eyes, hair, lips, hips, thighs shape of. Shall we go for a walk? Yiska asks. Sure, he says. Where? She asks. Benny shrugs. On the field? She nods. They walk off together, apart. His hands are still in his trouser pockets. She walks hands in front, fingers joined, prayer mode .Cat got your tongue? He says. No, no, just thinking, she says. Of what? Me? My socks? She smiles. She looks at him sideways on. What do you fancy? He asks. Who said I fancied anything? Yiska says, blushing slightly. Rick did, Alma hinted, Benny says, My socks, apparently, he adds. She looks at the playing field. Folds her arms. Stops and looks at him. I never said fancied. So what then? He says. She looks at her shoes: black, dull, unpolished. Maybe, a bit, I do, she says, looking at his shoes: black, scuffed. He takes his hands out of his pockets. Touches her arm, feels along until he reaches a hand. Nice hand, he says. She lets him hold it, feels his hand touching hers. Warm, soft. Taking her hand, they walk on. How much? Benny asks. How much what? Yiska says. Do you fancy me? He says, his thumb rubbing the back of her hand. Fancy's an odd word, she says, interested, more, she adds. O, I see, not fancy me at all, he says. She looks uncertain, the blush spreading. If I were in your bedroom would you fancy me there? He asks. What a question, she says, feeling her pulse increasing, imagining him there, in her room, her bed made-unusual for her- but made up tidy. I'd fancy you anywhere, Benny says, in a nice way of course, not necessarily in your bedroom. She looks at the high fence, the road beyond, traffic passing. He looks at her hair, the way her ears are just visible if she moves her head a small bit; lobes, suckable. Alma didn't say you fancied me, Benny says, but Rick did. *******, Yiska says, just like him. She looks at the wooded area to the left of the playing field. Went there once to fetch a rounders ball that got hit there in P.E, she muses. Could go in there, she says, pointing. Best not, he says, people may get wrong ideas. Think things. He sits on the grass, pulls her down, next to him. Safer here, he says, holding her hand, still. She sits next to him, crosses her legs, pulls her school skirt over her knees. She senses his hand there. Warm, wet, heated. How old are you? He asks. Same age as Alma. Thought so, he says. How old are you? She asks. Fourteen, he says, leave school at Christmas, be fifteen, then. She looks at his hand in hers. Wish I could leave school then, too, she says. I can't wait, he says. No more brain-washing. She looks at his eyes. Hazel, bright. I will dream of him tonight, she thinks, I'll dream of him next to me. His hand in mine. Mine hand in his. Will we kiss? She imagines so. Must not make too much noise though. Mother hears things too well, she thinks, looking at his chin, the jawline. What will you do? She says. When? He asks, looking at her school tie, tied in an untidy knot, her small ******* bulbs. When you leave school? She says. Don't know, want to be a mechanic, maybe car mechanic, he says, wondering what she would be like if she was beside him on her bed or his bed for that matter, but then she'd had have his younger brother there, too. Then you won't be here, she says. No, thank God, he says. I'll miss you being here, she says. Can always visit you weekends if I get a bus, he says, wondering if her bed wouldn't be better as she slept alone. She strokes his hand in her as if it were a cat. He looked past her at the other kids on the grass. Reynard was playing football as was Trevor. That'd be good, she says, I could meet you off the bus, if you came. If you like, he says, watching Trevor almost score a goal. She looks at his hazel eyes, the smile, Elvis like, the quiff of brown hair, his hands, she muses, stroking with her other hand. I don't want to appear forward, she says, but could we kiss? He looks back at her. Kiss? He says, looking at her lips and cheek and forehead. Where? He asks. Here, she says. Where, here? He says, homing in on her lips with his eyes. Not here on the field here, she says, blushing, looking around in case others are watching. Where, then? He asks, looking at her eyes, seeing himself there, small and untidy. Maybe, at school, in a corridor that's empty or in a doorway, she says. Why not here? He asks, no one will care a jot if we do. She bite her lip, releases his hand, looks past him, behind him. What will they say? She asks. Who? He says. Others around, she says, returning her gaze on him. Who gives a monkey, he says. I do, she replies, reddening in the face. He gets up to leave. Look, I am missing a game of football sat here, another time maybe, he says. No, no, don't go, she says, clutching at his hand, being pulled up as she does so. She stands beside him, still holding his hand. I can watch, too, she says. He looks at her, feels her hand in his. OK, he says, if you want. I do, she lies, walking with him towards the boys kicking a ball around. She senses the grass was  a bit wet because she is. She feels it. They stand and watch the boys in their game. She feels uncomfortable. Feels slightly undone, but they watch the game, she unkissed, but watching the boys having fun.
A GIRL AND BOY ON A FIRST DATE IN 1962 AT SCHOOL
Terry Collett May 2014
Yiska sat by the window
of the locked ward
looking out
at the dawn light
coming through
the trees of the wood

behind her snores
from the sleepers
coughs
words spoken out
in dreams

she looked back
into the ward
and semi dark
lights from the night nurse's office
smeared into
the locked ward's
space

she looked back
into the wood
and the light of dawn
breaking through
the trees
like an army of ghosts

out there he was
he who ditched her
at the altar
she and her
upside down day
wedding that wasn't
bride who near died
can't live
without him
she'd said
wish I was dead

the light spread
through the trees
******* branches

you're not going to
until after the wedding
she'd said
they never did

maybe that was it?
she asked
the coming light
pushing aside night
because I’d not do it
before the day?
wouldn't let him
have his way?
she said

a voice muttered
behind her
words muffled
by snores

out there
somewhere
he's there
he who betrayed
(he hasn't turned up
I’m afraid)
the best man's words
let lose
like angry birds
flapping
about her head

