I'm not afraid of being called egotistical

For having convictions, for feeling like I matter

But not in that "it matters inside"

Like I'm some hipster flavor of the month

Because if Kim Kardashian is relevant I'm ******* relevant

Tell me what sandwich Kanye ate after he wiped his *** today

Tell me how One Direction smoked ***, and wrote a good song finally

Tell me how Arcade Fire thinks electronic music is lesser when they

Record their tracks using a DAW

Tell me how you think Jimmy Page was a sloppy guitarist and then show

me your discography, I probably don't like it as much

Tell me I'm wasting my time, and then go clock back in at work

I'll do the same

Because if Kim Kardashian is relevant I'm ******* relevant

Tell me writing is a subjective craft

Tell me my writing *****

Tell me I'm not touching on any real points

Tell me I'm being too specific

Tell me I don't express myself enough

Tell me to shut the **** up

Tell me I'm a voice for the people

Tell me I should calm down

Tell me to keep writing and working with no recognition

Because if Kim Kardashian is relevant I'm ******* relevant.

Tell me to ignore those facts and keep going anyway

Cause I'll do it, and I'll write this ******* poem about it

Reality star Khloe Kardashian is empowered by her gym-honed curves... and hoop earrings.

The 31-year-old has transformed her figure in the last year and her success has landed her the latest cover of Shape magazine, in which she discusses how she feels about her new body, while insisting she didn't hate her fuller figure before she started on her workout regime.

"I love my shape because I've earned every curve," she said. "I work hard in the gym to get it. But I also loved my shape before, when I was even curvier. I was always incredibly comfortable in my skin. Everybody else saw me in a different way, but I didn't see myself that way... Today I put in the work to get the curves I have and every bit of firmness.

"I feel empowered and bada* that I was able to accomplish everything I have."

While Khloe is happy to work hard in the gym, she isn't willing to compromise on her style, and recently showed off a walk-in-wardrobe dedicated to her gym clothes on her mobile app.

"When I buy a cute outfit, I'm superexcited to go to the gym the next day," she explained. "And when I look good at the gym, I'm inspired to do an extra squat or an extra lunge. Just because you're going to work out, you don't have to look like a slob.

"I also always wear hoop earrings; they're like my security blanket. I'm inspired to do an extra squat or an extra lunge. People laugh at me, but why not? They make me feel more dressed up.

The star also insists on wearing make-up when she plans to work up a sweat.

"I put on a tinted moisturiser, mascara, and cherry lip balm, and fill in my eyebrows," she adds. "If I feel cuter with a little lip colour and mascara, why should anybody else care?"

While Khloe is thrilled to be on the cover of the health magazine, she's not thrilled with the image chosen.

She took to Twitter on Tuesday (12Apr16) to share her disappointment, writing, "Love Shape mag & I'm thrilled to be on the cover but we took so many better cover images.

"I wish they would have used the other set ups over that simple grey look. But how f*king crazy that me... 'The fat one' is on the cover of Shape!!! Ha!"Read more at:www.marieaustralia.com/****-formal-dresses | www.marieaustralia.com/backless-formal-dresses

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

Are you as surprised as I to find
That Kim Kardashian is a international spy

But don't worry she's on the side of right
Working this time for the good guys

The pics that this twit tweets
Is spinning turbans around in the Middle East

Corrupting the minds of the men and their youth
As they google eye over what she let's loose

Though Miss K. is not the one to blame
It's mainly the fault of Uncle Sam

She's just doing her civic duty
In the posting of selfies in her birthday suity

I've had suspensions for years believe you me
The Kim isn't as dumb as she appears to be

Not since Marilyn
Was perfection embodied
In so full a form.

