₁Peering into my eyes in a darkened room Your dog curled up, lilliputian, Quietened behind the wall across from us Your hands cradle my face as if I am crumbling marble ₅Venusian statue that you've finished carving Delicacy and care reside in your fingers
I cannot see you, your everything is blurred You are a frustratingly unfinished masterpiece You are an out-of-focus black and white Kodak photo Candid snapshot a girl has taken with her camera phone Wordless and soundless, Silent in an equally soundless room
I hear our syncopated breathing, Softened, pulsing rhythm, cadence of your breath Fanning across my bottom lip You open your mouth A sliver of light from your window Curtains, diaphanous, like gossamer silk Flutter in the stream of your quiet fan
You speak My eyelids flit like moth's wings on a Spring evening You speak There's approximately four striations of shades In your irises, Flecks of opaque peridot and ochre God drizzled in spools of honey Swirled in the colors of crisp autumn leaves and sun-dappled orange Called it done
I press my face against your cheek Leave a lasting imprint of you there Your touch will be ghost-like I'll feel it on my skin seven months later
“You are so pretty you know that?” Your eyes split me open Like a cadaver whose bones were strung With pearls and fitted with chains Beauty in the macabre Beauty in a breakdown
opia n. the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable—their pupils glittering, bottomless and opaque—as if you were peering through a hole in the door of a house, able to tell that there’s someone standing there, but unable to tell if you’re looking in or looking out.
(definition taken from "The Dictionary of Obscure Sorrows")