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They love to say
we bring out the best in each other
that I bring out the best in you,
like that's the only thing I am good for,
the only reason I am in your life.

They smile
and point.

It won’t last.
Eventually, he will leave.
Even the moon goes through phases.

As if I’ll just
pack my bags
and leave you behind,

as if I could just
erase my entire existence.

Baby,
I love how they think
you cannot think
for yourself.

your friends,
all the people around you.

They think they know
the truth
when they see me
half the time.

Baby,
I understand
the concept,
the concern.

But even the moon
doesn’t fully disappear,
If you look closer.

Just because they don’t see it
doesn’t mean
I’ve left your sky.

Some things
are just meant
for you.

No matter
how much they point,
or try to pull you
to the side,

there is no hiding
from you
I want to build a home with you
a place pieced together of words,
passed from you to me.

Eventually, the walls will breathe,
and they, too, will whisper
through our bones.

No matter how old we get,
they will still be there.

Although neither of us will
completely own this home,
what we will own
is how it makes us feel
and the memories we'll soon sit on
like furniture.

A place we'll come to spend
most of our time,
an inner standing
that it will house both of us,
no matter how we choose
to express ourselves.

The first meal we'll have,
I'll season with my smile
so you can taste what I taste
and feel what I feel
when I see you.

Then you'll understand
why I have nothing to hide,
why I open and include you
in different places in my life.

In this home I want to build with you,
there isn't a wind or a force
that could blow it down.

Even if we were to separate,
my hands will still remember
how we built it
brick by brick,

the mortar sealed
with a kiss from your lips
Well, babe, I’ve been let go
I am still learning how to let go.
My hands are so tired.
The people we once were,
the you I once knew,
evaporate into the rearview.

If you refuse to drive
hell, if you won’t even touch the wheel
we’ll keep speeding toward something too dark,
something neither of us can name.
I don't want that for us.

If not for me, then for you.
If I take my foot off the gas,
we go nowhere.
You said, let go.
But there is no way I can let go
without leaving you behind.

We don’t have to crash.
Babe, I’m tired.
We’ve driven too far past the last exit to turn around.
Skidded across the median more times than I’d like.
I don’t mind the potholes,
the chipped paint,
or the blurred lines.

but if we pull over,
I’m not getting back behind the wheel
I’ve lived in your heart for a minute now.
And though I love it here,
the faucet leaks,
the door doesn’t shut right
sometimes I have to hold a hand to it
just to lock it back.

When you drink, the space between your ribs
tightens, and your liver expands.

The neighbors aren’t so bad.
They keep to themselves.
When they see me, we talk about
how high the rent is,
how much we don’t get in return for the association fees,
how often we wake up to notices on our door
about late payments
always knocking like the police.

For this reason, I don’t attend any of the meetings.
But I don’t want to leave.

I’ve lived in your heart for a minute now
long enough to sleep through the creaks
when it settles,
long enough to know that home is where my heart is.

Forever isn’t a day here.
It stretches into the way you snore
when you think no one is listening
probably my favorite sound
She walks in, her eyes like soft pencil lines.
She smiles when she looks at the waitress,
ordering a coffee.

I sip mine slow, looking out the diner window.

“You always draw this late?” she asks.

Only when I can’t sleep. Or when I’m hungry.
Just depends on which one happens first.

She rolls her eyes.

Falling feels like a good pen that suddenly runs out of ink.

Normally, when I draw, I’m in my own little world.
No conversation. Just my graphite and my sketchpad.
Of all the beautiful colors that life can arrange,
I admit—I’m intrigued by this woman.

I completely put my pencil down and let my coffee get cold.
But that’s how fast inspiration strikes.

This grayscale drawing, splashed with the rainbow that is her.

Although I’m listening, I keep my head down,
pretending I’m still drawing the picture I was working on
when she first walked in.

She sits two booths away, hesitating before asking,
“Can you draw me?”

I look up immediately.
“You’d have to come closer.”

I catch the reflection of the city in her eyes—
the blinking sign outside, the brake lights from the cars.

I flip the page and start tracing lines on my sketchpad.

She tilts her head, watching my progress.
I ask the waitress for a refill.

“Do you ever draw people you don’t know?”

I look at her, smile, and say, “No.”

At some point, we see everyone before we really meet them.

In a way, it wasn’t a lie.
I have seen her somewhere before.
Or at least, I’ve thought of meeting someone
who looks the way she looks.

But then again, art is subjective.

She watches me over the rim of her mug as she sips her coffee.

She leans forward.
“What do you see when you look at me?”

The most beautiful things happen at unexpected moments.

Normally, when someone asks a question like that,
if you answer too fast, it’s a lie.
If you take too long, it’s a lie.

Before I knew it, I told her:
“Someone that talks to strangers when she’s bored.”

She rolls her eyes.
“Let me see.”

I show her the sketch,
point at it, and imitate her voice.
“Can you draw me?”

It’s not exactly polished.

She studies the rough graphite,
scratched to life between the pores of the page.

She rests her elbows on the table.

Before she answers, I speak first.

“I think about what things can be, versus what’s presented to us.
If we tell each other something deep about ourselves—
a strong 7.5 out of 10—it’s going to be either forgettable
or full of ****. Either way, we’re both hoping
not to regret opening up
to someone who’s just going to nod and smile.”

She smirks.
“If I told you I love the progress on the picture so far, what then?”

