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Mateuš Conrad Mar 2020
.i lied in doubly toasted rye bread and some larry tesler epitaphs... toasted rye bread... better with baltic sushi... raw herrings in a creamy sauce... perhaps a creamy sauce with dill... more like apples and pickles... toasted rye bread with baltic sushi... herrings... smoked salmon is luxury... just the basics will do... a smoked salmon can have its bagel... as long as the toasted rye gets its herrings.

some thigs just have to wait for no apparent "rightness"
of time - a corvus corax album from 2009 only arrived
into my ears late sunday evening -
mille anni passi sunt - and no... i do not know what sort
of radio station would play this sort of music...
nor anything from 13th cent. "pleb" music of the countryside
or "heretic" monks that do not fit the criteria
of "classical"... i.e. "worthwhile"...

two sips of ms. amber / well a decent double with
pepsi max will jolt the memory:
or at least that's the hope -
yesterday two decent doubles allowed the coils
to unwind - alas - no pen and paper -
but a witness - a cat sleeping in a chair:
i'm pretty the sure the world won't mind if:
another of my diatribe spews heads into two
directions: infinity and nothingness -
                              perhaps tonight i will pick up
the scraps from what i "ought" to have written
down...                well... this is hardly
going to be words penned to paper to be later
required oratory material...

i can't exactly call them thought experiments...
if i believed in thought experiments...
i'd be... an oyster... or a clam...
  basically an mollusk - not quiet a stone...
but a shell - how did the oyster get his shell?
and why didn't the stone get...
a cell of celluloid / cellulite brain?
              the mountain has muhammad:
of that i am certain...  thought experiments...
not when you're about to do some manual labour...

i've been asking for my neighbour to put
up her garden fence for 15 years...
if not me then someone else...
she's put up a 5th of the garden's length...
the rest would remain covered by the foliage
in my garden... one storm... nothing...
two storms... nothing... then something...
the 5th of the garden length would topple...
until a new 5th of the garden's length would
be put up...
roots... ****** roots...
well... i felt lucky... this year we saw 3 or 4 storms
batter these islands consecutively...
the guys that were going to put up
the fence came... i gave them 250quid to cut
all the shrubbery in my garden...
after all: i do have tools... but a chainsaw i don't
have...
the fence is up... but the garden is in part
barren...
the shurbs and trees are gone:
i'm thinking of planting some dwarf apple / pear
trees... the plum tree took to the earth a few
years back... the cherry tree (morello cheery):
i'll give her another year:
she bloomed last year but only bore 2 fruits...
maybe she's shy...
well great... the shrubbery is gone...
but... roots... those ****** roots...
       we are talking london, we are talking:
a city built on clay...
it doesn't take long... not even half a meter
of digging before you reach this playdough
fudge layer of the soil...
     even if it is a dwarf tree or a shrub...
a holly... as i learned... even with a fork and mini
fork... a proper ***** and a mini *****...
a blunt axe and a heavy hammer...
digging up the roots'-head with some of
the roots intact can take somewhere between
2 to 4 hours...

                yesterday i managed 3...
which took me... roughly 6 hours... while i
uncovered a 4th...
   manual labour... better than going to the gym...
i really didn't know i had this muscle
in my body... or this sort of cartilage...
this tendon... i think i stood before a whole class
of students of medicine and gave them
an arithemetic of my lower thoraic and almost
all of my lumbar muscles...
but that's the beauty: i guess...
once you get on your knees and work with
earth, with roots, trees, once you unearth
the earthworms and cut them in half as you're
digging: well... they have an in-built clone
regrowth... the only music came from the birds
celebrating: renovation! food!
i wished for a radio... but then i uttered
a word or two and meditated on it -
perhaps it was a word - perhaps it was a phrase...
later that day i made east european dumplings...
a filling of last sunday's poacked chicken
meat (which is always a problem -
what do you do with poacked chicken meat
after you made a decent clear soup from it?),
mushrooms - sauerkraut - spices - blah blah...
but... first i sniffed my hands...
imbued with all the scents of the earth...
the dirst and the clay and the wood merging...
that... for the sensual contrast of later working
with flour and water for the dumplings' dough!

yesterday i lay in bed on this ******* carousel
wheel of "narrative"...
what if i forget it... i'll wake up and write it down...
7am... write this sort of ******* down?
i don't think so... lucky for me yesterday ended
with heavy rain... i almost wanted to fall asleep
to the sound of rain... it wasn't loud enough...
for a long time: it's either with earphones in...
or no... no other alternative...
      most relationships probably failed because:
"i wasn't there"... when trying to find the la la land
of nox...

               when writing: even feel a senstation
in your feet... as if you feet are standing
on the ceiling? the whole body translates into
a mild sensation of up-side-down...
ever write and while writing: feel the insane barrel
of laughter from a sensation that your feet
are attached to the ceiling?
   never mind...

   my eyes shouldn't be staring at this glaring screen
this late anyway... i should be listening
to radio.fama.pl with the screen blacked-out...
perhaps a candle in the room...
but mostly the light coming from the cigarette
being dragged... nothing more...
today is an exception: superstitious in that:
if i don't write this today:
tommorow would be cindarella of this...
no memor: there's already barely any cohesion...

today i was lucky: i only dug up one root-head...
2 hours... given that i had to do so...
while at the same time not disturbing the fern...
even thought the roots of the head were
weaving themselves around the fern...
had to tie up the fern so she wouldn't get in the way...
what a pretty man-bun of hair...
hail shiva!     or any other long-haired deity
that does... boquetes of hair for a living...
the fern was spared...

   back in the garden... a literal swamp...
that jasmine and her labyrinth of roots...
not to mention an ancient copper plated tube
with a cable that i dug up... and the old fence posts...
these biggo concrete dollops with metal...
literally a swamp... if this isn't what Ypres looked
like on a good day: then i'd be swimming
in cow-**** shambo on a bad day...
and this London clay... it...
you don't even dig up half a meter into the earth
and... you get a puddle of water...
work... in these conditions?
do i look like i'm going to mud-wrestle?

what sort of thought experiment can you take
into manual labour of this sort...
the sort that isn't going to the gym...
thought experiment = entertain a hypothetical
x, y and z? the "what if"?
i need to take a phrase with me...
i overheard it somewhere...

man is a human: doing...
woman is a human: being...
so i took that...

along came descartes and kant...
      along came the word ontological:
misnomer - oncology -
with oncology came: the cancer within botany...
mistletoe... if you've ever seen it grow
in the wild... go to Poland...
Warsaw will do... 10 miles in either direction...
after all... Poland isn't England...
there's no Royal Society for the preservation
of trees... mistletoe in the wild...
botanical cancer... now if i am to have
cancer... unlikely... i'm more prone to alcoholism
related deaths and dementia -
i just think of mistletoe... botanical cancer...
and it's in the tradition to: kiss under it...
anyways and who...

