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  Apr 2018 Pradip Chattopadhyay
r
No one stays long
in the house of the bereaved

The hounds are lonely tonight
but not the priest

I dream I am still
in Tennessee grieving

Drinking moonshine
and branch water
looking for a fight

The undertaker creeps out
of the farmer's daughter's room

His wife beats a spider
with a broom then sweeps

When Death beats his child
nobody listens to her weep

My mother used to beg,
Son, don't write about Death,
We'll cross that ditch soon enough


I have nothing but respect
for the dead, I said

But there is no doubt in my mind
Death is a bad dog, a real *****.
Not the attraction a boy of ten
has for his peers
he was not even among
the intimate friends
yet a kind of lust I felt
when he was around
a flutter and denser breath
and in his absence
paling of all else.

That early seeding
was a hushed gust
blowing awhile in the ravine of
deep south.

Pretty girls emerged from the dust
and the first man in me
grew out of first love.
talk not to me
of the reality that media shoot
at me from morn to evening

not of catastrophes or cruelties
humans inflict upon each other
with never-ending venom

speak to me of the delight
a newborn gives its parents

the joy and pride a child feels
mastering its first challenging task

the sudden sparkle in the eye
of refugees when finally they have reached safety

the wordless joy when two have found each other
and for a time need nobody else

speak to me
of all the moments in our daily life
that make us proud to be human
A good man is soon out of company.

The woman he lives with
believes he is a fool
and having seen no sign of his cure
she feels insecure.

He is weak and so acts good,
she rues in bitter mood.

Goodness buys him no good place anywhere.

People interpret his grace his kindness
as his meekness.

He leaves his seat for others
but is never offered a seat
with sellers he is nice
but parts paying the worst price
being never vocal with claim
favors seldom find his name.

Yet in goodness only
his heart loves to dwell
and on the humble bed
he sleeps well.
  Mar 2018 Pradip Chattopadhyay
L B
I hadn’t meant to spy
just an evening’s walk along the beach
knowing that things are sometimes strewn there after storms
between a gust of wind—a break in clouds

Coming upon moonlight
gleaming on wet teenage backs
Two—
by a leaning erosion fence
fondling the last discoveries of childhood
fumbling with the barriers of her bikini
behind the erosion fence
out of sight and forbidding

Breeding like sea grass by rhizomes
prowling that neck, those *******
Gasping! Warring!
for the land of white warmth below their tans
His hands grip, lift, position, insist
By such undertow
mouths and hips pinioned in disbelief...

where they cannot be seen
two half-rounds in rhythm – struggle in the surge of being

as the surf binds them in refrains
about the ankles
Needing the ocean again.
the bus poets

we are the modern day chimney sweeps,
the ***** black faced coal miners of the city,
digging up its grit, toasted with its spit,
the gone and forgotten elevator operators,
the anonymous substitutable,
still yet glimpsed occasionally,
grunts of urbanity
provoking a surprised
whaddya know!

once like the bison and the buffalo,
we were thousands,
word workers roaming the cities,
the intercity rural routes and the lithe greyhounds
across the land of the brave,
free in ways the
founders wanted us to be
us, the stubs and stuff,
harder working poor and lower cases

we were the bus poets,
sitting always in the back of the bus,
where the engines growls loudest,
seated in the - the most overheated
in winter time, so much so
we nearly disrobed,
and then come the summer,
we were blasted with a joking
hot reverie from the vents,
but vent, no, we did not!

no - we wrote and wrote of all we heard,
passion overheated by currents within and without,
recording and ordering the
snatches and the soliloquies of the passengers,
into poem swatches;
the goings on passing by,
the overheard histories,
glimpsed in milliseconds, eternity preserved,
inscribed in a cheap blue lined five & dime notebook,
for all eternity what the eyes
sighed and saw

books ever passed
onto the next generation in boxes from the supermarket,
attic labeled, then forgotten beside the outgrown toys
with our names writ indelible with the magic of
black markers

if you stumble upon a breathing scripter,
let them be, just observe,
as they, you,
these movers and bus shakers,
as they, observe you

tell your children,
you knew one in your youth,
then take them to the attic
retrieve your mother's and father's,
teach your children
how to read, how to see,
the ways of their forefathers,
the forsaken,
the bus poets.
dedication: for them, for us, for me
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