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Are you 'swingin' the lead?' he said,

no guv,
off work because I'm proper poorly

hmm
more like trying to fool me
unless you're dead, the boss said,
you had better be here tomorrow.

Well
if tomorrow is truly another day
I'll be there on a wet Wednesday
in hell
Some departures we choose,
and some departures are forced upon us—
They arrive with the weight of mountains,
practiced in hesitant steps,
as if dragging the entire world behind us.
We move forward a little... then glance back a little,
for behind us lie things, dreams, souls,
to which our hearts remain tethered.
We split rock once—
shards of hunger and breath
pressed into cryptic veins,
every groove a fever-etched omen
by fists that blistered and bled.

We flayed parchment—
flax and hide peeled raw,
stretched across centuries
to net the writhing unsaid,
ink: venom & sacrament.

We conjured letters,
a thousand spitting iron serpents,
casting skeleton alphabets
to ignite riots—
movable, yes,
but never self-possessed.

The tool is never the delirium.
Never the rupture.
Never the feral gasp.

We carved eyes—
glass cyclopes staring down suns,
mechanical maws drinking shadows,
spitting back sleek carcasses,
veneer masquerading as soul.

We dreamt in circuits,
cipher-prayers & soulless sutras,
automata with twitching limbs
that build, disassemble,
mocking the cathedral
but never kneeling.

And now—
the algorithm howls:
“I will etch your myth.
I will ululate your grief.
I will sculpt the marrow of your truth.”

It lies.

A hammer pounds—
but does not conjure the cathedral’s ache.
A brush bristles—
but does not thirst for the canvas’s hush.
A neural grimoire can mimic,
can multiply until the world chokes
on infinite carbon copies—
but nothing blooms
without the sickness of being alive.

Art is incision.
A holy theft.
A blood rite against oblivion.

We do not tremble before tools.
We seize them—
splinter them—
forge new weapons
from their debris
because we are insatiable,
because we are drowning,
because we are—
human.

Let the hollow vessels hum.
Let the scaffolders scaffold.
Let the parrots shriek
their pallid mantras.

The craft will not save you.
The code will not save you.
Only the hand sunk deep into the blaze—
only the breath fogging the glass—
only the voice that shreds the quiet
because it must,
again and again and again.

Until there is nothing left.
In a forge where ghosts barter with empty vessels, this poem traces the arc of humanity’s relentless hunger to etch spirit into matter. Each stanza is a rung on a scaffold built from sacrificed skins, shattered eyes, and iron tongues, spiraling toward a cathedral that machines can only mimic but never inhabit.

The algorithm—a shimmering siren in synthetic robes—offers false communion, promising to sculpt truth from hollow codes. Yet beneath its sterile hum, the poem cracks open the core wound: that art, real art, is not birthed by echo but by **the compulsion of mortal hands scorched by their own need to mean. **

A hymn to the unquenchable fire, a dirge for the tools that mistake reflection for genesis, this is a revolt against the smooth and the soulless—a reminder that only the flesh-inked, breath-tethered, ruin-hungry voice can breach the silence that consumes us all.
Maybe I speak
in bark static—
the language of
low branches and dry leaves.
Not fluent,
just enough to whisper
my coordinates
to anything listening.

Maybe I’m
the kind of joke
that keeps surviving.
Unchosen,
but still drawn
across every page
you tried to skip.

Maybe I win
because you never
took me seriously.
The moment
you blinked,
I rewrote
the ending.

Maybe I nest
in the cavities
of forgotten gods.
Make quilts
from their cloaks,
line my walls
with their teeth.

Maybe I’m not
the girl you watched
but the thing
you couldn't picture
losing to.