                    cogito ergo sum...
is that an a priori statement...
                     or an a posteriori statement...
it's hardly a maxim -
   a maxim according to which you'd be able
to extract an imperative of sorts -
caterogical or impartial - imperative and
and adjective of your choice -
                        yes... where i come from...
certain things are given SHE-pronouns...
most things botanical... except the oak...
an oak is a male in botany...
where i come from... the sun is female...
the moon is male... unlike in english...
where the words do not give pronoun impressions
designating "***"... that comes later...
with pictures... borrowed...
     comes with the turf... emoji hieroglyphs:
h'america first...
                         well and second...
                i don't hear news from France about
"misgendering" someone...
given how french grammar has explicit masculine and
feminine terms...
so... on your own...

i hear the debate... but... i don't even have
a two cent's worth of an argument...
              the iron curtain is down...
i'm in england and i'm looking at the silicone veil
and i'm saying: there's no me on the moon...
and if i'd really want to escape...
antarctica or... afghanistan... among the pashtun
women...
problem with both... i don't play the ***-tar
so good as to remember all the radio i'd miss...
i once heard the most beautiful adhan and cried...
then again: what if the mu'azzin
sounds like a goat grabbed by the testicles about
to be castrated?! and not the mu'azzin
i heard recorded?
i once cried hearing...
                         vaughan williams - fantasia on
a theme by thomas tallis...
once again when hearing ola gjeilo's...
either o magnum mysterium or northern lights...
beauty is transcendental: a priori -
          true beauty is transcendental: a priori -
because these pieces of music i heard for the first
time... and rejoiced with tears...
crying and laughter - not antonyms...
                                           implicitly i.e.:
when you're crying you're laughing vice versa etc.,
it's hard to laugh at music...
one can laugh at one's ****** response
to the body... but not when the body has found
serenity... or anguish...
             of a burden of the heart...
the ears to listen with... and that the eyes would
be far better off... without sight...
as two agape holes of a cave through
which a stream flows and arrives as a cascade point
for a waterfall...

i won't "solve" cogito ergo sum:
whether it's a priori or a posteriori...
what did cogito spawn though?
res cogitans - res extensa -
                     we're talking manual labour...
thank god heidegger didn't come along
with his hammer and suggest that someone
intent of working manually would...
somehow talk about philosophical matters on
the side...
                       that's the "hammer"... "apparently"...
no... it came down to:
man is a human: doing...
  woman is a human: being... i had to exclaim
out-loud trying to not interrupt the birds...

it's just convenient... to call man a human doing
and woman a human being...
do                                     b-ING-o!
be                                 b-ING-o!
               try another language...
                i'm sure it sounds better than just that...
человеческое дело...

          just as i thought...

                     ludzkie dzieło - ludzki czyn...
but i think i concentrated on the latter:
ludzki czyn...
                         after all: ludzki byt -
doesn't really translated into: ludzkie bycie -
with bycie - being -
                            isn't being: interchangeable
with existence - as in onto per se, for being
to be grasped from omni ex: out of this and every
other instance?
    
who would take a thought experiment when
undertaking some decent manual labour?
thought experiments are for sitting in a leather chair
and farting into it - basking in the glory
of theoretical solipsism - later translated
into a crowded tube train...
imagining oneself farting scented candle
magic fairy dust of dried strawberries!

             i don't have time for thought experiments...
i'll give up my hands to the earth
and to the trees the earthworms and the roots...
my bob the builder's ***-crack to the winds...
or... my akbir to the birds...
               my al-qiyyam to the work before me...
my ruku to the morning...
                  my sujud to the setting sun...
         and that last bit... counting the number
of new parts of my body i've used...
but no... no thought experiments...
three words in latin... yes...
                              five words... sven the seventh...
perhaps... but certainl a bilingual crossword
puzzle... and definitely meditating
on cyrillic letters... and greek...
        i'm yet to escape the grip of runes...
and of braille... and of hebrew...
                              and return to the old father...
   who still seems rather unreal...
to think that "my" people had a pre-existing latin
text... and that it somehow is not tied
to the runes... nor to the greek (as such)
nor arabic... not sanskirt...
                  a revived interest...
                          on the british isles anything
can be a revived interest...
         if marx came up with communism in
england... i can up with...
a tatto parlour where people don't make
a mistake of having chinese ideograms
tattooed onto themselves...
                                           ⰁⰉⰅⰎ
    ⰝⰅⰓⰐⰑ                       -
                           in decline because?
                               shared patterns...
even with the runes... R and not ᚱ
                        ᚠ and not F?
                                     ᛒ and not B?
                                              agreed upon...
           but i guess just because we share this...
latin text without any latin being so much
spoken outside of maxim / proverb / the crown...
no latin slang...
                            whatever this was...
i had to write it... a second time it would have
suffocated me and given me amnesia upon
waking.
RAJ NANDY Aug 2018
Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
            
       CONCLUDING THE ENIGMA OF TIME IN VERSE:
                      PART THREE – BY RAJ NANDY
              
              TIME ACCORDING TO MODERN PHILOSOPHY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
            
HOW LIGHT IS CONNECTED WITH THE CONCEPT OF TIME:
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

SOME PROPERTIES OF LIGHT:
Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

EINSTEIN'S SPECIAL THEORY OF RELATIVITY 1905 :
In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

   SPACE-TIME & GENERAL THEORY OF RELATIVITY 1916 :
Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *

Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

UNFINISHED WORK OF EINSTEIN:
During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

EINSTEIN'S NOBLE PRIZE For PHYSICS AWARDED IN 1921:
Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

'STRING THEORY' PROPOSED AS THEORY FOR EVERYTHING:
During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

