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Marieta Maglas Jun 2012
This poem is composed by: a Nonet, a Kyrielle Sonnet, a Free verse part, a Terzanelle and another Free verse part:
In a juerga there’s nothing around
But  voices,  flamenco guitars ,
Dancing bodies in moonlight,
Vibrant  gypsy  dresses,
Passion, obsessions,
Bullfighter’s blades,
Silk shawls,
Dancers,
Capes.
Old men have faces scorched and cracked,
Flamenco women  to attract,
Like  barks of olive trees in night.
Shirts dazzle white in the moonlight.

Girls have boot heels  and  huge  roses,
Men clench their  teeth ,  step  opposes,
Hands clap  and shout in a dance fight,
Shirts dazzle white in the moonlight.

Guitars  are beaten at high speeds,
Castanets scratch  the music’s seeds,
Rhythmic fingers  snap air to bite,
Shirts dazzle white in the moonlight.

Old men have faces scorched and cracked,
Shirts dazzle white in the moonlight.

Hands  becoming  wings
In their shadows  on the wall,
Red  becoming black and
Black becoming white,
Motion vibrating the guitar's string,

Cubic movements  of colors,
In their dance ,
Shadowy  wings becoming  scarfs,
Flamenco woman arching her body,
Showing  her passion…

From the  soul to dissolve
The dancing sounds detach
From the soul to dissolve

When the movement they catch,
They may change all around,
The dancing sounds detach.

Drums and tambourines’ sound,
Exotic  wrists  and swirls,
They may change all around.

The weightless grace  makes  girls
Steal treasures from the air,
Exotic  wrists  and swirls.

With beautiful  black hair,
Rise like birds , fall like leaves.
Steal treasures from the air,

Having tricks up their sleeves,
From the  soul to dissolve,
Rise like birds ,fall like leaves
From the  soul to dissolve.