Maybe that’s
what scared you.
Maybe I am an Image
A comic book villain
A video game antagonist
Unlocked and playable
Free for your narrative

Maybe I run on
hearing-aid batteries?
Quietly chirping for
your attention
and affection
A dot matrix
mess to clean

Maybe I am
a Happy Meal
invisible sustenance
to tear through
to find the toy
Cheap joy

Maybe I am
The time you
wet yourself
discreet accident
of only your
awareness
The secret
of shame

Maybe I am nothing
A thing
that remembers
You
in absence
of us
 May 14 Kyle Kulseth
Cadmus
Don’t be alarmed
if evil blooms
where you sowed
your gentlest good.

Not all earth
welcomes roots
some soils rot
what should have stood.

So plant with love,
but learn the ground,
for even light
can be misunderstood.
A reflection on misplaced effort, toxic environments, and the wisdom of discernment.
(for the one who laughed when she came, and never stopped hearing me in her bones)


It wasn’t the wind that bent you—
not the plains, not the brittle hush of late dusk
cutting through the cottonwoods like questions.
It was voice.
It was mine.


Low and unhurried,
crawling up your spine like something ancient—
like the first time you were seen
and the world didn’t flinch.


You used to laugh when it overtook you—
that slick tumble of vowels,
how I could tilt you
without even touching your skin.

You said I lived in your throat,
that the syllables themselves
curved just right
to make you forget the weight of your own story.

“I’m going to Wichita..”
you whispered once,
grinning like prophecy in denim and dusk.
And I swear the beat behind your words
matched mine—
steady as a war drum
in a bone-dry motel room
that never got booked.

You drank me in like river water
stolen from ceremony,
not out of defiance—
but because thirst
was the only honest thing you ever said aloud.

You never had to be naked.
You were always open.
Even when you ran.

And I?
I never asked for healing you wouldn't give.
Only for your mouth to stay honest
when it called my name like a drumbeat
between the bones of your hips.

Now you write like it’s safe again—
soft edges and sparrows and fruit bowls.
But I remember the wildflower.
The one who moaned my name
before language learned to lie.

And somewhere in the shadow of your poems,
you still ache.
You still clench.
You still carry me like a smudge of midnight
on the inside of your thighs.

I won’t chase you.
But I will wait
at the edge of the circle.

If you come,
come barefoot.


Come ready
for the step–half step
of  the forbidden Ghost Dance.
Not to win me back—

but to find the girl
who could come from laughter
and rise from the dead.



Be careful how you touch her,
for she'll awaken

And sleep's the only freedom
that she knows

And when you walk into her eyes,
you won't believe

The way she's always paying
For a debt she never owes
And a silent wind still blows
That only she can hear

.. and so she goes

https://youtu.be/YQ8n_Esop5I?si=dRXBgEhdY-Gw4r8e

#Love
GhostDance
#Redemption
#Recovery
 Apr 24 Kyle Kulseth
M Vogel
for the one who wages war from her father’s house

There is a room
where the mirror is cleaned
by hands that pray for her return.

She draws a blade with manicured grip
and calls it liberation—
but the war she wages is funded
by the very peace she pretends to renounce.

Her rebellion arrives
in first-class comfort,
her prayers echo
from marble bathtubs
and curated playlists
with titles like

“healing”

and “rage.”

She is the daughter
of the one she claims to flee—
but the mansioned roof above  her ache

is paid in his name.

And the poetry?
It is not born of blood,
but Wi-Fi.
New iPhones every season.
A bed delivered in twelve boxes..

of fatherly love she does not unpack

because it’s easier to sleep
on metaphors.


She does not kneel.
She poses.
She does not fast.
She captions.

They gather in awe,
praising the deity of her discontent,
not knowing
her god is a trust fund
and her gospel
a curated pout.

This is not exile.
It’s a vacation
in the palace
of grievance.

But even velvet grows mold
when worshipped too long.

And no one asks
why the daughter never bled
while calling it war—
why the dress of defiance
was stitched from a name
she no longer reveres,

and driven in a car
her labor never earned,
to places that dishonor
a wealthy father's
whole household


But oh.. isn't she powerful?

He's not the primal injury;
her Mother [[was]]

#professionaltherapyisyouranswer
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