               RELATIVITY
“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.
Mateuš Conrad Aug 2018
i couldn't never write a book, sorry, a novel, i'd hate to become a puppeteer, someone who attempts to play chess, a fiddling and bothersome shadow-baron (schattenbaron)... imaginary "friends" is not my thing, plus... i don't have an exact elastic approach to heidegger's compliments concerning poets: i only like heidegger because he likes poets, **** me, he elevates poets to the stature of philosophers when language "things" are made necessary... i.e. (and verbatim) - language - only if speech has acquired the highest univocity of the word does it become strong for the hidden play of its essential multivocity (as withdrawn from all "logic"), of which poets and thinkers alone are capable... welcome! welcome! to plato's republic! Brennus & Alaric welcome you, quiet fondly depicted by Joseph-Noël Sylvestre... and when the Huns pushed the leaders Fritigern and Alavivus into the eastern empire to settle... and emperor Valens... that's history for you: a cascade of: and and and and and and... sometimes a p.s., but mostly the and and and of causality... facts come barging in, you forage... but thanks to heidegger: the poets have earned their graces... and can return to the republic... as wordsmiths... i mean, was i ever to think of myself as a french dada dandy? frivolous and superfulous raconteur / racketeer? poet or philosopher, that's beside the point, the point being: i'm not a novelist... i don't like dealing with language that chokes that i rely on mostly and that mostly being: i like the idea of a raw vocabulary... i'm more of a butcher than an artist... i like the rawness of an inverted crossword puzzle... in my "trade"... there are no clues, whether synonymous or antonymous, in this spaghetti of: ex nihil factum sermo (out of nothing came the word)... poetry, of all places, allows this form of unadulterated nibbling at raw vocabulary... bypassing the standard g.c.s.e.: overt-scrutiny of poetics... i never like that... a 5/ 7/ 5 syllable haiku poem should never be preserved for its essay-worthiness to extend into 2000 words in a school exam... poetry strapped to pedagogy is... less heavily censored, more... over-scrutinized... you're not supposed to think in terms of poetry: you're supposed to, feel... and since when has feeling become so overrated, so despsised? oh... when people "learned" to feel, prior to learning to think... you really have to learn to think, prior to learning how to feel... if you ask someone from the orient, they'd counter the western perception of placing thinking / "reason" on the top of the pyramid with horus' eye as emblem... to learn to feel: is to learn to how to not think, while to think? it's to learn how to not feel... pretty simple, no? not really... neither approaches should be underrated, they should be understood better... who the hell needs, or wants, to be an apathetic brain-in-a-pickle-jar zombie: constantly engaging with a dialectic? then again... who wants to be a heart in an electric chair constantly bamboozled into pointless reactions? so i'm more of a butcher than a "poet", i simply appreciate the raw realism of cutting pieces of the tongue that extends into the brain's fathomability - and that overrated visual ******* of dreaming most people associate themselves with... but that's beside the point... i really appreciate days akin to this one, humid as in the concrete basin of Beijing while europe is frying in the African plume... no thanks, no, me go to Greenland or the Faroes Islands... do i look like a ******* ******* / camel jockey? why do i have limited respect for islam? i once watched a video of a saudi with an european bride... sitting on oil was both a blessing... and a curse... muhammad would whip some of these saudi brats silly... but of all days... when i get to work my magic in the kitchen, and make the most superior food in the whole wide world? blue indian cuisine: i call them blue indians and not red soxs because: come on... the raj... and that polytheism that doesn't want to disappear... h'americans can boast all they want: the steak, the hamburger, the hot dog, the pizza... n'ah... n'ah mate... it's either curry or you're chewing chicken bones, ******* out the marrow... indian cuisine is superior... i love the days when i cook up two curries... it feels like being back in edinburgh, walking into the joseph black building, the perfumes of sulphur and wood, the 12 hour experiments it would take us to conjure up an ester... esters? bases for the perfume industry... that' the grand thing about cooking a curry... you start to feel like a chemist once more... the two curries? a tikka masala: sure, an easy adventure... marinating the chicken what not... the real fun came with the malvani... blitzing the masala up: a bay leaf, half a nutmeg, 4 / 5 cloves, 7 dried chillies, 10 peppercorns, a cinnamon stick, cumin seeds, coriander seeds, chilly powder, turmeric powder... and that's just the malvani masala... the cocunut masala... ****... only two green chillies... how to get the right colour? ah... blitz up some coriander stalks... garlic and ginger... milk to get the whizz-kid on the job... it's superior cuisine, indian cuisine... it reminds me of a being in a chemistry lab at edinburgh... doing organic experiments... mind you: it's more fun, the environment is less sterile... even my mother said: you're stinking up the place, you're worse than the sikhs two doors down... so... why would i visit an indian restaurant, or indulge myself in an indian take-away, if i can mimic? i see no point... there is no other cuisine on the planet as good as what could come from either Goa or New Delhi... the colours, the perfume of the spices... by now a hamburger, pizza or hot-dog are staples or both humble beginnings and even more humbled ends... i've found my 1st to none passion... and with a afghani naan bread... and with rice infused with turmeric... tiresome ponce schemes of duck a l'orange... spaghetti this that and the other... one bias... though... scandinavian treatment of raw herrings... in cream sauce... i'm a sucker for those herrings like i'm a sucker for pop music... the added zing of the herrings' rawness out-competes the bland sushi manifesto... eating one of these herrings in a cream sauce... has the complimentary sensation, very much akin to performing oral *** on a woman... oysters are beyond the marker of metaphor / literal association... well: hello today!

I.

i'm starting to suspect, that one of the...
"supposed" stars...
   is actually a planet - due to its colour -
      it's unlike all the other -
todkompf, metallic white
glitter...
      it's hued in a more orange
spectacle - more fire...
less distance...
                and on the canvas
of the night?
   sits lower than all the other stars,
which are more up -
   rather than on a horizon
to speak off...
   question is... is that *mars
,
or is that venus?

**** it: 'ere i go...
'n' buy me a *******
telescope to investigate further...

II.

did the ancient romans really
distinguish the arithmetic
quantity of I - or IX -
   or XII or...
                with a dot?
       not unless it was inscribed
in stone -
   where even upsilon had
to vacate the more easily chiseled
in:              YOVR POINT?
just wondering
   how only two diacritical marks
were applied to the encryption -
and both... not for orthographic
reasons, but for aesthetics -
    what's the actual difference
when the guillotine digestion
machine (like me) comes in and
says...
    
     ȷokιng around...
        what with the iPod...
   why shouldn't ι,
                    come ιn -
   and give a ȷester's ιnquιsιtιon?
out of... mere... curιosιty?
ιt's not lιke those two-heads
even make a dιfference...
come on! ιt's ιneffectιve,
there are no orthographιc reasons
for ιt!
        why, even, bother?
    and no fancy name eιther,
ιn the dιacrιtιcal famιly...
  dot... when compared to?
cιrcumflex, caron, macron,
      cedιlla,  ͅ (ιota subscrιpt)
...
you name ιt!
can someone, please,
ȷust gιve me, an approprιate reason?

