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Santiago Jun 2015
Con el alma herida por un mal cariño
Que sin condiciones le entregue mi amor
Llevo ya dos días en esta cantina
Dos días, encerrado tomando licor.

Un mariachi toca, yo sigo tomando
Y vuelvo a pedirles la misma canción
Esto que me pasa no es nada envidiable
Ni al peor enemigo se lo deseo yo.

Tóquenme mariachi otra vez la misma
Esa que me llega hasta el corazón
El abandonado, toquen la de nuevo
Tóquenme diez veces la misma canción.

Aquí esta su cuenta, me dice un mesero
Ya me debe mucho, pégueme señor,
El mariachi dice, ya estamos cansados
Y yo solo contesto, háganme un favor.

Pa´ variar un poco tóquenme la misma
Esa que me llega hasta el corazón,
El abandonado, tóquenla de nuevo
Tóquenme diez veces la misma canción.

Con el alma herida por un mal cariño
Que sin condiciones le entregue mi amor
Llevo ya dos días en esta cantina
Dos días, encerrado tomando licor.

Un mariachi toca, yo sigo tomando
Y vuelvo a pedirles la misma canción
Esto que me pasa no es nada envidiable
Ni al peor enemigo se lo deseo yo.

Tóquenme mariachi otra vez la misma
Esa que me llega hasta el corazón
El abandonado, toquen la de nuevo
Tóquenme diez veces la misma canción.

Aquí esta su cuenta, me dice un mesero
Ya me debe mucho, pégueme señor,
El mariachi dice, ya estamos cansados
Y yo solo contesto, háganme un favor.

Pa´ variar un poco tóquenme la misma
Esa que me llega hasta el corazón,
El abandonado, tóquenla de nuevo
Tóquenme diez veces la misma canción.
Erica Jong  Oct 2010
The Poem Cat
Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance
between poet & poem,
but sometimes the poem
just won't dance
and lurks on the sidelines
tapping its feet-
iambs, trochees-
out of step with the music
of your mariachi band.

If the poem won't come,
I say: sneak up on it.
Pretend you don't care.
Sit in your chair
reading Shakespeare, Neruda,
immortal Emily
and let yourself flow
into their music.

Go to the kitchen
and start peeling onions
for homemade sugo.

Before you know it,
the poem will be crying
as your ripe tomatoes
bubble away
with inspiration.

When the whole house is filled
with the tender tomato aroma,
start kneading the pasta.

As you rock
over the damp sensuous dough,
making it bend to your will,
as you make love to this manna
of flour and water,
the poem will get hungry
and come
just like a cat
coming home
when you least
expect her.
spysgrandson Jan 2013
The origin of spiritual sustenance is defined differently by each person. Most attribute it to a divine power or some God incarnate that helps us, limited corporeal beings that we are, relate to a deity or to the infinite. Like billions of other sentient souls, this is a way of "seeing" or believing that I have embraced on some level. However, when I ask myself what sustains me beyond this, I am taken down another path.

That path leads me to the crumbling adobe dwellings or sometimes to the freshly painted stucco buildings scattered across the great southwest. That path leads me to something more tangible or palpable than I can glean from traditional halls of worship. I am led instead to a simple yet profound vision--the sight of a hot plate of Mexican food.

Here is where a slight or perhaps dramatic shift in the way one thinks about the spirit is required. This is not necessarily a new concept but merely my take on it. You have all heard of "Soul Food" as it applies to the cuisine of the African American community or more generically in recent years, "comfort food". Also, some of you may recall me saying at one time or another, truly good junk food bypasses all vital organs and goes straight to the spirit. Let me clarify that last line--it is not that I believe the physical laws of the universe are suspended when one eats certain kinds of food—calories will still be consumed, the food digested and metabolized, etc. Instead, I believe, like so many things spiritual, eating Mexican Food transcends the natural laws of the universe as we know them.

This begs the question, why Mexican food as opposed to some other fare like Chinese or good old fried catfish, a southern favorite? The answer is simple. Some people, because of where they were, who they were, and when they were, are Christians, some are Hindus, some are Muslims and some are witches. I am a worshipper of Mexican food.

