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Asylum



In the madhouse
on beds of daggers
we slept like crickets
chirping to ourselves
while they tried their best
to make us cannibals.

The nuns were worse than
lawyers, praying like accordions,
tracking their sins into our soft
wax skulls, wheezing like roosters
when one of us cried, laying the greasy ribs
of Jesus on our plates.

They kept you behind
door number six. I'd go to you
with a stolen key, when the noon
smelled bright as carnations,
when the nights were
more purple than the jacarandas.

You spoke of your father
dead of snakebite,
a clockwork marvel with
his million-dollar suit of skin,
of your mother
with the viper between her lips.

I remember your kiss
astringent with reason
as bitter lemons, and the way
your hair blew back from
your dog-brown eyes like poisonous
smoke from the oleanders.

I thought these things
as beautiful as angels
whispering in the dahlias
when I was lost in the asylum,
when the doctors did all they could
to see that we ate each other
down to the bone.


April 2022
Inspired by the words of Federico Garcia Lorca, and a dream
Here in the dry constellations,
Orion winters in the blue west, the
Drinking Gourd spills silver on the void, and
the Seven Sisters crowd together,
quilting the covers of night.
I miss the beach.

I miss the salt, I miss the sweet
curled wave that rolled the wind
into a gesturing wand
of air and water,
joining two lurching souls
ungainly in their solitary progress,
into one smooth moving thing
hip to hip, stride for stride
handfast, untarnished

because you chose to throw
your arm around my neck
and let us spin

in the eddy, as the tide
ran out, till we were dizzy

and all the slipping stars
cleared the boards and moved
their heavy banquet
to our eyes.

©joyannjones December 2016
The curtain now has fully closed-
So why am I still on this stage
Declaiming words I never wrote.

Why am I in fancy costume, with
Heavy makeup on my face
To hide the wrinkles of my failings
And paint me as a thespian.

Cast in a play they say I’ve written
With a pen that's never touched my hand
And a last act that I’ve never seen.

I haven’t learned the blocking yet,
So I don’t know which way to move
Or which door I should exit through
And what will be my final lines.

As lights go down from the Interval
The audience regains their seats
To watch me in the final scene.
  ^~^~^~^~^~^~^~^~^
It’s over so I bow to scant applause
And no one comes to hand me flowers.
I stumble as the lights go slowly out,
And make my way from memory
To my dressing room down a dusty hall
Where I will take this garish makeup off
And walk home as the girl I really am.
                        ljm
Can't seem to lose this theme.; My whole world's a stage.
 Jun 12 S Olson
rick
stepfather
 Jun 12 S Olson
rick
all that pain
and belittlement
you served me
day and night
when no one
was looking
made the little
man within you
feel much, much,
much bigger
but now you
stand before me
weeping
with no teeth
and the big man
within me
has forgiven you.
I bite a green guard
as the invisible nurse sings

to my hand full of spices,
& I'm ejected into a sea:

slow as hadal whale fall
I snow into plural black

that teems with grim promise:
someday I'll return here

without a nurse's silk road
escape route in my vein.

I wake to an ulcerous world,
my cotton gown no shield at all

against the dark aquarium
of dense sleep that I now know

slouches with thickened shapes
that devour dreaming eyes.
slurs the woman in her cups
when I tell her I write poems
late in the lonely evening.

She waves at the air conditioner
that mulches silence to hum lull,
"it's all just chemicals, physics,

actions and reactions, man."
Hard to argue with logic birthed
betwixt brain and frothing marrow

of glassy pint, so I tell her sure, ok,
& move the subject back to her son
who snaps time-lapse photos of ice

abandoning the toes of hills.
Still, her self-certainty rankles:
when I leave I pause and gaze up

at the sprinkled smears wetted
flat across the matte night melt,
any of which might be pouring

purring stanzas from radio teeth,
long-wave nigh-black rhymes
if we had ear enough to listen.

I heave homeward on clock feet,
blackbirds gashing the fog hedge,
as raw verse gnaws my thought.
Dear H-----,

We were such a scandal -
in their schooling mouths

our names were broiled to ash
by raw rumor and we reveled in it.

We blitzed your blonde bedroom
naked and sugared with sweet steam

& reciprocal obsession.
Each night was a fresh first date,

we measured each other with miles,
with syrup sorceries, with dizzy eyes,

until we crashed under beetle-brow
linen piles, romance shooting inside us

as the rain pooled in drum slopes
on the clay court outside the window.  

But it couldn't last. You were sailing
into harbors of high privilege,

a world of guest rooms where
I had no station. When your sister

played the green glass game with me
in your mom's kitchen she hinted

at clouded designs of friction.
She was right - when Oma died

you retreated into verdigris,
atoms decayed into smaller atoms,

& we slowed and watched in wonder
at ghost-flurries of new spring between us.

It was done, but I miss you nonetheless,
& send my best; yours, Evan.
These letters to people of my past are very cathartic for me, so here is another in the series.
i thought i understood the water,
the silver whispers of stream,
dying the way sadness sighs  
like a star.

the water didn't bring me to
you or you to me.

you were not the shimmer of a
fish.

you were the light reflecting,
bold splashes of colour
on a bold canvas. you

were night when i could
hardly bear the night and you
fell through me

like twilight bringing black
marble moons and watery ghosts.

i thought i understood the water.
i thought the stars painted your
reflection on my lips,

but the silver whispers were not
sad they were happy and
i wondered how i ever
found them sad.
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