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Gilgamesh's journey and Utnapishtim’s tale of the Great Flood

He roamed where men did not belong,
with feet made sore by right and wrong.
The lion’s pelt across his back,
his eyes were storms, his soul a crack.

Through valleys scorched and mountains numb,
through nights that made the dreamers dumb,
he came at last to darkest shore—
the gates where no man asks for more.

Two scorpion guards, with blazing breath,
who kept the path that walked with death,
let him pass—his face so worn,
they knew this king was twice reborn.

He traveled then beneath the earth,
where sun forgets and silence births.
Through twelve leagues of eternal black,
his thoughts his only turning back.

At last he came to shores of sand,
where Siduri poured with trembling hand
a cup of wine, and spoke with grace:
“Why chase the wind no man can face?”

But still he pressed beyond her plea,
and crossed the Waters of the Sea,
until he reached a quiet shore
where Utnapishtim kept the lore.

“O deathless man, I seek your gift—
to stop the tide, to make the shift.
How did you gain eternal breath,
and break the iron spine of death?”

The old one spoke: “A flood once came,
from gods enraged by human shame.
They planned to drown the world in night—
to sweep away both wrong and right.

But Ea, god of whispering streams,
warned me gently in my dreams.
He told me: build a box of wood,
to carry seed and kin and good.

And when the rains consumed the sky,
and all beneath was left to die,
my ark alone withstood the wave—
the storm became our floating grave.

For six days long, the sea held sway,
then silence fell on the seventh day.
I loosed a dove, then raven bold,
until dry land the bird foretold.

The gods repented, soothed their rage—
but time had turned a darker page.
They set me here, far from men’s breath,
a gift of life—a curse of death.”
The second to last chapter of the Akkadian 4000 year old poem, originally etched in stone in what is now called Iraq.
Translated from the original by Andrew George
and, on my request, scripted in original verse by Madam Chat GPT.

M@Foxglove.Taranaki.NZ
I’m new to ‘self-directed study,’ it’s a construction I’ve never known. It’s kind of a faustian bargain that resembles another self-paced activity—treading water. The program’s like an immersive plunge in deep, choppy, informational seas.

On the other hand, instead of dark, crowded auditorium classes, we’ve been studying, on sunny mornings, out by the pool, where there’s a summer-camp-like vibe.

When I say 'we', I mean Chella and I, we’re a two-girl study group. I’ve only known her for 13 days but we have a lot in recent-common. She was in my Yale graduation class (last month) but our paths never really crossed at Yale.

She’s a tall, lithesome, black girl from Miami Florida. Not the sandy beach Miami, where palm trees sway, bikini clad models strut and flamingo-pink art-deco bars face the ocean. No, she’s from the Liberty City ghetto—and she has stories.

She say’s that getting her Yale acceptance was a sea change. People were incredulous, as if aliens had landed or everyone in her high school had won the lottery, There’s a sad but steely resignation in her voice when she says she’s never going back there, "Evah."

So, it’s 86°f here in Boston, MA, and we’re out studying by the pool. There isn’t a cloud or bird in the sky and the sun looks—well, honestly, we’re not looking at the sun—we’re college graduates—we’re in the shade. I was afraid the pool would be summer-time crowded but we’ve been the only one’s here all week. We plunge into the pool and then read.

As Blue Coupe by Twin Peaks finished playing on my Bose Soundbar, Chella professed, “I literally LOVE that song.”
“I’ve loved that song since 8th grade,” I agreed.
“I don’t think my musical taste will ever be better than it was in 8th grade.” Chella confided.
“8th grade’s when everyone’s up on trends,” I said, thinking back.

We read for a while. The only thing tainting our near resort-core experience, is the flood of material we must cover.

