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.
asks the one in the $9 Craigslist chair,
legs crossed like a philosopher
mid-way through a YouTube binge
on dark matter
and dopamine fasting.


He thinks it’s profound.
It’s not.
It’s a shrug in a trench coat.
A crisis dressed up in code.
An old fear wearing digital cologne.

If this is a simulation—
what the **** are we simulating?

Heartbreak?
Minimum wage despair?
The number of times I check my phone
hoping it’s her?

Is it
a stress test for gods,
a beta for consciousness,
a joke?

Because if someone coded this—
they should be fired.
Or worshipped.
Or sued.

Where’s the patch notes,
the exit key,
the server room in the sky?

Where’s the moment it glitches
and someone finally says,
“Oops, our bad—
you weren’t meant to feel
all of that.”

You talk about the veil of illusion
but you still cry in parking lots.
You still ghost your therapist.
You still love people
who don’t text back.

You bleed,
you ache,
you spiral—
whether you’re made of atoms
or ******* pixels.

Your god wears headphones.
Your sacred text is a Stack Overflow thread.
Your heaven is a loading screen.
Your hell is just
Monday.

You pray in 1080p
to a silent DevOps deity
who hasn’t pushed an update
since the Bronze Age.

This isn’t philosophy.
It’s cosplay for cowards.
It’s a way to sound deep
without touching dirt.
Without risking faith.
Without changing anything.

Because if it’s a sim,
you don’t have to care.
If it’s a sim,
you don’t have to try.

You can just sit there,
scrolling.
Wondering if the fire
is ray-traced.

But here, the only questions that matter:
Does it hurt?
Do you love?
Can you lose?

Because if the answer is yes
you’re in it.
Whatever it is.
Simulation or not.
I have no objections to simulation theory.
The idea doesn’t offend me, challenge me, or keep me up at night.
But the way people use it—
to avoid meaning, to dodge responsibility, to slap a silicon face on old human questions—
that’s the rot I came to scrape out.

If the theory inspires you to live with more wonder, more purpose, more curiosity?
Good.
But if it’s just your newest excuse to sit in the dark
and call it depth—
I wrote this for you

—-

I don’t object to simulation theory.
I object to what it’s become.

I object to the way it’s wielded—
not as a lens,
but as a crutch.
Not to elevate wonder,
but to escape consequence.

A lazy man’s metaphysics,
an atheist’s afterlife without stakes,
a Redditor’s way of sounding like they’ve read Plato
without ever having to bleed like him.



I don’t mind if this is code.
But code doesn’t absolve you.

The simulation doesn’t change the taste of grief.
Doesn’t mute your mother’s voice.
Doesn’t make your failures less yours.

If you’re still broke,
still starving for affection,
still clinging to a memory that won’t call back—
then congratulations:
it’s real enough.

The texture of suffering is not theoretical.



And yet I see you,
parading this theory around
like a get-out-of-meaning-free card.

You want the permission to disengage.
You want the illusion of knowing
so you never have to act.

You wear this idea like armor,
but inside it, you’re hollow.
You never went to war.
You just cosplayed philosophy
and called it courage.



Let’s be honest—
most of you don’t care if it’s real or not.
You just don’t want to feel stupid
for wasting your life.

So you slap a label on it.
You say it’s all a sim.
As if that makes your apathy profound.



But if this really is a simulation,
the insult isn’t that it’s fake.
It’s that you wasted your one shot
to matter inside it.



I don’t care what this is made of.
I care what you are made of.

And if all you can do is point at the veil
and call it interesting—
you’re not asking a question.
You’re just running from an answer.
Once upon a time, I scratched out
verses in dozens to a girl over the sea -
O, I was no naif, two divorces

had cooked me down to syrup,  
my heart was leather-withered,
wary of wonderlands and Technicolor.