I want to be dead
she had cried
and almost died
(handful of pills
all sorts
colours
types
strengths)

the light was spreading
through wood
burn it all
nothing now
(she said
recalling Auden)
can come
to any good.
A GIRL IN A LOCKED WARD OF A PSYCHIATRIC HOSPITAL IN 1971.
Terry Collett Nov 2014
Yiska maybe
dreamt of me
or not I don't know
but I sure dreamt

of her
but that was never
as real as being there
with her

and knowing she
was there
her eyes on me
her hair

fresh brushed
(in the girls'
cloakroom no doubt)
her body tingling

with being alive
and we met
on the playing field
in recess after lunch

the sun out
strong
bright and big
in the sky

and we walked together
she talking about
her morning
and lessons

and O that Mr D
what he thinks
of me
God alone knows

she said
and other things
as girls do
and I was studying

the motion of her body
her lips
eyes
language

wanting to just
kiss her
and have her
hold me

and such
but she did
kind of talk
too much

she giggled
about some deed
or then looked at me
all wide eyed

and said
maybe next week
while my mother's
out for the day

we can go home
to lunch
and who's to say?
I dreamed of Yiska

and it was strange
and things done
and kisses
all lips to lips stuff

and secrets revealed
and told and all
wrapped up
in a cuddling hold.
BOY AND GIRL IN 1962.
Terry Collett Jan 2014
Yiska rests on her bed,
smoking a cigarette.

The sky is dull,
the room darkened.

She inhales,
watches the smoke,
she's just exhaled,
rise ceiling wards.

Her husband is out,
fishing, *******,
who knows, or cares.

She exhales again,
at times like this
she reflects
on her young days,
her schoolgirl years.

Naaman was a love
back then.

School crush thing
some thought.

But no,
more than that.

She inhales so deeply
that it seems
her whole body
is filled
with nicotine and smoke.

Naaman kissed good.

That time on the field.
Lips and tongue.

She exhales and smiles.

He'd be in his 30s now,
a year older than she.

She can still,
if she shuts her eyes at night,
see him as he was.

Even when her husband
is giving her a quickie,
she thinks on Naaman,
imagines it's him on top,
not her husband's sad efforts.

She inhales
and closes her eyes.

He is there
in her mind still.

Even on the day
she married,
she hoped Naaman
would show
and whisk her away
on the back
of a motorcycle,
her white dress
flapping in the wind,
she giving her groom
to be, an up you sign
of *******.

But he didn't show.

She knew he wouldn't;
she'd not seen
since he left school,
the year before she.

Moved away some place.

She exhales
and smiles out smoke.

When she goes shopping
in other towns,
she wonders
if she'll meet Naaman there,
bump into him
on an aisle,
next to cereals or cheeses.

She recalls that time
in the school between lessons,
seeing him,
and wanting him
to drag her into some room
and kiss her
and do things.

But he just smiled
and walked on
and into a classroom,
leaving her hot
and gagging for it
(a term some girls
used back then).

What if he had?
Some empty room
in the school?
That day would have been
burned into her memory
if he had.

As it was,
she walked on,
to her boring art class,
bubbling
with upset hormones.

She sighs,
opens her eyes,
and moans.
Terry Collett Jun 2015
Yiska wants to take Benny home with her after school and whisk him past her mother and up to her room but she knows her mother would watch her like a hawk especially if she had Benny in tow and would ask her all sorts of questions and where do you think you are going with him? but she can dream about it dream she has brought him home and as she passes her mother in the kitchen her mother in one of her dark moods preparing dinner she climbs the stairs slowly imagining Benny is behind her walking up the stairs probably watching her legs or her *** his eyes glued but she doesn't know so she imagines he is and when she gets to the top of the stairs she pauses on the landing and looks down the stairs and waits listening to the radio her mother has just turned on some classical stuff she pauses there pretending Benny has stopped her and has put his arms around her waist and has laid his hands on her *** and she believes she can feel it his hands his fingers moving but it's in the head in her imagination but no harm in pretending so she lingers there for a short duration looking along the landing wrapping her own arms about herself kissing her shoulder don't forget to change out of your school uniform her mother calls out from below stairs I won't she calls back hugging herself extra tight patting her own *** with a hand as she hoped he would do if he were there and they were standing where she is now and put your ***** blouse in the linen basket her mother calls up ok she calls back unhugging herself walking along the landing walking past her parent's room tempted to peek in wondering if she should just a quick glimpse she stops outside her parent's room and opens the door quietly and peers inside imagining she has Benny beside her and she's showing him inside at the big double bed the tallboy the dressing table where her mother has all her make up and perfumes and drugs for her depression and hairbrushes and the mirror facing her and she says to herself-and the imagined Benny- nice bed what you reckon? make a good bed to do it in? the room smells of perfume of all kinds and a scent of bodies and staleness she is tempted to go lay on the bed and feel it beneath her and makes out they are doing things him beside her touching her and she kisses him and he putting his hand along her thigh and make sure you fold up your school skirt and jumper I don't want it just thrown anywhere her mother calls up to her from downstairs she closes the door to her parent's room and says loudly down the stairs I will fold them up and walks to her own room taking Benny’s imagined hand in hers and enters her own room and closes the door behind her and looks around the room as if through his eyes her mother has been in here and tidied up put things away picked up stuff from the floor taken away the tea plate she'd left there the night before and the soiled linen she'd let drop by the bed she stands there and sighs a window is open to let in air-breath of fresh air her mother calls it-the curtains flap in the breeze sounds from neighbours in their gardens kids from down the street she goes to the window and closes it and looks out at the surrounding area making out Benny’s still behind her his arms around her waist his lips kissing her neck she closes the curtains and stares around the room focusing on her single bed with its pink flowery cover her mother bought her Teddy Bear  now ageing by her pillow not that big she says over her shoulder to the pretend Benny but we could still do it if we're careful she whispers to herself she sits on the bed and stares at her Teddy some nights he is Benny and she hugs him and kisses him and has him next to her as she settles down but Teddy's a lousy lover he does nothing and says nothing she sits the make believe Benny next to her on the bed imagines his hand is tapping the bed be ok Benny says using her voice she stands up and begins to take off her school jumper unbuttoning the green buttons and pulling off and dropping it on the bed then unties the green patterned tie and takes it off and tosses it over her shoulder she sighs closes her eyes you unbutton the blouse she tells the make believe Benny and her fingers unbutton the blouse one by one slowly and once it is unbuttoned she lets his fingers-hers really- take it off of her body and drop it onto the floor what do you think? she asks him shall l take off the skirt or you? her fingers unzip the zip and pulls it down and once loose the skirt falls to the floor and she kicks it across the room and stands there eyes closed pretending he is studying her in her small bra and ******* she waits for his words his comments what are you doing there? and why are the clothes scattered all over the place her mother says from the open door Yiska opens her eyes and stares at her mother standing sullen faced by her bedroom door day dreaming Yiska says about what? her mother asks picking up the school skirt from the floor and folding it neatly and gazing at her daughter stern eyed just day dreaming Yiska says watching her mother putting the clothes in a pile and picking the ***** blouse from the floor and holding the soiled linen in her hands this room was tidy why untidy it? her mother says sorry wasn't thinking Yiska says glad her mother couldn't read her thoughts or see the imagined Benny kissing her neck and whose right hand was fondling her right *** because if she could she'd have a fit.
A GIRL DAYDREAMS OF A BOY AT SCHOOL AND TAKING HIM HOME IN 1962.
Terry Collett Apr 2014
Yiska smells
unwashed skin
the old girl

