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if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
Homunculus Feb 2019
As with everything else in American life, the national government is just another commodity packaged for mass consumption. We're all being spoon fed a spectacular narrative which by its very nature is designed to evoke the passions.

Every day, someone gets on TV and says or does something which provokes outrage, drawing the viewer in like the iridescent lure of an angler fish, and keeping them hooked just long enough for the hypnotic messages of the corporate sponsors to burrow their way into the collective consciousness between "newscasts."

It is precisely for this reason that these frivolous displays SELL like hotcakes. There's no government going on here. There hasn't been for who knows how long? All that is left is BUSINESS. Raw and unfettered. The United States of America is now nothing more than a 'reality' show, and boy, I tells ya, the revenue stream is OH, SO LUCRATIVE!!!!!!!!!!!!!!!!!!
sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep
Monica  Jun 2016
Postmonerdity
Monica Jun 2016
Tick tock went the clock,
echoing
through monastery halls,
synchronizing the actions of men,
building up modernity’s walls.

Creatively destructive,
eternal
yet fleeting,
modernity was paradoxical,
according to the Harvey reading.

Art had expanded,
abstraction arises,
and Sigmund loves his mom,
more than anyone realizes.

Our friends the id,
the ego and its super,
tell us who we are,
Freud has the world in a stupor.

A catch-22 for dear Pablo,
who will sleep with a ****,
but is terrified of syphilis,
as is seen in his art.

There was power and truth,
and Foucault says we’re repressive,
but suddenly things change,
Postmodernity becomes quite impressive.

PoMo cares not for beauty,
or what pleases the public eye.
It’s style for style’s sake,
in the buildings stretching toward the sky.

Uma dances with John,
a young boy finds a severed ear,
Joaquin loves his OS,
PoMo film is, well,
Queer.

Yuppies love pastiche,
their lofts were once a workplace,
they’ve coated them with chrome,
they’ve gentrified the space.

Unlimited breadsticks
have soiled the very Italian name,
Baudrillard says it’s simulacrum,
there is no truth, it’s all the same.

We traipse through this
postmodern world,
not knowing postmodernity
is where we are.
We wear workboots to fashion shows,
we worship that reality star.

We think we’re special snowflakes,
and skinny jeans make us cool,
and media exposure’s made us cynics,
quite impossible to fool.

What we don’t realize is that
we are not our own,
we are pseudo individuals,
through PoMo we have grown.
written for my Contemporary Civilization final
there is no beauty
in the freshly fallen snow
it is all a lie
it may appear
unblemished
immaculate
innocent
but takes little
to disturb
the perfection
this is a version
of what could be
but is only temporary
and cannot last
as we strive
to live it
our every action
spoils the purity
unveils the flaws
leaves us regretting
what we once tolerated
maybe next time
we will make it
last longer
snow winter depression perseverance lies false fake hope beauty time
Akemi  Jul 2018
Plastic Death
Akemi Jul 2018
THE GULF WAR DID NOT |
THE GULF WAR DID NOT |
THE GULF WAR DID NOT

WHY WE OPPOSE:
Staid quanta of individuality. Phenom asks if they can go. The Big Mouth replies, babble babble. In a fit of rage, Phenom shouts, I’ve had enough of this. They wrench themselves off the dissection table, fetters flying into the air, but a sudden bout of vertigo sets in. They lie back down. The Big Mouth sticks a thermometer into their mouth and begins heating a can of corn soup.

WHY WE OPPOSE:
Professor Kippotkin takes the stage. She coughs into the mic to quiet the audience, but they are caught in sordid *******. She coughs again, managing only to project a trail of spit onto the shoulder of the nearest security guard. He turns immediately, a perfect ninety-degrees spin, automatically signalling the first in command. He has been trained since seventeen for this one task of momentous disciplinary precision. The first in command bellows, Let her speak! a phrase his colleagues repeat in serial down the chain of command.

The crowd soon catches on. An isolated few nod in consternation. Let her speak! they yell from the pits of their lungs, Let her speak!

Thank you, thank you all, Professor Karlpoppins exclaims, cheeks flush with amazement. More and more of the crowd join in. It is a rousing spectacle, a poignant display of human decency. But something is awry. The professor’s gratitude is swallowed into a cacophonous whole. Let her speak! The carnal grip of the big Other’s command unleashes the crowd’s jouissance. United in the master discourse, the crowd fragments into a bewildered totality. Let her speak! they scream at one another, arms jostling, heads tilting back, necks bared to the beating pulse of the earth-sky. LET HER SPEAK! Their combined blows begin to generate an ominous om.

Pl-please, Professor Kibbiezsche sputters, please, everyone! but the crowd have already forgotten her existence. Reams of toilet paper fly through the air. A crashing plane sounds in the distance. Crops burn.

The security team are forced to intervene. They close in from the sides, wielding riot shields and tear gas. HYPOCRITES! one of the members of the crowd screams. OPPRESSORS OF THE WORD! another follows. Footage of security guards flailing on the ground circulate on social media, tagged with the phrase WHO SPEAKS MY SPEAK?