My sustenance, therefore, comes not from those in polished marble and stone palaces, clad in clerical garb and carrying holy texts. Instead, it comes from humble servants scurrying about hot kitchens doing what they do perhaps simply to feed their families—from my point of view, a noble endeavor in and of itself.

From the time I see a Mexican eatery through a bug-splattered windshield, I notice its energy or aura. When I open the door and see the gaudy but somehow authentic colors on sombrero covered walls, and hear playful Mariachi, and smell the frying tortillas, I know I have entered one of the houses of the holy. Truly, the colors, the sounds, the sights and the smell all take me to a higher place.

This sounds strange to most readers I am sure, but if I were speaking of a nature walk in dew covered grass among the scent of lofty pines, listening to the sound of songbirds, all could relate to its transcendent quality. We somehow place pristine nature above nature sculpted in a way for human benefit. I do this myself, except when it comes to Mexican food or perhaps a beautifully restored VW van, but that is another story.

To return to my original premise, the spiritual value of Mexican food—when the hot oblong platter is placed in front of me, I first notice its colorful array on the plate. Imagine a platter with red and blue corn chips, gray/brown frijoles covered with white cheese, orange rice, chili verde (green), a golden cheese covered enchilada, olive green guacamole, red ripe tomatoes with rich green cilantro and snow white onions, and last of all deep green jalapenos, forming a colorful tapestry and visual feast. (Contrast this with a hunk of brown steak, pale green peas, and a white glob of mashed potatoes.)

The scent of this feast immediately attacks my olfactory bulb and like so many smells, has the power to evoke startlingly clear memories. For me, I am taken to a place where the door opens to a moonless starry sky. I am in the desert, perhaps for the first time. I am in the desert, being courted by the dark desert lady who still haunts my soul in the night. I go back there so many nights, when all is quiet and my long day’s journey into night is finished. This vast, dark and inhospitable land that has called holy men to it through the ages calls me, a man as common as the cook whose labors unwittingly took me there. I huddle among the cacti, creatures who ask the earth for so little. I feel the endless winds that carry the remnants of a thousand ancient souls across the black Sonoran sky and rattle the door from where I came, as if still asking for entrance to a place where they can no longer dwell. Long ago, they returned to the desert for a final time, and now, a thousand nights and a thousand miles away, they mix with the holy night air as only desert dust can, and for a moment tempt the living, but then return to the black night. I do not yet join them—the door still opens to me. I can still see the colors, hear the sounds and place earthly but heavenly morsels in my mouth, and ask for more salsa.

Outside, in the dark desert, the night waits for me, but I have a few more bites to take, and a few more words to write, and to borrow a line from another, a few more miles to go before I sleep—thus, the spiritual value of Mexican food.
In my profile here at HP, I mentioned that I had written this--it was probably three years ago.
There are four mariachis sitting in a circle  and two more bolitas of three standing a few feet away. Across the street, there are two more sitting on a bus stop bench, neither seem to have the intention of boarding a bus, as they keep letting them pass by. All of them are waiting–

I see four more in a white mini-van with the passenger door open to let in the cool breeze.

None of the musical charros are playing music. The only tunes being played in a plaza named  after them in Boyle Heights comes from the señor with a plastic tent selling masks and other trinkets. He’s playing old school Mexican boleros ( the kind I really love) through a loud speaker.

I hum along to the ones I know as I walk to the bookstore only to find it is also closed. I start to look around, and everything with the exception of  a corner coffee shop are closed. That’s why they are here, that’s why there are so many Mariachi in the plaza today, no one has come. They are waiting for employment to put some food on the table and pay some bills.