nearby her
foreigner
in long robes

browned fingers
cigarette
between them

smoke rising
I watch her
leathery

old lined skin
deep brown eyes
inhaling

the self rolled
cigarette
stinks in here

Yiska says
need some air
so we go

from the lounge
of the ward
to the large

dining room
where we stand
looking out

of the large
French windows
she never

washes or
cleans herself
Yiska says

just sits there
smoking that
cigarette

muttering
in her own
foreign tongue

eating meals
with her thin
brown fingers

what's really
bugging you?
I ask her

the old dame's
been here weeks
I can't sleep

Yiska says
all the time
thinking of

my wedding
which wasn't
just jilted

standing there
being watched
the white dress

and white shoes
and the prat
doesn't show

the cruel clown
jilting me
giving me

a breakdown
I touch her
thin white hand

by her side
sensing her
life pulsing

through her veins
her thumb rubs
my last scar

on my wrist
a rook caws
in high trees

above us
my scar damp
where she kissed.
A BOY AND GIRL IN A LOCKED WARD IN 1971.
Terry Collett Dec 2014
Yiska knows how she feels but how it got that way she's unsure and that aspect worries her the uncertainty of life and being young being thirteen being like an unfolding flower she feels vulnerable and yet excited as if she could suddenly jump up in class at school and say I am me I am who I am and I love Benedict and I don’t give a **** who knows it and such and such but she doesn't she just waits for the school bus to arrive with him on-board see his face in the window peering out looking for her he a year older and in a different class and some days she doesn't see him(except like now waiting for the school bus) or maybe if it is sunny and they can out on the playing field during recess and she meet him and be with him for a while but it looks like rain and she knows that means she might not see him any more that day unless she's lucky and sees him in the corridor in between lessons as she did the other day on her way to biology and he was coming the other way(she can picture him now his hazel eyes and quiff of brown hair and that Elvis smile) and he paused and spoke to her briefly and touched her hand O so softly his fingers gently holding(hots O hots) and she felt perspiration run down the back of her legs and elsewhere and the other students with her were saying O come on Yiska put him down you don't know where he's been and such words but she didn't care she had him briefly and then a prefect came along and said to move on get to classes but now she waits for the bus the rain beginning to come down so she moves under shelter of the front door and peers out through the rain at the road leading into the school the wire fence mesh fence trees each side of the road other students arriving on foot but no bus and she thinks of the time they managed to get behind the maths block and be alone and out of sight of others(the teachers gone for their lunch) and she sat on his knees and he held her around the waist and kissed her and spoke and said things about his life and she was listening but not listening her body was on fire each particle of her was vibrating each nerve tingled her hands around him were wet with perspiration her neck damp where his lips had been and her cheek wet and warm and her heart beat so fast it felt as if it might take off out of her ******* and she wondered how far can they go and how far is far? the bus comes into sight slowly taking the bend and she looks at it her eyes following its every move watching the windows looking for his face searching for a sight of him the rain down pouring now the students getting out of the bus and running towards school and she waits and looks and then there he is Benedict running towards school his head slightly bent forward his coat unbuttoned and flying out like wings and he sees her and waves a hand and she feels as if someone had knifed her guts and ripped her open so that her heart was hanging out there pumping for all to see and he comes over and stands with her in the cover of the front door and his hair is plastered down and his hazel eyes alight with eagerness and he says something but she is only half listening only catches the words and not meanings and he laughs and she laughs too and he whisperers in her ear and the words are warm as his breath and seem to echo through her like kids at play been waiting for you she says **** rain he says won't see you after this unless maybe in the corridor or after school as you get on your bus he looks at her his quiff of hair drowned and limp maybe we might he says maybe in the school gym and she feels a pleasure at this if it's free and no one else is there she thinks sensing him there his hand on hers and warm hand her flesh his skin touching better go he says bell will ring soon and he goes and she waits and watches him go her body a buzz of activity as if she were a bees nest buzzing and O she mutters and nerves seem to explode in her and fireworks in her head and her body best get a move on a teacher says who passes her by the door no place to linger and she looks at the teacher and nods her head but feels like saying drop off drop dead but moves off and out in the rain the wetness cooling down her hotness and she runs through the girl's playground towards the school buildings her coat of green damp and her hair beginning to hang limp by her face and she enters the school with a rush of emotions her thoughts everywhere her body tingling like a live wire ready to set alight on edge about to set all of her on fire.
A SCHOOL GIRL WAIST FOR HER BOYFRIEND'S BUS TO ARRIVE IN 1962. THE DELIBERATE ABSENCE OF PUNUCATUON AND PARAGRAPHS SHOULD MAKE IT UNDULY HARD TO READ. DISCOVER YOUR OWN BREATHING SPACES; READ IT SLOW AT FIRST, TAKE IN THE WORDS, ONE BY ONE.
Terry Collett May 2014
I was there
when Yizreel died.
He'd had
his third stroke.
He looked at me
with his dull eyes,
but he never spoke.

