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TEA BREAK EVERY OTHER DAY

"Tea?" enquired
the Jabberwock
pleasantly

"Thanks awfully!"
smiled Alice politely
pleased to take a break

"One lump or
. . . two?"
growled the Jabberwock

"None, thank you very much!"
Alice replied
in her best mimsy voice

"I keep changing
dress sizes
these days!"

"Blueberry Bakewell ****?"
smirked the Jabberwock
mockingly

Alice shook her head
furiously
trying to rid herself of the thought

"Or maybe...."
beamed the Jabberwock
"Some Callooh! Callay! Cake!”

"Eh...ah...no - YES...FRABJOUS!"
Alice had no sooner
made up her mind but

she changed it again
as her mind kept
jumping around

"I keep hearing voices
. . .reciting me!"
burbled the Jabberwock

"What! You hearing them too!"
wondered Alice uffishly
"...how....curious?"

"And in languages unknown
'Fushigi no kuni no Aris.'
I can't even speak Anime!"

"And I seemed to be
made more and more of words?"
she stood awhile in thought

"Ok! Mr. Jabberwock...Miss Alice
curtain up in five please
a child is about to read you!"

"Well here we go
it's brillig again!"
whiffled Alice frumiously

"Maybe this time
I'll win perhaps?"
galumphed the Jabberwock

"Ha!" said Alice
"You wish...Ha!"
she haa'd again

and then the child
turned the page
and the poem appeared

for the first time
in her eyes
as new as forever

*


(ふしぎの国のアリス, Fushigi no Kuni no Arisu) is an anime adaptation of the 1865 novel Alice's Adventures in Wonderland which ran on the TV Tokyo network and other local stations across Japan from October 10, 1983 to March 26, 1984. The series was a Japanese-German co-production between Nippon Animation, TV Tokyo affiliate station TV Osaka, and Apollo Films. The series consists of 52 episodes, however, only 26 made it to the US.
In the English language, this series is generally overshadowed by the success of Disney's 1951 feature film version of the story; however, the anime series was quite popular in various European countries, in Israel, in the Philippines, in Latin America, in Iran, and in the Arabic-speaking world. The series was also dubbed into Hindi by the national film development board of India and telecast on Doordarshan in the early 1990s.

The language with the most editions of the Alice in Wonderland novels in translation is Japanese, with 1,271 editions.
This was inspired by the photographs on the set of Frankenstein which show the Monster and his creator having a *** and a cuppa and one could imagine somebody calling "Ok guys....back into the scene!" And Boris stops being Karloff and lumbers back into being the Monster whilst still chewing a Custard Cream. "Ok...action...,lights!"

So I also thought that the Jabberwock and Alice get breaks from being themselves in a fictional way until someone somewhere picks up the wonderful book and begins to read the famous poem. The Jabberwocky, his mouth stuffed full of Chocolate Bourbons as he lumbers after Alice and hopes that this time he will come out on tops...not realising he is doomed to fail time after time.
'Twas brillig, and the slithy toves
did gyre and gimble in the wabe.
All mimsy were the borogoves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
the frumious Bandersnatch!"
He took his vorpal sword in hand:
Long time the maxome foe he sought-
So rested he by the Tumtum tree,
And stood a while in thought.
As in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came.
One, two! One, two! And through and through
The vorpal blade went snicker-snack.
He left it dead, and with its head
He went galumphing back.
"Has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Calloh! Callay!
He chortled in his joy.
'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
'Twas brillig, and the slithy toves
    Did gyre and gimble in the wabe:
All mimsy were the borogoves,
    And the mome raths outgrabe.
"Beware the Jabberwock, my son!
    The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
    The frumious Bandersnatch!"

He took his vorpal sword in hand:
    Long time the manxome foe he sought--
So rested he by the Tumtum tree,
    And stood awhile in thought.

And, as in uffish thought he stood,
    The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
    And burbled as it came!

One two! One two! And through and through
    The vorpal blade went snicker-snack!
He left it dead, and with its head
    He went galumphing back.

"And hast thou slain the Jabberwock?
    Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!"
    He chortled in his joy.

