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EssEss Aug 2022
When you think of touristy locales, Italy is at the top of the list,
Picking a specific place at random would be wise to desist,
The options are so many that one is spoilt for choice,
But at the end of it all, it is a matter to rejoice

Overlooking the sunny Amalfi Coast, Positano boasts of a picturesque landscape,
Colorful, cliffside villas beckon visitors wanting to experience the "great escape",
The sophisticated resort town is the jewel of southern Italy's iconic Amalfi Coast,
The spectacular setting of this vertical town is so enchanting that it deserves a toast

Positano is just a forty minute ferry ride from neighboring town Sorrento,
The sound of waves crashing against the pebbled shores is sheer gusto,
Not surprising that Positano translated means a "place to stop",
The visual dramatic vertical panorama of colors serves the perfect backdrop

Seen from the sea, Positano projects a stunning color combo that is visually transcendent,
The unmissable green of the Monti Lattari mountain range appears so gloriously resplendent,
The white, pink and yellow of the cascading Mediterranean houses have a vertiginous effect,
The blue of the sea and the silvery grey of the pebble beaches provide the surreal connect

The imposing, colorful majolica-tiled dome of the Church of Santa Maria Assunta is iconic,
A testament to Positano's beauty and history, seeing it's revered architectural work is euphoric,
A Byzantine-inspired icon of the ****** Mary can be seen in the church's interior,
It is popular for exchanging wedding vows, with an impressive belltower on the exterior

Positano's waterfront is the Spiaggia Grande pristine beach whose grandoise is no empty boast,
Spanning in excess of three hundred meters, it is one of the largest in the Amalfi Coast,
Reputed for it's ever crowded sandy shores and a postcard-worthy view that is breathtakingly intense,
As visitors chill out in umbrella-shaded lounge chairs, savoring an unforgettable experience

Access to downtown involves climbing steps, steep winding walkways and narrow streets,
Trendy fashion brands on display in numerous cute clothing boutiques are a visual treat,
Art galleries, souvenir shops and ceramicware shops abound every step of the way,
One cannot but pause and admire the various artisans' intricate works that hold sway

Handmade leather sandals, customized and readily crafted to perfection is an authentic Positano experience,
Rows and rows of designer clothing shops convey local artisans' innovative ways of wielding purchasing influence,
Limoncello liquer made with Amalfi Coast lemons is a Positano specialty that absolutely must be tasted,
That it is the second most popular liquer in Italy (after Campari) and made from neutral alcohol cannot be understated

Amalfi lemons are very sweet, prized for their low acidity and delicate flavor,
Used for making jams, sorbettos, preserves and various desserts to savor,
Campania cuisine have a generous dose of flavoring with Amalfi lemon juice or zest,
Visitors thronging local restaurants are treated to delicacies that are some of the best

Positano's countless romantic restaurants serve a plethora of seafood offerings and local specialties,
Barilotto is an unique cheese that is subtly sweet with creamy and mild flavors, sans any trivialities,
The cheese aromas are delicate, fresh and buttery with a hard, smooth and firm texture offering,
Made from water buffalo's milk by heating the whey & aged for at least forty days, before becoming a serving

The memories of this picturesque town linger long after the visit is done,
As you tick off another scenic Italian locale that has hearts to be won,
Images of the colorful setting (s) remain hard to erase from the mind,
As you set about planning the next adventure, leaving this one behind
Vicki Kralapp Oct 2018
From my earliest remembrance,
to this hour I have maintained,
I've never been contented
with a life of the mundane.

I’ve sought to spend each day in life
in search of curious things,
like art and education,
and the richness that they bring.

I hope to write more poetry
and share my verse in print,
and with my use of written word,
paint art with shades and tints.

I’ve been to many distant lands,
but yet my heart implores,
I seek out farther mysteries,
our planet has in store.

But now my body slows me down,
like most as we grow old,
and though I try, oft I fall short,
of plans I can control.

So, to keep myself companion,
while I will myself to heal,
I’ve formed all my ambitions,
which one day I plan to reach.

Since I was just a little child
I dreamt of life abroad,
in Kenya with the Maasai tribe,
I’ve always been enthralled.

I've fancied a safari,
where the famous five are found,
a land where great giraffes stand tall,
against the setting sun.

But, it is the Land Down Under,
that is first among my plans,
and one day soon I’ll see the coast,
of Sydney once again.