III.

it's not like i can confuse,
i with I - since i have 1, and 2 instead
of II, and 3 instead of III,
and 4, instead of IV,
       and 6 instead of VI...
ah... L(l) -
              and the exodus of handwriting
in the digital age...
any schmuck can write
now... but... i'd love to see
them write with a pen, on paper...

personally - i couldn't write an intact
word with a pen...
   calligraphy: a bit like monkish
Gregorian chants... coming near
to extinction...
          i could sometimes write
out a intra-connectivity of syllables -
but... entire words?
    no chance... the digit system
came in... and i had to learn how
to position my arms before
the keyboard, to write, and not look
down...
   unlike my old G.P.,
who, bless him... nearing his retirement,
pecked, like a crow,
on the keyboard...
   looking down on it...

the ENTER key? right arm pinky finger...
SPACE BAR key? primarily
left hand thumb...
   unlike a piano, you don't actually
use all the fingers on both arms...
e.g.? ring ringer on the left hand?
rarely used... unless doing some
mental hand gymnastics...
  
stream of "consciousness" - no words,
just observations -

(0,0,) LH ******* A
    RH index finger N -
     that's - ah! ring finger of
the right arm is used, quiet a lot,
  notably?  SHIFT + (?/) key -
      *******...
   but for the apostrophe?
    the (@ ') key...
  which, on my machine translates
as the (" ') key...

IV.

     - interlude -
--- -- - - - -  - - - logic  -- - - -  -- - bomb -- - - --  -
- - -- computers -- -- - - & - -- microprocessors -
- - - --- -- - --- -- -(parasense ----- - - remix) -- -- -

V.

it is chiromancy in reverse,
only that i'm reading my hands...
facing down,
rather than staring on the reverse
side of the... where the girdle of venus
is situated,
   or the index finger skin folds
of the chokhmah, chesed,
    netzach
- respectively -
akin to reading mandarin:
   from the the head - to the base
               of a knuckle.
i read my hands - looking at a screen,
how else can you write anything,
distracted by looking down
onto the keyboard -
  no aware of the spacing?
        question: how fast is your typing?
don't know:
what sort of ******* am i to note
down, and how many amendment
will i have to make to the text,
as we plow along to your diatribe
monologue?
                  
VI.

why would anyone sit up all night,
drinking?
     ****** question, esp. given
yesterday's 5 / 6 am carnival of rain...
out of nowhere,
there i was, ready to call it a night
well spent (not working in a Stratford
casino) - dreading the heat of
the sunrise...
  boom!
   thunder, lightning...
    the air turned white from
the ferocity of the rain...
   literally...
                the ground was wriggling
with a meteor shower -
excited gnat fly like puddles
appearing and disappearing -
soon becoming lakes
  within the confines of a supposed
**** of worm parasites...
      probably your typical day
      on the Faroe Islands...
you know... on such occasions...
you really can't help, but stick
your head out of the window,
far enough to drench your head
and hair in regenwasser...
            i should have walked
into the garden and
cleansed my whole body...
   but...
guess all ι needed, was the head...
       god...
  there's nothing more **** than
listening to horror movie soundtracks
while it pours a mini-monsoon
outside your window,
  and there's thunder, and there's
lightning...
   and you're just about to fall asleep...
like a baby might...

VII.

oh god... the one time i don't take
a beer for a walk, coming back
from the supermarket...
and i pick up... this genius:
genius... tortilla wrap...
    falafel + hummus + a hint
of mango chutney (with a tease
of arugula leaves)?
            **** me... who needs
beer... if not a bottle of mineral
water... to accompany
taking a walk?
Mateuš Conrad Feb 2017
apologies, but i will not be abstracting people
as mere pronoun users,
i know i should, but i kinda like "painting"
and giving peoeple race, and differences,
i can't really establish what pronoun-bleaching
would do to, oh i don't know,
perhaps i'd be writing this...

back when i still worked as a roofer and was doing
a project in Greenwich,
  nice try, construction industry men don't
go to the gym... what a joy to remember my roots...
anyway...
    what was i saying?
   so i commuted from north east london
this this little village...
and it really has a feel about it that it is a village...
i went into the Greenwich waterstones
bookshop and spotted something interesting...
    a j. k. huysmans trilogy (beginning with la bas)
and ending with *cathedral
, or something like that,
if i knew what the internet was saying,
i'd buy all three books...
     but i did the dumb thing of buying
the first book of the trilogy, that's always in print...
anyway, no small loss...
   and there stood sideways joseph roth's
the antichrist...
              i can't compare it to nietzsche work,
even though i should, given roth was jewish...
and i figured: if the concept is not originally
jewish and greek, and anti- is a prefix much
more easily understood these days with
the existence of anti-matter...
            than say... armilus...
    well... so i was commuting day to day,
and over the course of the project probably read
two of three books, roth's was one of them,
alongside nikos kazantzakis' blockbuster...
but something weird happened when i read roth
for the first time...
     sitting in this dockland train heading south
of the thames, a group of muslim "women"
spotted that i was literate,
     they sat, about 10 metres away from me...
but the word antichrist must have prompted them,
one just said out-loud: you're satan's *****...
huh?
   there i am, reading my own book not raving
mad reading it aloud, and there she has the prank
of associating a book to a very mysterious person
who riddles the bible being completed...
      mein gott: two world wars ever since nietzsche
wrote he was the person with the title kept
sorta on a whim for nearly 2000 years...
     and then two days ago my father has a car accident
and this hijab clad woman is driving,
  but she does a Pilate and doesn't take responsibility,
the passenger that's with her jumps out
   and gives my father his details
and the woman is pristine...
     a *******, what do you call it: sacred cow?
most pedestrians in england are treated as such...
  so she phones her son and gives the phone to my father
and her son says to my father: it's against
the law to phone the police, you can't phone them...
well... hey presto! we're in Saudi Arabia!
and this is what's worrying me...
no... nope... this is what pains me...
    i had to take my ego for a walk tonight...
i had to think a lot of ******* out,
how the ego would whimper and whine like a dog...
there's your "janus" / "contronym"...
ego... dog...
   the leash? i'm thinking with it...
and suddenly, clarifty, i can pierce it's *******
narrative and think about it... as any id might...
what i experienced was an ego-dispossesion...
   i lost it, it turned into an automaton,
robotic misery... hardly the angry Frankenstein monster...
i lost the care for an ego-embodiment...
i was dispossessed by it, robbed, thief! thief!
i needed to come back home and read
heidegger's aphorisms 174 through to 178 from
the ponderings (it would help that you read the
ponderings... after reading being & time)...
the pain i felt was very much akin to being British,
even though it's something i assimilated into...
which could mean that's it's the odd bit...
should i, shouldn't i feel some sentiment for my host
culture?
word are flying around the place,
they're calling it cultural marxism...
well... i come from a culture that had stated
marxism, period, i.e. supported by an economic model,
that worked, and would have worked,
had capitalism not done what capitalism does
naturally: compete!
   i'm watching these cultural marxists and, i think,
i'm watching penguins in a zoo...
  i don't know what to make of these marxists,
who aren't even leninists...
            where's the economic model?!
  
