Sep 2017
The muse inquires,
knowing that a question such as this is
cannon fodder, an off-the-shoulder-blouse tease,
just a hint of cleavage, a whiff of parfume,
something to make poet sneeze,
ejecting an answering essay
without a clue where to go, but,
now the fifth gear engaged,
compulsion full,
immédiatement, en ce moment, laisser's aller!
and he knows exactly what to say
what if poet possessed a special character,
to define the sadness that reflects that
summer has had its memory card wiped,
and even though today,
will be a Saturday of
jeans shorts, a halter top, sort of day,
the chill of dreaded winter is not coming,
already present and accounted for,
enchanté, déjanté,
has already encased his heart in ice so thick,
that even if poet drank a Joni case
of his fav summer quaff,
un provence rose,
his seasonal loss cannot be overcome,
the summer man~king is dead
all that in but a single character, a precise capture,
a labor and time saving device, but
a character with no character
for the labor would be love lost
yet you swear by your succinct emojis,
their immaculate efficient composition,
and I would not trade one accidental,
just-slipped-out I love you
even for ten thousand disheartening heart symbols
would you prefer
|£%!<#
instead of:
I love you so much it is
driving me batshit crazy!
I'm stuck with my troop of twenty six
and their multiple endless quilted rearrangements
call me old and out of fashion,
to your question,
this poem is my ask and answered at 5:13am
knowing that a question such as this is
cannon fodder, an off-the-shoulder-blouse tease,
just a hint of cleavage, a whiff of parfume,
something to make poet sneeze,
ejecting an answering essay
without a clue where to go, but,
now the fifth gear engaged,
compulsion full,
immédiatement, en ce moment, laisser's aller!
and he knows exactly what to say
what if poet possessed a special character,
to define the sadness that reflects that
summer has had its memory card wiped,
and even though today,
will be a Saturday of
jeans shorts, a halter top, sort of day,
the chill of dreaded winter is not coming,
already present and accounted for,
enchanté, déjanté,
has already encased his heart in ice so thick,
that even if poet drank a Joni case
of his fav summer quaff,
un provence rose,
his seasonal loss cannot be overcome,
the summer man~king is dead
all that in but a single character, a precise capture,
a labor and time saving device, but
a character with no character
for the labor would be love lost
yet you swear by your succinct emojis,
their immaculate efficient composition,
and I would not trade one accidental,
just-slipped-out I love you
even for ten thousand disheartening heart symbols
would you prefer
|£%!<#
instead of:
I love you so much it is
driving me batshit crazy!
I'm stuck with my troop of twenty six
and their multiple endless quilted rearrangements
call me old and out of fashion,
to your question,
this poem is my ask and answered at 5:13am
In Autumn
Mark Irwin
When within ourselves in autumn we feel the autumn
I become very still, a kind of singing, and try to move
like all things green, in one direction, when within ourselves
the autumn moves, thickening like honey, that light we smear
on faces and hands, then touch the far within one another,
something like autumn, and I think when those who knew
the dead, when they fall asleep, then what, then what in autumn
when I always feel I’m writing in red pencil on a piece
of paper growing in thickness the way a pumpkin does,
traveling at fantastic speed toward orange, toward rot, when
in autumn I remember that we are cold-smitten as I continue
smearing red on this precipice, this ledge of paper over which
I lean, trying to touch those I love, their bodies rusting
as I keep writing, sketching their red hands, faces lusting for green.
Mark Irwin
When within ourselves in autumn we feel the autumn
I become very still, a kind of singing, and try to move
like all things green, in one direction, when within ourselves
the autumn moves, thickening like honey, that light we smear
on faces and hands, then touch the far within one another,
something like autumn, and I think when those who knew
the dead, when they fall asleep, then what, then what in autumn
when I always feel I’m writing in red pencil on a piece
of paper growing in thickness the way a pumpkin does,
traveling at fantastic speed toward orange, toward rot, when
in autumn I remember that we are cold-smitten as I continue
smearing red on this precipice, this ledge of paper over which
I lean, trying to touch those I love, their bodies rusting
as I keep writing, sketching their red hands, faces lusting for green.
