Submit your work, meet writers and drop the ads. Become a member
mannley collins Sep 2014
Life in Duality and Non-Duality

Birth is the first gate.
Death is the second gate.
Between these two gates lies the path of life
travelled by all sentient beings.
All are born.
All will die.
Between death and rebirth lies the unameable state
where the next life is chosen, determined by the individual Isnesses
stockpile of accumulated Karmas,
Good and Bad.
All human beings,due to their accumulated Karmas,
both Good and Bad,
must pass through this unameable state
and be reborn into their next life.
All beings accumulated Karmas,Good and Bad,
are assessed in that state and that assessment determines the next life they are  reborn into.
There are NO exceptions to this process ever.
Karmas,Good and Bad,are accumulated in each life.
Karmas ,Good and Bad,are the result of the morality
of each individuals actions.
Karma is of three types.
Good Karma which ties each individual
to the Wheel of Incarnated life,death and rebirth.
Bad Karma which ties each individual
to the Wheel of Incarnated life,death and rebirth.
Neutral Karma is the only way that each individual
to can free themselves from
the Wheel of Incarnated life,death and rebirth.
Both Good and Bad Karmas tie each and every human being
to the endless cycle of birth,life,death and rebirth as a human being.
Only Neutral Karma can free each individual from
the endless cycle of birth,life ,death and rebirth as a human being.
Neutral Karma is only realisable through the practise
of the Six Fundamental Yogas.
Neutral Karma is the only way to erase both Good and Bad Karmas.
The practise of the Six Fundamental Yogas increases the BrainBloodVolume to the level of that of  Foetus in the Womb,which causes the Mind and Conditioned Identity
to dissolve,temporarily or permanently.
Those individuals,female and male equally,
whose practises of the Six Fundamental Yogas cause
the Mind and Conditioned Identity to dissolve temporarily or permanently will enter into union with the Isness of the Universe
as an equal,temporarily or permanently.
Those individual human beings who  pass their lives accumulating Good and Bad Karmas are unable to escape from the endless cycle of birth,life,death and rebirth.
For the overwhelming majority of human beings who refuse to generate Neutral Karma,by practising the Six Fundamental Yogas,life can only be lived, in the state of
Mind created Duality and  Non-Duality.
They are unable to enter into the state of union with the Isness of the Universe as an equal.
The permanent feature of such a life lived in either Duality or Non-Duality is the ceaseless deep suffering of being separated from the Isness of the Universe as an equal.
For those very few human beings who,through the practise of the Six Fundamental Yogas,have dissolved Mind and Conditioned Identity,permanently,life is lived in union with
the Isness of the Universe as an equal.
Life is lived in the state of Experiential Knowingness
which is called Separate and Merged.
They live out their last lives in this realm in union with Isness of the Universe as an equal.

www.thefournobletruthsrevised.co.uk

.
Jellicle Cats come out tonight,
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicles wash behind their ears,
Jellicles dry between their toes.

Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicles jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They’re quiet enough in the morning hours,
They’re quiet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.

Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happens to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.
nosipho khanyile Jul 2018
habits are a different form of story telling

tell a good story.
629

I watched the Moon around the House
Until upon a Pane—
She stopped—a Traveller’s privilege—for Rest—
And there upon

I gazed—as at a stranger—
The Lady in the Town
Doth think no incivility
To lift her Glass—upon—

But never Stranger justified
The Curiosity
Like Mine—for not a Foot—nor Hand—
Nor Formula—had she—

But like a Head—a Guillotine
Slid carelessly away—
Did independent, Amber—
Sustain her in the sky—

Or like a Stemless Flower—
Upheld in rolling Air
By finer Gravitations—
Than bind Philosopher—

No Hunger—had she—nor an Inn—
Her Toilette—to suffice—
Nor Avocation—nor Concern
For little Mysteries

As harass us—like Life—and Death—
And Afterwards—or Nay—
But seemed engrossed to Absolute—
With shining—and the Sky—

The privilege to scrutinize
Was scarce upon my Eyes
When, with a Silver practise—
She vaulted out of Gaze—

And next—I met her on a Cloud—
Myself too far below
To follow her superior Road—
Or its advantage—Blue—
Michael John Nov 2018
i must practise my
flipping guitar
i must *******
to something original..

i must smoke marijuana
cause i have a gammy leg
and asthma..
music and grass

and a hot mug of tea
is there better
in this disorder..
this lost universe..
st64 Apr 2014
Heaven and Hell: The Parable of the Long Spoons
Post written by Sofo


What is heaven? What is hell? The parable of the Long Spoons explains very well what heaven and hell truly are.
One day a man said to God, “God, I would like to know what Heaven and Hell are like.”