My friends will come to greet me,
though a lifetime I’ve been gone,
and united we’ll share memories,
for the present and beyond.

I’ll go for walks amidst the bush,
and hear the magpie’s tunes,
I’ll stroll beside the ghostly gums;
with nature grow attuned.

I’ll tour along the Southern Coast,
drive past Apostles tall,
and see the sites of Melbourne fair,
with all its cultured draw.

Then off to Kiwi’s northern isle,
with nature’s beauty rare,
fulfilling dreams so long desired,
to glimpse the Mauri’s there.

Waitomo, with its glow worm caves,
and Rotorua’s pools,
with geysers, Eco thermal parks,
and Bay of Islands too.

As I make my way back to the states,
I’ll stop along the way,
to visit Fiji’s turquoise coast,
and snorkel time away.

I’ll learn about the culture,
and partake of Fiji’s fare,
and when I go, I hope to leave,
a part of my heart there.

The coast of California,
on my list of sites to see;
from the Wharf in San Francisco,
to the vineyards by the sea.

I dream of redwoods sure and tall:
the parks and smell of pines,
and stand amid the ancient firs,
lest they pass for all of time.

I plan to visit Florence,
where master artists roamed;
the heart of Tuscan Renaissance,
where da Vinci made his home.

I hope to cruise Amalfi’s coast,
with others at the helm,
to view the brilliance of the sights,
and others in the realm.

While in the South of Italy,
I’ll cross the briny foam,
and walk the hills in Athens,
where ancient Grecians roamed.

I dream of Amazonia,
where man has not destroyed,
and natives live within the wild,
with harmony employed.

The last one on my bucket list,
is one I’d left undone,
when first I made my maiden trip,
and I was twenty-one.

I’d hoped to see the Emerald Isle,
and England’s castles old,
Duke’s palaces and British Tate,
are marvels to behold.

I’ll drive the ring of Kerry,
and the magic Isle of Skye,
to see its Fairy Pools of hues,
and Highland’s brilliance sights.

The lush green grass of Glen Coe,
the Scottish hills await,
would be a lifelong dream fulfilled
when all my trials abate.

With this, my final dream fulfilled,
I see my list complete,
full circle with this Commonwealth,
my restless feet at peace.

But ‘til that time when I am healed,
and I can travel far,
I’ll dream of lands beyond my reach,
and one day touch the stars.
All poems are copy written and sole property of Vicki Kralapp.
I asked the heaven of stars
What I should give my love—
It answered me with silence,
Silence above.

I asked the darkened sea
Down where the fishers go—
It answered me with silence,
Silence below.

Oh, I could give him weeping,
Or I could give him song—
But how can I give silence,
My whole life long?
Tell me about the Ace of Wands!
Tell me about the Ace of Wands!

This has been poorly imagined I admit:
The sunny penthouse
Open to the breeze
which presses and sways
through the sliding glass doors

Upturned champagne bottles
set in buckets of melting ice
A crystalline view of the Pacific
Or dusky Vegas lights

Strewn silken sheets
A **** carpet you can grab on to
The myriad of variations under a rising Moon

Yet Leather and Ecstasy are no where to be seen.
And though I wasn’t thinking of Sardinia
or of the Amalfi
That is a great idea

ROMP
noun
1. a spell of rough, energetic play.
2. a farce.

Eventually
(An earth-sign cusp is slow no matter how much air)
Eventually
creeping into my mind’s eye
(Thank you Time)
was my dodging of the slow-moving bullet
Alas, the lumpy bed in Hollywood awaits
with serviceable sheets
Encased in variations on a theme of
brown everything
A soul death in faux wood paneling
Someone else’s earring on a
grubby carpet floor
that offers you
burns for your back that won’t heal so fast
if that’s what you want
There’s the opening of the door
on the purring refrigerator
to look at cold nothing
And think nothing
Cystitis is on its way
And yes,
Too much dust

Don’t get me wrong
I have no real issues with dust
I have stood
Alone in the semi darkness before
In such a living room
Staring at this luminous particulate
On album covers
and in the glare of backlit windows
Floating in a beam from
a ceramic thrift store table-lamp

I was on my way to find the bathroom
Where a pair of pink ******* lay
drying
in wait for
me

Bachelor dust
Is old
I can write my name with my finger
in that which rests
upon the turntable’s hinged cover
In case you don’t remember
What they call me

As I’ve said
I’ve got nothing against it
Ask the dust
Go ahead
Ask it
Resting quite comfortably
on the bookshelves
If there are bookshelves
As if it had
something to do.
I ask it why?

my invading molecules subdivide
and grow more comfortable

Dust?
Why do I smell the stench of
chaste virgins and ***?
The intoxicating odor of foxed letters from an epistolary exchange regarding:
One Fair Maiden and the Devilish Pursuits to  Compromise Her Virtue?
The Opinions and Observations of Fallen Fruit
Here: The woman and her only true
possession
And Here: The sticky absconder who smells of fish.
They meet.
She blinks.

