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Floating, in amniotic fluid
as if i could
fly away from here
But still
I need you near I need you near.

My womb My place of peace
Pieces of you in me.
My womb,  my place to ****
What ****** you of is in me.

And I am hear,  to test the waters
Your Womb
Is it in me?

My sanctuary
My harrowing disposition...
Do I effect any decision
you make?

Please, my womb, is inside of you
My place of peace my place to ****.
My face to yours
the heart I miss

My womb, My Amniotic fluid
My fetus in the womb..
Raise it if I could.
Your heart, your ****
My womb, My amniotic fluid.

My place of piece.
Pieces of you in me.
My womb in you
Exhume!!
Take me out before I am ready
life is just to heavy....

Life can be fun
Madzq Aug 2014
Lovesick and you've got the cure.
Got all these symptoms. You know what for.
Don't be afraid of this contagious disease,
Just take my requisition form.

I've made room for you in my atria and ventricle.
You're the capillary to my arteriole and venule.
You're the amniotic fluid to the child in my heart.
I find you even in the interstitial parts.

Treatment like uours is like a centrifugAl force.
So be the **** stasis my heart is longing for.
Some homeostasis is what we need.
We will make compromises to succeed.

Lay me supine and you in prone.
Sensory neurons fire
Exocrine glands make to pressure
Spark endocrine glands to hear you moan.

Without your heart I'd be anemic.
Withiutbyour arms I'd be half a paraplegic.
Your kisses give me air, without them I'm cyatonic.
You're the fibrin in my veins, to my pain an anesthetic.

I'm ready for some long-term care and affection.
Got a chronic condition that needs your attention.
I k now I'm concluded, parts of me sclerosed.
Don't wait post mortem to know that you're the most.
I wrote this for my partner as a way to help me memories my medical terminology.
Kiernan Norman Nov 2013
He was born defeated.
For eight months he sat at the delta to the world,
stargazing in amniotic fluid.
Sharing oxygen with another passing,
it back and forth like a gas mask in a chemical war.
how familiar he would become with the chemical war.
he did not propel into life the way everyone expected,
like the first, iron soldier to  dive
from a helicopter into the bush; all displaced rage
and camo flags waving behind him.
he was made to wait. made to drown just a little bit.
made to appear to the world a little blue.
no gas mask this time. just some weak lungs
and a bald head. not raven-dark and tumultuous like his six-minute predecessor,
but quiet, sullen and sentenced to a week in an incubator;
teaching him how to be alive.
maybe that was the first time he got mad. he more or less stayed mad for 17 years.
Found comfort in Peter Pan, a boy with no future- no past,
and juiced up men performing soap operas for a living;
sweating on their audience and quick to blow
a folding chair in to the enemies face.
The same pit-stomach drop of a terrible math grade,
And of realizing an idea if terrible halfway through completion-
Dazed at on knees at3am, half of the bedroom carpet ripped out
With a carving knife.
He beat up his other, left her trembling behind doors that didn't lock for years.
Full weight pressed against cheap wood, hoping this time it wouldn't open,
and leaving in the wake a girl-child, of 20 years-
terrified of testosterone and emotions.
There was the comfort in war movies; men with purpose, and the quirky
anime of a culture not his own.
Darker pagan books dotted pubescence. They sat like coffee mugs
filled with sludgy water, a place to dip paintbrushes in when it was time to start over.
Drugs come in folds. dealt like cards over the years- grappling for anything.
Their names ring out first like a memoir, then like a psych ward.
He would probably snort dirt if an escape from hardwood floored, leave spun
world in which he lived.
the place where dead batteries rolled around in for years in drawers and
tape never came off of wallpaper.
and the other one- the one who cut him off and turned
him blue at the very beginning; she's frozen too.
she stumbles through cities and ghettos and ancient worlds,
hoping to find something, anything that gives her a purpose.
Back to strong wind on 6th Avenue between classes,
Eyes sting and water against it but comforted by the smell of snow and
Bus exhaust. In that moment doing a good job. Being a trooper.
Swiping IDs that show a real, accounted for person underneath
The Goodwill feather-down coat and expensive Arabic textbook,
But in the quiet hours still grasping at straws,
at braids that don't quite work and flowers tangled
in hair that won't quite stay in place.
Singing with a voice a little too novice,
too rough. Looking dumb in sunglasses and boots.
She starts and quits things a lot.
gets exhausted. predisposed for enormous depression.
greek-tragady like.
****-yourself-to-spare-the-gods-your-being like.
finds glimpses of life in things, mainly when submerged in a daze of not-getting carded and  incense. Hair falls over pages of books, hanging one handed on an R to Queens,
or collecting cigarette butts from the side of the road
in the prairies of Dakota-land, helping kids collect enough tobacco
for their drunk fathers and zombie mothers to roll and smoke for the night.
She’s turning around in circles in grocery stores
Picking up food-stamp broccoli and sliced cheese in Harlem,
Going everywhere with sleep in her eyes and
wondering how others manage to exist.
but who is a killer from the start supposed to be?
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Nat Lipstadt Dec 2017
at the point of entry (explicit)

it does not strike me strange
at the point of entry
when the heightened senses and the dark subconscious merge

when the lust and the sweat intersect
with ego desire and self is everlasting everything
that the ***** words secretion is sticky on my tongue

when I pant poems born in rawness and tears
on this the last day of the year
and eyes closed see visions extraordinaire
and the Maker whispers in both ears see!

