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  Oct 2017 lmnsinner
onlylovepoetry
"Who writes poems like these?"

She, Miss Patty,
from Missouree? Missouruh?
asks me this question
round about a year ago,
after eavesdropping on an open poem line,
about a conversation,
a dialectic chat between me and the big guy in the sky^

(yeah, him, the magic marker Maker, who graffitis our lives only in
ink that just never goes away, cannot be erased,
talkin' bout this 'n that, ending, in a request from him for a
love poem personal (denied, fyi))

my answer:

come, sit for awhile, in poet's nook, upon soft pillows for our
tired sighs born in chests with a different kind
of breast cancer.
and upon these tough worn Adirondack chairs hard,
by the bay, we shall coverse in alternating verses

if too hot, the poetry's temperature.
we'll slow drift to the sun room of lace curtains and
heated suicide poems,
and after cool drinks
we'll observe the water, the rabbits, the cacophony low
of all the noisier creatures asking the trees and the
shuckling cappuccino frothy leaves
where did all those poets come from?
~
so to the question at hand and heart,

Who writes poems like these?

answers scarce, confessions plenty,
evasions conjured,
but tried, tired, and true, indeed
always ask myself, my sole troop,
that very same question every time,
the brain chimes poem time

'tis a truth, sort of, for the question is
asked by me, so oft,
should I, would I,
dare deflect the inflect of the eyes who cannot lie
and write a poem like this,
knowing it ends always only in tears,
or quit while ahead,
while my heart is slow beating,
and the pounding is temporarily,
halftime shelved

when
I ride the bus, open the kitbag,
find messages so privy
with and from the other poets,
(it is a privilege to be so councillor entrusted,)
picking up the gleaming gleanings of
fellow earth-extraordinaires,
reading the tales of the mad lunar lovers,
each of whom believe the moon has been following
only, each of them individually,
from childhood

when
exercising the muscle memories of love and ache
when watching the little gestures of my babies, my loved ones,
clues to who they are,
clues to who they will be.
after I am not

but let me be measured for measure by this:
Who writes poems like these?

well, after every writ complete,
weep and weep, if not laugh uproariously,
for though the question earnest, and I too,
never ever let adulthood interfere
with actions of my eyes, my mouth, my gut,
they all, masters now of me,
forcing me to write with abandon reckless and yet,
slicing off choicer cuts of me, carefully crafted, into
word etchings, painted water colors coming from the body's oils,
for my ration of rationality
has left town
for the summer, following the little drummer
boy,
perhaps, for the (double meaning) good

this each, a parcel of me, writing beguiling amuse bouches
of cache and cant, of poodles who speak human,
long legs in bed, high heels attached, conversations with moons,
crying to my lovers, I am a little boy, so needy,
and then the left foot turns to face
any and all gods who permit their names to be abused
for muddying murdering purposes,
as if we, all humans, all poets, were playthings,
bowling pins and not poets of some, any, the, way,
coming from the place
to where we all speak words, in our differing dialects,
accepting the blessings & curses thereof,
words but never fists

have I answered the question?

suspect not,
cause I am the suspect prime
in the crime
of low poetry
and high mis-demeanors,
and the authorities have been asking me the question for a lot longer than you, but no longer than one peculiar man,
Who writes poems like these?*
and they haven't caught me yet
and I haven't quite caught
the plain answer
  Oct 2017 lmnsinner
Nat Lipstadt
Those old comments from the disappeared with no names,
no faces, just a large gray dot and two -- anonymous*




<•>

Those old comments
live on, unremoved,
from the disappeared ones,
no faces, no names
a large gray dot and
two -- anonymous dashes

a most contemporary kind of disregarding,
disregard-me, frak you, cause I disregarded you first,
funeral pyre ******* gesture,
where only your face was consumed,
but your words live on forever. ...  
congrats, in this day and age,
you, managed to get in the last word

who were you?
why was it necessary to leave?
while your comments, pithy,  
cheddar sharp, meaningful,
of just a plain old prdinary
wow,
tender precious to me
drive me now to simple
madness gladness sadness
failing to yes, to be recalling
who you were/are

were you stalked, trolled, gored,
or just bored
with the word-gaming,
needy for some well constructed avatars
desirous for ****** machine gun killing?