The dust replies
It’s a simple plan:
The Dear Lady is to be led
Astray
by pretty words and unspoken indiscretions
her dowry in the end, useless
She’ll be banished to the counties
To be a governess
or the
Bored companion
of the only living relative who will
Admit her services
Unpaid in silver coins
He is Blind and his Cook has left
Dyspeptic
Disagreeable
Cheap
and Mean.

She is Ruined.
Perhaps she will escape
to Italy
and die
Alone
in the sunshine.

The dust tells me another story
The same century still
This time, a miscreant princeling
surrounded by Trifles
Picking up one bob and then another
Preoccupied by uselessness
Perhaps a strawberry
Perhaps more claret and his mistress’s left breast
Tonight will be the scullery maid
Who will lose more in the end
Than she could ever possibly imagine
Tossed out of the kitchens
to Providence.
God bless Her.

The dust tells me
It’s mercantile, my dear
It’s all transactional
But look at me
I’m here for a time but am easily
Agitated and
Airborne
Aeolian driven
Ever blossoming fugitive clouds of swirling devils
Interstellar Reflection Nebulae
As you can see
I’m never in one place
So I say keep it movin’.
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
judy smith Jul 2015
Getting married on a beach, mountaintop, remote villa or rustic rural setting is a romantic ideal for many brides.

But what does that mean for the wedding dress?

Should you go formal or footloose? Will your gown fit in your suitcase?

A bride having a "destination wedding" should think about versatility when choosing a gown. She must be "concerned about being comfortable, more so than your typical bride. She has to contend with weather and terrain, making her gown choice critical to how at-ease she feels on her special day," says Lori Conley, senior buyer for David's Bridal.

Christine Pagulayan of Toronto and her fiancé, Ian McIntyre, jetted to Costa Rica in 2013 for a resort wedding.

"I had a (dress) style in mind: strapless, low back, white with ruching. Initially, I thought about going short, since we were going to get married on a beach, but I then realized that even if it may be heavy or sweaty, I wanted a real wedding dress. So we found one that had a gorgeous train, but it also had a bustle so I could dance," Pagulayan says.

Some dress trends for destination brides:

• LIGHT FABRICS AND SHORT HEMS: Many traveling brides favor lightweight, airy fabrics.

"Chiffon and organza are always favorites. Full trains can be cumbersome if you're navigating sand or grass," says Conley, of David's.

"A lot of brides opt for the ease of a sweep train," which just grazes the floor.

David's destination-friendly dresses include styles in full or tea-length tulle, soft lace or chiffon, Conley says. Fabrics that travel well for brides wanting a more structured gown include silk gazar, georgette and crepe, which are "lighter-weight versions of silk faille and Mikado," says Carrie Goldberg, associate fashion editor for Martha Stewart Weddings.

J. Crew's Karina short dress, for instance, has a flapper-esque fringe, and is covered in corded lace. • SEPARATES: "Tops and bottoms are not only easier to pack, they allow for mixing and matching fabric and fit to get a silhouette that feels unique to your personal style," says Goldberg.

Separates work for any destination, she says: "A full organza skirt may appeal to a bride getting married on the beach; pairing it with a delicate silk camisole suits the location. The same skirt would suit a mountaintop affair when paired with a fur bolero or a fine knit."

J.Crew's Sloane poly-cotton long skirt has a simple, draped profile; a silk cami top embellished with beads, crystals, sequins and paillettes in a floral motif creates a dressy look.

At David's Bridal, there's the crisp Mikado cropped top balanced by a flowing, organza ball-gown skirt, creating a modern silhouette.

• COLOR: Let the venue inform your choice of hue, Goldberg says.

"A sunset wedding in Napa pairs beautifully with a blush gown, while the colors of an Amalfi Coast wedding may inspire the bride to opt for something blue."