Spicy slippery steps
Waiting for a clue,
Picking up  portions of pink
Of hyper-femininity ,
Overflowing  screwy sounds
In heavy  red  chromesthesia,
Morphing  themselves into glamorous ,
Red  feminine movements,
Men looking  like marble statues being alive,
Seemingly  cracking.
Slowly diminishing their dancing rhythm,
Steps  sickling  sweet  sounds
To hear the horn of  some lost happiness.
AAron Roz  May 2018
Sound
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Olivia Kent Aug 2013
Lady of dance so eloquent, Flamenco born from her wombs' true intent,
Castanets clatter, as tambourine rattles,
with excitement, accrued within whirls,
she prances and dances within circles, all flashing,
to reach her prince charming, was truly so dashing, her hair rolled up in a tight fitting bun,
As she swirled up to reach her finale, twas said,
she was here no longer, she was truly dead,
she deceased many years, hence past,
For every so often her vengeance she cast,
Prince so vain, found another sweet lover,
left her alone with her pain,
left her mark on the spot,
where her true love stopped,
Gave her no attention,
well too little to mention,
took her life with such a harsh knot,
when the moon is bright, on one sorrowful night,
She'd appear to dance for the crowds,
The watchers looked on, not terrified, by the sight of the tragic flamenco bride!
Copywrite, Olivia Kent 24/03/2013.
Mateuš Conrad Aug 2016
when they write about existence i just think of:
blinking out of every instance -
snapshots of life, vibrating to
a culmination of sounds
preserved in the Bermudas,
or simply the overhaul of νεως
anywhere with internet access
and twitter account...
existential arguments: each
and every insistence exaggerated
and later gagged on...
just like i think of theatre and poetry:
i think of theatre as poetry on
the menopause...
theatre is poetry on menopause,
the last remaining depth of continued life
having a chance in the Darwinian cold
of absentee hearts and economic cheese
graters with broken bows playing
out-of-tune violins...
when they write the word existence,
i can't take them seriously,
they later come up with the somehow
happy alternative of what's called life...
such sad happiness when blue in green
opens up so lazily like 5 a.m. on the
Camden High Street in winter,
when it's still Armageddon bleak black
of ghosts chasing shadows into a
revenge against the grave...
some say you never really turn 30 when you
haven't bought Miles' Trafalgar Sq.
prior, meaning you lost out on being 30 when
you turn 40, and so on and so forth
in that Zeno paradox of two steps forward,
three steps back...
yes, the Grecian augmentation of the w...
less sharpened edges...
but still a Oui oh you... then a flamingo flamenco
with the teasing all blues...
i don't know...
whenever they write existence seriously
to later want it to underpin life as such,
i take their serious offensive on creating a
membrane of cushion and powdering and repeat
their seriousness, leaving life aside to
do its method on all of us:
existence - out of every instance... based or
biased as out every instance, the pickled gherkin
perseverance, persistence (dictionary mode),
out of every instance... a slaughtered bull
for pagan sacrifice meaning: insistence;
thus ex- instant into re- instant
i.e., out of (every) instant into a repeated instant -
that which we all keep secret,
that speciality of ours we do solo to keep
the nerve, to keep the homage, like
some did toward Catalonia... but in our own
very special way... it's not such a big
foreboding word after all...
it's rather mandible when the scalpel hyphen
cuts it open... just words, such words
that allow such things to take place...
cut life open... well... you end up with strife...
and that's what it is...
but at least cutting up the word existence provides
a bed, a cushion, some covers...
perhaps because of its etymology bias...
life is hardly up there in the etymological arithmetic
times table... cut the word life open... and you
get no game of words, no play, just the end result:
strife... but i would hardly attach
too much seriousness with the word existence,
as i already said but haven't:
the Cartesian maxim is subjective... it personally
relates a man's translation of life as pleasurable
with a pleasurable experience of thought alongside it...
true to say: physical exertion didn't give him
the biblical presence of work - harder for the mind
to make a sandwich that isn't there than for
the body to make a sandwich that is there...
hence the revision of Descartes: not that he was wrong,
he fooled everyone with a subjective statement
like an artist might create a piece of work...
because aren't there people out there that
experience the joys of life, but not that of thought?
while there are also those who experience more
joy from mere thought than from life itself
that joy of probing someone into action?
there are equal numbers of each...
and so translating thought into being he revealed
to me how translating ex- into re-
we can attribute a variant (metaphysical)
interpretation of the nadir of Einstein's parabola,
since we're no longer dealing with Newton's vector...
translating ex- to therefore mean re-,
we seek to guide ourselves toward that one
instant where all passions are lost...
or to put it more bluntly... ever watch the non-thinking
side of this? no? are you sure?
to translate ex- to therefore mean re-, never seen it?
never heard of drug addicts?
as in my case... it's not the addiction per se,
it's what i do with it that's leveraging me
to continue... i could have succumbed to
william styron's darkness visible -
but you see... i write while intoxicated...
the relaxation technique works simultaneously with
a chance to stretch my legs, and do what
the devil would have said regardless:
i make word of idle hand that would have
lifted a hammer... fair enough to the devil...
the devil makes work of idle hands...
well, idle hands make the devil into a caressed cat
when the mind excuses itself from idleness
that the body assumes, to later turn into a poker match.
Marieta Maglas Oct 2012
A juerga with flamenco guitars,
With fires blooming like red flowers,
Corpses dancing in moonlight
The dance of wounded souls,
Vibrant red dresses
White shirts like birds,
Falling shawls,
Dancers,
Sky,

Claps,
Cubic
Movements of
Color, music's
Seeds, hands being wings
In shadows on the wall,
From soul detaching passion's
Lights, motion vibrating the string,
Resonance for a new dimension.
S R Mats Mar 2015
I remember when you donned
-your polka-dot dress
And danced the flamenco

Such pretty and delicate hands
-the men who play guitar
Who played flamenco

You are suddenly young again
-the older boys gather
And you dance flamenco
This poem can be read 3 different ways.
Liz Anne  Jun 2014
Flamenco Flame
Liz Anne Jun 2014
The grace in the way things move feels
like the fibers of a mantilla veil until
the wind blows and turns
grace to something
worthy of fear.

I've got everything going
and they're all wondering if I'm coming
along but all I want is to keep
going my own way
even when I'm a little lost
in deciding what really is my own.

I've got the veil
I've always had
happy to know I had much more
beneath than beyond
but I think he proved me wrong.

The trouble with going
and still going strong
is that I do it best when he's gone.

I know what I want isn't
the best thing but
I want it just the same
nobody could blame me either way.

Now the wind's blowing
and blowing embers
burning my veil
clean away.

I'm finding all I hid
was worth something
to someone besides me and now
that I'm happy to be
alone they all want a piece.

Content beneath my mantilla watching
the best and the worst inch by
I had no Holy Week
and kept no days holy but my own.

Burnt to the scalp
I'm learning to dance without
the skirts and shawls that made holy
what I thought it had to be.