I nursed him after his first,
aided him through his second;
the voice surviving,
a lame left wing,
walking with a slide
of leg and stick.

You take good care of me,
he said, like a good son,
better in fact, not out of duty,
nor the the wages, I expect,
I'd hear him say,
in what they pay.

I loved him like a father,
a grandfather I didn't have;
washed him, dressed,
shaved and brush his hair;
he pretending all was well
as if he didn't care.

I attended his funeral;
sat amongst his family
unnoticed by most,
except by his son,
a tall thin man, here,
he said,he's a fiver,
for work you've done.

I was there when Yizreel
died his death;
a closing of his dull eyes
and ease of breath.
OLD MAN'S DEATH  AND NURSE'S CARE.
Terry Collett Apr 2015
Yochana passed the maths block
along the narrow path
onto the sports field
during lunch time recess

her friend Angela
was in the WC
sorting out
some girl problem

I was sitting on the grass
looking at some boys
play ball nearby

Yochana stood over me  
and said
can I sit here with you?

I looked up
sure why not
where's your girlfriend?

she's not my girlfriend
she's my best friend
she replied
and sat down next to me

I gazed at her hair
smooth and black
and brought back
into two bunches
and her glasses
were thin wire framed

do you smile?

she raised her
thin eyebrows

why? do you only
like girls who smile?

it helps

helps how?

makes them
seem friendlier

she attempted a smile
not successfully

I looked at
the football game

why aren't you playing?
she asked

I'm not much good
they're better off
without me

so there are things
you're not good at?

I nodded
and looked at her
yes but
some things I am
and smiled

she looked away
for a few moments

you have a good profile

she looked
back at me
do I?

yes quite refined
unlike some
of the girls in class
who're like peasant stock
in contrast

she smiled
unkind to them

but true
I said
sometimes truth
will out

she put her hands
in her lap
and looked past me
at the boys
and their ball

your eyes are like
two of my
favourite marbles

she looked back at me
are they?

I nodded
yes I keep them
with me
as my good luck charms

show me

I got out the marbles
from my trouser pocket
and showed them to her
in the palm
of my hand

can I hold them?

sure

so she took them
into her small
thin hand

they're warm

came from a warm place

yes they are
like my eyes' colour

she gave them
back to me
and as she did so
I held her hand briefly
nice hand
I said
and kissed it

she took it back
and looked at it
why'd you kiss my hand?

same reason
I kissed your cheek
the other week

others might
have seen and came up
with ideas

what ideas?

well that there's
something going on
between us

and isn't there?

she sat back
and looked
around her

not like
they might think
she said

and what might
they think?

things going on
between us

what kind of things?

just because
I like you
doesn't mean
we're doing things
she said
keeping her hands
out of reach

that's true
we're not
anyway here comes
your girlfriend Angela

she's not my girlfriend
she's a friend

she got up
and looked at me
and smiled
-she could smile
if she wanted to-

and walked off
and I studied her
narrow frame
the legs
the waist
the neat behind
and thanked God
I wasn't blind.
A BOY AND ******* A SCHOOL PLAYING FIELD IN 1962
Terry Collett Jul 2013
Through Bedlam Park
to the swimming pool
your towel and trunks
under your arm

the weather good
and Yochana said
she’d learn to swim
if it was the last thing

she did
and you went
to the locker room
and paid your coins

and got into your swimwear
and out into the pool
with the other bodies
getting wet and playing

and trying to swim
and Yochana came out
in her pink two piece
and stood

on the edge
of the pool
and you said
come on in

the waters cool
and as long
as some fool
don’t **** in it

it’s worth a go
she hesitated
standing there
arms in the air waving

flapping her hands
like some young bird
learning to fly
come on in

you said
but still
she stood there
on the edge

her blonde hair
held back
in a rubber band
what’s a matter?

you called
she closed her eyes
and kind of dived in
but more like

a fall sideways on
and you went to her
and helped lift her head
out of the water

and she was sputtering
and spitting out water
I christen you
Yochana the mermaid

you said and
she laughed
spitting out more water
get scared

she said
the thought of it
and she began to go
into swimming motions

putting arms in
and throwing them about
but she just sank
and you yanked her out  

and she stood there
water running down
her face into
her eyes

did I swim then?
she said
did I?
no you sank

you said
sank like a **** stone
can you show me?
she said

no I can’t swim myself
you said
well who can then?
she asked

go ask Ann
she can
or that plump woman
over there

she looks like
she can
you said
but she didn’t

she just walked
through the water
or made pretend motions
or sat down and tried

but no doing
but at least
she was laughing
and having fun

and you gave
the impression
of swimming
but it was all

just a game
and worth the coins
of getting in
and seeing

Yochana there
enjoying the water
and games
and water

in her hair
and ears
and eyes
and her hand

holding yours
if she felt
she was going under
or about to drown

and the water tasted
of god knows what
and the sky was blue
and the weather hot.
Terry Collett Jun 2014
Yochana-
my bird thin,
dark haired,

Schubert loving,
once kissed
now shy, girl;

see how time
has sped
by us both.

How many stars
have burnt out
in that time and space?  

I dreamed of you
at one time,
tucked you away

in my dreams box,
placed you
at the bottom

of my mind's depth.
A photo of the old school
reminded me of you,

the background,
the playing field,
the other kids older

like you and me,
just before
the Beatles' first LP.

Yochana-
with whom
did you share your life?