'Twas brillig, and the slithy toves
    Did gyre and gimble in the wabe:
All mimsy were the borogoves,
    And the mome raths outgrabe.
Lewis Carroll (Charles L. Dodgson)
Rebecca Oct 2020
Indeed, father! The Jabberwock is nigh!  
I’ll go with my vorpal sword,
his head will be no more
and slay him down, will I!

I’ll meet him in the tugley wood
by the Bandersnatch domain.
I’ll wait for him on the edge,
for his head, I’ll come to claim.

I have slain the Jabberwock,
his body will decay!
Let’s all meet by the Tumtum tree
and rejoice this frabjous day!

The slithy toves and mome raths
all now well understood. ’
Twas brillig, it was Indeed,
for it ended as it should.
"’Twas brillig, and the slithy toves
      Did gyre and gimble in the wabe:
All mimsy were the borogoves,
      And the mome raths outgrabe.

“Beware the Jabberwock, my son!
      The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
      The frumious Bandersnatch!”

He took his vorpal sword in hand;
      Long time the manxome foe he sought—
So rested he by the Tumtum tree
      And stood awhile in thought.

And, as in uffish thought he stood,
      The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
      And burbled as it came!

One, two! One, two! And through and through
      The vorpal blade went snicker-snack!
He left it dead, and with its head
      He went galumphing back.

“And hast thou slain the Jabberwock?
      Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
      He chortled in his joy.

’Twas brillig, and the slithy toves
      Did gyre and gimble in the wabe:
All mimsy were the borogoves,
      And the mome raths outgrabe."  -The Jabberwocky by Lewis Carroll
dead 80s arcade Jan 2019
spiral down the rabbit hole
take a swim in a sea of tears
walk to anywhere
paint some roses red

dance with the dead
bargain with mad men
walk a chessboard
drown in the sky blue

ask a answer with no question
take a half cup of tea
slip through a looking glass
tell a tale of woe

walk through shady woods
run to nowhere
chat with a cat sporting a grin
go completely mad

and perhaps
maybe just perhaps
you'll see a beast of nonsense
made of the blather of fools

living in slithy toves
with the jubjub bird above
and the bandersnatch below
is the jabberwock

hear it!
hear the monster!
hear its tentacles slither!
hear the beast of the mad!

take a step!
run a mile!
jump from the roof!
fall from the sky!

hear the beast of the deranged!
the monster of the disturbed!
the myth of the lunatics!
the jabberwock of wonderland!
slythersnake18 Jan 2015
'Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe:
All mimsy were the borogoves,
  And the mome raths outgrabe.

"Beware the Jabberwock, my son!
  The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
  The frumious Bandersnatch!"

He took his vorpal sword in hand:
  Long time the manxome foe he sought --
So rested he by the Tumtum tree,
  And stood awhile in thought.

And, as in uffish thought he stood,
  The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
  And burbled as it came!

One, two! One, two! And through and through
  The vorpal blade went snicker-snack!
He left it dead, and with its head
  He went galumphing back.

"And, has thou slain the Jabberwock?
  Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
  He chortled in his joy.

'Twas brillig, and the slithy toves
  Did gyre and gimble in the wabe;
All mimsy were the borogoves,
  And the mome raths outgrabe.
How glorious it once was
My Wonderland
Singing flowers, unbirthday parties
And painting roses red
Tweedle Dum and Tweedle Dee
Laughing, playing jubilantly
White Rose
Beautiful, brave
Shy Violet
Strong, sweet
Hatter
Protective, playful
Gave hope, kindness, love
I grew older
Wonder fading
Until only madness remained
My dormouse hid in his little teapot
My Cheshire cat disappeared
The Queen of Hearts gave misery
Tied in a treacherous bow
The caterpillar tried to transform
Toxic, *****, fear
Beware the Jabberwock, my dear
He wants you for his bed
My love, the Hatter left me
One golden afternoon
Devoid of wonder
Doomed to ache
The White Rabbit came
And took me by the hand
To lead me from my once wondrous Wonderland
You’re late You’re late
Your future will not wait
No time to say “I love you, Goodbye”
You’re late You’re late You’re late
Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
Mark Toney Oct 2019
Why do mechanics need manuals when they’ve fixed it before?
Answer my question or I’ll walk out the door!
Didn’t they attend trade schools or get O.J.T.?
Why need repair manuals?  That what gets me.
I just want a mechanic who won’t refer to a book.
Just fix my car already, don’t give it a second look!