that's the problem of going to a catholic school
in england, attempting to stress multi-culturalism,
i even ojected to being confirmed ritually,
with a bishop from Brentwood,
sorry, too much Irish around the place....
i too thought i was about to say something in Gaelic...
outer-east london: a complete ******* jungle
of biodiversity...
     so did i misplace my allegiences?
to the tongue? to faking an ethnicity?
    of course i'm pisssed off, i spent the past 2 hours
walking the most mundane of walks,
bewildered why this woman in a hijab wouldn't
own up to causing a traffic accident...
i helped him will out the police forms,
and there she is, on paper, smug like some ****** mary
because i'm the one that really doesn't think
that Islam got Project Hair wrong,
me? personally? i think that woman's hands ought to
be covered,
     in thinking terms, a woman's hands could
get me more excited than a woman's foot...
but sure... hell... why not hair?!
              the last time i checked, normal people
have an aversion toward hair...
ever see that person almost vomiting when they found
a stranger's hair in their soup?
  that **** that grows on your hair is the only silk
you've got... how about a few toenail clippings
to boot? first thing a sane would think: ****! ****!
oh, we're going to get on... just fine, just fine...
   the next time i think about encouraging
an **** ******* position's worth of prayer
i'll be a ******* cardinal.
   what's wrong with taking responsibility?
why are Islamic women so immune to the tractātus
of law? where's the jurisprudence?
   i'd call it something more than diabolical...
you can really become a vampire when you're told
the lesson: those that thirst for justice...
  lesser leech...
            who gives a **** whether it was: "but a scratch"?
woman! take responsibility!
  pampered little coconut jugglers...
   now to think of it... leave those curtains,
and this one time: she was walking with a buggy
and a small child and she unveiled herself from
a niqab before me...
           the perfect arabian nightmare i could
have ever witnessed...
             i had long hair back then...
what she revealed from under that niqab?
wait... am i writing this in the times
when the French occupied the Holy Land and had
the first thirst / idea of a colony?
  
this is me, imitating punching a brick wall...
this is me... in a boxing ring...
bashing myself...
            this is me thinking about how man
has no capacity to usher in karma,
how man's concept of law is hardly cosmic,
how man is a kniving ******* that
deserves something beyond a heaven and a hell:
rather: a return to his self...
that's what i keep telling myself:
i don't want heaven, i don't want hell...
i, just, want, to, return, to, my, self...
    yes, that's a reflection,
hence the pronoun has no compound, i.e. isn't
a reflexive understanding for the fluidity of language
expressed by the concerning compound: myself.
perhaps that's just the beginning of understanding
the noumenon / thing in itself, or rather to counter
the fluidity of the word itself, since, evidently
it self makes no sense that could ever produce
a concept akin to the noumenon...

why wouldn't this woman care to give an inkling into
her concept of right and wrong...
she's driving the ******* car, she makes a doo doo...
pauper... **** up!
            i still don't know why it was about hair...
you like a stranger's **** in a soup?
   what's with this middle eastern fetish for covering it?
hey! beginning from 1986, am i sorta automatically
involved in a cult that has a vintage of ageing from
a **** of a camel a long time ago?
  no wonder the knighthood ceremony was initiated
by slapping a newly initiated knight across the cheek,
like i said, a woman's hand is more ******
than her hair...
      i'd say: take up ye care to don gloves!
and that, i'm sure, will never happen.

it's probably the most delicate thing a woman can possess...
a hand...
the rest is what darwinism cared to provide us with:
a black widow, a mantis;
and that's talking pure earnest about the matter...

listen, i spent the past two hours having the ordeal of
an ego... which i had to anti-narrate into theory...
yes, the id was helpful, is actually told me, or rather,
interrupted the ego from the narrative
to give me this *******'s worth of profanity
(and yes, with due reason; ever fill out a police form
concerning some accident? do that, then you'll be equipped
to read Tolstoy)...

so it was ego-possessiveness,
      the ego already thinks its eternally subject...
that's one of the implants...
eternity and god are inherent in ego,
   your heart means absolutely nothing when the ego
has been given certainity that it can't shake off...
what the ego isn't given is a unit of reason
that sees past it... the id...
in relation to dualism and the much active dichotomy
as alternative to an equilibrium of dualism
i will outrightly exclude the superego
  as nothing but antithesis to the ubermann theory
of overcoming man...
  and on their shoulder they once had
the epitomes of cartoon conscience, an angel and a demon...
but thanks to the superego: they had mama
on their left shoulder, and papa on their right shoulder...

just the mere act of shutting that thing up
was enough, and it was apparent,
that writing fiction could be to blame,
   writing fiction can be rightly guessed at
for levitating a condition of medical proportion
into the realm of mythology,
    we have already depersonalised the unit
of ego to the extent that it has become polarised,
bipolar, e.g., comes from a depersonalised
gravity of ego,
we're no longer in need to write books,
we're in a dire need to write our own psyches...
and it all stems from making the basic human unit,
bound to the privacy of thought,
as needing a system that outweighs the moral
stratum,
           what can a person actually be or become
to even dream about asserting that there is
a da-sein (i.e. something, somethingness)
          "happening"?
i feel that there's something worse than a second
nakedness emerging,
         it's this incapacity to move on,
it's a mental nakedness, i am more easily prone
to dress my body in clothes
than i am able to dress my ego in thoughts,
than can correlate adequately, and peacefully...
toward something akin to a symbiosis
that can reach a = status, rather than an
   ≠ or an ≈ status... ****! Aquarius!
isn't the ≈ symbol the basis for it?
oh hell, back into the zodiac...
              
     i know my ego can be a downer,
but at least that's who i am talking about...
aphorisms no. 174 through to 178?
i do odd experiments with books,
     this is the first of its kind,
i'm actually going to rattle-******* this book out
till it feels like having wanked it 20 times
in a single day... i'll write what i "feel",
funny word, that word feel...
you never get to use it these days,
man is more about hammering in nails than
saying: ooh... that hurts...
and we all know what happened to Jesus'
teaching... forgive strangers...
     make sure your former friends are
crucified up-side down...
                 that really went far...
                      i can just see him...
an oasis of bullet-proof clauses...
              about how to handle people...
give them l.s.d. unconsciously!
         then wait for actual l.s.d. to arrive
and then worry...
when they took to their Swiss bicycles...
and writing poetry... and eating a soft-boiled
egg... given the concern for cholesterol:
a hard concept to fathom: that runny yoke...
     never ate mine with salt, i always like
that idea of legalised abortion...
                and we can be just that...
so imaginative to consolidate being mammal
that we can fathom eating chicken eggs
as easily as abortions... runny yokes have no basis
for a morality, or a compass...
they just are... runny... yummy...
             i call yokes the male version of
a woman's fascination with chocolate...
  i think egg yokes are the equivalent of cholocate
for men as chocolate is for women...
or so the advert said...

aphorism 174: as language...

          aphorism 175:
              philosophy catching up to science,
akin to theology catching up to philosophy,
both condescending extracts
that end up with both of the extreme parties
dressing up funny.

aphorism 176: such that newspapers are
the natural preservers? i.e. the idea of historical
escapism.