Everything is in waiting–
a forced wait that requires hope. That is also why there are lots of Mariachi at the plaza.  They woke up, tightened their red bows, dressed up in their black suits and left their home with their instruments ready to go.
Draft
Sitting in a café in mexico
Listening to French songs on the radio
Drinking a pacifico and trying to remember how I got here

I think I caught the ship in San Francisco
After I caught the blues in Tennessee
And then I got kicked off down here in southern mexico
Yea, I think its finally coming back to me
And im
Sitting in a café in mexico
Listening to French songs on the radio
Drinking a pacifico and trying to remember how I got here

Well I watched Singyn ride the rail
so I jumped on that train
had close calls and broke some laws
never even felt the pain
ran all over town that night red paintbrushes in hand
I cant explain no more cuz I don’t think you’d understand

Well the ‘One Stop Mariachi Shop’
Is where we bought our leather vests
Tried our luck at bullfighting and lost but did our best
Found out roller skates don’t work when you’re on cobblestone
All out of pesos and I just want to go home
(c)2008 CJG
Travis Garcelon Nov 2010
"You say we can't? I say Yes we Cannabis!"
“Hip-Hip...****!"
“Hip-Hip...Smoke!"
"Four-Twenty is the time of now
and now is the time to Smoke ‘em all!"
Zack  Nov 2012
My Sunglasses
Zack Nov 2012
My Sunglasses

I’ve got all of Tucson trapped behind my sunglasses
I’ve framed mountain ranges in the frames of my Raybands
I’ve got reflections of saguaro’s stranding still in front of my eyes
I have sunny days taking refuge underneath my shades
I’ve domesticated the giant star that rides blues skies into walking the edge of my brow
I use black plastic as onyx shields
So Tucson, I see you.
There’s an art revolution beating at your horizon
I’ve seen it skirting around these wastelands
They tell us we’re wasting our time
Telling the roadrunner to run back home
When its nest was here since the beginning of time
Tucson.
I’ve seen folklorico and mariachi pay tribute to your origins on the hottest of days
I’ve seen in the shadows in underground art forms
Graffetti. There’s a protest in there somewhere.
I’ve even witnessed it in pen to paper
In lips to mics. In cafés in your desert nights for your desert nighttime audiences.
Tucson, your culture and artistic value shines too bright for others to see.
Your artistic worth shines too bright for others to broadcast
They tend to only record your overdoses and murders
Seems like our televised story tellers prefer to paint us in immoral reds
The only time they pay the south side attention is when the south side is aching
It doesn’t help that schools force you to choose business
Give you chance to study law all the while cut out your art programs
Fine art is required by universities but they don’t always expect you to get that far.
Tucson’s fine art is too fine and infinite to be recognized by those undeserving
Society wants to capture our southern brethren as outlaws not poets
We’re called the misfit of the desert. As if every spray can, paint stroke, choreographed twist,
Slam poem wasn’t something to take pride in.
I’m sorry they only pay your schools attention when ambulances are parked in your driveways
And administrators get caught in doing ***** deeds.
I see your talent wasted. Your talent shown.
To remind myself of your artistic significance, I’ve framed you
On walks home I photograph your murals.
Listen to the poets in the hallways.
Observe the dancers compose and the musicians choreograph
I’ve caught your reflection in my corneas’.
I’ve dilated my pupils thoughts behind my sunglasses.
Framed your mountain ranges in my frames.
Took cover in your shades.
Trained the artistic freedom and right to walk on my brow
Tucson
I see you.
#sunglasses #tucson #SLAMPOETRY #beetchez.
Karijinbba Apr 2019
Into life I emerged my fathers queen of his forest lands with his death suffered my Purepecha Tarazcan Mestizo gene mold
and my massive character
developed seared with scars;
first grand loss my father my land
Foe pierced my Teen
Mestizo cactus pear
by deceptive method
his ugly bitter tequila mix
second loss badboy with
a twist virgins his compulssion
the wise universe quickly RANSOMED my pain!
in Texan country songs and mariachi night parrandas
wedding promises galore
in Irish cream PA-dreams
entwined disavowed
drowned all this magic.
along came refuge an evil poisoning uzo on his dunkey
slandering Grecian mythology teaching his many medeas
executing premeditated cruel early death wasn't what I had in mind for restitution
leaping from foe to another one worse  and still I loved life repaying evil for my good
malicious slandering experts
stealing envious jealousy torturing my baby girls new born making pieces of me giving birth!
all this and more remained impune being dead calm in shock
All I ever saught in life was to love be loved cherished adored by one special human regadless of name nationality creed or social status and guess what!?
I found all the BEST all treasures all bank amidts all this saga.