did you heart break one last time
into one million parts too many
you did not believe, didn't trusted me enough,
to heal the cuts and paste
you together like I did previously,
no more one more time?

did you get
transmigrated,
move beyond and out of
London and Minneapolis, Katmandu?

win the lottery,
get parental sent away,
super jetting wealthy,
married, divorced, soul lost,
unhealthy in complete privacy,
up and left the poems of we
poor sods behind,
on your way to Monaco or Singapore?

did I offend beyond any mending?
gladly would have kissed you knees,
written a poem just to tickle you pink
or whatever color you so desired but that
gray grey cream dot not,
that makes your disappearing act,
twice as a pain-full, a banner unfurled of,
you pick the word

was I too sweet, too kind, cloyingly annoying
driving you crazy with my midnight clockwork
"jes' me checking in on you"
one liner messages,
go one message too far?

how we conversed, holy roman dialogues
till one day and hadn't heard and
chagrin uncovered no more souling
we two, ragging and consoling,
on each others nonsense,
cause
you cloaked a name in deliberate invisibility!

well ha on you I am lying,
I will know your name, your face,
your funny way of signing off
when fate sits us side by side
on some long plane ride

you will watch me tap on my tablet
in letters so big you won't struggle to read over my shoulder,
the poem I will write for you / just one more
for just you

and I'll see reflection of your turned away head
in the plexiglass window smiling and tearing,
while I hum some Carole King sad love songs

you will salty say
to wound and to love
cause ain't no difference:
now

you're still an idiot,
write way too long
and forget to put the title in, on -- whatever*

and I will nod also,
in that idiotic identical
tonality of whatever,
in holy poem agreement
not saying much, just
tapping grey --
the rest of the way till we land,
thinking mostly about all the gray grey shades and shadows
in that dashed word,
whatever--



9:27pm 10-5-no jive
"Now And Forever"
ny Carole King
Now and forever, you are a part of me
And the memory cuts like a knife
Didn't we find the ecstasy, didn't we share the daylight
When you walked into my life

Now and forever, I'll remember
All the promises still unbroken
And think about all the words between us
That never needed to be spoken

We had a moment, just one moment
That will last beyond a dream, beyond a lifetime
We are the lucky ones
Some people never get to do all we got to do
Now and forever, I will always think of you

Didn't we come together, didn't we live together
Didn't we cry together
Didn't we play together, didn't we love together
And together we lit up the world

I miss the tears, I miss the laughter
I miss the day we met and all that followed after
Sometimes I wish I could always be with you
The way we used to do
Now and forever, I will always think of you
Now and forever, I will always be with you
lmnsinner Oct 2017
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah*
a cry you hear at night (my nighttime vocabulary), the same repertoire as the daytime residents, yelps and screeches, groans and screams, bleating whelps and yelps, grunts and curdling silent  low moans and pierced wails, crues du cœur, (cries from the heart)  but at night when these orchestral sounds are released without modification, freed from the governor of self-consciousness, the embarrassment of waking mirrored witnesses, atonalities as raw as a violin string snapping, the terrible sounds, twice as harsh as the scrape roughened roaring sound of the  hoarse word, raw, when spoken out loud but I count them all as friends, these then my nighttime vocabulary companions.

each deed, each sin, committed, lifelong repetition, dances in a chorus line, across my eyelashes, each demanding my punishment with a different matching sound; the reciprocal noises of the lives I shed, the lives I've taken, the forsaken forsakings, the blatant ones done with no excuse, no pretend rationale, these are my very own
songs of the night, conductor, musician, audience, one for all,
all for me, my torment of endless and relentless unforgiving sonality
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah

Leonard Cohen
  Oct 2017 lmnsinner
False Poets
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
Under a brilliantly chilled blue sky,
the dusky cedars grow in strength;
While the serenity of newly fallen snow,
glitters in the sunlight's timeless bend.

Lost in an echo of angel's footsteps,
I seek the dimmer sanctuary of shade;
Hiding my inner thoughts from open spaces,
as the winter's sun burns sharper than a blade.

I hear the ringing rhapsodies of cardinals red,
spreading their sweetest notes across the plains;
While resting in the ragged twisted treetops,
the munificence of music's charm remains.

My thoughts were once a clamoring onslaught,
of tormented memories from my current loss;
Yet now my heart's awakened to a paradise,
as I silently relinquish that ill-fated course.