I shrug.
“I’d still think you’re full of ****.
But you’re kind of cute.”

Falling feels like a good pen that suddenly runs out of ink.

To be honest, I don’t think it’s the uncertainty of where I’d land.
I haven’t exactly lived my life by the advice I give other people.

I never really think about the end of things.

Whatever I do, I just go with it and expect the best.
I think about it, of course.
But eventually, the ink runs out.

That’s just life.

Although I’m drawing her physically,
in my mind, I’ve drawn the curve of her neck twice over.

The thought of drawing someone else
doesn’t even come to mind
When I made it to work,
I thought about you
getting through the day,
pushing time forward
until it was finally time to go.
I had no idea what I wanted to eat
until the thought of splitting you open,
watching you sit in the depth of my fork,
did it for me.
A scoop of fried rice,
mixed with gravy
there is something so satisfying
about that first bite,
about savoring the moment,
readying the next forkful.
There’s nothing wrong
with wanting something
that wants you back.

If I spill any part of you
on my clothes,
on my hand,
on the table
I still want you.
I will still have you.

There’s nothing wrong
with burgers, burritos,
or any of the other places I pass.
But in this very moment,
the way these eggs, bean sprouts,
and green onions wrap around my tongue
nothing else compares.
Pressing my fork into your crisp edges,
watching the steam rise
I, um,
should’ve ordered extra
She moves fast like a city
full of names, things to do,
and places to be.
No matter how fast she moves,
there is always a spot for you.

Regardless of where you go,
not every woman, not every city,
is the same.

She highlights her personality,
the buildings of her priorities,
Her personalities,
like dominos
uncovered and placed strategically.

The way she was raised,
the not so pretty parts,
Behind the well known parts
of her,
not necessarily put away.
But still, there is a place for you.
Whether it's a quiet night in,
or an event organized
to get to know each other better,
the margins of her heart beat for you
Between the counties.

Although she moves fast,
and one day with her varies from the next,
she's not afraid to let you know that she's busy.
Once she handles all of her business,
be ready to catch up on all that missed time.

But don't forget
she doesn't just find the time
to call or text.
She shows up.
You too are a part of her world
I know you, Moon
Shining pieces of light
that are not your own.

As beautiful as you are,
as full as you look,
there are pieces of yourself
that you hide in the dark
the empty patches
left by those who took
but never gave.

If I could, I'd
climb
up
next to you
and offer you a
piece
of myself,
to make you feel whole.

I, too, know
what it's like
to
hide
pieces
of
yourself.

At least with you,
that piece will be called beautiful,
and no one will know the difference
except for you and me.
I know you, Moon
Clouds form and fill the sky
Everything turns gray.
Still, there is no you.
You don't say sorry.
You don't say anything.

I walk outside,
Expecting to see you
At the very least, hear you
Rumble closer.

The sky is just as stubborn,
Refusing to move.
Here I am, outside
Head tilted back,
Mouth open, waiting for you.

Picturing your voice
Rumbling in the distance.
You don't say that you're sorry.
The rain still hasn't come
Lalit Kumar Mar 3
@Jess,
"The greatest one I bear now,
making me die a little each day,
is that I let you go, not knowing,
leaving was a decision you'd regret."
You, with your raw, poignant words,
captured the agony of unspoken goodbyes,
painting the ache of regret like a timeless portrait.
In your verse, I hear the soul's deepest cry,
yet in your strength, there’s also light.

@Anais Vionet,
"I am the wind, the desert breeze,
the ocean spray and rustling leaves."
You, like the wind, slip through every thought,
a breath of freedom captured in verse,
unstoppable, untamed. Your lines dance
like whispers of the sea,
speaking of transformation, beauty, and loss.

@Shane Michael Stoops,
"46 years,
What do you get,
Your way past old,
Your pants don’t seem to fit"
You embrace the passage of time,
showing us the strength in weariness,
the humor in change. Your words,
like a hearty laugh, echo through life's stages,
reminding us that every line of life is worth reading.

@CJ Sutherland,
"eye now know
the how, when, where and the-why,
my Eyes compose this elegy
memories of past and present... blending into memories of future happenstance."
Your poetry is a mosaic of time,
where past, present, and future coexist,
and each word is a step toward discovery.
Your mind is both a mirror and a window,
reflecting and shaping the world.

@Shane Michael Stoops (again),
"We danced in the rain,
Laughing away so much pain."
Your words hold an unspoken promise,
the joy of dancing in the face of sorrow.
In your poems, there is an invitation to release,
to shed our fears and allow laughter to heal.
You teach us that pain and joy can coexist.

@Jess (again),
"I hardly understand the ticking of the clock,
trying hard to go through each day."
The ticking of your verse carries the weight
of endless hours and endless thoughts.
In your words, I hear the struggle of time
and the ache of waiting for solace.
But there's grace in your journey—
and your courage leaves a lasting mark.

@Anais Vionet (again),
"What is chosen is believed,
though the choices are presented—
I choose among the sacrificial burnt offerings."
You have a way of breaking down complexity
with a single line, weaving the eternal truth
into a delicate, yet unapologetically bold choice.
Your words cut to the heart,
unraveling mysteries with elegance and resolve.
These voices create a tapestry of pain, hope, freedom, and resilience. Every verse from each one is an invitation to listen, learn, and grow.
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