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calion  Dec 2013
bravery.
calion Dec 2013
bravery is not just going into war or running into a burning building.
bravery is also standing on a stage.
or giving up your sharps.
or eating in front of people.
or singing.
bravery has many different forms.
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Marian  Oct 2012
The Brook
Marian Oct 2012
I come from haunts of coot and hern;
I make a sudden sally;
I sparkle out among the fern
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps, a little town,
And half a hundred bridges.

At last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I chatter over stony ways
In sharps and trebles;
I bubble into eddying bay;
I babble on the pebbles.

I chatter, chatter as I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a ***** trout,
And here and there a grayling.

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To joing the brimming river;
For men may come and men may go,
But I go on forever.

I steal by lawns and grassy plots;
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance
Among my skimming swallows;
I make the netted sunbeams dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river;
For men may come and men may go,
But I go on forever.

 **~Alfred Tennyson 1809-1892~
LET  Dec 2013
Sharps and flats
LET Dec 2013
I've been listening to the same album for the past 3 days
and it never gets old
It's directly linked to my living and
my life in this **** moment
I like the way the sharps and flats
clash with the pure melody
it creates this sort of structured chaos but it also makes me feel insanely in control of myself
and not so far off
and more and more tense with happiness
it's ****** up but it's a beautiful
piece of work
thanks
'O babbling brook,' says Edmund in his rhyme,
'Whence come you?' and the brook, why not? replies.

    I come from haunts of coot and hern,
    I make a sudden sally,
    And sparkle out among the fern,
    To bicker down a valley.

    By thirty hills I hurry down,
    Or slip between the ridges,
    By twenty thorps, a little town,
    And half a hundred bridges.

    Till last by Philip's farm I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'Poor lad, he died at Florence, quite worn out,
Travelling to Naples. There is Darnley bridge,
It has more ivy; there the river; and there
Stands Philip's farm where brook and river meet.

    I chatter over stony ways,
    In little sharps and trebles,
    I bubble into eddying bays,
    I babble on the pebbles.

    With many a curve my banks I fret
    By many a field and fallow,
    And many a fairy foreland set
    With willow-**** and mallow.

    I chatter, chatter, as I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'But Philip chatter'd more than brook or bird;
Old Philip; all about the fields you caught
His weary daylong chirping, like the dry
High-elbow'd grigs that leap in summer grass. [grig = cricket - m.]

    I wind about, and in and out,
    With here a blossom sailing,
    And here and there a ***** trout,
    And here and there a grayling,

    And here and there a foamy flake
    Upon me, as I travel
    With many a silvery waterbreak
    Above the golden gravel,

    And draw them all along, and flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.
calion Apr 2014
step one: find someone with the correct qualifications. make sure he has taken the correct courses and has credentials.
step two: if your lawyer has a double major in medicine, run away.
step three: he is a person, not a house. do not treat him as such. don’t begin to use his bones as beams and his heart as a generator.
step four: you are a person, and just because you have legal issues doesn’t take away from that statement. you are a person, not a project. make sure your lawyer realizes this too.
step five: if he tries to fix you, run away. go back to step one and pay extra attention to step two.
step six: doctors are bad news. stay away from them at all costs, even if they are a good lawyer too.
step seven: don’t try to fix him either, even if he needs the help. he needs the help, but he’ll never actually accept it.
step eight: he’s just a boy. not an angel, not a superhero, not a saviour, not a lawyer, not a doctor, not a repairman.
step nine: he is not a song. don’t make him a song. he is not a song. don’t compare him to “broken crown” by mumford and sons or “ice” by lights.
step ten: if you need legal advice, a professional works but ultimately a convicted girl is the best advice.
step eleven: whatever you do, don’t hurt him because you’re afraid of being hurt.
step twelve: don’t give him your sharps. save yourself. you don’t need him.
step thirteen: don’t **** yourself because he doesn’t care.
step fourteen: he cares.
Grace Apr 2017
The soft rustle of pages consume me,
all that I can hear,
small sharps whispers,
passed along from ear to ear.