it is the see of what is me,
it is the point of entry and departure,
one and the same,
conception an immaculate mess,
the emptying and the fulfilling, when unkempt promises
are born free flowing and semi-truths transform into
actualities unforeseen and my child cells of new poems
are injected, stored, awaiting the birthright
and the death of publication,
my moment of privileged perfection passes
and frowns and smiles are
one and the same, silken thread wove open and shut

the precision precious circumcising of flesh and soul departing

the utter collapse from within, the drowning in the amniotic,
rebirthing rebutting my denying that I have no more to give

I believe I belong to you for it is what the desire firing cylinders
say repeatedly in the union of the up and the down cycle:

come, come inside me,
I am the pleasure
you are the treasure
in one cup measured
conjoined container
when the point of entry is the point of departure
and with eyes closed from satisfaction and prayer
I see everything all at the same time, uttering:

I am undone utterly and the difference between
the end and the beginning can be seen only
at the millisecond long seven decade coming
point of entry

12/31/17 5:38am dawn dying and new day mourning
explicit point of entry 12/31 nml
Mark Nelson  Sep 2010
Sibilance
Mark Nelson Sep 2010
Willow herb floating

on silent certainty

ashes of sighs


not fleeting,

unvapoured on the

blossom of the rain,

I am too light to

pull or push

the swing of delight

through this land.




The rain left me for a

while

sun unshielding

-a thousand widows

more unyielding than the depths . .

Once shadowed whisperers

of delight,gossamer

sparkling , descending

their chains

of necromantic hope.





Lilith is no night owl

she is mother, eve

and my becoming:

sweet earth spun

at once ,

exhaling her .





The see saw

bumped gently

on my chin

it is a most gentle

form of awakening.




The silence bore no whispers

till sinking through the quicksand

-or was it quicksilver?

-in any case I could smell little

in my amniotic amnesia.

I made ten thousand friends,till their soap

made this place clean.



Is this a seed or a dying

hopefulness

-is my sallow sowing

beyond all shores of

reproduction;

a reflection of the child

they dared not bear?



Is my last breath like this

a forgotton yielding

will they catch me

as I fall ?

-(sweet earth)-



This moth of my ending,

a shallow recantation,

my fears-

their memories, mere

testubes of

stylish hope .





I breathe the elegant stare

you have forgotten .

Once more free

from such

rememberance






I need not ,

remained not ,

your imploded ,

wakefulness .





A thousand pardons

exhaled like silk

entwining

an unfinished race

spider of a thousand eyes .



One may say

I was

stared

to death

but surrogate air

mocks childish pity.



Taut refelexions

bear salt echoes

in silk convulsions

fresh water

a veneered hope .



Easier in death than life

is a child's sorrowed

partings ,

the illusion of

bouyancy

rippled tides

unfelt.



The oceans have not enough salt

for such shrunken sorrow.

if we could but once

have shared

unbreathed aspersion .



The room has come and gone

the pillow quite undry

unforgotten

unremembered.

A web untouched
2003. Tribute to Christina Lothian english teacher ,ended her life in the river Ayr ,in the embrace of another woman .They jumped together.I found out 30 years too late.
Nat Lipstadt Jul 2013
Which Is Greater?

I break a vow.
A serious vow.

In a place, in this site,
Where the fluid pain
Is the water of the world,
The element that is crux,
The amniotic liquor of creative flux,
The morning juice,
The afternoon caffe,
The first beer of the day,
The liquid that we rinse and spit out our every day,

I will write about pain,
Arrogantly, as if there is any unused combination of
Letters, vowels and consonants left unspoken, *****,
Having sworn not to, for pain is cumulative.

Asking myself,
Which is greater?

The pain of creation, inception, origination and birth,
The pain of  wreck and ruin, destruction and death.

Homework Self-Assignment: Compare and Contrast

Suddenly, I am expert.

Creating a poem a day is very painful.
A poem that is the sum of
Reflection, research, and purging.

Once I wrote:

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.


Suddenly, I am  expert.

My mother is dying.
It is a process. Days pass,
She neither eats or drinks,
Yet she lives on.