Who touched your body?
Shared your lips,
sat with you

at the Schubert recitals?
I remember you
in front in class,

your head to one side
as the teacher played
that Schubert piece,

your thin frame,
narrow waist,
you titless,

Reynard said,
of you, he spoke.
I saw how

your hands moved
to the music's flow,
the fragile fingers

mock playing
on the desktop.
Reynard considered

the colour
of your underwear,
I studied you,

your far away,
music tranced stare.
Yochana-

where are you now?
In whose bed
did you lay?

Whose arms
embraced you?
Who fingers searched

you out and on?  
I recall
your bird-thin frame,

wiry arms,
the dark hair
the length

of your back;
how the Schumann piece
had you spaced out

in dream mode,
your eyes closed,
and I –

Benny,
watching you,
you,

unaware of me,
giving you
the desiring stare.
MAN RECALLING A GIRL OF HIS SCHOOL DAYS
Terry Collett May 2015
Yochana lay on her bed.

Her mother was downstairs
preparing evening dinner.

The boy at school questioning
began as soon as she got home
from school. Did he look
at you today? Did he show
interest in you? I can always
ask your friend, Angela?

Her mother's questions rained  
down on her as soon as she
entered the door. No he didn't,
Yochana lied, not at all; he
ignored me; he's like that,
she added to add credence
to her reply. She watched
her mother's features. Does
she believe me? The eyes
scrutinised her, peering eyes,
like those of a sparrow hawk.

Yochana wasn't sure if her lying
had gone over. Angela hadn't
been around when she had
seen the boy Benedict that day,
but she couldn't be sure if her
friend had seen or not. If I
find out that you have been
lying, my girl, you will regret it,
her mother had said as Yochana
climbed the stairs to her room
to change out of her uniform.

At lunch time she'd met him
as she promised she would.

Angela had gone home with
women's problems so she had
no fear of a spy. She could hear
her mother downstairs banging
around in the kitchen preparing
dinner, moody, wondering if her
daughter had lied or told the
truth about the boy. She lay there
on the bed. The boy Benedict
there inside her head. The kiss
of cheek and hand, and then lunch
time, she had allowed him to kiss
her again. Lips to lips. How had she?
Not sure if she had or had she?
She had just the once kiss on the lips.

Behind the maths block, briefly.

Lips to lips. Once. She sensed
his lips there still. As if frozen there.

If I find out you have lied, her
mother had said, you will...regrets...

The slaps of the other evening
stung her hand. But what if she
found out I lied? Closing her eyes
she saw him still. Lips and lips.

Felt still. Wet and warm. Later
that evening Schubert songs had
been sung, her mother singing,
Yochana played piano. The slaps
on hands and thighs had stung.
A GIRL LIES TO HER MOTHER ABOUT A BOY AT SCHOOL IN 1962
Terry Collett Feb 2015
Yochana seldom seems
to get flustered
never seems out of key

with what's going on
and as I wait
by the school

before getting
the school bus home
I wonder if she'll come

or if it was just a ruse
by her to get me
off her back lunchtime

kids pass me by
even Rolland goes by
see you Benny

see you mate
he says
and I feel like

a doughnut stuck
on a baker's shelf
at close of day

then she's there
cool eyed
prim and proper

in her uniform
her school tie
tied just so

her shoes shining
her skirt uncreased
didn't think

you'd show
I say
not sure

of your
attracting power now?
she says smiling

not that you have much
but I had to come
and see you off

she says
I look at her
then at the school bus

getting crowded
then back at her
standing there

neat
well groomed
black hair

she's too thin
too sweet
out of my league

but a kiss
just a lip to lip job
she eyes me

I could have
caressed her
a thousand times

(exaggeration)
lunch time
but no

here I wait
anxious
about the bus going

and she knowing
then she leans forward
and kisses me

just the once
and then turns
and my lips

seem hot
and my heart
burns.
A BOY AND GIRL A  HOT KISS IN 1962.
Terry Collett May 2015
It wasn't until Rowland
poked my elbow
in music class and said
hey Benny
look at the titless
one at the front
with the blonde ******

I looked to where
his finger pointed
that I noticed Yochana
for the first time
sitting at the front of class
with a blonde girl
who was shorter
but that hardly
made her a ******

-Rowland and his humour-

I studied her as Miss G
talked about Schubert
and his music
and his life

I noted the thinness
of her body

- Yochana's not
Miss G's-

the black hair
smooth and shiny
and I never thought
about her titlessness
at time but something
about her caught my eye

later after the kissing
on the cheek thing
and the day after
I kissed her hand
I waited for her
at the end of biology class
when she came out
with her friend
the blonde haired Angela

-Rowland went onto
the tuck shop
and then to
morning recess-

when she saw me there
and I smiled
she shooed her friend off
and waited by the wall

she said
are you waiting for me?

shouldn't I?

why would you?

why not?

do you always answer
questions with a question?

do you?

she smiled
and looked me
in my hazel eyes
what did you want?
she asked

to talk with you
I said

is that all?

anything else
on offer?

what other else?

I don't know yet
but I'm sure
I can think
of something
I said

I'm sure you can
she said
is that it?

are you in a rush?

my friend's waiting for me
she replied

can't your girlfriend
wait a bit longer?

she'd not my girlfriend
she's a friend
who is a girl
she said defensively

I dreamed of you
last night
I said

did you?

no you wouldn't let me

let you what?