We pride ourselves on being ‘America the Free’,
But how are we free when a he can’t marry a he?
Homosexuality is found in over 90 species,
but homophobia is only found in one.
If you want to blame someone, blame the straight people.
They’re the ones who keep having gay sons.
Not one Disney princess is a lesbian,
Not one superhero is gay.
Not all girls want a prince charming.
And not all men want a heroine someday.
They say, "Love is blind."
So why are we so blind to fact that love is love?
What has America come to that we’d rather see men holding guns, than holding hands?
Until recently, in the US military, admitting that you’re gay, had bans.
Homosexuality isn’t a disease.
You can’t catch it, and you can’t cure it.
Please.
Tiger Woods can have 19 mistresses,
Britney Spears can have a 55 hour marriage,
Kim Kardashian can get married for publicity,
But GAYS are corrupting the institution of marriage?
Closets are for clothes, not hiding.

It was strange almost as strange as Thanksgiving with Justin Bieber  at his grandmother's house.
Yes I'm sure that wasn't the only thing getting stuffed that year.
Who doesn't enjoy being serenaded by their grandson as he's naked with his pick in one hand and
his **** in the other as he stands **** ball naked in the kitchen.

Thanks Canada your like a ***** girlfriend who instead of giving a great ******* gave us ******  What do I expect from a country that also gave us maple syrup and call me maybe.
I know we just met and this sounds crazy but your countries music ***** so never call us okay.

I was alone in the Pub as  usual hell what do you expect from a site that has a showcase yet has no more groups from which half of the showcases are named after .
Yeah the owner has that true modern day logic like having a music channel that only shows
reality show ****** and knocked up ******* who complain about paying the bills yet are employed by the network yeah common sense it really is lost on stupid people.

I was having like half of a case when a hamster who shall remain unnamed due to she would
harm me if I spoke the name of which is not to be spoken of walked through the door.
Gonz set me up with a cold one  I really need it.
Really hamster I never pegged you as a necrophilia kind of gal but to each his own
good thing I got the paper let me just check the obituaries and make some calls
You want something fresh off the highway or you more into cold cuts?

I know I'm going to hell but honestly did you expect good taste  in reading this **** ?
Are you ******* nuts?
The agitated little hamster asked as she looked at me with anger and possible **** in her eye's.
Look I can always hope good thing I forgot my whistle.

Just give me a cold beer you pervert and that joke was tasteless really have you no respect for anything?
I looked at the hamster after handing her the beer and thought deeply and hard pulling my mental hair at the same time even though I don't have any don't ask.
Duh hamster!
It's my job  to make tasteless jokes and be a pervert what you think the time clock on the walls for?
Um employees ?
Well yeah it used to be until they whole health care **** I swear I give my workers one meal a week and provide a perfectly good basement for them now I got to give them health care duh
if I paid my bills what would I drink with ?

My customer who remains anonymous to  protect the safety of my *****.
Looked at me in disgust uh oh looks like I might be getting a spanking as well.
You really keep those poor people locked in the basement ?
Duh person I cant say your name there not real people there here illegally.
How can you say that I should call the cops on you .

The hamster was turning red and from the threat of calling in the fuzz I knew she must be
serious yet still I knew deep down she was just playing hard to get with her threats and restraining orders but enough with the foreplay hamsters.

Look I really don't see what the big deal is ?
You have people trapped in your basement like some dirt bag smuggler.
Now you hold on a minute hamster how dare you insult me I said in my grown up voice
I know I can act like a grown up shocking isn't it?

I was about to tell this hamster just what I really thought of people who take advantage of people
who just want a better life and exploit others and really preach some of that moral **** that sounds real good yet isn't what I think cause I'm truly a ruthless *******.

When I stopped and saw the clock oh **** hold that thought I almost forgot to feed the basement people.
I reached under the bar and grabbed four cartons of cigarettes and a case of wine.

What in the hell you only give those poor people ***** and cigarettes ?
Well  duh there French what else would they want?  
Just then a voice came up from the dungeon I mean basement of the pub gonzo more wine
you American swine I hate you yet still I applaud your efforts in destroying that vile
man child Selena Gomez  .