I watch each labored exhalation,
A subtraction, a countdown,
It is as if she was returning each singular day,
Every word e're spoke, every dream dreamt,
she ever possessed to the atmosphere,
One breath at a time.

Is that painful?
It is for me.

Now you complain. They're different, not to be compared, et cetera.

Pain is pain,
Whether it is in the service of creation, or
Creative destruction.

Once I wrote:

With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poem's birth diminishes me.


So, one and the same?

Nope. Yes. But. Cannot one be the greater?
Yes, one is greater.
When I lay on my deathbed,
I will exhale the answer
Into the atmosphere
For your retrieval.
Greater. Think upon it.
~~~~~~~~
Lipstadt-Roth, Miriam née Peiman, 1915~2013,
passed peacefully Sat. July 20th.  

Critic, speaker, writer,  
her fiercest feat,                    
her leading role, creator.      
A near century of memories  
her legacy, memories that  
linger not, for incised,        
chiseled in the granite of the
books, papers, and poetry
and the very being              
of her descendants.            

Her faith in Almighty,            
unflagging, for he did not    
forsake her in the time of      
her old age, when                  
her strength failed.
We find bottomless holes
In our mentalized theories
Local logical postulations
Cause-and-effect sequences
Perceived chain reactions
And medical research findings.
All those are quintessentially
Protein specs floating freely
Our words float like protein
Fondly called lewy bodies
Colorless and unsubstantial
Dreams in shreds floating
As in amniotic fluid like then.

A certain woman of less virtue
Was not fit for our society
She embraced men in dark
In dreams and art and thought.
Fuzzy scenes of yesteryears
Floated into the present
Including ego and power games.

Let me know who is this professor-
The man who brought it all up.
Our language loses meaning.
We do not agree you are you.
Actually you cease to be a son
A brother ,a person ,a human
You are a hand or a stone
Just a broken splinter for a whole .
My part becomes a whole
A thing is a word, an idea,an event
A daughter-in-law is a hand
A son a stone in the wilderness.


There is sorrow swirling in the belly
The anguish of a human existence
The pain in the bloated stomach
These forced feet take you nowhere
Men came with tails in their necks
Forcing down tiny white universes
When they go into the nether world
There is only a swirl in the belly.
Ari  Dec 2011
OM
Ari Dec 2011
OM
Om
In The Beginning
Sound
needed a medium
for dissemination
space and time
was born.
As I sleep sitting cross legged I know these things to be Truth.
All things consist of matter
matter of molecules
molecules of atoms
atoms of  atomic particles
atomic particles of subatomic particles
subatomic particles composed of strings
yes strings
the vibrations of strings at certain resonant frequencies --
Sound
I’m referring to Sound --
accounts for the creation of all things
all things composed of matter --
I matter You matter --
and Sound is the variation of pressure waves propagating through matter
through You, and Me, We
are hereby beings of Sound
Per-Son
Earth, Sun
the birth hum permeates us all
all things soak in the amniotic ocean of Sound
it is the background, the foreground, before Sound
was Silence
Silence is the antithesis of hissing existence sibilance is diametrically opposed to nothingness antimatter to matter in an asymmetrical universe.
If a tree falls in a forest and no one is there as witness, it still fell and the timbre transpired, to be
is not to be seen, perception exists within existence
Real is a three inch wide magnetized Mobius Strip spinning counterclockwise in a corroding
centrifuge of perception carbon dated to The Beginning
and The Beginning occurs every second
in an umbrella opening in a firestorm
the collision of soapy bubbles
clay in a snow kiln
uranium decaying
a sari being wrapped
the chopping of wood
ice capped volcanoes
an oily rainbow
the exposure of negatives
the grinding of coffee beans
a cobra swaying
You can charm a cobra by biting an apple
the blur of sweat and palms on stretched animal skins
congas bongos tablas djembes tom toms snares timpani
hands at warp speeds in an innate rhythm inundating time
four four two four four three seven eight twelve o’clock
what is time to Sound but a permanent witching hour for feet to frenzy?
each stomp a falling star that sears a crater, each crater a subwoofer for the Earth’s movements
Sound is time being rendered elastic
quantized digitized equalized filtered phased distorted compressed processed
time has been tamed
fast forwarded paused rewound slow motioned skipped
from one timeline to another, Sound is the de-lineation of time
the unraveling of space the curling of dimensions dementia in rhyme
minds are traveling back to the present, pre sent from the future, the future has passed
We are light, massed
night is just another shadow our auras cast
mating calls
jarred halos
woodwinds in an airlock
disemboweled factories
pyramids of electric chairs
pipelines in the desert
grief slumped shoulders
paper lanterns in a whirlpool
poems read in darkness
laughs sobs shrieks cries cackles yelps howls laughs whimpers
worlds ending with a BANG