With one deep breath I rise amid the ashes,
of restless slumber's curse which held me back;
But with this wondrous world in resolution,
the hunger and the thirst no longer last.
  Sep 2017 lmnsinner
Nat Lipstadt
no way you could know that
I have driven US 80, when
the Pennsylvania Turnpike
was considered a legitimate deathtrap,
and 80 was a god-send

shuttling back and forth tween
Cleveland (o/k/a The  Burning River City) and NYC,
in the crappiest weather man
could just about tolerate,
and 84 was just an
incomplete dream then,
so we one day,
could skip that idlewild,
Passaic, New Jersey,
back in '69

indeed the Pocono deer that
came through the windshield,
luckily, legs first,
after smashing the radiator,
that I dragged by hooves
to the side of the road,
still well recall, for that
was the first time I touched a
living thing dying in my hands

when I broke my arm in
Tannersville one summer night,
they drove me to the big city,
Scranton,
woo hoo,
cause the break was bad ,
they need to operate,
so they left me there,
w/o any anesthetic,
in the hallway(!) till morn
and a "see ya later kid,"
how they did things in a tough place
known as central Penna.,
which now I think of
semi-fondly as the place where
a piece of me was left buried
and I am still alive to swell tell

but people were tougher back then,
even me, a city 13 year old boy,
cause I had dreams of  girls,
wonderful girls, who had powers in their bodies
that could do things to me in the Poconos forests,
that were unthinkable (for them) after crossing
over the Hudson River,
and that was plenty
anesthetizing

so dem my bona fides,

and Now I Will Write
just another overdue thank you
for Balise, who writes
with a coolest heated blazing detachment,
and then at the very end,
IN ALL CAPS,
smacks you on the head
via the heart

writin'  
of
this n' that,
Mass and men,
worshipping a river called the Lackawanna,
the bleakness of a not quite grimy poverty,
(I worked in  Republic Steel warehouse)
that made grey a bright color,
and the sun was invisible from October to May,
in a world where people PROUDLY,
clung to their guns and religion,
(you arrogant out of touch Harvardian snob,
Mr. Obama prima donna),
you had to see it to believe it

of
herons and beer cans,
of parents and pain,
so exquisitely,
that I would gladly
drive to Tannersville again,
right now,
if I could, if I could,
yet learn that skill under her tutelage,
which by the by, is why some call me
still crazy, still crazy, after all those years,
crazy from a balise,
a wintry blizzard heating the readers eyes, and
who reads my footnotes
and thus
only this woman,
knows, better than she ever realized,
where his undulatin' poems come from...
  Sep 2017 lmnsinner
Left Foot Poet
spend /broke

I am here.  I could spend all my days reading your wires.  I could spend all my nights writhing writing responsa psalms.  
perhaps I do, for after all, I am here  
{~for Mara, Denel, Liz B.; Patty~}

I string fences too, bury birds, insects, living sons, tho just out in the back of my ex-mansion brain. want to write simple, effectively, like you guys, and want to live simple ample effectively. cant cursed, cursed canticle Kant cant.  so the day commences   2000 plus emails chirping read me and I've just arrived, but I do not, bury them in a mass grave with an effective 'delete all,'  not even thinking what might be missed, missed

what happens when u run out of fence, land, good silences, and spending becomes broken? spending, breaking, chicken, egg, simple, too many words, to read, to write, so which will come first?

738am
Liz B.Fledgling

Traci Brimhall
I scare away rabbits stripping the strawberries
in the garden, ripened ovaries reddening
their mouths. You take down the hanging basket
and show it to our son—a nest, secret as a heart,
throbbing between flowers. Look, but don’t touch,
you instruct our son who has already begun
to reach for the black globes of a new bird’s eyes,
wanting to touch the world. To know it.
Disappointed, you say: Common house finch,
as if even banal miracles aren’t still pink
and blind and heaving with life. When the cat
your ex-wife gave you died, I was grateful.
I’d never seen a man grieve like that
for an animal. I held you like a victory,
embarrassed and relieved that this was how
you loved. To the bone of you. To the meat.
And we want the stricken pleasure of intimacy,
so we risk it. We do. Every day we take down
the basket and prove it to our son. Just look
at its rawness, its tenderness, it’s almost flying.
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