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when i last met her
her ******* were bursting with seeds
her thighs plump as stems of plantain
and when in the December sun
she dried her hair behind the acacia
i dreamed of lying with her on the grass
drunk in the moaning song from her navel
till the evening drove us cold and old
and darkness stole her flesh from my eyes
and it's almost December again
as she walks with my hands in her
along the field after crop
just tugging my hand once to stop
delicately drawing from her breast
an Agfa snap of two unreal people
in the most unlikely place
looking awestruck into the lens
passing into the evening light
before leaving me halfway
of her cottage and a home.
 Nov 2016 Joel M Frye
Mike Essig
Once I fought in a losing war,
I never asked what I was fighting for,
but now my warrior days are done,
I leave the battles to the young.
They will fly and they will die,
I’m content to watch  and sigh.
It seems that I am not so brave
as I approach the yawning grave.
It felt much easier to fly and die
when swooping from a youthful sky.
I took those chances, I made that bet,
but now it’s easier to forget.
My wars are over, my fight is done,
I leave the battles to the young.
They will fly and they will die,
but pray they ask the reason why.
 Nov 2016 Joel M Frye
Mike Essig
Waking to the sound
of pounding rain
is like hearing
death do a drum roll
before a hanging.
Nothing to do
but step onto
the trap door
and prepare yourself
for the drop.
 Nov 2016 Joel M Frye
Mike Essig
Ἀποθανεῖν θέλω.*

Live too long and words echo.
Sentences lose their bearings.
In the twilight colors wane.
New faces feel drably familiar.
Even the warm bodies of women
become gelidly generic.
Lovers live in other worlds.
War's clamor dwindles to murmurs.
Everything old, distant, familiar.
Memories as flea market post cards.
Wins and losses cancel out.
Too old for Jesus or ******.
Steady hands begin to tremble.
Books become a single manuscript.
Movies dim to one blurred screenplay.
Tomorrow just another cold front.
The future an inaudible rumor.
Caught in the evening of life
for a few more fading frames,
reluctantly faltering to the end.
 Nov 2016 Joel M Frye
wordvango
Nothing is in me tonight
not fear nor excitement
nor joy or shame
just empty
shambles trying
to make something appear
out of the emptiness
like sitting at the laundromat
watching the dryer spin
and an old woman sits down
with her knitting needles and bright colored
yarns and begins
knit one pearl twos
with determination
and I adore her
There's a penny for every sob story,
and a dime for every winner.
A dollar for the tax collector,
and Benjamin pays himself.

But you, my friend, are forgiven,
forget toil and bore;
where you lounge on laurels,
others hunger for more.

There's nonsense in fiction,
truth in law.
But law guarding fiction:
the beast's toothy maw.

You write the laws, my friend,
you are the fiction and truth,
you are the red hand,
you are the beast's jagged tooth.

On and on, the mercy rolls
Are you winning?
Check the polls!
Is it fiction?
No one knows,
but the crown drapes from your head,
to your toes.

Life worms its way into your moth holes...
99 problems; 101 dalmations: you do the math.
You plug the holes with your fingers;
end up with no hands to stop the flood.
That empty feeling lingers,
so does the blood.

Everything's shot to cheese,
but the truth isn't cheesy.
You beg for no mercy,
but you don't say please.

In the end, there's no mention
of how you were spared.
Dare to infract again,
only devils have dared.
I started with the third and fourth lines of the sixth stanza:
"You plug the holes with your fingers;
end up with no hands to stop the flood,"
that I had written weeks ago and had actually intended as a proverb for my fantasy novel, "Brightvoid," which I am currently planning/writing.

Since I had misplaced the note with those lines and put them into my poetry notes, I sat there, staring at those words and decided, "You know what, I'll do it."

Those words will still be employed in my novel, but they'll also be employed in this poem. They must be poor, working two jobs, poor things :(

Enjoy!

DEW
On my profile is a picture
Of a place I used to go fishing
I would sit there for hours
Staring at the brightly painted tip
of my carefully balanced float
Watching for tell-tale signs
Of greedy little fishes
Which were caught and returned
Without much harm to them

This place was a wide part
Of the local stretch of canal
There so barges could turn 'round
And, obviously, known as the wide
Other than in the minds of kids
Who called it "Dead Man's Cove"
Although, in living memory
No-one had died there at all

Many pleasant hours I spent there
Sometimes chatting to other anglers
Or the occasional passers-by
Some would be walking their dogs
And some just stretching their legs
"Having any luck, mate?" they'd ask
"Not bad," I'd reply with a smile
And, do you know, I never noticed
The beauty that was there all the while

                                                     By Phil Roberts
This place is 10 minutes walk from my house and, as is often the case, I've tended to take it for granted.
 Nov 2016 Joel M Frye
Aeerdna
I am full of memories
painted on our ceiling
when we were just two kids
and the rain wasn't hurting anyone

do you remember the smell of smoke
coming from the leaves our mother used to set fire to?
remember the November sunsets
when we'd play stupid games
and none of us was a winner?

remember how we used to sit in front of the fire
playing cards and drinking wine
we thought our lives would be like a smooth sailing on the ocean
yet here we are
miles away from each other
and the music doesn't sound the same
and our cards are missing
still no one is a winner

still
the smell of burning leaves wakes me up at night
still
we are apart
and the wine we drink daily
has no taste
and we keep on playing
even though our lives are like a wrecked ship
in the middle of an ocean that's always dark
we are still lying to ourselves
but deep inside we do know
the wine has changed its colour

and so did our eyes.

much  darker they are
much clumsier our fingers
much number the feelings

and
somewhere,
the leaves are falling
and they are burning
we just can't smell them
                       anymore.
Having just climbed
  through ages
up what seemed an endless flight
of narrow winding gothic spiral stairs
I step out
right into the wind's brute force
   instinctively
my arms grasp for a hold
fearful lest I blend suddenly
with the white horses
and the fields of the Camargue
far down below

Wedged safely
in a nook of stone
a hefty tourist
leans out wide between the walls
toward the setting sun

her summer skirt is blown waisthigh
revealing
unexpectedly delicate lace
above sturdy thighs

her body opens
to the strong soft touch
of the Mistral

A little later
she walks past me
clothes gathered
level gaze calm  
and self-assured

and leaves me wondering
whether the mighty abbot
on his solitary tower
and his exclusive brotherhood of men
had ever understood
the wind that blew
and still blows
through two feet of stone
  like they were silk
and thrills a woman
to her bone

* * *
                                                              ­                        © Walter W. Hoelbling
Montmajour is in the Camargue, near Aix-en-Provence, France
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