an infinite piece quantum philharmonic orchestra clamoring to be heard over the revolution of the spheres
We sing
reverberating to replace Saturn’s rings
every single note a secret love letter passed ear to ear read instantly
all sounds converging to singularity
an accretive disc of sonic entropy spinning around one point
all We have left to do is drop the needle
call
and let the response cascade into us
Chain Gang of the Universe swinging old ***** spirituals
the momentum of our pulsing song accelerates beyond relativity
the amplitude of our vibration transmits from soul to womb
each newborn tongue blessed with a honeyed Om
My son, Your daughter, I taught her, You taught him
and now they can play cat’s cradle with their strings
tap dance on quarks and make fiddlesticks sing
So even now the Rabbis sing
Hear O Israel, the Lord is Sound…
As I sleep sitting cross legged I know this Truth to be all things.
Om
Nat Lipstadt Jun 2019
poems are cheap they say, the supply exceeds the demand,
all are product of criminal mischief, and Lord, I know,
I’m one of the most thieving, most mischiefing ones

when no one was about, I scribbled many notes,
transplanted from my eyes, for a bottled voyage
to fallow beaches for sandy seeding

no matter IF these poems are from your womb ripped,
****** red concoctions of life’s cute cutting edge inscriptions,
no one cares re your titanic love’s labors, your children’s betrayal

no one cares from whence and wherefore they birthed,
all words, low class and progeny, not prodigy, of demeaning circumstances, best tossed back without much foolish hesitation

writ with pen tip of broken green glass from a parking lot,
the point I broke once more before my commencement,
inked from a wicked witch’s melted green spittle pooling alongside

poets of no way, falsely prophesying falsehoods most singularly bad,
waste not-want not, time better spent than reading rhymes of stolen disrepute and cloudy ownership and ignoble authorship

unless you among a blessed few, who see a full blown poem in glassine clarity, birthed fully formed Elton songs in a mouth full of amniotic fund, you, put down thy laboring eleven instruments

if words you claim of new parentage, you as the mother dear,
know there is nothing new under the sun, even these very words,
scripted by Israelite king whose tomb gone, he, too, poet forgotten

join me in a needle park of junkies who tried and failed, nickel bag
smoking budget dope words, in cigarettes of mostly discarded seeds and twigs, hallucinatory inhaling the same vision again & again

you refuse, naturally, glamming in notional newness, your arrogance, a plentiful commodity of wood-be writers by thousands buried in wooden caskets, under wooden inscription-less crosses

and of the trillion readers possible, to coloring picture books and instant grams, all have gone to the labor-free glancing look-see
of a seconds-short, lengthy meme, 10 second videos, 140 limitations

of the greatest, of Shakespeare and Coleridge, reader’s fast-dying, sunburned neurons reply; “free ***** of his Love’s Labour’s Lost, and the Ancient Mariner, overdue, free him too!”

ancients mock you aware that there be no verbal combination yet to foretell, what Lear said, that’s the the idea, “When we are born, we cry, that we are come to this great stage of fools.”^

fools we are, for there be no fore, the tale already told, once before & more, vaingloriously does this poet’s false vanity speak, so, so boisterously,
  
“why my tale, why my tail, is as new as the oldest fossil”
^ King Lear, Shakespeare
Geno Cattouse Mar 2014
I remember from my first memories with all senses humming waking up on Sunday mornings to the squealing seagulls. The smell of briney sea air was sharper

On most sunny sunday
mornings I would awken and lay in bed wake..dreaming for what seemed like hours.
The smells of grandma's rose and flower garden mingled with the smell of sunny Sundays.
The BBC wafted in through kitchen and bedroom windows.Mozart and Sinatra tag teamed  against The Ink Spots and, Stan Getz.  The Swallows flew back to Capistrano on yearning wings.
Then up and out on walk and sprint to the Caribbean sea, a gem coated shimmering twinkling dancing blanket of rising sun meets amniotic blue churning as froth and mist drifted in a sunday sermon from the water's deep and shallow.

A bubbling embrace as sprint turns to
Swan dive into the Sunday morning sea.
Seven day ritual baptism in the Sunday morning sea...at one with and free.
Now.
A sprint to the bobbing fishing boats that never drew fish from their restfull retreats of the morning Sea.

Breakfast
The sounds of tinkling teacups another ritual as granny stirred brown sugar and condensed milk into a carmel swirling with Johnny Cakes and coconut oil fried eggs waiting and wafting out
To the Sunday morning sea.
My Puppy and me then down through the flower garden.
Of we scampered with cares falling away and secrets to share while throwing stones into
The Sunday morning sea
My puppy named Ranger,barefeet and knee pants the hot sting on my ankle from a chastising fire ant rudly stabs at my reverie
As far as the horizon will let.
My imagination flees and unfetters to shores unknown that kiss and caresses my Sunday morning sea.

— The End —