      (toilet paper does, much much more,
than a newspaper actually provides,
   press freedom is a bit boring to be honest,
beginning with the need for a moral agent
that's less and less moral, and more prone to
darwinism, i.e. selective, which is also said via:
what's natural, in a more and more techno-savvy culture?)

aphorism 177: only as, a rural thinker unto
a rural thinker... a case of describing a perfume
of those thinking about a day after tomorrow,
   but more precisely:
  the day before yesterday that didn't involve them...
say, on the ethnicity basis,
  the talk of being inheriting from the form
of ancestry... how we cultivate cucumbers,
tomatoes, prejudices...
   which is why i'm a slav happily talking a tongue
that's germanic, an off-shoot saxon,
and hopefuly defending it.

aphorism 178:
         "everything great wavers and wobbles,
stands in a storm. the beautiful is difficult."
   Ezra too, with the last, alas.
     but it's true... what happened in england in the second
part of the 20th century was great,
  and it did indeed wobble past the storm into
a desert of retirement...
            a peaceful coming toward terms of
a natural agreement...
   the generation preceding mine enshrined in their
psyche an england they heard over the radio...
king crimson... all such artistic expressions
found a case to take root...
     how parasites never attack a feeble creature
and only take roost in a strong symbiotic partner...
once it was said england could resemble ancient greece,
and it did, from the second part of the 20th century...
but that ended...
               it's gone, i have inherited a communist
past, a marxism with a concept of money,
and economic policy that wasn't inherently competitive,
but it also wasn't a welfare policy of the Marshall Plan,
and all i get is this freakish counter-movement
known as marxism in culture...
   that's worse than marxism in economy!

it should be heartbreaking to say this,
but coming from a monochromatic society,
watching the death of communism...
     i could say it was perfect... but then i can't
given my grandparents have a secure pension plan
that the state provides... i like that joke,
i just said it, and it makes perfect sense...
there is much more of Pilate in the history
of the peoples than there is of Jesus...
washing my hands clean, the companies said,
meaning self-employment...
     unless you have a really hungry libido
you actually do start worrying about keeping up
the numbers...
  companies don't...
      it's a bit of a bollocking...
i come from what could be imagined as a safety
economics of marxism into a marxism of culture
that i simply can't comprehend...
              well: it did give "us" a sense of pride,
and a will to rebuild warsaw without any american
money...
        the russians just said: where's your pride?
do you want to take their money and have it easy?
and when i ask that question:
i just start thinking about arabs without their oily diapers...
oil diaper... not exactly black gold:
oil diapers...
             Ahmed gonna poo poo?
              &nbsp
RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
Keith J Collard Jan 2013
Resident Facebook by Keith Collard

{remnants of a blood and ice coffee stained diary}


23april1996,

Been working at this mansion for at least four months now. Fellow co-workers are friendly enough. The pharmeceutical researchers are very pompous with their exact demands. Im in charge of the food storage and refridgeration for the mansion. It is the only modernly powered facet of this mansion. Besides the labs in the basement(from which I only heard).


26april1996,

This mansion is too creepy, the architect designed the living quarter and main facade of the mansion in a 1920 neo gothic fashion--with gas lamps and gothic paintings. Every device, even the typewriters in the mansion are old fashioned mechanical. A top researcher told me in casual conversation that these doors and clocks are more durable than current electronic means, built in the same fashion as the pyramids and stonehenge--he was pointing out all the clocks and engraved doors in the dining hall as he was speaking,while I was putting out the food. He's the usual eccentric for as these researchers go, he told me the company president paid him to design classical mantraps along the mansion and guardhouse to keep workers from straying, encrypted with runes and riddles as keys(some odd ducks).


2may1996,

Mansion workers were given each a laptop today by the head researcher Albert Wesker. This guy is like the James Bond of scientists, dashing and suave with a 9mm berreta at his side(wish we were allowed guns). He wears sunglasses--even at night. He said they experimented with a comunications app the scientists have been using to communicate expeiremental data. The only app available on there is something called Facebook, which the scientists call "fbproto."


5may1996,

The f.bproto is neat, we can watch movies , talk to eachother, and to workers at the pharmaceutical's sister facilities. Everything is monitored by the companies security admins Ive heard. The company will be holding raffles via f.bproto for staffers who could win a chance to participate in "beneficial lab trials" from ***** extension treatment to magnetic wave reducing therapy. Sounds unappealing to me...I put my name down on the site just in case.


6 may1996,Been talking to girl who works in sanitation department underneath the guardhouse, her name is Ada, she said there was an important goverment official flying in to the helipad today. She is pretty cute, and one bright light in this shadowy mansion. message from company, we should join democratic party on fbproto. whatever they say,they're the scientists.


10may1996,

Been stayin up too late posting on f.bproto,the company is posting alot of links, of visual images and sentences I don't quite understand. Ben from mansion cleanin services keeps hitting on Ada,I want to defriend him but want to know what he's doing. I put my cat in fbproto company pic contest,with everyone else who was given lab pets by the scientists, I put little gloves on her paws--Im sure to win.


11may1996,

Karl sent me a message on fbproto that he saw a researcher go into his room, and never saw him leave, and when he went to clean his room the researcher was not in there. This mansion is creepy, I mean a statue of a woman cutting her own throat with the inscription "only death shall set you free,"is that a little gloomy or what. fan of smiley faces on fbproto.;)


12 may 1996

man, the doors are like eight inches thick, solid wood, I locked myself out of my room and tried to shoulder the door in. Well, the door with its inlaid wood carving just laughed at me, it resembles a dragon or snake or someshit with two fern looking wings, red and blue. Spooooky stuff. I had to go get the security admin for the mansion staff living quarters. He unlocked the door, and told me that all the doors are solid oak. I asked him what the words at the bottom of serpent meant, he said it says in latin “ the two wings of the beast are red and blue.” I asked him what the hell that means, he says he didn’t know, but that it has to do with the research the scientists are doing.