God showed the man two doors. Inside the first one, in the middle of the room, was a large round table with a large *** of stew. It smelled delicious and made the man’s mouth water, but the people sitting around the table were thin and sickly. They appeared to be famished. They were holding spoons with very long handles and each found it possible to reach into the *** of stew and take a spoonful, but because the handle was longer than their arms, they could not get the spoons back into their mouths.
The man shuddered at the sight of their misery and suffering. God said, “You have seen Hell.”
Behind the second door, the room appeared exactly the same. There was the large round table with the large *** of wonderful stew that made the man’s mouth water. The people had the same long-handled spoons, but they were well nourished and plump, laughing and talking.
The man said, “I don’t understand.”

God smiled. It is simple, he said. Love only requires one skill.
These people learned early on to share and feed one another. While the greedy only think of themselves… [Author unknown]

Sometimes, thinking of our personal gratification, we tend to forget our interdependence with everyone and everything around us. Not to help our fellow human beings simply means harming our very selves, since we are all connected on a very deep level.
If you want others to be happy, practise compassion. If you want to be happy, practise compassion.
~Dalai Lama




               *by Sofo
sub-entry: no slime

if Dolores had to hang those sheets upon a sunny breeze
far on below, tracing treacherous steps to a lawn so green
your soles could find no slime deep enough to match

that patch of green where I'd sit
with my pipe blowing out clouds serene
for the sky to make friends with
and face that roar of waves
on the ocean my soul has dipped into
so many times..

st64, 28 April 2014
Lord Byron  Jul 2009
The Waltz
Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.
THAT civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.
1
That the ******* towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.
1
That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.
Like a long-leggedfly upon the stream
His mind moves upon silence.
phil roberts Aug 2016
Just in the pubs and clubs
******* our own gear around
Seemingly, always upstairs
For weddings and birthday parties
Sorting out miles of wires
Well-worked practise

But when those amps were turned on
With an audible amplified thud
As switches are flicked
And their lights gaze like tiny red eyes
That's when I am ready

First number and the drums and bass
Connect to create new heartbeats
And now I'm into it
Not the man in the mill anymore
I'm the frontman for the band
And the music soars through me

As the night goes on and grows
The crowd has grown and is dancing
Gaining energy from the music
And feeding it back to us in turn
Now THIS is being alive

And so it was

                                 By Phil Roberts
I never fell off a good bass riff but I fell off stage once or twice :)
PRACTISE N PREACH

Help me  Ahura to practise whatever I preach;

Help my kids n readers to understand what I am trying to teach.

No point absolutely there is,  if  we our teachings, just screech;

Or on opponents yours , under some pretext charges,  impeach.

Ahura, help me please to spread implicit faith, love and care.

Parsipanu pulsate should, in each little Rathestar, everywhere.

Ervads preach should religious values n tarikats with care

Every Rathestar has responsibilities grave, practise we must, our share.

Armin Dutia Motashaw
Raj Arumugam Oct 2014
Session 1
Greet people you meet;
smile and give 'em a Presidential wave




Session 2
Facilitator:
What  happened to you
Participant Jones?
Would you care to tell everyone?


Participant Jones:
This man at the mall
stepped up to me and punched me
Cause, he said, I was smiling at his woman


Facilitator:
Be undeterred, O participant Jones
Be persistent - practise positive behaviour


Session 3
Facilitator:
What's with that bandage on your head
O participant Jones?
Would you care to tell everyone?


Participant Jones:
That's where my wife's ladle landed
O positive Facilitator -
for my wife thinks I'm trying to get fresh
with the women in the neighbourhood
with my exuberant smiles and hand waves


Facilitator:
Have no regrets, practise in earnest;
the broad smile wins all hearts



Session  4**
Participant Jones did not attend;
has not been heard from since Session 3

— The End —