Miss G passed us by
and walked down
the corridor
giving us
a backward stare

kiss you
I said

shame
Yochana said

yes it was
I said

we stood in the corridor
a few seconds in silence
kids passing by

you kissed my hand
the other day
isn't that enough?
she said

no
a glimpse of heaven
isn't enough
until you get there
I said

she looked past me
then at the kids
passing by

not here
maybe lunch time
some place quiet
we can maybe kiss
she said

then touching
my hand briefly
she walked off
down the corridor

and I watched her going
with a kind of yearning
my inner soul
and my body
burning.
A BOY AND GIRL AFTER BIOLOGY CLASS IN 1962
Terry Collett May 2012
You took the dog for a walk
across the grass out of your

auntie’s sight and wandered
about the barracks looking

through window by standing
on steps or pulling yourself

up by fingertips on windowsills
peering through the windows

spying on the regiment for
some inward game and the

dog sat watching you wagging
its tail its pink tongue hanging

out in the hot summer weather
and once you and the dog crawled

under a gate and you pulled
yourself up by the fingertips

on a windowsill and saw through
an open window soldiers

sitting at desks before a large
blackboard being talked to by

a NCO and who spotting you
bellowed out WHO THE ****'S

THAT! and you jumped down
and ran the dog beating you to

the gate and under as you being
less agile got stuck as the NCO

came running up and pulled you
out and up and said Right Sonny

I suggest you get yourself back
to barracks before I tell your

parents what a bad lad you've
been and then he opened the gate

and off you ran the dog running
beside you its tongue out in a self

satisfied way and you thinking what
a bad end to a could have been fun day.
Terry Collett May 2013
Much too late
for thoughts
of what her father
might say

Fay went with you
to the Globe cinema
in Camberwell Green
a right fleapit of a place

but the film
you wanted to see
was on there
Daniel Boone

all about the Old West
and after it was over
and you came out
into the bright sunlight

your eyes felt
over whelmed
after the darkness
of the cinema

what did you think?
you asked
Fay said
yes it was good

not the sort of film
Daddy would have let me see
well he won't know
you've seen it

will he
you said
unless he asks me
then I'll have to

tell him the truth
she said
why would he ask?
you looked at her

standing there
with her fair hair
and lovely blue eyes
he might ask me

what I have done today
she said
her eyes beginning
to show signs of fear

maybe he won't
you said
just tell him
you've been studying

American history
she looked at her hands
he doesn't like America
or Americans

she said
well you don't have to
like something to study it
I have to do it all week

at school
you said
maybe he won't ask
she said softly

looking at you
fiddling with her fingers
distract him
tell him something else

talk about a butterfly
you saw on the bombsite
she looked at you
and smiled

you don't know him
he'll ask me
what sort of butterfly
and I won't know

and he'll know
I've been lying
and that will mean
being punished

she looked up the street
toward the bus stop
we had better be getting back
she said

he'll be home soon
ok
you said
and took her hand

and walked toward
the bus stop and waited
for the bus
if I told my mother

the truth all the time
she'd have a nervous breakdown
it's more kinder
to keep her happy

in innocent bliss
of what I get up to
Fay looked haunted
and was silent

she still held your hand
a fading bruise just visible
on her upper arm
where her dresses sleeve

moved
how about some ice-cream
when we get back
I've got a Shilling

given to me
by my old man yesterday?
she hesitated
ok I’d like that

she said
and when the bus
came along
you both got on

and sat next
to each other
downstairs near
the conductor

watching the scenes
of passing people
and traffic go by
but a special place

in your mind and heart
of Fay
next to you
quiet and shy.
Terry Collett May 2012
How’s the girl
with the red beret?

your sister asked
she’d seen you

and Janice
and her gran

on the way home
from school

she probably walking
with her friend

following behind
and Janice said

I made a picture today
out of cut up

pieces of paper
and the teacher said

it was the best
she’d seen

her gran said
Now now Janice

mustn’t boast
I expect

there were other pictures
equally as good

But teacher said it
not me

Janice replied
Did you make a picture?

her gran asked you
her eyes falling on you

and taking in
your look

like a rabbit caught
in headlamps of a car

in the night
Yes

you said
I made a picture

of a morning sunset
out of red and yellow

and green for the grass
and blue for the sky

Janice smiled
and touched your hand

surreptitiously
her small hand

feeling along
your skin

Did you make it
out of cut up

pieces of paper too?
her gran asked

you sensed Janice’s fingers
squeezing into your hand

No
you replied

I did it with water colour paints
and what did teacher say?

her gran asked
she said it reminded her

of a Jackson *******
whoever he is

you said
looking at Janice’s red beret

and her hair
coming from beneath

so wonderfully
unlike your

short back and sides
and unlike her hair

with its red coloured
hair slides.
Terry Collett Nov 2013
You had never seen kale before
it looked like large cabbage plants
reaching skyward
so that you could hide in it

and not be seen
from the farm
and Jane walked
with you there

and you both sat there talking
she about her father
and how he prepared
his Sunday sermons

right after the one given
on the previous Sunday
and how he liked
to close himself away

from the family
for hours at a time
with just his Bible
and other books

and God of course
and get it down
and afterwards
polish it up

until he had it off to pat
and you listened to her
trying to imagine
what it must be like

to have a father
who was a pastor
and you'd met her father
a few times

and her mother more
(and was told
she liked you)
and tried to think

about what her father's sermons
were about
(you never went
to the services)

and as she sat there
with her flowery dress
red and yellow
and those white ankle socks

and walking-about
-the-farmland-shoes
and dark hair
tied at that moment

with a red ribbon
you noticed
how beautiful she was
in her own way plain way

and how her hands
were held together
over her knees
as she raised her legs

and how the sun light
still reached
you both there
in the kale

and warmed
and eased you both
and you talked
of London

and when you left
and why
and how so different it was
and how you could walk

to at least to two cinemas
whereas here
there was none
but that you didn't mind

as it was a new life
and next to nature
and you could learn
new things kind of life now

and she smiled
and that thrilled you
that smile
that spread of lips

that pierce your heart
and mind kind of smile
and her wrists
slim and white

and the fingers
thin and white
and the nails
had white half moons

on them
and you wanted
to sit there
with her forever

in the tall kale
with the bright sun
and secret love
and feel inside

and 13 year old
sensibilities
each wanting to touch
but not at least not much

and she pointed out
a Red Admiral butterfly
fluttering over the kale
and slowly by.
Terry Collett Jan 2013
You followed Julie
in and out
of book shops
along Charing Cross Road

watching
as she picked out
a book to view
a few pages

or run a thin finger
down the book’s spine
studying her face
as she took out

a Sartre or Wittgenstein
her eyes running
along the lines
mouthing the big words

she talking
of her parents
the doctors
how they were pretty much

shot out of the sky
when they discovered
she was stabled up
in some hospital wing

for drug plunging
or pill popping
and you should have seen
my mother’s face

she said
like daddy
had ****** her ****
she picked out

a book by Schopenhauer
the old philosopher’s face
on the cover
staring out

you searched her eyes
the depth of them
the colour
the changing hue

from what appeared
green to blue
and green again
or so it seemed

when have you got
to be back
in the hospital?
you asked

6pm or so
she muttered
pushing the book back
on the shelf

wiping her hands
on her jeans
her small ****
indicating their presence

as she moved
toward you
what are your parents
going do about you?