I stayed up almost all night on fbproto, at first because my shoulder was killing me, but then it went away, and I kept finding myslelf with a ciqerette in my fingers all the way burnt down and my skin charred, geez, fbproto really takes your mind off things, especially this mansion which reminds me of a sepulcre. That Dan thinks he’s hot stuff, posting himself in his living quarters in the guard house, which is better than the mansion staffs. He get’s to go to the guardhouse recreation room, his profile pic is a bottle of Johnny Walker Red in it’s high end package that looks like a coffin, that him and the guards won at dart’s. It’s not hard to win that when Albert Wesker is on your team, that guy sunk three darts WilliamTell style into the bull’s eye. He tagged me in the picture of the Johnny Walker, *******.


13 may 1996

Locked myself in the walk in freezer today by accident, forgot the code….a researcher let me out finally, and asked if I was alright, I said I was fine, he just looked at me curiously. I was in there to clean out these blue vines, that kept on growing into the ducts and stuff, kept on turning the temperature down. But I won’t lie, I had my laptop with me to pass time, but after a while I couldn’t scroll down because my fingers stopped working , so I pressed the keyboard with my tongue. Ada’s pictures kept me warm, oh how I love her…..I want her so bad.


13may1996

Had a dream about the helicopter ride in and how the dense forest resembled a corpse’s face as we flew past it fast overhead. We touched down on the helipad, and there were dead bodies in the razor wire, they were shaking as if they were in a laughing frenzy from the rotor wash of the helicopter. Then as I entered the main façade (my footstep's echos on the tile seemed to walk away and disapear into the mansion)and stepped on the black and white checkered hall floor, Albert Wesker was there, and he was nicely dressed as a bartender or sumthin, and he asked if " I wanted a ****** mary," and he was squeezing a heart into the glass, then I looked down and there was a hole in my chest where my heart was supposed to be. Then there was a giant ice coffee and dancing with a mirror to moonlight sonata….****** stuff, this mansion is getting to me.


14may1996

dan is such a ****, keeps posting pics of himself shirtless, he was given some experimental hormone from a researcher and is relleshing in it It was some form of energy drink called Red Bull.

Him and Ada are talking more. Message from company to like republican party page(whatever)Daves three eyed frog won fbproto pic contest,grrrr.


15may1996,

there's been more accidents in the mansion and in the labs below. Fred from the kitchen staff cut off his fingers today,and Ive heard through Chris' post that someone fell into the live feed area where they feed animals to their experiments. Bob put his fbproto password(instead of mansioncode) into the mechanical lock at the observatory springing a trap of spikes that spiked his hand to his head and his head to the wall, the featherduster was still in his hand(or face).;(


16may1996,

the scientist with the always grave look has disapeared, the guards said he transferred,but a fellow researcher said he was fired, shame, I liked him.

There is a plant living in my radiator, keeps growing vine-like tendrils, and is turning up the heat...230 friends on f.bproto,woot woot.


17may1996,

the company is handing out promotional ice coffee that they created in the labs to staffers via f.bproto,I wasn't picked, dang,its said to give you "10x human energy and vitality".I became a fan of Backstreet Boys on f.bproto.


18may1996,

karl found a memo from the missing researcher under his bed when he was cleaning out his room, sent me a message via f.bproto,it read that the researcher concluded that the f.b proto had negative effects on living tissue, decreased brain function,increased tendencies for violence,and not worth the sublimal control contract with the goverment, and that both pre-cambrian ferns pose to much liability for a biohazard and show signs of sentience.........hmm,im up to 300 friends now.


19 may 1996,

more accidents in mansion, Albert Wesker sent message to staffers that he was just promoted to Head of Security,and that if anybody is caught leaving the premises they will be shot. I wouldn't even dare to go out in the surrounding forest, I hear the wild dogs howlin all night amid those dense woods.just became a fan of Ace of base, they are awesome.


20may 1996,

my roomate looks like a hot messs, his skin looks pale with black blotches and he has pitch black circles underneath eyes, he's been taking the labs new painkillers, man he should change his profile pic. I poked Ada.


21 may 1996

message from f.bproto, "outside guards replaced by Hunters.".....man, def would not go out there now, I fed one of those ape reptile thingy's live feed the other day( Phil went missing, I had to do his job, always doing other peoples work), and the feed for that day was a cow, and this thing just poked the cow to death with its razor claws.

Everyone of those brute raptor things have a skeleton key has their middle razor claw, a researcher said they can hear every door open and shut in the mansion, " If you see one, turn around and go out the door you came, if you enter a door your not supposed to, well....." he didn't finish what he was saying, only walked off muttering "what have I done....".....I friend requested him on fbproto, his last post was "god forgive me." His profile pic was his mansion room, with replicas of insects and a fishtank(that is rumoured to be a model of a giant one in the basement). He disapeared soon after and his fbproto was deactivated.

Joined Labville on fbproto.;)


22may1996,

message from company, the labs are combining expieramental ice coffee,painkillers,and steroids,anyone on f.bproto can partake, and we should document how we feel and what we do on fbproto multiple times a day. Took a pic of myself shirtless, can see spine coming thru skin, and I keep catching the red plant from the radiator posing in the background, or giving me bunny ears......grrrrrrrr.;(


23may1996

went to smoke a spleef on the stone balcony, near the greeen house over looking the forest the other night, they grow all kinds of red and blue marjiauna there.....but there was one of those reptile hunter things, standing guard there, blocking the path, it screamed and almost blew my eardrums out, " okey dokie" I said, and slowly backed away and left......friggin nazis these pharmaceutical people are.

I got rid of the Labville app on fbproto, that game is too hard, I keep running out of butlers to feed my experiments, and my humans keep escaping into the woods. But mostly, Im sick of seeing

Albert Wesker's name with the highest score everytime I play......



25may1996,

Ben said he saw a handfull of scientists and guards on the helipad taking a chopper out. There is more plants decorating the halls, no one knows who put them there, some rooms are blazing hot, others are ice cold. Ben said to not go to the library, everyone who went upstairs to that room has not returned, that the blue ones have took over the cobblestone path to the courtyard where the armory is. Said he saw Kevin in the tangles running up the stone wall on the side, he had a vine going in his mouth and coming out his eye; and he said that the researchers call the red ones "evaginates," for how they trap and slowly eat you(sounds ******). Im not on Ada's top friends list anymore, angry.


26may1996,

the mansion is awash in accidents and fighting, roomate looks like zombie, others look like reptilian muscled gorillaz, others just a blur they move so fast.eyes hurt from staring at f.b proto. Moaning alot. everyone is playing "I Saw the sign" from Ace of Base. Vines keep stealing my hat, and eating people.


25...,

no food, ate cat,mittens and both hearts,gas lights out, dark,everyone walking around with laptops to see,blue fbproto reflections on walls.fml.


