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 Jan 2015 Makiya
Joshua Haines
This is what she looks like when she's sad:
The human condition effective immediately.
Winter shades shift side to side,
exploding out of each iris.
Skin falling off,
when lunging forward to kiss me.
Fingernail daggers dig into my pores.
I'll bleed under her fingernails,
if she'll drag them down my torso
until her knees click the floor.

This is her tongue inside of my mouth:
We taste each other before we waste each other.
Hip bones parallel and our eyes rubbing shoulders,
my hands surfing her rib cage
and it's all the rage because she moans.
And when she moans,
color tones orbit around her head.
Planetary tumors dancing around her skull;
jump roping with her hair,
eating morals and removing plurals.

Those are her lips around me.
Her head moves up and down
but her eyes focus on me.
She makes eye contact
and I empty my dreams
into her mouth.

We are a public forum.
I ache with alcohol poisoning
and liberal undertones.
The terrain that is my face
bleeds oils that would lubricate
the axle of the car that she drove
into the tree
that we carved our name into.

Come back to me.
I miss you so much.
I watched you die.
I watched you die
and there was nothing I could do.

They told me that she wouldn't make it.
They told me that she might make it.
My hand gripped at blood stained blanket.
I think she said my name under the air mask.
I could tell if she saw me;
her eyes rolled back into her head
after she gazed a thousand yards away
into the field of black
that sheltered the tall grass
that we would chase each other through
and get lost in
as we got lost in each other.

I love you! I ******* love you!
My back, a membrane coil
that rises my stiff neck
that cares my head full of memories.
I turn on the light and you're not there next to me.
I put my hand on your copy of The Thornbirds
and know that you've read it more than the notes
I leave in your inbox,
hoping that it'll say that you have seen it.

Walking to your grave,
I am a darkness that the abyss has swallowed
and I have followed myself into nothingness
that is such bliss
that I forget
your kiss.
 Jan 2015 Makiya
david badgerow
i am a god
lying in my own meadow
under the sky i created
i'm monumental and
i will outlive everyone

but my mind is clouded and
full of ice-cold sheet lightning
sometimes
daydreaming about finger-banging
alone in my dingy room
i speak to walls with the lungs of the wind
my scratchy pen filling poetry books
that no one wants to read

but you said i have the type of
personality disorder that you admire
and you're just looking for someplace
to snooze and cuddle out of
reach of the witching wind

well i'm the only man left
the storm took everyone else
and i was born in a magnetic desert
at the edge of the world

all of the sudden i'm burning up fences
and breaking up labyrinth walls to
find you in a lush garden i hardly remember
under a tall willow tree
long black hair streaming across
your face and bare chest

you make something in me
leap and sing remember
i told you i have a type
and it's complete annihilation
under the wet rose of your latin kiss
i will never be
as great
as the greats
so i find solace
in their words
etch them in my bones

to know them

and i feign
artistry
for the sake
of ego
 Dec 2014 Makiya
ivory
cocaine
 Dec 2014 Makiya
ivory
my face burns from the place
your mouth was
      from dusk to dawn
 Dec 2014 Makiya
Dorothy A
Survived
 Dec 2014 Makiya
Dorothy A
I was just remembering today about one of the hardest times in my life. It brought me to tears.  My estranged brother—the second brother—had committed suicide, shot himself in the head out in SeaTac, Washington. He was pretty isolated from my family, angry for a long time about his upbringing and was also hiding a secret about his sexuality. As I see it, my brother always tried to act macho, and gay was not macho. It was obvious he was very depressed, and I think he was running out of money due to being out of work.

I recall my father calling me on the phone, and asking, “Dottie, are you sitting down?” Then he told me my brother killed himself. “I expected that”, I think I replied, as if I could ward off the shock, the fear, the pain and the guilt. The tidal wave was yet to come.  

I never tried, made no attempt, to **** myself. I was far too fearful of what was beyond that decision.  That doesn’t mean I didn’t want to do it. I surely thought of it as a way out, a final solution.

They told me in the hospital that I didn’t want to live anymore, not that I was directly suicidal. I believe they were right. I had a death inside, a sinking hopelessness that I could not believe would ever change. It unnerved me so that my brother could have easily been me.

I had checked myself into the psych ward, and it felt I was locked in and the key was thrown away. You would have thought that I was in for three months instead of three days.

This all took place almost seventeen years ago. In spite of feeling like I had nothing to live for. Instead of dying, I lived on. In two, easy words:  I survived. I could never adequately describe—really verbalize—how low that I had felt, at times. Words don’t do it justice.

I never dodged a bullet. I never felt my life flash before my eyes. Nevertheless, I feel like a survivor. I did have a few close calls in life--as a pedestrian in an encounter with cars. But what really makes me feel like a survivor is going up against the great wall of depression. What really makes me feel like I've made my way is fighting with that emotional giant that has threatened my very being.

No one need have a story like mine to feel like a survivor, either. Life isn’t easy for plenty of us. And really everyone comes from survivor stock—people who came before us that had to struggle to make it. With such things as slavery, high childhood mortality rates, and so on, one can get the gist.  

And one can surely believe what they want, but I believe in God and in heaven—of much more than meets the eye—of a purpose. It might not be a purpose shining in neon lights, but it’s a purpose, nonetheless. I’ve fought with the concepts of having meaning, and in my faith, at times. I mean I really struggled, intellectually as well as in gut wrenching form. But if this world is it—and then lights out—I would view my life as no more significant than a swarm of mosquitoes or a grey rock in a pile of other grey rocks. Some might scoff at that. I beg to differ.

That’s what gets me through the hard times, and keeps me going.
 Dec 2014 Makiya
Lewis Carroll
Tweedledee said to Alice, "You like poetry-"

"Ye-es, pretty well-some poetry," Alice said doubtfully.

"What shall I repeat to her," said Tweedledee, looking round at
Tweedledum with great solemn eyes.

"'The Walrus and the Carpenter' is the longest," Tweedledum replied,
giving his brother an affectionate hug.

Tweedledee began instantly:

The Walrus And The Carpenter

The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright-
And this was odd, because it was
The middle of the night.

The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done-
"It's very rude of him," she said,
"To come and spoil the fun!"

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead-
There were no birds to fly

The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "It would be grand!"

"If seven maids with seven mops
Swept for half a year,
Do you suppose," the walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.

"O, Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."

The eldest Oyster looked at him,
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head-
Meaning to say he did not choose
To leave the oyster-bed.

But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat-
And this was odd, because, you know,
They hadn't any feet.

Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more-
All hopping through the frothy waves,
And scrambling to the shore.

The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.

"The time has come," the Walrus said,
"To talk of many things:
Of shoes-and ships-and sealing wax-
Of cabbages-and kings-
And why the sea is boiling hot-
And whether pigs have wings."

"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.


"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed-
Now if you're ready, Oysters dear,
We can begin to feed."

"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said.
"Do you admire the view?"

"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf-
I've had to ask you twice!"

"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"

"I weep for you," the Walrus said:
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

"O Oysters," said the Carpenter,
"You had a pleasant run!
Shall we be trotting home again?"
But answer came there none-
And this was scarcely odd, because
They'd eaten every one.
the mind is a vessel swimming in ideas, until the break into reality--waves are receding from the shoreline of thought,
crashing crescendos of melodies
that ached to be heard
And
words that longed to be written
And
memories that once resurfaced--

All gone.

Dreaming is a poet's land and
I ache for eye sight and control and the free flight of my subconscious.
Reality sigh
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