you asked
keep out of sight
of their posh friends
say I’m abroad

or someplace else
you noticed her lips
as she spoke
her tongue

moving over them
like some waking snake
then she moved on and out
of the shop

and along the road
you kept up beside her
sensing her hand
seeking yours

taking one
of your fingers
she put it
to her mouth

and gave a ****
and eyed you
sideways on
with that grin

she sometimes wore
that young middle class
English  girl
playing the *****.
Terry Collett Nov 2013
During the half term break
from school
Janice said
come see my new canary

Gran bought it for me
and so you went with her
through the Square
and across Bath Terrace

and into the block of flats
where she lived
with her gran and bird
and she was excited

and talked and talked
of the new canary
what do you call him?
you asked

Yellow
she said
because its yellow
and the name fits

and when you got
to her flat
her gran opened the door
and Janice said

I've brought Benedict
to see the new bird
her gran said
ok

and let you in
and Janice took you
into the sitting room
and there in a bird cage

was the new bird
sitting there
on a perch
making whistling noises

some say they talk
if you teach them
Janice said
and I'm going to teach it

to say things
and won't that be good?
providing you don't
teach it silly things

her gran said
my cousin had one
and he taught it
all kinds of bad words

which made
his mother mad
what kind of words?
Janice asked

never you mind
what words
her gran said
if I catch you teaching

this bird bad words
I'll tan your backside
I won't Gran
Janice said

just teach it
sensible words
well mind you do
her gran said

now how about
some lemonade and cake?
yes please
you both said

and her gran went off
to get the lemonade
and cake
and Janice put

her finger
through the bars
of the cage
and talked to the bird

but the bird
shuffled away from her
on the perch
and was quiet

still she talked to it
and but her finger in
as far as she could
but it just walked as

far from her
as it could go
staring at her
with it stark eyes

not very friendly is it?
you said
maybe it doesn't like
your red beret

maybe red frightens it?
so she took off
her red beret
and the bird came closer

and began chirping away
and it kind of pecked
at her finger
not roughly

but inquisitively
as if to find out
what it was
then it shuffled off again

and then went
and pecked at some
food from a feeder
at the side

of the cage
maybe I could get it out
sometime
and let it sit

on my finger
like I've seen done
on TV
Janice said

what if it flies away?
you asked
I'll keep the door
and windows closed

she said
and she opened
the cage door
and put her hand in

to get the bird
but the bird
moved away from her
and flapped its wings

what are you doing?
her gran said
entering the room
Janice took her hand out

of the cage
and shut the door
just wanted to let it
sit on my finger

Janice said
her gran put the tray
with lemonade
and pieces of cake

on the table
and came over
to the bird cage
you might have frightened it

then it might die
she peered in
at the canary
which was perched there

staring back at her
now don't you
do that again
do you hear?

yes Gran
Janice said sheepishly
her eyes lowered
nice bird

you said
maybe it's shy
at the moment
I guess after

a little while
it'll get friendly
do you think so?
Janice said

sure it will
you replied
her gran smiled
and walked off

back to the kitchen again
and you and Janice
ate the cake
and drank the lemonade

and you both watched
the canary as it chirped
and walked
along the perch

and there
on the side chair
was Janice's red beret
and she asked

what words
do I teach?
but you said
I couldn't say.
Terry Collett May 2014
Even on
the brightest morning,
when the best birds sing,
and the sun is out
bright and strong,
and my mind
is planning what to do,
I miss you.

Even at the mid of day
when I am sorting lunch
and getting some writing
on the way,
trying to move on
from the blue,
I miss you.

Even when I laugh
at some TV show,
or cry at some hospital
tales old or new,
I miss you.

And at evening time
When sun has set
and moon is out
and glowing
and the sky
is neither black
nor blue,
I miss you.

I miss you
for being you,
not some abstract self,
not just someone
I used to know,
but you, my son,
you, and with palm
blown kiss,
I say:
It is you I miss.
A FATHER' CONVERESES WITH HIS DEAD SON.
Terry Collett Mar 2015
The youngest monk-
holding the holy water sprinkler-
walks beside the abbot

down the aisle
between the choir stalls;
the other monks

bow their heads-
the semi-dark
of the church lit up

by moonlight through
the large windows
on either side.

I polish the floor
of the refectory
with a cloth on

a broom head,
smoothing out
the polish laid-

I think of her-
laying there
on the bed,

hands behind her head,
her Eve's garden visible
and laid bare;

I polish hard
not being there.
The old Belgium monk

listens to the bell
for Compline,
his hand behind his ear,

ready to capture
like a fisherman's net
when sounds are near.
MONKS AND A NOVICE IN AN ABBEY IN 1971
Terry Collett Apr 2012
Gran said
you can come with us
to the fair