Fear driving my fingers to Flamenco
twists and my feet to wind-blown flames
I've got nothing to lose because the worst
is mine to claim and the best
isn't coming but going
my own way.
Mark Lecuona Feb 2016
I have fallen inside myself
Though I walk the streets
And speak to my friends
What I say is what I have found
The walls inside my mind
Await the graffiti of my failures
What I say to you
Is only what I say to myself
I am not the answer
I am only a question
For in your life
I only search for mine
And in my life
It has become a search
For the source of your strength

I only lack spiritual guidance
Still I know what please my eye
When I said forget about me
I didn’t mean it
I was trying to grieve
But I didn’t know how
So much has happened
I will never again ask why
The answer is always the same
Life is that way for everyone
It’s just my turn to feel the pain

I  want to see everything in your face
Deep feeling eyes holding back a lake
Tight skin erasing traces of the past
Lips pressed together blocking the air
You nose, ears, everything about you
Like rusty ships in a harbor
Guarded, waiting for their purpose
To be born again without remorse
Every scream, every betrayal
But only you can remember
Because it did not happen to me
How long have you been there?
I can only say, long enough

You can ask me to describe something
But I can only describe the past
Or a dream I once had
You were in it
Though you never knew
You were in it
Because you want what I want
So it was about you
Even though it was about me
All I can say is that what I saw in you
I see in everyone
But it is how you can take it
That is what I want for myself
You are like a flamenco guitar
Making us feel all that we are
HB  Oct 2010
Flamenco
HB Oct 2010
Her quickly flicking
     heels and hands
Her fan it flutters--
     Dancing.
A silk-swift turn,
    with graceful place
Of foot, and wrist,
    and hand, to face.

With movements slow,
     then sudden dip
An open fan
      with subtle flick.
Her eyes, alone,
        hot glittering pits.
One glance enough
          to sear your wits.

Fast stop, twist-turn
     for flicked-up skirt,
Her movements close--
       Coquettish.
Arms thrown aloft,
      hard-panting sigh.
Thrown roses then--
      she's finished.
Mateuš Conrad Aug 2016
the Islam of Malcolm X isn't the Islam of today... it isn't really the prescription of Nietzsche had before the Heraclitus flux took sway and said: waterfall or lottery... it really, really, really doesn't matter. the Islam of the 1960s isn't the Islam of today... too tinged with Sieg Heil... although less the Ave Caesar salute and more akin to: who's up for ****, *******? the Islam has changed... if i was wise enough i'd have converted, to mind you... but i thought: putting my faith by only having a library of only one book... i thought... n'ah... that's a bit extreme, can i at least have a comic book strip to add to that massive library? no? oh well, no, sorry, at least one book mentions several authors who tried to imitate but failed on the last hurdle, at least i can revise that, and completely erase the two extensions that borrowed from Hinduism; 'cos' like it ******* mattered.. don't test me, i'm anticipating death like  suicide-vest child... come on! let's start the Slavic crusade!