Then silence,
eerie and quiet,
Shelves collecting dust and must,
causing not one riot.

no one can disturb me here,
now and forever more,
my quiet little sanctuary,
the place that I adore.
Alyssa Apr 2014
Never have I wanted to use your body like a piano until now,
play it vigorously until it breaks.
I don't know many chords
but the effort could be beautiful.
I could become devoted to your keys,
your sounds,
the difference between your sharps and flats.
I've learned to take pride in simplicity,
like three notes coming together to sing your moan.
Was it the right keys or an accident?
I've heard symphonies made out of you,
but i am still unaware of how to make you play for me.
My hands aren't big enough to play you properly,
there is always one key missing.
No matter how carefully i play,
I find it difficult to produce the same melody twice.
You were never meant to be replayed.
Instead, you are captured in one vast fleeting moment
praying to be heard by the ears of the restless
in hopes of making them complete once more.
But how can you yearn for the wholeness of others
if you will not fill me up first.
I long to fill this room with your music,
I want to hear you just one last time.
For a very racey title this was actually constructed by listening to beethovens moonlight sonata
B E Cults  Aug 2021
all sharps
B E Cults Aug 2021
watch me as I burn
this candle I've been
balancing on my nose
all night.

call it finesse.

ive been left in the rain,
my "separate" is praying
for rain and a good harvest.

darkness creeps under your
your bedroom door,
reaching for you,
reaching for youth.

I lost that last life.
just saying.
Jessie  Jul 2013
Here I Am
Jessie Jul 2013
I feel the tendrils creeping in
Wrapping around my core, my neck
The muscles slowly strengthen, suffocating me
Making my calls so muted they’re virtually nonexistent.
I’m shouting though I can’t breathe,
But no one can hear my screams from the
Deep, dark trenches of the shadowy sea
As unbeknownst creatures emerge,
Leaving their places of sweet asylum
And intruding upon mine,
Yet, I still am stranded here in this place.
I don’t even know where I am,
But the voices of fear and insecurity in my mind,
Tell me what I need to do - when, why, how -
Steadily I hear a crescendo of a piano some distance away,
So far, almost on the outskirts of the complex town inside my mind,
Though I discover the music is waiting just around the bend.
A flats, F sharps – getting louder, louder!
“Stop!” I am screaming now
Or at least I think that’s me.
But the music blocks out my voice
That tender little voice of mine.
Suddenly, as I see a blonde-haired head pop up,
I lose my balance, and I begin to fall
Deep into an abyss, a magical abyss
With walls that close in more and more the farther I drop.
As the yellow light above me slowly dims,
I expect a rope, a ladder, anything,
But there is no one there to save me.
I realize the opening I see is a barrel,
And I am staring directly into its wide-eyed face.
A click tells me that the trigger is ready,
As the melody overtakes me and
I am caught in a whirlwind of music.
Spinning, spinning, everything going round and round
All I can see is the darkness behind my eyelids.
So I cry out loud yet again
But no one comes to my side,
Which doesn’t matter, I guess –
I don’t want my skin to be a bulletproof sheath,
Protecting and preserving my unyielding wall.
I want the demons to infiltrate my soul and strip me of this agony
So that I can finally smile amidst the ocean’s fury
As the tornado destroys my mind
And the tendrils of the music pull me in.
Ash  Jul 2018
Music
Ash Jul 2018
It's not just the piano notes
It's not's its sharps or should I say it's flats
It's not the music sheet
It's obviously not my E major voice
Neither is it how well our voices blend
When the concertmaster says start to
Lady Antebellum - Need You Now

It's not just the Violins
G3, D4, A4, and E5 soothing notes
That keep us playing even when the rest stop
It's not our audiation that keeps as late
Into the night writing,meditating,singing
Laughing at each others crazy lines.
Or your masculine tattooed arms, Strumming the guitar
Neither is it your ability to manipulate your voice to both
Tenor and a Countertenor,so that when the concertmaster says start
To Michael Bolton - When a Man Loves a Woman
It feels like heaven has just opened its doors.

It's not how high I can hit the yala leyo notes
Neither is it my ability manipulate my emotions
So that when the concertmaster says to me Start To
Loren Allred - Never Enough
I give the crowd both my voice and my emotion

It's the memories the two of us make
That lead up to this moment
When the concertmaster says Start
The memories trickle in
The laughs,the anxieties,the fun,the fights
Even the shared pizzas and movie nights
That are all joined with the one thing that we share
Our passion for music,it's culture and giving it life
It's beauty and how freeing and liberating it's words can be
Things we both want to say but really can't
So we use the most basic language we both get
Music

— The End —