Yes I was too battered to seize opportunity too rejected to say
" I love you- I am sorry,
I'll marry you." my beast!

twice husbands didn't call me wife first time I married only the ring I bought with my savings, tears and scars no husbands were they but foe covert enemy ****** sadist poisoner Greek
chicken **** Hen. in CA fed on******* agendas sold my baby girl coco to his infertile ex hell nurse bailing him out******* dues possing as Mother to my child invented a birth certificate 1983 then tried to ****** me each time I went to E R. smothering me during minor urgery 2009 in honor a covert life insurance criminals with a twist
many times they tried many times they failed I have more lives then a cat.
The Greek human trafficant
blackmailed by his medeas
for his ongoing crimes sadomised my baby girls I give this Greek geek ten traits of narcicistic personality more in his grave "haralobo"his kiriakis and many mistress
I escaped him inhell greece
I emerged seared with scars.
a fierce protective Mother
now a grandmother stern
but ever understanding
ever loving
I am not ranting
nor lamenting!

I survived where many other battered women died
seared with scars
I write.
O how many women do!
O how many Moms don't
survive covert enemies
with a twist.
~~~~~~~
By: Karjinbba
All rights reserved.
Dedicating this to my daughters nick named "Lala, Sassy, Coco."and to all a battered wife mothers single Moms wearing purple hearts and to all good loving caring men reading who love and protect their wife and children because you are the forcce that keeps Earth from going mad and to wabble out of orbit.
like my planet "motherhood" has wabbled and toppled over.
My girls hide head like Ostrich cant believe who fathered them to torture us child and Mom. My girls have scales in their eyes call Greece home and Mexican Moms cruel beast enemy. ( a hate crime?!)
they refuse to see their own body bone morrow seared with scars like mine or who is victim and who is coward. Denial assassination of character rules their troubled ego.
today we visit graveyards
turning over the wormy soil
to uncover the exquisite corpse

though we were told to
let the dead bury the dead

on this day we unbury
the dearly departed

relishing transcendent
embraces and cool
cervezas with jolly
amigos and la
familia who have
gone on before

we wrap ourselves
in graveblankets
to complete warm
circles of love

embracing our
beloved companeros;
gleaning netherworld
heavenly rest wisdom,
sharing the laughter
of trite earthly concerns

we’ll roll speckled tortillas
on smooth tombstone mesas
to feast on Mariachi tacos
brimming with spicy queso,
chased with another cool sip

waltzing with the holy bones
to the candle lit reveries
of this evenings
flowing melodies

Mercedes Sosa & Joan Baez
Gracias a la Vida

Dia De Muertos
Diego Rivera

Oakland
11/1/13
jbm
Dara Brown Dec 2014
if a kiss is worth a thousand words
then with you,
i could talk all night/
converse bilingually/ fluently
we could discuss
the french riviera in spring time
& how lovers stroll through the park
singing/ a clair d’lune
or
you could be don juan
under a window enveloped
in flowers of red/ serenade me
with your spanish tounge
& sweet smile
while the mariachi band plays
amor/   but
if a kiss is really worth
a thousand words
then we could talk
in a language of our own
cause your lips
seem to understand mine/
talking to me/  softly touching
/smoothly matching
like a missing link
making a conversation with you
worthwhile
where words are never wasted
but always well spoken
& unrehearsed/

i like the way you speak to me
black man
so come to me
with your lips
so eloquent & full/
tell me your dreams
whisper me your secrets
in a mellow tone of kisses/
come/
i am listening
& with a kiss
i will answer
Jonny Angel May 2014
I blew in from the camino
like a wild tumbleweed,
the smell of iquana
hung around me
like a dark cloud
as I slumped onto
the barstool &
ordered a tequila
with the worm.

The mariachi was as loud
as thirty babies screaming,
I knew it wasn't me dreaming.
In the darkness & haze,
I used my dynamite-eyes
to scan the spinning room
& I caught Lupita looking.

We ended up
on the wilder side of town
that night,
I fought three banditos
and a chupacabra,
beat the snot out of all
of them.

If it wasn't for
this Betty Boop tattoo
on my ***,
that classy senorita
would have married me,
lucky me.

— The End —