I watch your face
as you write
in the furrows of the brow,
see you and the
word-seeds being seized,
harvested,
prepared, ready-roasted
for sumptuous consumption
grimace and smile,
alternating currents,
grimace and smile,
ponderous pondering
chew each word,
flavor extracting,
does its taste fit,
is it only,
but,
perfect?
you get up, you sit,
you move about,
pretending, misleading,
purposed to be aimless
yet eyes squinting
betray
a fearsome full
concentration rapture,
a mind computing
the numerical quality of
words,
summing, subtracting,
solving for X
you employ technique,
formats, tools and aids,
thesaurus, dinosaurus, dictionary,
even pictionary
when
the guppy letters
swim spring river current fast,
little boy catch me fast run past,
cannot be caught and easy captured
why
do I watch
your face
as you write?
for there visaged,
is your truest work,
you, your best poem
what words you select
matters little to me,
t'is the struggles,
the blush of satisfactory,
the distempered white of
disillusionment,
of inspiration sought
but not found
all these dancers,
you choreograph
a word-ballet in three acts,
scheme a midsummer nights dream
upon the stage of your face
return the favor poet?
watch mine,
watch my face,
as I read your poem
and see thine own best
reflection
in teary eyes caught inside crows-feet,
pencil thin smile lines of fine wine whimsy,
in feet that airlift,
the contour of
who you are
and
think
*You, Poet,
you are your best poem
Inspired by a talk from Edward Villela, a dancer and choreographer,
and a performance of the ballet,
A Midsummers Night Dream