My heart bled ink on the ivories of the piano; enveloping all white in supreme darkness.
He painted every key with careful, calculated words that spat venom to cover to conceal and to showcase the superior identity of the black keys.
Suffocating black drowned strangled cries as the white blended beneath the black; forced to play the same sharp note while ignoring their own.
But music is harmony. Without white, there is no melody. As a monotonous sound resonated, the black scrambled to recover these voices --different, soothing, rich in beauty-- have already broken.
And so the black keys play --imbalanced, remorseful, and forever imperfect.
This was inspired by events of the Holocaust and the basic outline of events, but it took a different turn; of the oppressed, those who oppress and silent bystanders, I suppose, were explored. The "he" in this situation is Adolf ******, his "words" referring to propaganda used to make segregation of Jewry socially acceptable.