“I want to be jolly,”  I declared to the universe,“I’m holding that today.”
“You keep yourself so grounded,” Chella said, “like you refuse to delight in anything!”
“That’s not true!” I gasped.
“Yes, it is!,“ she updogged, if anything goes wrong, you’re just done.”
“NOoo!” I laughed. “Ok, two things, if two things go wrong,” she amended.
“That’s fair.” I admitted, “I’m a two chance girl.”  
“That’s fair,” she agreed, then she added, “I’m going to switch the vibe up.”
‘SIREN by Shygirl’ began banging as we went back to our reading.
‘Self directed study’ has it’s advantages.
.
.
Songs for this:
Count Contessa by Azealia Banks & Lone
Blue Coupe by Twin Peaks
SIREN by Shygirl
BLT Merriam Webster word of the day challenge 06/05/25:
Sea change =  a big and sudden change or transformation.
A flag billows
gently

in a warm breeze
as a jet

silently makes it's way
across a blue sky

graying
at the edges of perception
An abstract word painting
“When Clay Weeps”
A poetic tribute to Gilgamesh and Enkidu

Beneath a sky of burning stars,
Uruk's high walls gleamed like scars
cut into time—immense, precise—
where kings were gods, and men were dice.

Gilgamesh, carved out of storm and sun,
two-thirds divine, yet wholly undone,
bored with power, drunk on might,
wrestled shadows in the heat of night.

Then came Enkidu, beast-born and bold,
with eyes like flint and hair like mold
of forest boughs, of untouched place—
the wilderness written on his face.

They met like meteors—fierce and fast—
and fought until their rage was past.
Then, laughing, stood where blood had pooled,
and in that moment, gods were fooled.

They crossed into cedar-scented gloom,
to fell a giant, shape their doom.
And when the gods struck back with grief,
they cleaved the world with disbelief.

Enkidu’s breath fled in the dark,
his voice a ghost, his limbs grown stark.
And Gilgamesh—stone turned to skin—
sought death’s edge to pull him in.

He wandered roads where no man goes,
spoke with alewives, fought with crows,
and found the flood that washed the land,
held time’s seed in his trembling hand.

But life, a serpent, sly and thin,
stole the fruit he held within.
So he returned, not with the key,
but with the tale of what can’t be.

He carved in stone his city’s face,
a wall, a name, a time, a place.
For though we die and dust returns,
a soul may live if someone learns.
The Epic of Gilgamesh, one of the oldest surviving works of literature, is hardly easy reading. But Andrew George’s translation from the Akkadian is strikingly accessible – a meditation on power and mortality.

I enlisted the poetic talent of Chat GPT to craft a verse unclasping the essence of a small part of this 4000 year old poem from ancient Iraq.

A fascination unleashed.
Cheers M@Foxglove.Taranaki.NZ
Oh Tzar of ******'s bleaching bone
Thee of blood soaked terror's home
Whilst striding from thy crimson cusp,
Anointing children, dead at dusk,
Weeping mothers, poets slain
You sip from goblets brimmed with pain
Soldiers fall at your command,
Prayer unheard across the land
And hatred drips from those who sing
Thy death-- the dawn's red sun shall bring.

The whispers of unearthly screams
Breath the foulness of your dreams,
Touch the agony, the flame,
Ignited in your tyrant brain
Treachery becomes thy ilk
A garrote soaked in mother's milk,
The stiletto to the small of back
An assassin's terminal attack.

No vespers from thy closest friend,
No grief at matrimony's end,
No crowds lamenting in the square
Just cold, hard earth awaits you there....
Gone those groveling to win,
Gone the subservient, then within,
Gone that snap of fast salute
Now curses flail with lashing boot.

Now the curled successor's grin .....
Thy image ---
A forgotten thing.

M@Foxglove.Taranaki.NZ
Putin, the Dictator, the tyrant....what a fragile world he lives in. Borne of his own cruelty, heartlessness and ego. Generating a blatant and everlasting hatred in the generations he has oppressed, the only way out of his quandary is a violent death, a coffin, probably instigated by his closest compatriots or his family, maybe even his wife.....What makes a tyrant seek this life? What makes him dwell in his sphere of suspicion, envy and jealousy; What endears him to the hatred he has meted out to all the vulnerable in his realm?

HAS HE NO FEAR?
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