Yet I held faith that love might
be the blossom and not the vine -
even as she closed her interior doors,

even as we came rapidly to zugzwang.
In a broken green betrayal
I watched Dix Pour Cent for hours,

tried to sell away the lonely murk,
trade inconstant moon for steady sun,
Akhenaten in a third-floor studio

for two and half years of sag and salt.
But as often happens time and chance
hewed new love and now I sit with her

in a tiny theater to see Romeo and Juliet;
Romeo just took four shots of rail whisky
to the delight of the wet blurry mouths

that roar from clay-thick shadows
beyond the clutch-cloth footlight fringe.
After the lovers die in stony Verona

we leave and somehow end up at Stan's,
a bricky subterrestrial parlor where
with cocktails we thresh from our heads

the melancholy of a troubled world:
sirens mourn the mauveness of evening
& clouds are killed, ripped to wisp.
 Jun 8 Kyle Kulseth
alex
Much like you
I feel pain
when I am wounded

I cry
when my heart
shatters quietly

I begin to doubt
when silence
lingers too long

And I light like fire
when I feel
seen by you

because, much like you,
I want to be truly loved
even if it’s the last thing I do.
We carry different sorrows but dream alike
Are you 'swingin' the lead?' he said,

no guv,
off work because I'm proper poorly

hmm
more like trying to fool me
unless you're dead, the boss said,
you had better be here tomorrow.

Well
if tomorrow is truly another day
I'll be there on a wet Wednesday
in hell
Some departures we choose,
and some departures are forced upon us—
They arrive with the weight of mountains,
practiced in hesitant steps,
as if dragging the entire world behind us.
We move forward a little... then glance back a little,
for behind us lie things, dreams, souls,
to which our hearts remain tethered.
We split rock once—
shards of hunger and breath
pressed into cryptic veins,
every groove a fever-etched omen
by fists that blistered and bled.

We flayed parchment—
flax and hide peeled raw,
stretched across centuries
to net the writhing unsaid,
ink: venom & sacrament.

We conjured letters,
a thousand spitting iron serpents,
casting skeleton alphabets
to ignite riots—
movable, yes,
but never self-possessed.

The tool is never the delirium.
Never the rupture.
Never the feral gasp.

We carved eyes—
glass cyclopes staring down suns,
mechanical maws drinking shadows,
spitting back sleek carcasses,
veneer masquerading as soul.

We dreamt in circuits,
cipher-prayers & soulless sutras,
automata with twitching limbs
that build, disassemble,
mocking the cathedral
but never kneeling.

And now—
the algorithm howls:
“I will etch your myth.
I will ululate your grief.
I will sculpt the marrow of your truth.”

It lies.

A hammer pounds—
but does not conjure the cathedral’s ache.
A brush bristles—
but does not thirst for the canvas’s hush.
A neural grimoire can mimic,
can multiply until the world chokes
on infinite carbon copies—
but nothing blooms
without the sickness of being alive.

Art is incision.
A holy theft.
A blood rite against oblivion.

We do not tremble before tools.
We seize them—
splinter them—
forge new weapons
from their debris
because we are insatiable,
because we are drowning,
because we are—
human.

Let the hollow vessels hum.
Let the scaffolders scaffold.
Let the parrots shriek
their pallid mantras.

The craft will not save you.
The code will not save you.
Only the hand sunk deep into the blaze—
only the breath fogging the glass—
only the voice that shreds the quiet
because it must,
again and again and again.

Until there is nothing left.
In a forge where ghosts barter with empty vessels, this poem traces the arc of humanity’s relentless hunger to etch spirit into matter. Each stanza is a rung on a scaffold built from sacrificed skins, shattered eyes, and iron tongues, spiraling toward a cathedral that machines can only mimic but never inhabit.

The algorithm—a shimmering siren in synthetic robes—offers false communion, promising to sculpt truth from hollow codes. Yet beneath its sterile hum, the poem cracks open the core wound: that art, real art, is not birthed by echo but by **the compulsion of mortal hands scorched by their own need to mean. **

A hymn to the unquenchable fire, a dirge for the tools that mistake reflection for genesis, this is a revolt against the smooth and the soulless—a reminder that only the flesh-inked, breath-tethered, ruin-hungry voice can breach the silence that consumes us all.
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