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Nat Lipstadt Mar 2015
the Internet sets
higher aspirations

a teaching guide,
on how to

go beyond and deep into
the fast lane's curved and wide,
stretching
the straight and narrow

longer than lasting,
lasting no longer than
memory feelings
blurred overlapping burnt edged video recordings

pores pour oil and noise,
differentiating little between
beginning ending continuous

in the mind, from the walls,
Santana Rob sings "Smooth,"
but it is
the guitar wailing controlled penetrations.
a national anthem
of driven perpetual needy fomenting
outspoken physical truths

you don't care how you
got there,
where you are,
anybody's name,
high octane high performance

*** today,
is not for
the shy and the retiring, sissies,
we all got the necessary expertise,
with violin accompanist of pharma teaching aids

recalling first time tumblings,
exhaling
deep down throated rumblings,
rushing
fumbling ******* an ****** innocence
rushes of surprise and discovery,
success of feeling successful,
the shame of miscommunications

think I'm gonna watch me
a romantic comedy,
write her a love poem,
come up from behind,
caress her *******,
kidding kissing her ear lobes,
then entering her entry point,
her neck
even when she is
armed
but forgiving,
busy chopping dinner's vegetables,

make them make them
give up the hidden
soft atonal squealing
like a
piccolo on steroids,
high pitch teasing,
pinched by air ****** intaking

I'll play the bass,
hitting those low notes,
******* my own strings,
deep ooh's and aah's
diode emitting,
the drug employed
is unadulterated
wanton but wanted
desire

this won't be the poem of the day,
no mind,
it already is was and
will be...
7:15 am/pm
annh  Sep 2020
Once Upon A Story
annh Sep 2020
You ask of which I am most afeart, the rumbling tumblings of the troll beneath the bridge or the tinkering favours of an eccentric fairy godmother. Alas, it is the marzipan crumbs of inspiration leading me down the brambled garden path which most unsettle me; the ink that does not write; the unpainted page with not a gingerbread house...in sight.
‘If you ever find yourself in the wrong story, leave.’
- Mo Willems, Goldilocks and the Three Dinosaurs.
Tamara Fraser Aug 2016
It shows itself in the mornings, too brisk to leave my bedroom;

soft tumblings in bed fighting to scrabble for warmth with a body like ice.

It shows itself in the lines and creases on my face;

prematurely carved in stone and worn rough with care.

It shows itself in the dreamy daze I wade through;

I stumble around you and on into some frightful collage ahead.


It shows itself in the strings unravelling behind me,

that you follow until you’re inside.

It shows itself in the pages of unseen messages you keep,

the ones you ignored or purposefully forgot, asking if we are ok.

It shows itself in the way I can never afford to be calm,

never around you at least.


It shows itself, the way it pummels and pounds the inside of my skull.

It shows itself when I can never sleep, like resting on a pillow of

broken glass.

It shows itself through my eyes;

the way they rest on the floor and silent tears

fall down around me, leaving silent stains that disappear before you notice.


It shows when I twist away from your lips,

but then instantly move to pull you close, on top.

It shows when I love you, and begin to let that fall from the window,

to somewhere else.

It shows when I learn how to love myself, then proceed

to wound and maim myself;

because I left you dangling on my line, my fishhook buried in your side.


There is a chaos.

Inside my head.

Are you prepared to face it?

It’s a raging ocean and you need to want to swim in the tides.

You need to know how to float on a sea of rubble, crushed up words,

sanded-down motivations and crashing waves.

It doesn’t soak you in salty coldness,

but the dark relief of being numb. No sensation.

Just observing the world from a tiny crack in the wall.


Are you alright, steeled enough, to try with me?

To brace against it all when I come tumbling at you from nowhere.

Are you strong enough to try and understand the chaos?

— The End —