Within twenty four hours, the whole country is ablaze with media coverage. Political scientists gather with literary scholars to speak the unspeakable into commercially-viable forms. Semiotext(e) sign a deal with Hollywood to write a docudrama about Baudrillard’s turbid *** life. Professor Kubblebutts is flown to Hawaii to give a speech on combine harvesters.

WHY WE OPPOSE:
I desire, therefore I am not. Incantation of the other spills through my greasy fingers as I fumble towards the hot sauce, dollop dollop, chicken salt strewn across the nommy wedges. That’ll be $4.50. They have already handed me the note. Our fingers touched for the briefest second, an anointment of the greasy chicken, the wedge fingers, the have a good night mister gurgle bop.

The taxi man sits outside in the cold, back heated by the friction of the smoothie machine, an indefinite spin, western civilisation’s meltdown. The turgid heat breezes past my neck and I sigh, almost in delight, but mostly out of convention and solidarity with the other workers. I hear the pitter pat of my shiftpanion as she scoops hot chips into the fresh night; it is so fresh, there is still so much night, why are you giving me $5 dollars, there is a bug on your face.

I take a break. The cool taxi man glances over just as I put my hands down my pants to shift my boxers into a more comfortable why is it always like this.

Everyone blames Foucault for destroying agency, but agency only arises in the gap between discourses, which is never a gap in power, but rather, the transversal of one power relation into the discursive matrix of another; what appears original is merely the same performance in the wrong site, that’ll be $24 for your **** and condoms.

The crumbled fish is shrinking with each passing day, little gasping body beneath the heat lamp, waffle waffle, waffle waffle, I am suffocating :)

WHY WE OPPOSE:
|||||FEeling BOLD? FeEL BOldbous ;;;; new Paracetamol Jelly and the KINK-CATS tour out the last week—
Thank you for holding. Please note this conversation may be recorded.
To continue, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
and again, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
Please note that this conversation is being recorded for the purposes of confirming your identity.
||"thanks"

WHY WE OPPOSE:
Slowly, slowly, Juniper sinks into the bed frame, the draughty window, the rotting sink. Hibiscus coveted for its prophetic dreams, pale steam smites nostalgia for a vision of the beyond. Streamlined entry into New World, an endless reshelving of family-value Mi Goreng, stormwater through the hollow vessels that twist beneath Juniper’s soles.

Juniper climbs the Garden steps. Pale trace of past motions set to automate at the slightest incline. The cloying rot beneath the pines pulls her closer and closer to the vital cache, the hidden excess. Another hedgehog climbs the mound; it admits its body, it expands in putrefaction.

Exiting onto the street, Juniper is greeted by a sign that reads “Caution. Night Shooting. Stay Out.”

WHY WE OPPOSE:
Steam creeps the mouth of the lid. Pallid flesh of yesterday’s body, settles the kitchen table, the hand, as motes crumple beneath gravity’s well. Mottled refuse, tied with a plastic ribbon, thrown into the street. Keys digging trenches, grandfather, the hollow behind my knee.

Last summer I waited for the rain in the dry concrete channel of the Leith. I was alone with the kayaks and the road cones and the fish, holes festering, showing their ribs in the walls of our flat, legs spread wearing high school sweaters, unable to breathe through cling wrap.

The summer before that, I watched films of myself bashing in the heads of strangers. Every night the ceiling of my mouth would transfigure into a doorway and I’d force my tongue through its serrated edges, waking with a new face. The cassettes would arrive soon after, testimonies of a brute physicality I could not remember enacting.

Earth grins, death strides. Hydraulic incisors pry the dead awake. At the smallest unit of life: phones, condoms, water bottles.
a piece i wrote for a zine

a piece
tangled
upturned
headed towards demise

ouroboros in its last desperate gasp

kingbabel.com/2018/07/09/faff0-plastic-death/

collab with hellopoetry.com/abloobloobloo/
Akemi Oct 2018
Three tabs of acid and a year of postmodern novels will ******* up in a shorter span of time than doing a degree in poststructuralism, and only an idiot with a death wish would do both. Manic romp to reach nowhere in a political field that never arrives, except in France.

Well Sartre once said nothing, and so did Derrida, and so did Baudrillard. Endless procession of words for the sake of filling a vacuum that didn’t exist until it was filled. Enter Freud; exit Bernays. All meaning atop a Golden Bough.

Sitting in your flatmate’s room the acid kicks in and suddenly no one is themselves, every line that leaves their mouths traceable to a media product, the perfect communion of pluralism arriving as the terror of integral capitalist banality. To speak is to add to the mockery; to say nothing is to let the mockery continue.

Forget it all by watching Youtube videos at 0.25x speed. Displace the terror of your own situation through the consumptive behaviour that had constituted it in the first place. Watch in gleeful delight as the eyes of whatever presenter happens to be on the screen at the moment dart between this or that object of desire, ever unsure of where to settle amongst an infinite number of existential refrains, none of which deliver from the anxiety of the prior.

Holding a caramel slice in the departmental tea room, your lecturer waits for you to respond, but all you manage is a cough.

— The End —