Why do pilots run checklists and reference their charts?
Just push the dang button and hope the plane starts!
Didn’t they go to flight school and pass all the tests?
Pilots fly most days, so who needs all that mess?
I want a pilot who knows without referencing a chart.
Just get on with the flying and prove that you’re smart!

What about the doctors who are practicing still?
Why can’t they get it right?  And that includes the bill!
They’re always researching new studies in journals
When time’s better spent attending patients’ internals.
I just want a Marcus Welby, Ben Casey or Kildare
Instead of keeping up to date, I just want them to care.

Why do lawyers review case studies and legal decisions?
Such antics in my book leave them open to derision.
All that studying in law school should have been enough.
After passing the bar they should already know their stuff.
I just want an attorney who’s a know-it-all ace,
Not a book worm mouthpiece to plead my case.

Finally, the poets, being wordsmiths their art
You won’t see them referencing a checklist or chart
But look, in their hands, just what can that be?
A dictionary?  Thesaurus?  Are those what I see?
A real poet never needs help reading Shakespeare or Keats
Using Webster and Roget would make all of us cheats!
If a poet is real, the words should just flow
I think that all poets should automatically know
The right words to use, and literary crutches forgo
How dare they try better vocabulary to hone
They should come up with good things to say on their own.
I’m looking for poets who’ll just know what to say
Like Lewis Carroll’s poems in his heyday:
“Twas brillig, and the slithy toves, Did gyre and gimble in the wabe:
All mimsy were the borogroves, And the mome raths outgrabe.”

Don’t bother looking up his words, for that would be a dumb thing.
Using a dictionary or thesaurus, you might actually learn something!
1/1/2018 - Poetry form: Rhyme - This poem is an exaggeration full of satire and hyperbole. I wrote it in response to what I read someone say concerning the use of a dictionary and thesaurus by poets. They said that real poets don't need them. I was so astonished and shocked by that statement (since I use the dictionary and thesaurus all the time) that I decided to write a poem extending that idea to other professions, such as mechanics, pilots, doctors, lawyers and poets. Of course, all of these professions need to continue to keep up to date, be accurate and precise. I conclude the poem with the excerpt from Lewis Carroll’s nonsensical poem “Jabberwocky” to drive home the point. My last two lines say it all.
Donall Dempsey Sep 2019
IT WAS A FRABJOUS DAY

The Jabberwock was
having its usual

cup of coffee
its tenth of the day.

Black.
Always black.

One could see coffee grains
caught in its teeth

Always the same
big grin.

We joked
(behind its back of course)

that Jabberwock
meant coffee ******.

Not because we were fearful
but because he was such

a sensitive soul
and we didn't want to

cause offense
where no offense was meant.

It could get a bit
uffish.

An unlit cigarette clung
to its slobbery lips.

It didn't smoke but
wanted to appear to do so.

The mome raths were outgrabbing
they never seemed to stop.

The Cheshire Cat
(not all there)

smiled its smile
we called it Mona Lisa.

We were all just
hanging about

as you do when
your author ponders.

Nobody dared to
approach him.

He was a God
to us.

Me and the rest of the Toves
knew our place

and played cards
with the Borogoves.

The Borogoves
were cheaters.

The Jubjub birds were
bored out of their tiny skulls

perching in the branches of
the TumTum trees in Tulgey Wood.

The Bandersnatch was having
a frumious forty winks.

We were glad to be
just alive if only

in words -
words was our world.

No use getting all
mimsy about it.

We weren't as slithy
as we were made out to be.

We practiced our
gyre and gimble.

We were merely
the creatures of his brain.

We wouldn't dare disturb
the Author for fear

of being
scratched out.

Nobody 'cept the manxome
Jabberwock that is.  

"But what's my motivation  Mr. Carroll?"
He'd forever burble.

"Could I not take just a small bite perhaps
out of the little beamish chap ?" he'd whiffle.

Mr. Carroll( nobody dared
to call him Lewis)

just smiled and
Jack Jabberwock would galumphed back.

"Ok! Places everyone - 'tis brillig!
and the story limped on again.

It was a frabjous day
a really frabjous day.

All that could be heard was
the dripping of a tap

and the constant
scratching of the pen

creating forever
creating

the next sentence.

— The End —