• VERSATILITY: For bridesmaids — or perhaps even the bride — White House Black Market has a clever option: a short or long pull-on gown with a customizable top. You can adjust the straps on the "Genius" dress to make a halter, one-shoulder or cap-sleeved version. Easy to pack, affordable and available in a range of colors, these might be a good option for a group of bridesmaids.

• FOOTWEAR: Flats or wedges are ideal for beach or garden: "The more surface area the sole of your shoes have, the easier it will be to walk," says Conley.

Keep in mind that satin or grosgrain might get stained by grass or sand.

Another option for beach brides is "foot jewelry," an accessory that does away with the need for an actual shoe.

read more:www.marieaustralia.com/formal-dresses-adelaide

www.marieaustralia.com/plus-size-formal-dresses
There is delight in singing, tho' none hear
Beside the singer; and there is delight
In praising, tho' the praiser sit alone
And see the prais'd far off him, far above.
Shakspeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walkt along our roads with step
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing: the breeze
Of Alpine highths thou playest with, borne on
Beyond Sorrento and Amalfi, where
The Siren waits thee, singing song for song.
blue  Jan 2017
l'italia
blue Jan 2017
il colosseo roma in leather-scented dusk grips the night, marble hand on woman's thigh; these evening breaths are half-lit by awning lights and candle-flame laughter. waiters serve wanderers searching for home under the light of the half-moon – they don't tell us that these shores have too much mystery for us. some homelands are sun-steeped histories cradling darling secrets between ancient bricks, ancient tombs.
 
the amalfi coast whispers seashell lullabies to the old-souled man plying whiskers of melodies out of his tin-flute, traipsing in a pit-patter down the sandy road leading to the ocean beach. he watches drowsy-eyed windows blink pulses on the beach – they caress us to sleep in lulls and crescents.
 
the florentine memories are all mine - bacchan dreams; how you turned my head away from the window, wrapped me in whiteness like newborn's skin. you, the child of a mountain spring where gods were born - the softness in your neck betrays this to the doves. heartbeat an adagio in old italy, heather scent stirring the air like eye of newt in witches' brew. love, your body like a holy city – lamplit streets between dusk and dawn leave little to the wishes of the heart.
italy, 2015
Liz McLaughlin Aug 2015
The ocean moves like restless hands these days.  
Abrasive: rubbing cliffs to sand and dust,
their spirits crushed to foam. Alone too long
is what I think, Aegean fathers pull-
-ing back their sons. But myth is myth, I must
admit. Instead, the water beats the shore
for natural want, its swells and frothing tides
some violent children, asteroid-born, conceived
from outer orbit kisses. Moon-side, roar-
ing waves arise, as high as mountain peaks.
Their tensions break and churn up flotsam: jag-
-ged wood from ships reclaimed. My lips, too, crack
apart from frigid air. The blood is cop-
-per salt to taste. But salt still, none the less:
familiar sea foam flowing through my veins.
Genetic instinct winds me back to shrines,
the Greeks and Romans knowing more than we,
Poseidon having planted home alread-
-y thick upon their lips. Ensconced in coves,
Amalfi’s citrus piers had housed the songs
of sirens, trilling hymns to Venus. Her
divine softness, human-wrought: distilled
from strong eternal surf. I think it wants
her back again. And so it hurls itself
against the shore to beat our body’s blood
back into foam. My feet are cold atop
the rocks, the goose-flesh prickling needles deep
in skin. My head is past the precipice,
suspended at the point of no return.
My arms are tingling in the rain-drenched squall,
beginning to dissolve as salt is known
to do. I take a breath before the fall–
a retrograded Aphrodite’s sigh–
now flooded as the clifftop leaves my soles.
It was the Summertime in Amalfi
where sweet
love and sweet wine flowed freely.

In the monastery which
was once San Pietro della Canonica
and now is the Hotel dei Cappuccini
we had cappuccino and then had to go
to
the Piazza dello Spirito Santo
Whit Howland Oct 2019
terracotta pink
sun-washed peach
they tumble down

tumble they do
to the sea  

Positano
the Amalfi coast
its steep and
slanted streets

Positano
where wisteria
grows on hotel walls

though paint does peel
stucco crumbles
and awnings fade

Positano
even in its sometimes
tattered state
it's  still a weathered beauty

Whit Howland © 2019
Sentimental word art. A little more Rod Mckuenish than I'd like, but oh well.

— The End —