The air dances around you and silence looks
different now. The Dead Sea is alive again, stillness acquires a
name, the world quivers on a beach
covered with blind seashells. A giant who has come down
from the mountains is posing for a naive painter. Only
eagles feel
planetary alignment, they are the only ones who can
understand man's amazed look when the woman
comes riding a thirsty gryphon. Whatever is left of life
takes refuge in your dreams. The shade of the harbour is
only generous with the spleeping statues. Every day arises
from the blazing calendar, close to the scream of the siren
out at large. The past blooms out of the rock in the sea and
weighs on your heart. The sand hesitates: I am the
beginning.
In the red cells I see only you. Even the blind see the world
again
through the eyes of their own memories. Doing survey
missions
on the maps of the world, the dolphins ask
the purple red colour of the next eon whether night comes
from beyond words

by Ionel Bota, translated by Lidia Vianu

For a year now
the cassette tape
has been played
over and over again.

We wake up
and with a swig
of loss
of death
and some tears
we swallow a pill of hope.

We follow a path
winding back and forth like a children’s swing –
long
and exhausting,
a path we know for sure
will end in a fall into
the mud of death.

Many times
we tried
to sew up the holes
that were pierced in our hearts
then we realized
our hearts have become sieves.
The pebbles of death
the tears of sadness
and the heavy memories
are too big to leak out.

by Asmaa Dwaima

we are playing with God's elements
the uncertainty principle unseizable
all we have are these disparaged letters
touched by the pigment of time
we ignore repeatedly the human DNA,
its receptivity, fragility and mistery
the horizon of safety questioned by bombs
whirpools of dread are stocked in our shoulders
the chain reaction of violence precise like the atomic time
it works faster than the splitting of atoms to
iradiate the mind

in the laboratory of life unseen words are sprouting
they decenter time or they hit themselves against
the windows like birds do
they circle the emotional memory of our aorta
they smell of dust mixed with blood
they search for that place in your gaze where
is never too hot

"You dream of a better day, alone with the moon" (Blixa&Teho)

I want to turn my body into protest, they are killed twice:
by hunger and  by bullets in the middle of  hunger
hatred is an invasive species, mistletoe  in reversed veins
I can see how thoughts fracture in the middle of sentence,  unrecognizable streets pose symmetrical questions
how can this be or is this all that can be
how much patience the pain has
death is like Schrodinger's cat,
it can be simultaneously here and there
a surreal space exists where time can't be saved
an invisible hand recycles genesis, invokes innocent beasts
time doesn't pass through all the layers of pain
some are turned into a certain sky, others into frozen movement, another into the fertile soil for growing wings  with which one cannot fly because the wind has not yet been invented

There was once a child
born beneath the sign
of unburial.

She carried too much—
not in arms
but in tethered memory.
Things with no names,
only weights.

A cracked watch
that ticked in reverse.
A button from a coat
that no one had worn
in three generations.

A feather
from a bird
dreamt once
by her grandmother,
never seen again.

She believed—
as those marked by absence do—
that keeping meant remembering,
and remembering meant
nothing would vanish.

Others crossed her path,
offered to help unfasten the straps.
She refused.
They did not know
which talismans bled
and which only looked like wounds.

So she walked.
Through salt seasons,
through bone-rattling frost,
through forests with no floor
and skies that never asked her name.

The bag grew heavier.
She grew cleverer.
Silent.

And then—
on a day that wasn’t special,
under a sun that wasn’t kind—
she set it down.
Not as surrender.
As an experiment.

The earth did not crack.
The ghosts did not scatter.
Her shadow did not abandon her.

She sifted the contents.
Some were dust.
Some were still singing.
Some curled away like dried petals
and begged to be left behind.

She took a key.
She took the bell.
She left the rest
for the moss.

She walked on.

Not lighter, exactly—
but less governed
by the shape
of her grief.

worlds are collapsing, rising; dictators exhale,
entangle the veins of world
some ideas preserve salty streets like janitors of the dark
summer keeps the score of perfumed nights
I indulge in the womb of heat
wounds are retreating in sequestered spaces -
the seeds of the future.
there is a chill in the air, dread strikes near and far
light flows like the dance stuck in my bones
everywhere the pulse of time, dreaming