2aprol

took chris' ice cofee and killed ben before he took steroids,lol,ate steroids,no one cooking food, getting hungry,guards came,ate em.....bullet hole in my chest......chaaange f.bproto profile pic to facee....my quote is mooohaha... just. saying


23...,

feel strong, fast,gruntin alot, hungry, no food, ate carl, ate red plant, carved him with my skeleton clah....I hate mondays was post on f.bproto,yum ice cofee.


43

oooohhhh, lol,lol, top ada friend list, ,ate benny...b.esisde armpits....he stink.....roarrrrr......oohhh....bullel wond in cheeek....see benny in thar......moving quick......hunman bones everyware....stain carpits....helicupter....mur guards......no.....pulice.....wesker is wit em....ace of base now.....bed of blud..I wit...fur em.....fbproto sez **** starssss ......


2..........rooooooahhhhh,yum, ohhhhhhh,lol,raohh.fml............[rest of transcript unintelligible]
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Mateuš Conrad  Nov 2016
i. & ii.
Mateuš Conrad Nov 2016
i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound
soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art
.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.
Mark Armstrong Mar 2018
Are you listening to the whispers? are you feeling scandalised?
Harbouring ***** little feelings that you wanna sanitise?
Walk through the swinging doors of a catholic franchise
Ask em for that sailors knot a black-n-white man-ties

To the pairs of prying eyes his practical rebuke
Is a marital disguise and a tactical puke
Throw the garter ‘mongst the pigeons, the voluntary victims...
Whose single minds are filled with matrimonial conviction

Paired up poets pool their miseries; the price of art
Each miserable synergy - the sum of its parts
Did he swear that he’d hold you ever dear to his heart?
To love and to cherish til your knees did part?

If she wants you like her father and you want her like your mother
What the hell are you gonna do when you’re bored of one another?

There she stands on ceremony all silk and sinew
While the vow evicted from his Adam’s apple continues
To stutter as the panic builds like stifled farts
Til it splutters its devotions on her lady parts

Her eyes sentence you to sit though your neck-hairs stand
She’s the ****** ****** written in the lines on your palm
Old scores squeeze sideways through her gritted teeth
And he takes on the debt of every promise she believed

Hide the love-bites in a polo-neck, your love life in a Rolodex
When the ***** hand of happen-stance runs its evil down your keks
Cos like the indelible digits on your bathroom mirror
Love is for life until you dress it with liquor

If she wants you like her father and you want her like your mother
What the hell are you gonna do when you’re bored of one another?

We are but experiments, seven billion shades of wrong
The clever ones stay celibate, the others pass it on
That’s an easy line to settle-on in present company
Single-riders in the peloton to pick up the debris
Mateuš Conrad Mar 2017
i read stories of angry drunks and wonder:
           why am i so "pathetic" reading into calm?
don't know... truths by a millionaire
might make more sense...
mix ***** with coke watch
the icecubes melt and then take another
sip and it's harsh, pinching like
a crab's signature...
         but then alcohol formulates
around me like a memory tool,
gone are the lessons of school,
      gone the need for arithmetics that
lead to no hoard of gold of erebor -
just that cinema and standstill -
   like my genesis of memory,
  with a great-grandfather in kindergarten
him playing the piano and me playing
a toy piano aged 4, and in my memory
he representing no clear image
but a mere shadow / merely a shadow...
               or laughing at my great-grandmother's
funeral, then sitting up at night
   gnashing my teeth so hard
until i managed to bite off a piece of my
left mandibular central incisor...
         and in the mourning crowd
  when close family members were throwing
flowers into the grave unearthed
and being asked to do likewise
i shouted no!...
                      and took the intended flower
to be thrown into the grave
   to my grandparent's home and sat there
with a candle, gently burning
     the petals with the flame until
the petals, originally red, turned purple;
it seems i can't forget my education in chemistry,
that's not me saying i prefer thought "experiments",
i find them abhorring,
             it's still perplexing how that rose
that was intended to be thrown into the grave of my
great-grandmother ceremoniously
     turned purple from red when gently
applying fire from wax...
        i'm sure a bunsen burner flame of blue
flame would have scortched it...
    as i'm sure you agree, there are hues
to fire, blue flames and very engaging chemical
experiments... in all honesty?
   i did the best chemical experiment in school
and not at university... thanks to mrs. khan...
it involved extracting polyethylyne
in an in vitro environment...
               what you might call an event horizon
akin to physics...
                    oh physics, and the fact that
it's focus on procuring adherents does not stand
within an in vivo environment they propose
to speak about it...
          oddly enough, chemistry does not
popularise itself, only biologists and physicists
popularise themselves,
         chemists usually turn into amphetamine
pushers...
  like: because it began with a ****** name
     and an even ******* primate, do i care?
no... i'm getting drunk!
  why do physicists and biologists get the *******
high-ground in culture and chemists get
the sub-culture? oh right... poetry and
the counter-culture...
      i own the literature:
a. atkins' physical chemistry
          b mcmurry's organic chemistry
c. shriver & atkins' inorganic chemistry...
   from experience though:
    organic chemistry is where you have fun...
it's almost culinary in nature,
   and the patience involved...
sometimes an experiment can last for days...
i find the other two environments too sterile,
well... inorganic chemistry is spectacular,
i'll just add that it's flamboyant...
             physical chemistry is a ******* graveyard,
that **** is so sterile that you don't
   even know whether it's physics or just
applied mathematics...
               but how electrons travel in
organic chemistry's textbooks?
            i could do that **** for ever -
                    the nearest thing to x-ray vision
of what is formed and how it all seems like
quasi-robotics of something taking off a faulty
limb and asking for a more manageable counterpart,
it's all metaphor though, evidently not literally
applicable...    but that doesn't say it's not similar
in the case of having such a point of view...
  but yeah... why do biologists and physicists
think they can speak about their theories
  as populists might speak their political agenda
when they're forgotten the principum in vitro?
                 what they are doing is what
current right-wing political movements are doing,
giving them a platform akin to populism
     i.e. via the principum in vivo...
                    i mean it's there, including chemists
running amok shoving toothpaste and petrol down
peoples' lifestyles... and sure, pills...
    but i find that less demeaning than showing
ideas into peoples' heads... like it might
       change their narrative skills for the better...
still...
        now i'm tempted to find the third alternative
to vitro / vivo...
                               in mirror, a replica,
    something that can compensate the phenomenological
groundwork for, say, the punk or goth movement...
     trouble is, what could be resurrected from latin
to derive the word mirror...
     mercury?                           it has to be,
given in silico, so there must be a counter-elemental
derivative working from that...
thus -                                             in mercurius,
     that ought to prescribe the x            definiton
     to a situation                  where + is rarely
                       attributed to the movement of the canvas;
and yes, writing can also imply
serving the dish neglect to all wordly affairs.

— The End —