perhaps it's not about not thinking certain thoughts,
or feeling certain emotions...
but perhaps it just is...
i say, we need the Sophists these days to
apply the fishing-net tactic to deciphering or
simply selectively reflecting our vocabularies...
strait-jacket vocabularies are there in plain sight...
i mean... wait a minute...
i jumped from jazz into pop music on the headphones,
from Miles Davis' *kind of blue
defining
moment of the flamenco sketches right into the bog
of one direction - so i guess this is where
the antidote for art being too subjective comes in...
well, they sorted that problem already...
objectivity in art is around us as we speak,
it means "artists" that are manufactured,
art in the age of mechanical reproduction
(Walter Benjamin), it means more props than artists,
the problem got solved, it means reaching an
autocratic plateau of plugging in and sharing
a non-individualistic stream of emotion,
the opposite of democracy is autocracy, it isn't
despotism... i don't know why democracy doesn't
understand that it's ugly sister (autocracy)
is the enemy and not a Genghis Khan style of government...
democracy in the form of autocracy is a failed
attempt at Utopia... it suggests the system is perfect...
it means the institutions go about their daily business
like children in the playground who ******* and wet
themselves (the bankers), and still not one does anything
about it... what was once a demo tape of a indie band
becomes an automatic big seller big grosser E.P.,
just because the tragedy came, and they drove the touring
bus off a bridge in Sveeden... *******...
you ain't fighting dictators, you're fighting your change
from democracy into autocracy... where things
seem so perfect they can hardly ever change,
they're automated, they're not demographically sound...
sure, i'm the clown, i'll juggle a few big words around...
but in term of art? well, pop music has reached
the limit of what "philosophers" argued against...
to be frank... jealousy got to them that argued
for counter-productive constraints...
now they rebel against this objective construct of
artists in the shadows, writing text and tune and needing
some amateur to perform... and where do you
seek their rebellion? in the subjectivity they once
argued against: that famous Rage Against the Machine
protest against the X-factor...
so wait, first you argue against the subjectivity
of the artistic expression, then you postulate the non-existence
of the self: countered as the dasein for all subjectivity,
then you miss artistic objectivity with the karaoke
and what comes as the **** utopia with French
euthanasia tourists in Switzerland and Belgium...
you missed the argument you favoured, i.e.
artistic objectivity, i.e. performers, not people who write
the hit singles, Hiroshima Karaoke,
well, aren't we all objective now, that we have to source
our feelings in the expressions we once made angst against?
odd, isn't it? you never knew how well established
the counter argument became...
it's pop culture, it's evidently going to become viral...
but you see the power of subjective art...
it spreads like an infection, no point arguing against it...
objectivity in art is already a well established
virus, it doesn't really bite into your soul,
it bites, but you just get the odd body chicken ****...
that's what i mean about how a self-assured-without-a-self
democracy morphs into autocracy...
the fake Utopia of the well-established social
institutions actually being bankrupt, starting
with the post-colonial charity companies,
lying sharks and interest rates at 2000% per annum
i'm starting to think of Islam... leeches and hypocrites...
so your pointless critique of the subjectivity of the arts
became your most sling-shot friction strained weapon
to aim at the industry of art objectified,
in the age of mechanical reproduction true art = dodo...
it's on its way out... i hardly think that
50 years from now you'll find someone as idiotic
as me writing poetry for the love of the **** thing...
you'll get Utopian plateaus, anaesthetic democracy in
the realm of humanism, and hanging over you
autocracy... immovable foundations, cos' everything's
just perfect, time to invade another Libya where
some genius ensured the people knew their place
and who kept order on the pretence of
keeping weapons of mass destruction and
dog leashes... but there you will be ****-strapped going
huh? i thought subjectivity in art was bad?
n'ah mate, that's the only thing that made art good...
you got your ******* Karaoke, live with it!
the English Renaissance of the 1960s ain't coming back,
even if you gave Belfast back to the Dublin crew...
i say we need another Protagoras to get
the vocabulary inflation up to speed...
i say devalue the words self, ego... and make the
psychologists bums..
i say devalue the words nation, british and hamburger
to make the anglophile influence on Europe
a bit like sniffing a mortar of ******* off a penny...
i say reestablish the virtues of Japanese feudalism,
scare depressed teenagers with the words:
your only way out is by Hara Kiri.
something must come from a poem like this...
i have rage... you reason with it...
i'm not going to reason a calm into my heart with the words
i just wrote... n'ah... n'ah n'ah... that ain't happening...
it only took one needle in a haystack to give me prompt...
the ailments of subjectivity in art...
that got me, bull's eye reddened mad...
you ain't turning me into Darwinian grey matter!
this is democracy at its most despotic...
let me try democracy first, before i join the legion of dentists
with happy middle-class lives in autocracy...
can't blame ****** in this guise of organising people,
'cos' there just ain't no ******...
that got me hot wired and hired to argue...
first they say: art deserves no subjectivity...
fair enough: 1 man draws a rhombus a 1000 men draw a square...
but now that we can finally see objectivity being applied
to art, we only get pop: **** jazz, classical, rock and speedy-indie...
we get manufacture... as you once hated those with
personal intention to add to the democratic demographic,
now you turn against them for disturbing the status quo...
well, happy are those that come to the sun's repeat jargon
and happily doubt the roundabout...
because criticising art as subjectively orientated
really spared you art having ascribed objectivity to its cause
of attaining mechanical reproduction,
and the subjective placebo... neither thinking nor feeling
anything deeper than nervous yoga twitching dances...
spare me the ******* details if you come up with
a more accurate historical pinpoint.
Flower Scent Nov 2010
I wanna dance the mambo,the cubin cuba mambo,

I wanna dance the cha cha,hips movement with the cha cha!

or maybe try the salsa, deep ,sensual, is the salsa.

I wanna dance the samba,the fun brazilian samba,

or maybe the lambada,brazilian hot lambada!

My favourite s' the tango,intense ****** tango,

Lost in  the  flamenco,ardent spanish flamenco.

May even try the polka,high energy in polka,

the Czech bohemian polka!

I wanna go and party,good time ,dancing the rumba,

latino americano,cubano, africano.

I wanna do the hip hop,hip hop,hip hop,don't stop.

Dance reign  in the ballroom,

as I dance the Ball Room,under and above,

With you ,I dance my last dance,the classic dance of love.



Are you ready partner ?
This is one of the first poems i ever wrote..thought i share it with you,by reposting it here,thankyou :)  Lyrical poem

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