The sun rose pink over Lancaster;
Its frozen rains came quick in tow—
Here, we sense the passive and the active:
To take the drag or pull:
He is dragged by the way of the automatic hand-to-mouth;
The Other, is my command—
But that, even, impelled snowfully toward
A closed fist, a locked grasp, an unwilling departure.

I suggest a dislocation somewhere in parallax:
Take paper dimensions and fold them 104 times
And everything flattens out—
The ocular inversion becomes like-real; I’ll swim in that!
Puddles are dragged by the wind, whilst the pull thinks in spite
Of I, its strange corpus of author, and opus
Drags to the creature of appetite deign to call to order.

But a power powerless to its name given it:
Destined desiring of sunnier metaphors—
The alcoves of the thread, brought to just us
Caesuras of what satisfies, in food, in just us
The depth of image holds true: one cannot live on bread alone.
Thus, I muse and mull back to locks of hair and bellybuttons
Waiting, in time—the deepening of time’s cloth
Where my hand caresses her thigh—
One can feel the gravity pressing on the heart,
All the love that self-reflects, combs out the wrinkles,
And has faith in the good inertia.

By this secular host consubstantiate
And Other (surely a pleasing affair) is but moments away.
And she and I look so pretty together,
Our is of whom and what and the third conditional.

That which presses upon itself, the one dimension,
Cannot disentangle from name or alliance, nor faith,
Greedily picking at the oily ruptures, effulging in transparence,
Contradictions care not for astrology,
And whether you are poetry
Is not important here.