Janice said
Provided your mum agrees
of course but Gran’s

already asked your mum
so it’s all right
you stood outside

the school gates
waiting for your mother
to come and pick you up

and so you said
Oh right that’ll be good
but you didn’t want Helen

to know you were going
to the fair with Janice
and even though

you hadn’t planned it
or asked for it
you still felt guilty

about going
with Janice to the fair
and when Helen

came out of school
and stood waiting
next to you

for her mother
you hoped Janice
wouldn’t say

anything about it
but Janice just stood there
smiling looking at Helen

as if to say he’s going with me
to the fair and you’re not
and Helen gazed at Janice

at the same time
putting her hand
near yours

and you could feel
her hand brush
against yours

and then she turned
and looked at you
through her

thick lens glasses
her eyes searching you
like a navigator

looking for a fresh route
to a new world
and Janice moved closer

on your other side
her hand seeking out
a finger to hold

and she said
Look here comes Gran
and she released

your finger and ran
and you stood with Helen
waiting

knowing her hand
was warm and feeling yours
and hoping she couldn’t

read minds
or thoughts
or know about the fair

and she said suddenly
giving your hand a squeeze
Here’s your mum and mine

let’s go meet them
and off you ran
following behind

feeling a sense of betrayal
being a traitor to Helen
in your 7 year old mind.
Terry Collett Mar 2014
Your black,
heavy overcoat,
hangs from a hook
on the door.

It looks
haunted now,
a black phantom
of serge, with arms,
without hands,
unbuttoned,
holding a memory
of you inside its hold,
snuggled up within,
safe from the cold.

Your youngest brother
has inherited,
your black coat now,
he wears it higher,
being taller,
but it does not fit
so snug or hold him
so tight as it did you,
a short while ago.

He wore it
to your funeral,
buttoned up neat,
your heavy overcoat,
serge of black;
but he would gladly
have given to you,
if he could have
had you back.

I finger the sleeves,
smooth along
the black serge,
sense you there still,
in my mind's eye,
with black hat and tie
and black shades,
that Blues Brother gaze,
back in the good times,
my son, in your
good young days.
ON OLE' BLACK OVERCOAT.
Terry Collett Mar 2014
I like wearing
your black flat cap;
I feel near to you
when I do.

I imagine what thoughts
may have run
through your mind
when you wore it last,

whom you were talking to,
what day, what eyes
met yours.
I like the feel

of the cloth,
the warmth it gives,
the closeness
to you, too, I guess,

your death an ache
deep as space,
endless seeming.
There is a closeness

wearing the black flat cap,
as if you watch me
walking slow,
the town, the street,

you close by,
stepping behind or beside
in your invisible step,
unseen feet,

close by,
keeping watch,
keeping an eye.
I wish you were here

wearing your own
black flat cap,
keeping you warm,
your thoughts

your own,
that silent way,
deep love
and thoughts;

wish you were here,
my son, here today.
FOR OLE' R.I.P
Terry Collett Mar 2014
I still have
your rectangle
black leather wallet,
but it is empty now:

the money notes
banked in your account,
the cards sorted,
cut up and shredded,

the loose coins given
to your chosen charity.
How lonely it looks now
without you to handle;

the leather worn
at the edges
through use
you gave,

shiny black,
silent black,
unused now,
kept as a memory

to hold onto in days
of hurt like now
and years to come.
I remember

that last Saturday
in hospital,
you took out coins,
to buy bottles of water,

to quench your thirst
and help you ***.
The wallet looked full then,
bulging at the seams,

full of use and life,
held in your hands,
your fingers working
the coin zip.

Now it lays there
unused and thin,
your DNA
all over it,

worked in the seams,
the leather,
the small pocket
of the wallet.

I feel close to you
when I rub a thumb
or ageing finger
along its black

rectangle length,
the shiny worn leather,
bringing us, momentarily,
closer together.
FOR OLE   R.I.P.
Terry Collett Apr 2014
Your youngest sister
wears your blue
and white coat now,
my son; it brings her
some comfort
since your
sudden death.

She zips it up close,
to keep her warm,
thinking you
are still there inside,
to keep her safe.

I remember
you wearing
that white
and blue coat,
on your way
to work or back,
or out for the day
in all climes.

They were
the good days,
good times.

You use to zip it up
close to your chin
to keep the cold out,
the warmth in;
hands in the pockets,
elbows back,
like some large bird
about to take off
on a long flight.

You have taken off now;
set your soul's keel
to the open sea
of eternity.

I sometimes dream
of you at night,
see you as you were
before the stain
of death approached;
your smile spreading,
your blue eyes bright.
FOR OLE. 1984-2014.
Terry Collett Jun 2015
I know your final days,
my son, by mental rote,
from Thursday to Monday,
from being unwell
to the last seconds dying,
like a child learning
a new nursery rhyme
note by note,
until it's unforgettable,
stuck in each particle
of cells and brain,
bringing thoughts
of disbelief
and punch hard pain.

Sleep seems
the only comfort,
that lying down,
snug between
cloth and warmth,
mind drugged to
a doped up
momentary
forgetting or easing,
but still it's there
when we awake,
the sense of loss,
that utter disbelief,
that deep down
cannot be hidden grief.

I wish I were
more Stoic like you,
my son, my deep philosopher,
my silent one;
wish I had some
philosophic remedy
to cure the ache,
to soothe the mind,
some crutch or stick
to tap around like
one who's blind,
but I have none,
none that will ease
or remedy the ill
of your departure,
none to fill
the huge chasm
between you there
in Death's hold
and God's grace
and me left here
sensing loss
and the cold breeze
of death's breath
in my ageing face.
A FATHER TALKS TO HIS DEAD SON.
Terry Collett Mar 2014
Your Manchester United
football shirt
hangs framed
on the wall:
Ole and number 20
show through the glass.

I remember
you wearing it,
your body
filling out the cloth,
giving life to it,
your name
and number
worn proud
amongst the family,
or out in the crowd.

Now your shirt
hangs there
silent and still
behind the glass.

I wonder if it
still retains
some aspect of you,
some particles
like sparkles
that remain long after
like memories residing
in the shirt's soul.

Your brother put it there,
sealed in the frame,
your number 20
and Ole
your shortened name,
out of love and grief,
wanting it
to always be
in sight, part of you,
inside, like a light
in the mind's
dark night.
On seeing Ole's football framed on the wall.
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