Photographers step out of hazy stairwells, tired eyes adjusting to dim light, looking for
their next muse.
“Works of art take time” they tell themselves
they look for the next spark of intrigue, their next fix.
You’ll find them on public transport, in old cafes:
cameras slung around their necks like billiard boards captioned ‘the end is nigh’.
Buzzing with anticipation of their next good catch, biting the lips of their disgruntled
faces like ancient gladiators biting the dust.
Castaways, oil paintings once brilliant and beautiful thrown into apartment blocks and
grey buildings,
ruins of art cast adrift by time.
Haunted by still frames and possibilities, all burned onto retinas, they stumble across
traffic jams;
finding beautiful people, forcing themselves into their lives.
Fleeting whispers rotate into double takes and flickers on the film of a Polaroid camera;
the subjects become muses,
cities are reborn as golden
flood into spotlights:
vibrant, reckless, insomniac.