Ahh you got love the French sure that strange little man may stay drunk on a girl drink and smoke like a chimney but even he hates **** pop music as much as me.

My one and only reader slash customer slash person I enjoy annoying sat in shock.
You are so ****** up .
I looked as I took my seat behind the bar that no longer exists because some people
who shouldn't be allowed out of there cage run the site into the like button ground.

Yes hamster I'm a little ruff around the edges but when you get to know me.
You realize behind all the insults and perverted bad humor .
I'm well I'm far worse than you could ever imagine.

We sat there swapping stories the drinks flowed the French man in the basement yelled
something in that strange language  he spoke once I couldn't understand cause I
don't speak German.

It was a  true night to remember except for the part I forgot duh!
It was growing closer and closer to closing time I mixed us both a good strong drink
yet with a soft side and heart of gold like a awesome ****** or that man ****** Kim Kardashian .

Well I guess better head out Gonz.
Aren't you feeling like your going to pass out .
Um no why ?

****** its really getting bad when you cant trust a good street dealer to quality
roofies  .
The hamster was headed out the door but before she left she turned and said.
Oh yeah and you might need to grab a pillow.

And then everything went black but not like in the NBA .
No indeed I was out like Charlie sheen after a really good coke binge when he used to be cool.

I awoke upon the floor alone cold and hurting in a area far more strange than fifty one
****** man whya alien would travel across the galaxy only to corn hole rednecks and poetic madmen is beyond me but enough about what some owners of websites do in there off time.

Upon the bar sat the only cure for my troubles a double shot of good blended whiskey.
Next to it a note on a bar napkin .

Dear Gonz  next time remember to remember which drink you spiked you ******* .

I had to laugh and sit really funny the seat was a bit uncomfortable get your heads out of the gutter
children your almost as bad as me.

Until next time kids remember .
Good humor bad humor  its just ******* a joke to begin with so lighten the **** up.

Cheers and stay crazy.

I know that I will never marry Jimmy Fallon or Donald Glover or Joseph Gordon-Levitt.
I know that despite the myths, Brussels sprouts taste awesome.
I know that one too many tequila shots will automatically turn you into a philosopher.
I know that the sun sets in the East and rises in the West (or is it the other way around?)
I know that I am most happiest when I'm surrounded by amazing friends in the unseasonably warm March sun and a banjo is playing.
I know that a smile straightens everything out.
I know that although you can't forget the past, you can't let it dictate your future.
I know that having *** for the first time is weird, and so is ****.
I know that my hair is golden, my eyes are blue and I will never be stick-thin as hard as I try.
I know that there are 24 hours in a day, 7 days in a week and 12 months in a year. But it never seems to be enough time to figure out who you are.
I know that people come and go but those that love and care for you will stay glued next to you no matter what.
I know that as much as it hurts, you will get over love.
I know that I will never have the courage to rap publicly.
I know that Kim Kardashian's *** is most likely not real.
I know that travel truly broadens the mind.
I know that I'm insecure and over analytical and anxious and easily frustrated.
But I know that I'm also passionate and determined and a hopeless romantic and a picky eater and a restless sleeper.
And above all:
I know that when I look at you I see past your eyes.
I know that when you're around I smile wider and laugh louder and flip my hair more often.
I know I dress nicer to remind you how beautiful you think I am.
I know that I forget to inhale and that the butterfly on my shoulder has to fly up to my ear and remind me to breathe.
I know that I care about you more than anyone.
I know that I let you into every pore of my body, every opening: my heart, my head, my...
I know that I am willing to jump in with my whole body and risk being drenched in water for you.
I know that I can make you as happy as you make me
But I know that you're scared and vulnerable and hurt
But if I'm sure of anything (and mind you, I'm not sure of much)
I know that I will hurt and be afraid and breathe with you to make you love me.

At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.